Roberto Carlos (born April 19, 1941 in Cachoeiro de Itapemirim, Espírito Sa… Read Full Bio ↴Roberto Carlos (born April 19, 1941 in Cachoeiro de Itapemirim, Espírito Santo, Brazil) initiated a major revolution of customs in Brazil in the '60s. Reaching success in a period coinciding with the youth movement started by the The Beatles that was taking over the world, Carlos was the leader of Jovem Guarda ("Young Guard") . He led the TV show that became a generic denomination of a musical style and what was a definitive change of face to the Brazilian phonographic market and of the very art of marketing itself (with the advent of an aggressive merchandising of the JG's top figures, including films, clothes, etc.), encompassing deep behavioral/gestual/language influences widespread through his entire generation. His light music, derived from British pop, and his (and his partner's Erasmo Carlos) lyrics (happy, humorous, and full of fashionable youth slang and naïve though unexpectedly sexual) were deeply contrasting to the serious MPB, with its somber images and protest songs. After all, Brazil was living in a dark period of the military dictatorship, or the "years of lead" as they became known.
A few years later, in the late '60s, Carlos (counseled by his advisers) changed his style to become the most successful romantic artist in Brazil. Having written (always with Erasmo Carlos) some of the most beautiful songs in this style (such as "Detalhes," "Sua Estupidez," "Jesus Cristo," "Debaixo dos Caracóis dos Seus Cabelos," etc.), Carlos accumulated virtually all possible accomplishments as a highly successful artist, including a solid international career with awards like the Grammy and top positions on Billboard's Latin charts. Though the adherence to a worn-out sentimental formula proved to be affective in commercial terms (more than 70 million albums sold in his career), it ultimately led him to be known, in the '80s and '90s, as a cheesy artist by youngsters and part of the adult listeners. Nevertheless, the mid-'90s witnessed a resurgence of Jovem Guarda talents through tributes of new rockers and Carlos reached the 21st century uncontestedly enjoying his absolute title: the King.
Roberto Carlos was from a lower-middle-class family. At six, he lost one of his legs and began using a prosthesis. At nine, he debuted on his home city's local radio. In 1955, he moved to Niterói (Rio de Janeiro) and then to Lins de Vasconcelos (a suburb of Rio de Janeiro), where he started to get into rock through Bill Haley, Elvis Presley, and Little Richard, at the same time he met Carlos Imperial, also from his hometown, who, as a TV and radio producer, would be of considerable importance to Carlos's early professional years. Two years later, Carlos performed at TV Tupi, singing "Tutti Frutti" (R. Penniman/J. Lubin/D. La Bostrie). In that period, he was scheduled to open a Bill Haley show at the Maracanazinho (Rio), when he became acquainted with Erasmo Carlos (then Erasmo Esteves). In 1958, Carlos met the "Matoso gang," as were known the future artists Tim Maia, Jorge Ben, and the same Erasmo Esteves, among others, who would meet at Matoso Street at Tijuca (a neighborhood of Rio). Carlos, Erasmo, and Tim Maia (together with Edson Trindade, Arlênio Lívio, and José Roberto "China") formed the group the Snacks (later the Sputniks), playing balls and performing on TV (including at Carlos Imperial's Clube do Rock on TV Continental, where Carlos was already a regular). The group was soon dissolved due to the incompatibility between Carlos and Maia.
After working as an extra in several films such as Agüenta o Rojão and Minha Sogra é da Polícia (in which they backed up Cauby Peixoto on one song), Carlos and Erasmo played together in Erasmo's quartet the Snakes until Carlos was called by Imperial to take Carlos Lyra's place in the Os Terríveis band that played Elvis Presley covers on TV shows and live performances contracted by Imperial.
Soon, Carlos left the band to try to become a bossa nova artist. Strongly influenced by João Gilberto in that period, Carlos often tried to "sit-in" at the famous temples Plaza nightclub and the clubs of the Beco das Garrafas, but to no avail. A testimony of his ephemeral and unaccomplished bossa nova phase is Carlos' first album, with "João e Maria" and "Fora do Tom" (both by Imperial). In August 1960, a new release was launched, again in the bossa vein, "Brotinho Sem Juízo" and "Canção do Amor Nenhum" (again, both by Imperial). At the same time, Carlos would participate regularly in shows presented by Imperial, Os Brotos Comandam (TV Continental and Rádio Guanabara) and Festa de Brotos (TV Tupi). In 1961, in the same year in which Carlos recorded his first LP (a derivation toward boleros and ballads, Louco por Você) that earned some acceptance at the time (3,500 copies sold in one year), he accepted the suggestion of the record company CBS and changed his style to youth music, starting to write songs with the composer/lyricist who would become his most important collaborator: Erasmo Carlos. The duo's first hit was Carlos' rendition for an Erasmo version of "Splish Splash" (Bobby Darin), having as the B-side another classic written by them, "Parei na Contramão." The album was recorded and launched in 1963 as Carlos' fifth 78 rpm, accompanied by Renato e seus Blue Caps. It sold 7,500 copies, a modest amount today, but it represented a considerable selling then and the milestone of a new time.
