Zoltán Kocsis (May 30, 1952 – November 6, 2016) was a Hungarian virtuoso pi… Read Full Bio ↴Zoltán Kocsis (May 30, 1952 – November 6, 2016) was a Hungarian virtuoso pianist, conductor, and composer.
Born in Budapest, he began his musical studies at the age of five and continued them at the Béla Bartók Conservatory in 1963, studying piano and composition. In 1968 he was admitted to the Franz Liszt Academy of Music, where he was a pupil of Pál Kadosa, Ferenc Rados and György Kurtág, graduating in 1973. He won the Hungarian Radio Beethoven Competition in 1970, and made his first concert tour of the United States in the following year. He received the Liszt Prize in 1973, and the Kossuth Prize in 1978.
Kocsis performed with the Berlin Philharmonic, Chicago Symphony Orchestra, the San Francisco Symphony Orchestra, the New York Philharmonic, the Staatskapelle Dresden, the Philharmonia of London, and the Vienna Philharmonic. Kocsis recorded the complete solo and with orchestra piano work of Béla Bartók. In 1990, his recording of Debussy's "Images" won "The Gramophone" Instrumental Award for that year. He won another in 2013 in the chamber category with Bartók works.
American critic Harold Schonberg praised Kocsis' extraordinary technique and fine piano tone. According to Grove Music Online: "He has an impressive technique, and his forthright, strongly rhythmic playing is nevertheless deeply felt and never mechanical. Kocsis has a natural affinity for Bach, but is also a fine exponent of contemporary music and has given the first performances of works by Kurtág."
Kocsis co-founded the Budapest Festival Orchestra in 1983. He was the musical director of the Hungarian National Philharmonic. He died on November 6, 2016 at the age of 64.
Born in Budapest, he began his musical studies at the age of five and continued them at the Béla Bartók Conservatory in 1963, studying piano and composition. In 1968 he was admitted to the Franz Liszt Academy of Music, where he was a pupil of Pál Kadosa, Ferenc Rados and György Kurtág, graduating in 1973. He won the Hungarian Radio Beethoven Competition in 1970, and made his first concert tour of the United States in the following year. He received the Liszt Prize in 1973, and the Kossuth Prize in 1978.
Kocsis performed with the Berlin Philharmonic, Chicago Symphony Orchestra, the San Francisco Symphony Orchestra, the New York Philharmonic, the Staatskapelle Dresden, the Philharmonia of London, and the Vienna Philharmonic. Kocsis recorded the complete solo and with orchestra piano work of Béla Bartók. In 1990, his recording of Debussy's "Images" won "The Gramophone" Instrumental Award for that year. He won another in 2013 in the chamber category with Bartók works.
American critic Harold Schonberg praised Kocsis' extraordinary technique and fine piano tone. According to Grove Music Online: "He has an impressive technique, and his forthright, strongly rhythmic playing is nevertheless deeply felt and never mechanical. Kocsis has a natural affinity for Bach, but is also a fine exponent of contemporary music and has given the first performances of works by Kurtág."
Kocsis co-founded the Budapest Festival Orchestra in 1983. He was the musical director of the Hungarian National Philharmonic. He died on November 6, 2016 at the age of 64.
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Waltz No.9 in A Flat Op.69 No.1 -"Farewell"
Zoltán Kocsis Lyrics
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The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
アリス
Chopin’s 19 waltzes
No.1 op.18 0:01
No.2 op.34-1 4:50
No.3 op.34-2 9:54
No.4 op.34-3 15:26
No.5 op.42 17:33
No.6 op.64-1 21:00
No.7 op.64-2 22:35
No.8 op.64-3 25:37
No.9 op.69-1 28:13
No.10 op.69-2 31:46
No.11 op.70-1 34:37
No.12 op.70-2 36:16
No.13 op.70-3 37:50
No.14 op.posth 40:23
No.15 op.posth 43:13
No.16 op.postn 45:14
No.17 op.posth 46:25
No.18 op.posth 49:07
No.19 op.posth 50:19
(自分用)
Random Cubing
If you can play it slowly, you can play it quickly, but not sacrilegiously. This one is perfect
Zuzanna Wisniewska
@Dr. Mεηdσ yes.
Pranav Rajesh and the Great Piano Repertoire
@please contact me playing fast or slow is okay as long as it does not exceed or become too slow for the metronome range pertaining to the tempo marking...so Kocsis plays the waltzes amazingly, as you're telling...!
please contact me
@Руслан Алентьєв and the performer may also twist the story
Руслан Алентьєв
@please contact me Do you really think that you have to ignore composer and circumstances in which piece was written just to interpret? Each piece has its own character and story behind it. Performer is just a storyteller
please contact me
@Руслан Алентьєв that's a very restricted and...somewhat orthodox mindset to have
George Sg
The interpration is breathtaking...I think that it is the best. Bravo Maestro Kocsis!
アリス
Chopin’s 19 waltzes
No.1 op.18 0:01
No.2 op.34-1 4:50
No.3 op.34-2 9:54
No.4 op.34-3 15:26
No.5 op.42 17:33
No.6 op.64-1 21:00
No.7 op.64-2 22:35
No.8 op.64-3 25:37
No.9 op.69-1 28:13
No.10 op.69-2 31:46
No.11 op.70-1 34:37
No.12 op.70-2 36:16
No.13 op.70-3 37:50
No.14 op.posth 40:23
No.15 op.posth 43:13
No.16 op.postn 45:14
No.17 op.posth 46:25
No.18 op.posth 49:07
No.19 op.posth 50:19
(自分用)
takeuchi
I appreciate the line break between the tracks it makes it easier on phone
Zero 594
Thankyou ^^