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Come Fly With Me
by Frank Sinatra
Come fly with me, let's fly, let's fly away
If you can use some exotic booze
There's a bar in far Bombay
Come fly with me, let's fly, let's fly away
Come fly with me, let's float down to Peru
In llama-land there's a one-man band
And he'll toot his flute for you
Come fly with me, let's take off in the blue
Once I get you up there
Where the air is rarefied
We'll just glide
Starry-eyed
Once I get you up there
I'll be holding you so near
You may hear
Angels cheer, 'cause we're together
Weather-wise, it's such a lovely day
Just say the words and we'll beat the birds
Down to Acapulco Bay
It is perfect for a flying honeymoon, they say
Come fly with me, let's fly, let's fly away
Once I get you up there
Where the air is rarefied
We'll just glide
Starry-eyed
Once I get you up there
I'll be holding you so near
You may hear
Angels cheer, 'cause we're together
Weather-wise, it's such a lovely day
You just say the words and we'll beat the birds
Down to Acapulco Bay
It's perfect for a flying honeymoon, they say
Come fly with me, let's fly let's fly
Pack up let's fly away
Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., CONCORD MUSIC PUBLISHING LLC
Written by: JIMMY VAN HEUSEN, SAMMY CAHN
Lyrics Licensed & Provided by LyricFind
by Frank Sinatra
Come fly with me, let's fly, let's fly away
If you can use some exotic booze
There's a bar in far Bombay
Come fly with me, let's fly, let's fly away
Come fly with me, let's float down to Peru
In llama-land there's a one-man band
And he'll toot his flute for you
Come fly with me, let's take off in the blue
Once I get you up there
Where the air is rarefied
We'll just glide
Starry-eyed
Once I get you up there
I'll be holding you so near
You may hear
Angels cheer, 'cause we're together
Weather-wise, it's such a lovely day
Just say the words and we'll beat the birds
Down to Acapulco Bay
It is perfect for a flying honeymoon, they say
Come fly with me, let's fly, let's fly away
Once I get you up there
Where the air is rarefied
We'll just glide
Starry-eyed
Once I get you up there
I'll be holding you so near
You may hear
Angels cheer, 'cause we're together
Weather-wise, it's such a lovely day
You just say the words and we'll beat the birds
Down to Acapulco Bay
It's perfect for a flying honeymoon, they say
Come fly with me, let's fly let's fly
Pack up let's fly away
Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., CONCORD MUSIC PUBLISHING LLC
Written by: JIMMY VAN HEUSEN, SAMMY CAHN
Lyrics Licensed & Provided by LyricFind
Watch artist interviews here.
Sinatra At The Sands is a 1966 live album by Frank Sinatra, accompanied by Count Basie and his Orchestra, conducted and arranged by Quincy Jones, recorded live at the Copa Room of the Sands Hotel and Casino in Las Vegas.
It was Sinatra’s first live album to be commercially released and contains many definitive readings of the songs that are most readily associated with Sinatra. Sinatra and Basie had previously collaborated on 1962′s Sinatra-Basie and 1964′s It Might As Well Be Swing Read Full BioSinatra At The Sands is a 1966 live album by Frank Sinatra, accompanied by Count Basie and his Orchestra, conducted and arranged by Quincy Jones, recorded live at the Copa Room of the Sands Hotel and Casino in Las Vegas.
It was Sinatra’s first live album to be commercially released and contains many definitive readings of the songs that are most readily associated with Sinatra. Sinatra and Basie had previously collaborated on 1962′s Sinatra-Basie and 1964′s It Might As Well Be Swing, with both albums released on Sinatra’s Reprise label.