In 1964, the LP É Proibido Fumar (backed by the Youngsters) had hits with the title track (by Carlos/Erasmo) and with Erasmo's version of "Road Hog" (Gwen/John D. Loudermilk), "O Calhambeque." It sold almost 12,000 copies in 18 months and was considered high-selling then, but still behind the leader Carlos Alberto (a bolero singer), who was selling more than twice as much. Nevertheless, Carlos' nationwide success was ascending, with more and more invitations for TV and radio shows and CBS wanting to take him to Argentina. That year, Carlos recorded the same repertory in Spanish, also backed by the Youngsters, and the album Es Prohibido Fumar was released by the end of 1964 in Argentina. It was planned to also be distributed in Brazil, but as the military government considered anything in Spanish (the language of Fidel Castro and Che Guevara) dangerous to the country, the album was simply taken out of the catalog by the recording company.
In 1965, Carlos was elected the King for the first time by direct vote of the audience in a contest promoted by Antônio Aguillar on his Reino da Juventude show. Later, the title would be confirmed at the highly popular Chacrinha show and it would be his for life.
In the same year, Roberto Carlos Canta Para a Juventude broke all records established by the singer until then, by far surpassing Carlos Alberto and his Amor Perdido. Carlos' album reached fifth place according to IBOPE (a most-accredited public opinion research institute), however, it quickly fell several positions. In fact, he would only have an album at number one of the top parade by the end of the year, with his next LP. Until then, his rising success would sell over 20,000 copies of the double single with "História de um Homem Mau" (reaching fourth place on the charts) and 50,000 copies of his single "Não Quero Ver Você Triste",
On September 5, Roberto Carlos opened the legendary show Jovem Guarda as the main host and also featuring Vanderléa and Erasmo Carlos by his side. The show gave the name and directives to the first musical scene produced especially for Brazilian youth, representing a major cultural/behavioral/commercial breakthrough. After the show debut, Carlos' popularity reached levels unimagined until then. Scoring hits in Argentina and Brazil, Carlos became the best-seller for CBS. A double single with "A Garota do Baile," Carlos reached number two in November, behind the Beatles' "Help!" But his album Jovem Guarda, also launched in November, took only one week to push "Help!" out of number one on the Brazilian charts, selling almost 200,000 copies in one year. "Quero Que Vá Tudo Pro Inferno" became a nationwide hit and with the exception of brief periods of time, it reigned absolute at number one on the top parade during the entire first semester of 1966. After performing in Argentina, Uruguay, and Paraguay — countries in which the Spanish version of "O Calhambeque" continued to have success — Carlos went to Europe in April 1966, singing in Portugal (where "Calhambeque" and "Quero Que Vá Tudo Pro Inferno" were in first place on Lisbon charts). Returning to Brazil, he soon departed for a tour that started in South America, then Central and North America, where he sang in Los Angeles, Miami, and New York, then Europe (London, Paris, Berlin, and Lisbon). Roberto Carlos, released in December 1966 and went right to number one in the second week (remaining there until April 1967), sold 300,000 copies in less than a year. Also in 1967, Carlos starred the feature film Roberto Carlos em Ritmo de Aventura (whose soundtrack sold 300,000 copies, staying at number one from December 17 until June 1968; the film also broke all box-office records until then); won fifth place at the III FMPB (Festival of Brazilian Popular Music of the TV Record, São Paulo) with "Maria, Carnaval e Cinzas," by Luís Carlos Paraná (reaching number one as a single in November); participated in the MIDEM Festival in Cannes, France; and won the Chico Viola trophy for the songs "Quero Que Vá Tudo pro Inferno" and "Esqueça" and for the LP Jovem Guarda. In June of the same year, Carlos departed for a series of shows in Europe, Africa, Asia, and the U.S. In Italy, he participated in the Venice Song Festival.
