Themselves
themselves are doseone and jel, from California.
Jel became familiar with dose through his good friend and radio partner, Kevin Beacham. But it wasn't until early 1998 when some tapes were exchanged through mutual friend, Mr. Dibbs, that the two realized their potential together. Soon after a few phone conversations, jel started making frequent sojourns from Chicago to Cincinnati to record with dose. The duo's first couple of tracks ended up on dose's first, self-released record Hemispheres (1998). Read Full Biothemselves are doseone and jel, from California.
Jel became familiar with dose through his good friend and radio partner, Kevin Beacham. But it wasn't until early 1998 when some tapes were exchanged through mutual friend, Mr. Dibbs, that the two realized their potential together. Soon after a few phone conversations, jel started making frequent sojourns from Chicago to Cincinnati to record with dose. The duo's first couple of tracks ended up on dose's first, self-released record Hemispheres (1998). Then from April of 1998 to January of 1999 they solidified their chemistry, putting the tracks together that would end up on themselves' them. That same Spring dose and jel, along with Slug of Atmosphere and sole and alias of Live Poets began recording deep puddle dynamics's The Taste Of Rain... Why Kneel. Out of that record, the concept of anticon was somewhere born -- whose founding dose and jel would become an integral part of, later bringing them both to the Bay Area.
Since then, both artists have continued to push boundaries, producing and collaborating on a range of work far outside the constructs of traditional genre forms. They've expanded their use and understanding of their equipment, as well as perfected their live performances. Their record, the no music. (2002), involved the use of: an SP-1200, an MPC-2000, a Korg Poly 64 keyboard, some other shit, a Roland VS 880, Digital Performer, a Dr. Sample, various microphones, numerous household items and found objects and sounds. Recently the two of them have also expanded their roles in the group, both contributing vocals and production to the no music.. They also added Dax Pierson on keyboards, Dr. Sample, Theremin and back up vocals on many of their tracks, and to all of their live performances. Dax is essential in adding syncopation and a real time quality to the tracks.
After a six-year hiatus, Themselves return on a rampage of heady rap wrung from hardworking hands. Of course, the duo of Jeffrey “Jel” Logan and Adam “Doseone” Drucker are never too far from the frontlines of good art and honest music. Last year, their Subtle sextet released its third album, the critically acclaimed and wildly adventurous ExitingARM, and a 2005 collaboration with Germany’s the Notwist yielded the cult gem 13 & God. There have been solo offerings, guest appearances, and ceaseless touring, but not peep from the name behind 2002’s left-field classic The No Music. That blessed interim has seen Doseone and Jel become the fearless musicians and exacting artists they’d always meant to be. Now, hungrier than ever, Themselves are here to scrawl a bold new chapter across rap’s too-stale tome. Furthermore, they set out to accomplish this feat unadorned, returning to hip-hop’s most cardinal and carnal form, the number two: the DJ and the MC—neck-snapping beats and precision prose—accompanied by a little righteous indignation, of course.
Such things do have roots, naturally, and Themselves’ are as colorful as one would expect. Drucker was born in Napa, Idaho, to a hippie pair whose relationship wouldn’t outlast its ideals. Logan was raised in Chicago by Pentecostal parents. While the former spent his preteen years bouncing between Philadelphia and New Jersey, surviving by his mile-a-minute wit and ceaseless imagination, Logan nursed an early love for the decidedly safe sounds of Chuck Berry into raging crush on the unhinged backbone of rap music: beats. He’d pump gas in order to save up for the hallowed SP-1200 drum machine (of which he’s now a renowned master); Drucker would hone his unmatched rap styles in street battles before moving to Cincinnati in his late teens. In that city’s annual “Scribble Jam” competition, as “Doseone,” he famously battled Eminem in a final-round showdown—as well as one of his idols, Freestyle Fellowship’s P.E.A.C.E.—and the experience left him hollow. Meanwhile, Jel had forged a sound unto himself, but couldn’t find a voice able to keep pace. In 1998, tapes were exchanged through the venerable DJ Mr. Dibbs, and history came to be made.