Allmusic review:
In many ways, Sinatra At The Sands is the definitive portrait of Frank Sinatra in the ’60s. Recorded in April of 1966, At The Sands is the first commercially released live Frank Sinatra album, recorded at a relaxed Las Vegas club show. For these dates at the Sands, Sinatra worked with Count Basie and his orchestra, which was conducted by Quincy Jones. Like any of his concerts, the material was fairly predictable, with his standard show numbers punctuated by some nice surprises. Throughout the show, Sinatra is in fine voice, turning in a particularly affecting version of “Angel Eyes.” He is also in fine humor, constantly joking with the audience and the band, as well as delivering an entertaining, if rambling, monologue halfway through the album. Some of the humor has dated poorly, appearing insensitive, but that sentiment cannot be applied to the music. Basie and the orchestra are swinging and dynamic, inspiring a textured, dramatic, and thoroughly enjoyable performance from Sinatra.
Track listing
01 -- “Come Fly With Me” (Sammy Cahn, Jimmy Van Heusen) – 3:48
02 -- “I’ve Got A Crush On You” (George Gershwin, Ira Gershwin) – 2:44
03 -- “I’ve Got You Under My Skin” (Cole Porter) – 3:46
04 -- “The Shadow Of Your Smile” (Johnny Mandel, Paul Francis Webster) – 2:33
05 -- “Street Of Dreams” (Victor Young, Sam M. Lewis) – 2:18
06 -- “One For My Baby (And One More For The Road)” (Harold Arlen, Johnny Mercer) – 4:47
07 -- “Fly Me To The Moon” (Bart Howard) – 2:50
08 -- “One O’Clock Jump” (Instrumental) (Count Basie) – 0:55
09 -- “The Tea Break” (Sinatra Monologue) – 11:54
10 -- “You Make Me Feel So Young” (Mack Gordon, Josef Myrow) – 3:17
11 -- “All Of Me” (Instrumental) (Gerald Marks, Seymour Simons) – 3:17
12 -- “The September Of My Years” (Cahn, Van Heusen) – 2:58
13 -- “Get Me To The Church On Time” (Frederick Loewe, Alan Jay Lerner) – 2:23
14 -- “It Was A Very Good Year” (Ervin Drake) – 4:04
15 -- “Don’t Worry ‘Bout Me” (Rube Bloom, Ted Koehler) – 3:21
16 -- “Makin’ Whoopee!” (Walter Donaldson, Gus Kahn) – 4:37
17 -- “Where Or When” (Richard Rodgers, Lorenz Hart) – 2:58
18 -- “Angel Eyes” (Earl Brent, Matt Dennis) – 3:28
19 -- “My Kind Of Town” (Cahn, Van Heusen) – 3:06
20 -- “A Few Last Words” (Sinatra Monologue) – 2:33
21 -- “My Kind Of Town” (Reprise) – 0:59
Personnel
Frank Sinatra – vocals
Count Basie – piano
Bill Miller – piano
The Count Basie Orchestra
Quincy Jones – arranger, conductor
Harry “Sweets” Edison – trumpets
Al Aarons
Sonny Cohn
Wallace Davenport
Phil Guilbeau
Al Grey – trombones
Henderson Chambers
Grover Mitchell
Bill Hughes
Marshall Royal – alto saxophone
Bobby Plater
Eric Dixon – tenor saxophone
Eddie “Lockjaw” Davis
Charlie Fowlkes – baritone saxophone
Freddie Green – guitar
Norman Keenan – double bass
Sonny Payne – drums
Album notes
Released: July 1966
Recorded: January 1966 and February 1966
Genre: Vocal Jazz, Classic Pop
Length: 72:36 (mono)
Producer: Sonny Burke
It was Sinatra’s first live album to be commercially released and contains many definitive readings of the songs that are most readily associated with Sinatra. Sinatra and Basie had previously collaborated on 1962′s Sinatra-Basie and 1964′s It Might As Well Be Swing Read Full BioSinatra At The Sands is a 1966 live album by Frank Sinatra, accompanied by Count Basie and his Orchestra, conducted and arranged by Quincy Jones, recorded live at the Copa Room of the Sands Hotel and Casino in Las Vegas.