In 1968, Carlos left Jovem Guarda, which due to his absence would soon cease to exist. His departure was a result of a mature decision to migrate from a youth idol profile to that of a romantic singer. In the same year, Carlos won the San Remo Festival (XVIII Festival della Canzone Italiana) with "Canzone Per Te" (Sergio Endrigo) and starred the film O Diamante Cor-de-Rosa (also a box office success), opening his own show Roberto Carlos à Noite (TV Record) on March 15. As a romantic singer, Carlos had several hits in the 1970s that still had his creative impetus, such as "Sua Estupidez," "As Flores do Jardim de Nossa Casa," "Jesus Cristo," "Amada Amante," "Detalhes," "Debaixo dos Caracóis dos Seus Cabelos," "A Montanha," "A Proposta," "Além do Horizonte," "Olha," "Amante à Moda Antiga," and "A Ilha" (all with Erasmo), along with "Como Vai Você?" (Antônio Marcos/Mário Marcos), and two songs written by Caetano Veloso especially for him, "Como Dois e Dois" and "Muito Romântico." In that decade, Carlos also consolidated his international career doing regular shows in the U.S., Europe, and Latin America. In the year of 1970, he did his first show at the prestigious Canecão, which would be the first of his highly successful annual seasons at the most important Carioca hall in terms of media resonance. In the early '70s, Carlos became the top record-selling Brazilian artist, a position he would keep for many consecutive years. After 1976, his albums were selling over 1,000,000 copies. His 1977 album Roberto Carlos, with "Falando Sério," sold 2.2 million copies. His 1978 show also beat all records, with 250,000 spectators in six months throughout Brazil, while the album with "Café da Manhã," "Força Estranha," and "Lady Laura" sold 1.5 million copies.
In the '80s, Carlos also started to record in English and French (he had already recorded albums in Spanish, Italian, and, naturally, Portuguese), having won the Globo de Cristal trophy, awarded by CBS to Brazilian artists who sell more than five million copies outside Brazil. At the same time, his albums continued to break records in his country. "Caminhoneiro" (1984) was aired 3,000 times in a single day, another record soon beaten by his own "Verde e Amarelo" (1985), with 3,500 spins. In 1986, he had success at Radio City Music Hall (New York, NY) and, two years later, won the Grammy as the Best Latin American Pop singer. In 1989, his Sonrie reached first place on Billboard's Latin chart.
In the 1990s, Roberto Carlos became the first Latin American artist to sell more albums than the Beatles (in 1994, having by then sold over 70 million copies of his albums). In the mid-'90s, with the retro Jovem Guarda wave, Carlos, who was worn out among the younger generations who had only known his romantic and sentimental hits directed at a middle-aged audience, had his importance recuperated by young rockers such as Cássia Eller, Chico Science & Nação Zumbi, Barão Vermelho, and Skank, who recorded Rei, a tribute to him with his old Jovem Guarda hits.
In 1998, his second wife Maria Rita discovered she had cancer (she would die in 1999), which shattered his peace of mind. Trying to keep on with his career, Carlos continued to record and perform after one year of reclusion. In 2001, he broke his contract with Sony (ex-CBS), the recording company through which he had released a vast majority of his albums, due to commercial reasons related to his wife's demise.
A few years later, in the late '60s, Carlos (counseled by his advisers) changed his style to become the most successful romantic artist in Brazil. Having written (always with Erasmo Carlos) some of the most beautiful songs in this style (such as "Detalhes," "Sua Estupidez," "Jesus Cristo," "Debaixo dos Caracóis dos Seus Cabelos," etc.), Carlos accumulated virtually all possible accomplishments as a highly successful artist, including a solid international career with awards like the Grammy and top positions on Billboard's Latin charts. Though the adherence to a worn-out sentimental formula proved to be affective in commercial terms (more than 70 million albums sold in his career), it ultimately led him to be known, in the '80s and '90s, as a cheesy artist by youngsters and part of the adult listeners. Nevertheless, the mid-'90s witnessed a resurgence of Jovem Guarda talents through tributes of new rockers and Carlos reached the 21st century uncontestedly enjoying his absolute title: the King.
Roberto Carlos was from a lower-middle-class family. At six, he lost one of his legs and began using a prosthesis. At nine, he debuted on his home city's local radio. In 1955, he moved to Niterói (Rio de Janeiro) and then to Lins de Vasconcelos (a suburb of Rio de Janeiro), where he started to get into rock through Bill Haley, Elvis Presley, and Little Richard, at the same time he met Carlos Imperial, also from his hometown, who, as a TV and radio producer, would be of considerable importance to Carlos's early professional years. Two years later, Carlos performed at TV Tupi, singing "Tutti Frutti" (R. Penniman/J. Lubin/D. La Bostrie). In that period, he was scheduled to open a Bill Haley show at the Maracanazinho (Rio), when he became acquainted with Erasmo Carlos (then Erasmo Esteves). In 1958, Carlos met the "Matoso gang," as were known the future artists Tim Maia, Jorge Ben, and the same Erasmo Esteves, among others, who would meet at Matoso Street at Tijuca (a neighborhood of Rio). Carlos, Erasmo, and Tim Maia (together with Edson Trindade, Arlênio Lívio, and José Roberto "China") formed the group the Snacks (later the Sputniks), playing balls and performing on TV (including at Carlos Imperial's Clube do Rock on TV Continental, where Carlos was already a regular). The group was soon dissolved due to the incompatibility between Carlos and Maia.