Of that initial meeting, much would be born: Doseone’s ambitious, self-released debut Hemispheres (1998); Themselves’ seminal unveiling, Them (1999); the landmark collaborative project, Deep Puddle Dynamics (also featuring Sole, Alias and Atmosphere’s Slug); and the Anticon label itself. Soon, Dose and Jel moved to Oakland in order to spark a movement with Anticon’s other co-founders, two of which (Odd Nosdam, and Yoni Wolf of WHY?) were in yet another celebrated group with Drucker, the eternally lauded cLOUDDEAD. Since, Doseone and Jel have continued to challenge rap—and our conception of music itself—every step of the way. Through their joint projects and an impressive body of solo work (see 2006’s Soft Money, by Jel, or Doseone’s self-released spoken-word album, Soft Skulls), these two have been nurturing the kind of legacy that only gets better with age. In 2009, Themselves return to a core that’s been warming, strengthening, and expanding all the while.
Jel became familiar with dose through his good friend and radio partner, Kevin Beacham. But it wasn't until early 1998 when some tapes were exchanged through mutual friend, Mr. Dibbs, that the two realized their potential together. Soon after a few phone conversations, jel started making frequent sojourns from Chicago to Cincinnati to record with dose. The duo's first couple of tracks ended up on dose's first, self-released record Hemispheres (1998). Read Full Biothemselves are doseone and jel, from California.
Jel became familiar with dose through his good friend and radio partner, Kevin Beacham. But it wasn't until early 1998 when some tapes were exchanged through mutual friend, Mr. Dibbs, that the two realized their potential together. Soon after a few phone conversations, jel started making frequent sojourns from Chicago to Cincinnati to record with dose. The duo's first couple of tracks ended up on dose's first, self-released record Hemispheres (1998). Then from April of 1998 to January of 1999 they solidified their chemistry, putting the tracks together that would end up on themselves' them. That same Spring dose and jel, along with Slug of Atmosphere and sole and alias of Live Poets began recording deep puddle dynamics's The Taste Of Rain... Why Kneel. Out of that record, the concept of anticon was somewhere born -- whose founding dose and jel would become an integral part of, later bringing them both to the Bay Area.
Since then, both artists have continued to push boundaries, producing and collaborating on a range of work far outside the constructs of traditional genre forms. They've expanded their use and understanding of their equipment, as well as perfected their live performances. Their record, the no music. (2002), involved the use of: an SP-1200, an MPC-2000, a Korg Poly 64 keyboard, some other shit, a Roland VS 880, Digital Performer, a Dr. Sample, various microphones, numerous household items and found objects and sounds. Recently the two of them have also expanded their roles in the group, both contributing vocals and production to the no music.. They also added Dax Pierson on keyboards, Dr. Sample, Theremin and back up vocals on many of their tracks, and to all of their live performances. Dax is essential in adding syncopation and a real time quality to the tracks.
After a six-year hiatus, Themselves return on a rampage of heady rap wrung from hardworking hands. Of course, the duo of Jeffrey “Jel” Logan and Adam “Doseone” Drucker are never too far from the frontlines of good art and honest music. Last year, their Subtle sextet released its third album, the critically acclaimed and wildly adventurous ExitingARM, and a 2005 collaboration with Germany’s the Notwist yielded the cult gem 13 & God. There have been solo offerings, guest appearances, and ceaseless touring, but not peep from the name behind 2002’s left-field classic The No Music. That blessed interim has seen Doseone and Jel become the fearless musicians and exacting artists they’d always meant to be. Now, hungrier than ever, Themselves are here to scrawl a bold new chapter across rap’s too-stale tome. Furthermore, they set out to accomplish this feat unadorned, returning to hip-hop’s most cardinal and carnal form, the number two: the DJ and the MC—neck-snapping beats and precision prose—accompanied by a little righteous indignation, of course.
Such things do have roots, naturally, and Themselves’ are as colorful as one would expect. Drucker was born in Napa, Idaho, to a hippie pair whose relationship wouldn’t outlast its ideals. Logan was raised in Chicago by Pentecostal parents. While the former spent his preteen years bouncing between Philadelphia and New Jersey, surviving by his mile-a-minute wit and ceaseless imagination, Logan nursed an early love for the decidedly safe sounds of Chuck Berry into raging crush on the unhinged backbone of rap music: beats. He’d pump gas in order to save up for the hallowed SP-1200 drum machine (of which he’s now a renowned master); Drucker would hone his unmatched rap styles in street battles before moving to Cincinnati in his late teens. In that city’s annual “Scribble Jam” competition, as “Doseone,” he famously battled Eminem in a final-round showdown—as well as one of his idols, Freestyle Fellowship’s P.E.A.C.E.—and the experience left him hollow. Meanwhile, Jel had forged a sound unto himself, but couldn’t find a voice able to keep pace. In 1998, tapes were exchanged through the venerable DJ Mr. Dibbs, and history came to be made.
