After quitting school to enter a musical contest, Shiina was quickly signed to EMI, then promptly left Japan to avoid the trappings of contract work. After returning, she quickly released a series of singles and albums, all self-penned (a relative rarity for Japanese pop artists), and all meeting with great success on the Japanese charts. A hiatus to start a family followed, itself followed (after a divorce) by both a new album and a new side project, the band 東京事変. (Tokyo Jihen - or Tokyo Incidents)
After more success with the band, Shiina returned to a solo career in 2006 as the Music Director for the film 「さくらん」(Sakuran), quickly taking the number one slot on the Oricon charts with the album Heisei Fuuzoku released in tandem with a major soundtrack project. Following was a B-sides album which peaked quickly at the number one Oricon slot. In the years proceeding this, she spent most of her time dedicated to Tokyo Jihen occasionally revisiting her solo work.
Despite being involved in the main Japanese pop scene, Shiina has created a niche for herself based on a much wider musical range than most artists. Where most pop singers develop a basic sound based on contemporary pop aesthetics and throwaway lyrical matter, Shiina builds on a base of jazz, rock, Motown, and even French chanson equally well (the chanson works especially well with her trademark nasal delivery), infusing her projects with a very different aesthetic, and gaining a fan base separate from the core constituents of the Japanese pop apparatus.
Despite the release of album 三毒史 (trivisa-itihasa) in 2019, released after a myriad of singles being majorly included in aforementioned work. In 2020, Ringo and band Tokyo Jihen turned their backs to their past, doing a major reunion, with the drop of a few projects, such as sixth studio album 音楽.
Discography
Singles
幸福論 (Koufukuron)（1998）
歌舞伎町の女王 （1998）
ここでキスして。 (Koko de kisu shite)（1999）
本能 （1999）
幸福論（1999）
ギブス (Gibs)（2000）
罪と罰 （2000）
真夜中は純潔 （2001）
絶頂集 （2000）
茎（STEM）～大名遊ビ編～ （2003）
りんごのうた (Ringo no Uta)（2003）
この世の限り (Kono Yo no Kagiri) (2007） (With Saitou Neko and her brother Shiina Junpei)
ありあまる富 (Ariamaru Tomi)（2009）
カーネーション (Carnation)（2011）
自由へ道連 (Traveling Companion to Freedom) (2012)
いろはにほへと (Les Couleurs Chantent) (2013)
孤独のあかつき (The Solitude of Dawn) (2013)
NIPPON (2014)
至上の人生 (A Life Supreme) (2015)
最果てが見たい (2015)
長く短い祭 (2015)
神様、仏様 (2015)
ジユーダム (2016)
目抜き通り (2017)
獣ゆく細道 (2018)
Albums
無罪モラトリアム (Muzai Moratorium) (1999)
勝訴ストリップ (Shouso Strip)（2000)
加爾基 精液 栗ノ花（Karuki Za-men Kuri no Hana）(2003)
平成風俗 (Heisei Fuuzoku) (2007) (with Neiko Sato)
三文ゴシップ (Sanmon Gossip) (2009)
日出処 (Hi Izuru Tokoro) (2014)
三毒史 (trivisa-itihasa) (2019)
Covers Album
唄ひ手冥利～其ノ壱～ (Utaitemyori Sonoichi)（2002）
逆輸入 ～港湾局～ (Reimports Vol.1) (2014)
逆輸入 〜航空局〜 (Reimport Vol.2 -Civil Bureau Aviation) (2017)
Compilations
私と放電 (Me & Electric Discharge) (2008) - (B-Sides)
ニュートンの林檎 (Apple of Universal Gravity) (2019) - (Overview)
望遠鏡の外の景色
椎名林檎 Lyrics
Jump to: Overall Meaning ↴
Paisaje by 椎名林檎 is a hauntingly beautiful song with poignant lyrics that evoke feelings of longing, nostalgia, and lost love. The line "Me olvidé de todo" translates to "I forgot everything", which can be interpreted in a number of ways. Some may see it as a sign of surrender, a person who has given up on everything and has chosen to embrace the emptiness. Others may see it as a way of letting go of the past and moving on towards a better future. Whatever the interpretation, the line is undoubtedly powerful and is accompanied by a devastating melody that will leave listeners spellbound.
The rest of the song continues in a similar vein, with the singer describing a dream-like world filled with memories of the past and the hope for the future. The lyrics are ambiguous and open to interpretation, with some seeing them as a meditation on the passing of time and the impermanence of things, while others see them as a reflection on the beauty of life and the power of human connection. The sparse instrumentation, consisting of a piano and a guitar, adds to the sense of melancholy and introspection that permeates the song.
Overall, Paisaje is a beautiful and evocative song that showcases 椎名林檎's incredible talent as a songwriter and singer. The lyrics are haunting and poetic, the melody is mesmerising, and the overall effect is devastatingly emotional. It is a song that will stay with listeners long after they have heard it, and one that will continue to be admired for many years to come.
Lyrics © Universal Music Publishing Group
Written by: Ringo Shiina, Hideki Noda
Lyrics Licensed & Provided by LyricFind