After working as an extra in several films such as Agüenta o Rojão and Minha Sogra é da Polícia (in which they backed up Cauby Peixoto on one song), Carlos and Erasmo played together in Erasmo's quartet the Snakes until Carlos was called by Imperial to take Carlos Lyra's place in the Os Terríveis band that played Elvis Presley covers on TV shows and live performances contracted by Imperial.
Soon, Carlos left the band to try to become a bossa nova artist. Strongly influenced by João Gilberto in that period, Carlos often tried to "sit-in" at the famous temples Plaza nightclub and the clubs of the Beco das Garrafas, but to no avail. A testimony of his ephemeral and unaccomplished bossa nova phase is Carlos' first album, with "João e Maria" and "Fora do Tom" (both by Imperial). In August 1960, a new release was launched, again in the bossa vein, "Brotinho Sem Juízo" and "Canção do Amor Nenhum" (again, both by Imperial). At the same time, Carlos would participate regularly in shows presented by Imperial, Os Brotos Comandam (TV Continental and Rádio Guanabara) and Festa de Brotos (TV Tupi). In 1961, in the same year in which Carlos recorded his first LP (a derivation toward boleros and ballads, Louco por Você) that earned some acceptance at the time (3,500 copies sold in one year), he accepted the suggestion of the record company CBS and changed his style to youth music, starting to write songs with the composer/lyricist who would become his most important collaborator: Erasmo Carlos. The duo's first hit was Carlos' rendition for an Erasmo version of "Splish Splash" (Bobby Darin), having as the B-side another classic written by them, "Parei na Contramão." The album was recorded and launched in 1963 as Carlos' fifth 78 rpm, accompanied by Renato e seus Blue Caps. It sold 7,500 copies, a modest amount today, but it represented a considerable selling then and the milestone of a new time.
In 1964, the LP É Proibido Fumar (backed by the Youngsters) had hits with the title track (by Carlos/Erasmo) and with Erasmo's version of "Road Hog" (Gwen/John D. Loudermilk), "O Calhambeque." It sold almost 12,000 copies in 18 months and was considered high-selling then, but still behind the leader Carlos Alberto (a bolero singer), who was selling more than twice as much. Nevertheless, Carlos' nationwide success was ascending, with more and more invitations for TV and radio shows and CBS wanting to take him to Argentina. That year, Carlos recorded the same repertory in Spanish, also backed by the Youngsters, and the album Es Prohibido Fumar was released by the end of 1964 in Argentina. It was planned to also be distributed in Brazil, but as the military government considered anything in Spanish (the language of Fidel Castro and Che Guevara) dangerous to the country, the album was simply taken out of the catalog by the recording company.
In 1965, Carlos was elected the King for the first time by direct vote of the audience in a contest promoted by Antônio Aguillar on his Reino da Juventude show. Later, the title would be confirmed at the highly popular Chacrinha show and it would be his for life.
In the same year, Roberto Carlos Canta Para a Juventude broke all records established by the singer until then, by far surpassing Carlos Alberto and his Amor Perdido. Carlos' album reached fifth place according to IBOPE (a most-accredited public opinion research institute), however, it quickly fell several positions. In fact, he would only have an album at number one of the top parade by the end of the year, with his next LP. Until then, his rising success would sell over 20,000 copies of the double single with "História de um Homem Mau" (reaching fourth place on the charts) and 50,000 copies of his single "Não Quero Ver Você Triste",
On September 5, Roberto Carlos opened the legendary show Jovem Guarda as the main host and also featuring Vanderléa and Erasmo Carlos by his side. The show gave the name and directives to the first musical scene produced especially for Brazilian youth, representing a major cultural/behavioral/commercial breakthrough. After the show debut, Carlos' popularity reached levels unimagined until then. Scoring hits in Argentina and Brazil, Carlos became the best-seller for CBS. A double single with "A Garota do Baile," Carlos reached number two in November, behind the Beatles' "Help!" But his album Jovem Guarda, also launched in November, took only one week to push "Help!" out of number one on the Brazilian charts, selling almost 200,000 copies in one year. "Quero Que Vá Tudo Pro Inferno" became a nationwide hit and with the exception of brief periods of time, it reigned absolute at number one on the top parade during the entire first semester of 1966. After performing in Argentina, Uruguay, and Paraguay — countries in which the Spanish version of "O Calhambeque" continued to have success — Carlos went to Europe in April 1966, singing in Portugal (where "Calhambeque" and "Quero Que Vá Tudo Pro Inferno" were in first place on Lisbon charts). Returning to Brazil, he soon departed for a tour that started in South America, then Central and North America, where he sang in Los Angeles, Miami, and New York, then Europe (London, Paris, Berlin, and Lisbon). Roberto Carlos, released in December 1966 and went right to number one in the second week (remaining there until April 1967), sold 300,000 copies in less than a year. Also in 1967, Carlos starred the feature film Roberto Carlos em Ritmo de Aventura (whose soundtrack sold 300,000 copies, staying at number one from December 17 until June 1968; the film also broke all box-office records until then); won fifth place at the III FMPB (Festival of Brazilian Popular Music of the TV Record, São Paulo) with "Maria, Carnaval e Cinzas," by Luís Carlos Paraná (reaching number one as a single in November); participated in the MIDEM Festival in Cannes, France; and won the Chico Viola trophy for the songs "Quero Que Vá Tudo pro Inferno" and "Esqueça" and for the LP Jovem Guarda. In June of the same year, Carlos departed for a series of shows in Europe, Africa, Asia, and the U.S. In Italy, he participated in the Venice Song Festival.
