The music of Saint-Preux is universal and timeless, combining classical, po… Read Full Bio ↴The music of Saint-Preux is universal and timeless, combining classical, popular, and contemporary musical trends. He enjoys worldwide sales of more than thirty millions records.

In August 1969, at age 19, Saint-Preux took part in the festival of Sopot in Poland. On that occasion, he conducted a symphonic orchestra which performed his first large scale composition, La valse de l'enfance. He was awarded the International Press Prize of the Festival. During his stay in Poland he composed the Concerto pour une voix which soon was at the forefront of international charts. Since then, his popularity has continued to grow, with compositions such as: Le Piano sous la mer, La fête triste, Missa Amoris, and Symphonie pour la Pologne.

In 1986, he composed a « Hymn » for UNICEF, which was performed at the place de la Concorde in Paris on the night of 14 July. For this occasion, he met His Holiness the Pope Jean-Paul II, to whom he dedicated and gave the original partition(?).

Saint-Preux has performed with many of the greatest and most famous orchestras, including: The London Symphony Orchestra, The Symphonic Orchestra of Poland and The Cracow Choirs, The Paris Philharmonic Orchestra, and The Montreal Symphonic Orchestra. Concerto pour une voix, with more than 15 million recordings sold worldwide (all versions), and Le Piano sous la mer, with more than 3 million recordings sold, are considered to be great classics of popular music.

In 1994, The Last opera was performed by The London Symphonic World Orchestra, joined again with Saint-Preux's lyrical and romantic inspiration. In 1996, he entered the world of multimedia where he found – just like in his music – the unlimited freedom to communicate with others. A new compilation of his music gave him the opportunity to launch his first CD-ROM and make a space on the Internet for artists and composers. It is a meeting place, an open window looking out on the world.

In 1999, Saint-Preux combined the London Symphony Orchestra with 3 young talented, guest artists, Rosemary Phillips and Monelle & Alice de Selys, on his album Free Yourself. In 2005, Saint-Preux recorded Jeanne la Romantique, a conceptual album which will also become a play and a film.

Epilogue
Saint-Preux Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

I watch your hands
I watch his eyes
I talk to your back
When you turn to your side
And you gave me every reason to think I'm right
And when we drove from you
I was satisfied
I stared a hole into you

And you to I
And there's a ring that burns around both our lives
And in the town we met in

Is a grave our love
Always slept in

Overall Meaning

In Saint-Preux's song "Epilogue," the lyrics depict a complex and bittersweet relationship between the singer and the object of their affection. The opening lines, "I watch your hands, I watch his eyes," suggest a sense of longing and jealousy, as the singer observes the interaction between their love interest and another person. The lyrics further illustrate the emotional distance between the singer and their love interest, as they confess, "I talk to your back when you turn to your side."

The following lines, "And you gave me every reason to think I'm right, and when we drove from you, I was satisfied," imply that despite the emotional turmoil and uncertainty, there are moments of affirmation and fulfillment in their connection. The repetition of "I stared a hole into you, and you to I" suggests intense, introspective gazes, revealing a deep level of understanding and perhaps even confrontation between the two individuals. The phrase "there's a ring that burns around both our lives" implies a binding force or commitment that affects their shared existence.

The final two lines, "And in the town we met in is a grave our love always slept in," evoke a somber tone and suggest that their love story was destined to end, perhaps symbolized by a cemetery in the town where they first encountered each other. The word "slept" could imply that their love was dormant or unrequited from the beginning, adding a sense of melancholy and resignation to the overall message of the lyrics.

Line by Line Meaning

I watch your hands
I closely observe your actions and gestures

I watch his eyes
I attentively observe his gaze and expressions

I talk to your back
I address you from behind, seeking your attention

When you turn to your side
When you divert your attention away from me

And you gave me every reason to think I'm right
You provided me with justifications to believe in my correctness

And when we drove from you
When we departed from your presence

I was satisfied
I felt content and fulfilled

I stared a hole into you
I intensely focused my gaze upon you, attempting to penetrate your emotions

And you to I
And you reciprocated with the same intensity

And there's a ring that burns around both our lives
There is a passionate commitment that encircles and consumes our existence

And in the town we met in
Within the place where we first encountered each other