It was Sinatra’s first live album to be commercially released and contains many definitive readings of the songs that are most readily associated with Sinatra. Sinatra and Basie had previously collaborated on 1962′s Sinatra-Basie and 1964′s It Might As Well Be Swing, with both albums released on Sinatra’s Reprise label.
Allmusic review:
In many ways, Sinatra At The Sands is the definitive portrait of Frank Sinatra in the ’60s. Recorded in April of 1966, At The Sands is the first commercially released live Frank Sinatra album, recorded at a relaxed Las Vegas club show. For these dates at the Sands, Sinatra worked with Count Basie and his orchestra, which was conducted by Quincy Jones. Like any of his concerts, the material was fairly predictable, with his standard show numbers punctuated by some nice surprises. Throughout the show, Sinatra is in fine voice, turning in a particularly affecting version of “Angel Eyes.” He is also in fine humor, constantly joking with the audience and the band, as well as delivering an entertaining, if rambling, monologue halfway through the album. Some of the humor has dated poorly, appearing insensitive, but that sentiment cannot be applied to the music. Basie and the orchestra are swinging and dynamic, inspiring a textured, dramatic, and thoroughly enjoyable performance from Sinatra.
Track listing
01 -- “Come Fly With Me” (Sammy Cahn, Jimmy Van Heusen) – 3:48
02 -- “I’ve Got A Crush On You” (George Gershwin, Ira Gershwin) – 2:44
03 -- “I’ve Got You Under My Skin” (Cole Porter) – 3:46
04 -- “The Shadow Of Your Smile” (Johnny Mandel, Paul Francis Webster) – 2:33
05 -- “Street Of Dreams” (Victor Young, Sam M. Lewis) – 2:18
06 -- “One For My Baby (And One More For The Road)” (Harold Arlen, Johnny Mercer) – 4:47
07 -- “Fly Me To The Moon” (Bart Howard) – 2:50
08 -- “One O’Clock Jump” (Instrumental) (Count Basie) – 0:55
09 -- “The Tea Break” (Sinatra Monologue) – 11:54
10 -- “You Make Me Feel So Young” (Mack Gordon, Josef Myrow) – 3:17
11 -- “All Of Me” (Instrumental) (Gerald Marks, Seymour Simons) – 3:17
12 -- “The September Of My Years” (Cahn, Van Heusen) – 2:58
13 -- “Get Me To The Church On Time” (Frederick Loewe, Alan Jay Lerner) – 2:23
14 -- “It Was A Very Good Year” (Ervin Drake) – 4:04
15 -- “Don’t Worry ‘Bout Me” (Rube Bloom, Ted Koehler) – 3:21
16 -- “Makin’ Whoopee!” (Walter Donaldson, Gus Kahn) – 4:37
17 -- “Where Or When” (Richard Rodgers, Lorenz Hart) – 2:58
18 -- “Angel Eyes” (Earl Brent, Matt Dennis) – 3:28
19 -- “My Kind Of Town” (Cahn, Van Heusen) – 3:06
20 -- “A Few Last Words” (Sinatra Monologue) – 2:33
21 -- “My Kind Of Town” (Reprise) – 0:59
Personnel
Frank Sinatra – vocals
Count Basie – piano
Bill Miller – piano
The Count Basie Orchestra
Quincy Jones – arranger, conductor
Harry “Sweets” Edison – trumpets
Al Aarons
Sonny Cohn
Wallace Davenport
Phil Guilbeau
Al Grey – trombones
Henderson Chambers
Grover Mitchell
Bill Hughes
Marshall Royal – alto saxophone
Bobby Plater
Eric Dixon – tenor saxophone
Eddie “Lockjaw” Davis
Charlie Fowlkes – baritone saxophone
Freddie Green – guitar
Norman Keenan – double bass
Sonny Payne – drums
Album notes
Released: July 1966
Recorded: January 1966 and February 1966
Genre: Vocal Jazz, Classic Pop
Length: 72:36 (mono)
Producer: Sonny Burke
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