In 1968, Carlos left Jovem Guarda, which due to his absence would soon cease to exist. His departure was a result of a mature decision to migrate from a youth idol profile to that of a romantic singer. In the same year, Carlos won the San Remo Festival (XVIII Festival della Canzone Italiana) with "Canzone Per Te" (Sergio Endrigo) and starred the film O Diamante Cor-de-Rosa (also a box office success), opening his own show Roberto Carlos à Noite (TV Record) on March 15. As a romantic singer, Carlos had several hits in the 1970s that still had his creative impetus, such as "Sua Estupidez," "As Flores do Jardim de Nossa Casa," "Jesus Cristo," "Amada Amante," "Detalhes," "Debaixo dos Caracóis dos Seus Cabelos," "A Montanha," "A Proposta," "Além do Horizonte," "Olha," "Amante à Moda Antiga," and "A Ilha" (all with Erasmo), along with "Como Vai Você?" (Antônio Marcos/Mário Marcos), and two songs written by Caetano Veloso especially for him, "Como Dois e Dois" and "Muito Romântico." In that decade, Carlos also consolidated his international career doing regular shows in the U.S., Europe, and Latin America. In the year of 1970, he did his first show at the prestigious Canecão, which would be the first of his highly successful annual seasons at the most important Carioca hall in terms of media resonance. In the early '70s, Carlos became the top record-selling Brazilian artist, a position he would keep for many consecutive years. After 1976, his albums were selling over 1,000,000 copies. His 1977 album Roberto Carlos, with "Falando Sério," sold 2.2 million copies. His 1978 show also beat all records, with 250,000 spectators in six months throughout Brazil, while the album with "Café da Manhã," "Força Estranha," and "Lady Laura" sold 1.5 million copies.
In the '80s, Carlos also started to record in English and French (he had already recorded albums in Spanish, Italian, and, naturally, Portuguese), having won the Globo de Cristal trophy, awarded by CBS to Brazilian artists who sell more than five million copies outside Brazil. At the same time, his albums continued to break records in his country. "Caminhoneiro" (1984) was aired 3,000 times in a single day, another record soon beaten by his own "Verde e Amarelo" (1985), with 3,500 spins. In 1986, he had success at Radio City Music Hall (New York, NY) and, two years later, won the Grammy as the Best Latin American Pop singer. In 1989, his Sonrie reached first place on Billboard's Latin chart.
In the 1990s, Roberto Carlos became the first Latin American artist to sell more albums than the Beatles (in 1994, having by then sold over 70 million copies of his albums). In the mid-'90s, with the retro Jovem Guarda wave, Carlos, who was worn out among the younger generations who had only known his romantic and sentimental hits directed at a middle-aged audience, had his importance recuperated by young rockers such as Cássia Eller, Chico Science & Nação Zumbi, Barão Vermelho, and Skank, who recorded Rei, a tribute to him with his old Jovem Guarda hits.
In 1998, his second wife Maria Rita discovered she had cancer (she would die in 1999), which shattered his peace of mind. Trying to keep on with his career, Carlos continued to record and perform after one year of reclusion. In 2001, he broke his contract with Sony (ex-CBS), the recording company through which he had released a vast majority of his albums, due to commercial reasons related to his wife's demise.