Of that initial meeting, much would be born: Doseone’s ambitious, self-released debut Hemispheres (1998); Themselves’ seminal unveiling, Them (1999); the landmark collaborative project, Deep Puddle Dynamics (also featuring Sole, Alias and Atmosphere’s Slug); and the Anticon label itself. Soon, Dose and Jel moved to Oakland in order to spark a movement with Anticon’s other co-founders, two of which (Odd Nosdam, and Yoni Wolf of WHY?) were in yet another celebrated group with Drucker, the eternally lauded cLOUDDEAD. Since, Doseone and Jel have continued to challenge rap—and our conception of music itself—every step of the way. Through their joint projects and an impressive body of solo work (see 2006’s Soft Money, by Jel, or Doseone’s self-released spoken-word album, Soft Skulls), these two have been nurturing the kind of legacy that only gets better with age. In 2009, Themselves return to a core that’s been warming, strengthening, and expanding all the while.
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Good People Check
Themselves Lyrics
This one turns to shame and fame and what not
You sound hollow, this upsets me
You didn't always...
(always)
You can tell a lot about a man (anyways)
From the sound of his music (yours is hollow)
Yours is hollow sounding (sounding)
Frankly, you've become suckers. (suckers)
(you sound hollow), this upsets me
(you didn't always...)
You can tell a lot about a man (anyways)
From the sound of his music (yours is hollow)
Yours is hollow sounding (sounding)
Frankly, you've become suckers. (suckers)
This is a dis song
Dis song absolute
Because you can't respect me
Because I can't respect you
This is a quitters anthem
This is why you should quit
Because you've cheated, and ate where you shit
All my good people you know who you are
And all you lazy lawyers and hookers
Oughta know damn well how something awful scars
So...
I rap with a passion and stock rap in a record store
You make me embarrassed for both, you fell on your sword
Sh sh, sh sh sh sh
Ah aha ah ooh, look out now
[Shove the gun up your ass
Shove that gun up your ass
Shove your gun up your ass
You're as good as dead] x 4
Woe's me, my rotting tape collection
Be still my beating heart
Now I buy one new rap CD six months apart
From underground to mainstream
Pioneers to fireplace rap
This is the voice of our age
Not the skin off your back
Come see me I serve you
Give you free music and step
It was nothing, I did it just to save our rep
Once again they took it to the...?
The invisible unknown enemy
Cowards hiding behind imaginary lines
(Please recite the word by exaggerating the.)
The invisible unknown enemy
Jail time behind imaginary bars
Not really art not really life
They would be toys for adults)
[Walk into the fact
You're blind from the fire
I turn a blind eye
The lawyer and the hooker] x 4
Misogyny
Adultery
Homophobia
Thing tug
How far into the fire can you pour out blood
Misogyny
Adultery
Homophobia
Thing tug
How far into the fire can you pour out blood
Keep on smoking cigarettes on fire station steps
Sound the good the bad and the ugly whistle
Contributed by Lily I. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
BASED
Doseone always kills it. Dope beat too
oedipa maas
Wow, haven't listened to this in years, completely forgot about it
Edward Cincibus
Used to listened this and paging Dr. Moon or gun in high school, it was a big part in my music listening I'm thinking.
Mike
Exactly what I have just said.
222killawhale
THANK YOU for posting this!!! If it wasn’t for YouTube, I would’ve lost this the last time my cassette tapes melted in my car in the sun
SnowMetal
I just spent an hour searching for this track, because I was explaining to a newb at the skatepark that he needs to hear "that hip hop group that did 13 and God with the Notwist". This song is an amazing blast from the past, and was very difficult to find. Thanks for uploading.
Michael Robles
You can tell a lot about a man by the sound of his music 🎵🎶 classic. Going back over old songs I can understand clearly that hip hop been dead. I'm glad I grew up with the stuff I did.
Stephen Walsh
Still solid as the rock I walked when first heard
TX-606
i smoked so much weed in my hatchback with my friends to this album my senior year 2003. lol
Dave AF
@Chloe nice to see a youngin's appreciation for some good, obscure Hiphop.