Detras del Horizonte
Roberto Carlos Lyrics
We have lyrics for 'Detras del Horizonte' by these artists:
Vicente García Seis de la mañana Ya el cocuyo anuncia el resplandor Pasan l…
We have lyrics for these tracks by Roberto Carlos:
120... 150... 200 Km por Hora As coisas estão passando mais depressa O ponteiro marca 120 …
120... 150... 200km por hora As coisas estão passando mais depressa O ponteiro marca 120…
120...150...200 Km Por Hora As coisas estão passando mais depressa O ponteiro marca 120 …
A Atriz Chego em casa encontro apenas seu perfume Alimento certo, nu…
A Cigana Na distância vi seu vulto desaparecer Nunca mais seu rosto e…
A Deusa Da Minha Rua A deusa da minha rua Tem os olhos onde a lua Costuma…
A Estação Senti que alguma coisa ia me dizer No tempo que restava…
A Garota Do Baile Papai, me empreste o carro Papai, me empreste o carro Tô pre…
A Guerra Dos Meninos "Quem fizer mal a um destes pequeninos que me acompanham Mel…
A Ilha Um facho de luz Que a tudo seduz por aqui Estrela brilhant…
À Janela Da janela o horizonte A liberdade de uma estrada eu posso…
À Janela... Da janela o horizonte A liberdade de uma estrada eu posso…
A la antigua Yo soy de esos amantes a la antigua que suelen todavia…
A Menina E O Poeta Virgem, menina morena, Nos cabelos uma trança No rosto um …
A Montanha Eu vou seguir uma luz lá no alto eu vou…
A Mulher que eu amo A mulher que eu amo tem a pele morena É bonita,…
A Namorada Você, que vem de dentro da saudade que eu sentia Da…
A Partir Desse Instante A partir desse instante Eu não vou mais ficar esperando você…
A Primeira Vez Tú y yo nos conocimos Y enseguida percibimos, a la vez Tanta…
A Volta Deixa que eu me acerte com seu coração Dê mais uma…
Abandono Se voltar não faça espanto, cuide apenas de você Dê um…
Abrazame Asi Abrázame así Que esta noche yo quiero sentir De tu pecho el…
Abrázame Así Abrázame así Que esta noche yo quiero sentir De tu pecho e…
Abre Las Ventanas Al Amor Abre Las Ventanas A El Amor Abre las ventanas a el…
Acalanto É tão tarde, a manhã já vem Todos dormem, a noite…
Aceito Seu Coração Composição: Puruca Eu não pensava que você viesse pra fic…
Acrostico M ais que a minha própria vida A lém do que…
Acróstico M ais que a minha própria vida A lém do que…
Actitudes Sonriendo te abracé Y todo sucedió Mi amor se acrescentó …
Adiós Adiós Me voy linda morena lejas de ti El alma hecha una…
Agora Eu Sei Quanto tempo de sonho perdido Quanto tempo esquecido É mel…
Águia Dourada Águia bonita que voa no espaço Aqui da Terra vejo passar Ris…
Aguila dorada Águila hermosa, que vuelas tan alto Desde la tierra veo pasa…
Ai que saudades da Amélia Nunca vi fazer tanta exigência Nem fazer o que você me…
Al Diga logo de uma vez O que você quer de mim Não…
Aleluia Quando o sol aquece de manhã O Planeta Terra onde eu…
Além Do Horizonte Além do horizonte deve ter Algum lugar bonito pra viver em…
alo Diga logo de uma vez O que você quer de mim Não…
Alô Diga logo de uma vez O que você quer de mim Não…
Amada Este amor que tu me has dado Amor que no…
Amada Amante Esse amor demais antigo Amor demais amigo Que de tanto amor …
Amanheceu Amanheceu E o brilho do sol da manhã Refletiu no quarto e…
Amante A La Antigua Yo soy de esos amantes a la antigua Que suelen todavia…
Amante à moda antiga Eu sou aquele amante à moda antiga Do tipo que ainda…
Amapola Amapola, lindíssima Amapola Eu quero o seu amor somente para…
Amazônia Tanto amor perdido no mundo Verdadeira selva de enganos A vi…
Amiga Amiga, perdona si hoy me meto en tu vida Pero te…
Amigo Yo sólo quiero mirar los campos Yo sólo quiero cantar mi…
Amigo Não Chore Por Ela Amigo, não chore por ela Ela não merece esse pranto sofrido …
Amigos Yo sólo quiero mirar los campos Yo sólo quiero cantar mi…
Amor Antigo Como posso sufocar essa paixão E o que faço prá conter…
Amor Perfecto Yo no sé que hacer Al ver pasar el tiempo Hasta…
Amor Perfeito Fecho os olhos pra não ver passar o tempo Sinto falta…
Amor Sem Limite Quando a gente ama alguém de verdade Esse amor não se…
Ana Todo tempo que eu vivi, Procurando o meu caminho, Só cheguei…
And I Love Her Deixa eu dizer que te amo Deixa eu pensar em você Isso…
Angela / Eu e Ela Eu prefiro acreditar Que é mentira É brilho demais Para um s…
Antigamente Era Assim Antigamente era assim você gostava de mim E tudo você fazia…
Antigua Yo soy de esos amantes a la antigua que suelen…
Apocalipse Perto do fim do mundo como negar o fato Como pedir…
Aquarela Do Brasil Brasil Meu Brasil Brasileiro Meu mulato inzoneiro Vou cantar…
Aquela Casa Simples Naquela casa simples você falou pra mim Que eu tivesse cuida…
Aquele Beijo Que Te Dei Aquele beijo que te dei Nunca, nunca mais esquecerei A noi…
Aquellas Tardes de Domingo Eu me lembro com saudade o tempo que passou O tempo…
Ar De Moço Bom Você passou por mim Sem dar-me atenção Mas logo percebi…
Arrasta Una Silla Amigo arrastra una silla Siéntate más cerca para conversar …
As Baleias Não é possível que você suporte a barra De olhar nos…
As Canções Que Você Fez Prá Mim Composição: Roberto Carlos Erasmo Carlos Hoje eu ouço as …
As Curvas Da Estrada De Santos Se você pretende saber quem eu sou Eu posso lhe dizer Entre…
As Flores do Jardim da Nossa Casa As flores do jardim da nossa casa Morreram todas de saudade…
As Flores do Jardim de Nossa Casa As flores do jardim da nossa casa Morreram todas de saudades…
As Mesmas Coisas Você agora já não fala mais em mim E há pouco…
às vezes penso Às vezes penso que estou sonhando Revendo imagens que se per…
Assunto predileto Quantas coisas eu guardei pra lhe dizer Quanto amor e quanta…
At Peace in Your Smile At peace in your smile i rest for a while And…
Atitudes Sorrindo, lhe abracei e tudo aconteceu Maior o amor se fez E…
Aventuras Son tantos los motivos Para venir aquí Es este amor que si…
Baby Meu Bem Baby, meu bem Sorria para mim, assim que eu sou…
Ballenas Como es posible que soporte tu conciencia Mirar los ojos de…
Breakfast / Café da Manhã As the sun fills the sky And tomorrow turns into…
Brotinho Sem Juízo Brotinho, toma juízo ouve o meu conselho Abotoa esse decote …
Broto Do Jacaré Vinha deslizando em minha prancha sozinho E falei ao ver pa…
Busco esa mujer Tengo la mirada triste desde su partida Agarró lo que tenía…
Café da manhã Amanhã de manhã Vou pedir o café para nós dois Te fazer…
Calhambeque Essa é uma das muitas histórias Que acontecem comigo Primeir…
Cama e mesa Eu quero ser sua cancao, eu quero ser seu tom Me…
Cama y Mesa Quiero ser tu canción desde principio a fin Quiero rozarme e…
Caminhoneiro Todo dia quando eu pego a estrada Quase sempre é madrugada …
Camionero Cada día por la carretera Noche y madrugada entera y mi amor…
Camionero (O Velho Caminhoneiro (Gentle On My Mind Cada día por la carretera Noche y madrugada entera Y mi am…
Camionero ) Cada día por la carretera Noche why madrugada entera Why m…
Canção De Amor Nenhum É canção, canção do amor nenhum no coração É canção, canção…
Canção Do Sonho Bom Para mim é suave como a noite E também me aquece…
Canzone Per Te La festa appena cominciata è già finita Il cielo non è…
CARTAS DE AMOR Meu amor está tão longe de mim Meu bem não seja…
Cavalgada Vou cavalgar por toda a noite Por uma estrada colorida Usar …
Cenário O meu coração é como um palco Tantas histórias já vividas Dr…
Chegaste Tanto tempo já vai caminhando E ainda me pego recordando Lág…
Cheirosa Por que você tá tão cheirosa desse peito Parece que saiu…
Chore por Mim Sei que você chora porque chegou o fim Mas digo chore…
Chorei Chorei Uma lágrima de dor Por amor ao nosso amor Pelo mui…
Ciudad En la cuidad ahora Del otro lado está Alguien que…
Ciúme De Você Se você demora mais um pouco Eu fico louco esperando por…
Coimbra Coimbra do choupal Ainda és capital Do amor em Portugal, ain…
Coisa bonita Amo você assim e não sei Por que tanto sacrifício ginástica,…
Coisas Do Coração Quantas vezes eu te falei Que este amor é tudo para…
Coisas que não se esquece Mexendo no meu passado aperto em minhas mãos Velhas cartas j…
Com muito amor e carinho Eu vou fazer amor um ninho Com amor muito carinho Pra voce…
Com Você Com você Conheci a grandeza do amor Com você Vi…
Comandante do seu coração Sei que vc sabe bem o que faz o que…
Come To Me Tonight I see you when I close my eyes I smile and…
Comentários Não eu quero voltar Eu só quero pedir pra você Evitar come…
Como As Ondas Do Mar Você foi a paixão Que esqueci de esquecer A lembrança mais d…
Como as Ondas Voltam para o Mar Como as ondas voltam para o mar Eu quero voltar pros…
Como Dois E Dois Quando você Me ouvir cantar Venha não creia Eu não corro per…
Como é bom saber Ao contrário do que eu esperava Foi um dia me acontecer No…
Como é grande o meu amor por vc Eu tenho tanto pra lhe falar Mas com palavras não sei…
Como é possível Existem mesmo tantos mistérios Ocultos entre o céu e a Terra…
Como Es Grande Mi Amor Yo tengo tanto hoy para hablar Que con palabras no se…
Como eu te Amo Como eu te amo! Não sei como explicar tudo que sinto Mas…
Como Foi Como foi que agente não sentiu acontecer Onde foi que a…
Como vai você Como vai você? Eu preciso saber da sua vida Peça a alguém…
Cóncavo Y Convexo Nuestro amor es así Y al hacerlo tu y yo Todo es…
Confesion Yo solo vengo a saber, ¿Como estas? Y como marcha tu…
Confissão Eu só queria saber de você E se você vive mesmo…
Contradiçoes Você quer brincar de amor Eu quero só te amar você…
Coração Meu coração quer se libertar Do seu coração quer se desamarr…
Coração De Jesus No coração de Jesus Tenho tudo que eu quero No coração de…
corazon Tú cada vez que te he visto llegar Al ver…
Corazón Habla corazón por mí De tanto amor que di De todo ese…
Corcovado Um cantinho e um violгo Este amor uma canзгo Pra fazer feliz…
Cosas del corazón Yo te quiero de verdad Te repito una e otra vez Que…
Costumes Eu pensei que pudesse esquecer Certos velhos costumes eu pen…
Cuentame Tu Historia Cuéntame tu historia Y de tus amores De tus desengaños Hábl…
Custe O Que Custar Já não sei dizer se sou feliz ou não Já nem…
Da Boca Pra Fora Só sei que a gente não se cansa de brigar E…
De coração Vem mais pra cá, chega pra mim Quero sentir esse som…
De corazón a corazón Acércate, más junto a mí, quiero sentir ese sueño de…
De Que Vale Tudo Isso REFRÃO | Cm …
De Tanto Amor Ah, eu vim aqui amor só pra me despedir E as…
Debaixo Dos Carac Um dia a areia branca Seus pés irão tocar E vai molhar…
Debaixo Dos Caracóis Dos Seus Cabelos Um dia a areia branca Seus pés irão tocar E vai molhar…
Desabafo Porquê me arrasto aos seus pés Porquê me dou tanto assim E…
Desabafo / Desahogo Porquê me arrasto aos seus pés Porquê me dou tanto assim E…
Desahogo ¿Por qué me arrastro a tus pies? ¿Por qué me doy…
Desahogo "Desabafo" ¿Por qué me arrastro a tus pies? ¿Por qué me doy…
Desahogo - (Desabafo) Por que me arrastro a tus pies Porque me doy tanto…
Desamarra Mi Corazón Mi corazón ya se libertó De tu corazón ya se desamarró Tu…
Desamarre meu cora Meu coração quer se libertar Do seu coração quer se desamarr…
Desamarre meu coração Meu coração quer se libertar Do seu coração quer se desamar…
Desamarre O Meu Coração Meu coração quer se libertar Do seu coração quer se desamarr…
Desamarre O Meu Corazo Meu coração quer se libertar Do seu coração quer se desamar…
Desayuno De mañana mi amor Pediré el desayuno tal vez Te haré un…
Desde el fondo de mi corazón Tú cada vez que te he visto llegar Al ver…
Desenhos Na Parede Ela se fechava No seu quarto de dormir Como uma flor Se guar…
Deshago ¿Por qué me arrastro a tus pies? ¿Por qué me doy…
Despedida Já está chegando a hora de ir Venho aqui me despedir…
and many more tracks by Roberto Carlos.
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Miranda samantha Calderon cetina
Escuchando este tema en pleno Coronavirus y después un nuevo horizonte la amooo
Javier Montoya
Tienes mucha razón 👍
Mario Garcia
Desde NY city Bronx nuevo orizonte
Ángel Leon
Relajante el tema ante tremenda adversidad que vivimos...
Luis Garcia
Recuerdo que el disco a 45 RPM del sello CBS que traia esta cancion; venia la version en portugues y en el lado B. El lado A era la cancion "Cascabelito". Me parece que fue el 1975 en Mexico. Y parece que fue ayer.
gordito de gafas
Gran recuerdo, saludos desde argentina bro!
Naked Print
cuando era un niño escuchaba esto, por favor Roberto no te mueras como se nos estan yendo los grandes
Naked Print
@Carlos M. Freitas Certamente este plano é uma ilusão, embora a gente queira que a vida não acabe, me gusto mucho tu comentario Carlos!! afectuoso saludo!!!!
Carlos M. Freitas
A morte é uma ilusão aliás, este plano é mais q una ilusão.
Naked Print
@Miguel Angel Bejero a cuidarnos sldos!!