There are multiple artists with t… Read Full Bio ↴For the french punk band, see C.O.M.A.
There are multiple artists with this name:
1) Coma was a Polish alternative rock band, founded in 1998 in Łódź by Dominik Witczak (guitar) and Tomasz Stasiak (drums). They disbanded in 2019.
The first album Pierwsze Wyjście z Mroku was released in 2004. After winning the Rock Festival in Węgorzewo the band became very popular in Poland. The second album, Zaprzepaszczone Siły Wielkiej Armii Świętych Znaków was released in May 2006.
In 2008, after hiring a new drummer, Coma released the double concept album Hipertrofia.
2) Coma is a Cologne-based techno-/electro duo - Georg Conrad and Marius Bubat. After a couple of ambient-like tracks they turned more into the electronical style of music. In early 2008 they got signed by Firm Records/Kompakt and released a 12" played on heavy rotation by famous Techno DJs like Superpitcher, Tobias Thomas and Sascha Funke. (Official Website)
3) Coma is a romanian nu-metal band formed around 1999.
From the very beginning a DIY effort, the band never expected any help from “outside”. In search of a record deal, Coma faced the problem of being a little hard for Romania in a time when easy dance summer hits were at the top of all charts. They were the first band in the Romanian rock landscape who alternated heavy riffs, profound lyrics and screamed and warm vocals. They were the first band to abandon the way old-school rockers used to dress and gave Romania a glimpse of what was happening across its borders.
A record deal landed finally from A&A Records, a Warner Music licensee, and while it didn’t do anything for them, the guys worked hard at promoting their music in the old-fashioned way – as many concert appearances as possible. And the word spread quickly!
Their first video Nu vreau, fetițo, casă (basically a wordplay in speaking, meaning both "Girl, I Don't Want a Home" and "Girl, I don't want to" depending whether you think of "casă" or "ca să"), which appeared in March 2000, was a parody of the Romanian music scene back then and attracted a great deal of attention towards the band. In the meantime, the band was working on their first album, Somn.
When it came to recording new videos COMA turned to Palme d’Or Award Winner Marian Crișan (at that time, just starting out as a director) who directed their subsequent videos: Bruzli Vs. Vandam (a phonetic Romanian transcription of the names Bruce Lee and Van Damme), Stai (tr. Wait) and În mine în șoaptă (tr. In Me In Whisper).
After the first pressing sold out, the band faced the denial of a second pressing, as record labels in Romania did not want to take chances with what they thought was a risky and noncommercial genre. Coma didn’t sell much in comparison with foreign bands (4000 copies) but due to the lack of interest from the record label the fact that they sold out all copies in such a short time is a miracle in itself.
Both the country’s economic factors and the age of the members determined them to take a break and search for other ways to develop a good and stable base for their lives. Although they were on hiatus, the public didn’t forget them, and they appeared as opening acts for Sepultura, Soulfly, Deftones and Born from Pain. Also, during this period they had some club gigs. Their fanbase still supporting them was a catalyst for going back to the studio and finally, work on Nerostitele began.
Nerostitele (tr. The Unspoken), their sophomore album, was released on November 30th 2006, in a special concert held in Bucharest's FIRE CLUB. The album’s first video, Coboară-mă-n Rai (tr. Descend Me Into Heaven), was filmed entirely in infrared and was again directed by their long time director friend and Palme d’Or Award Winner Marian Crișan. Two more videos have been released from this album.
Because the situation with the record labels didn’t improve, Nerostitele is a 100% independent product. Although indie, the album has lots to offer: appearances from Faith No More bassist BILL GOULD, and ADRIAN DESPOT - lead singer of Romanian alternative rock band Vița de Vie and also a collaboration with a Romanian hip hop artist – BRUGNER (B.R.G./Delikt/R.A.N.-S.).
There has also been a second video for Cântă-mi povestea (tr. Sing My Story), but its promotion restricted and hindered by most major labels and tv stations still interested only in commercial music and bands, it was played constantly on original member HEFE's TV show, "BRING THE NOISE".
Outside the band, CĂTĂLIN collaborated, amongst others, with Bucharest hip-hop band DAGGA on their debut album, on "Cum am crescut" (tr. How I Grew Up) while DAN revealed, once again, his screaming skills on Romanian alternative-rap giants, DA HOOD, on a track named "De cate ori" (tr. How Many Times).
3) Coma is a heavy load crustcore band from Sweden, with former members of Born Dead Icons, Autoritar and Mass Genocide Process.
4) Coma was a late 1970s Danish prog-rock band with obvious Zappa-esque style jazzy influences, who released two records, Financial Tycoon (1977) and Amoc (1980).
5) Coma is a Psuedonym for Jerusalem-based Shai Yehezkelli. He has released 3 LP's through the years 1999-2002, under the moniker Coma, on the Israeli indie label Fact: Poem for the Lowest Common Denominator (1999), Coma (2001), and Asuuann (2002).
6) Coma is an 1980s Japanese post-punk band that took heavy influences from Killing Joke.
7) Coma was a Swedish sludge metal band that was greatly inspired by Neurosis, Isis & Alice In Chains.
8) Coma is an acoustic project of Spencer Mertel based in Seattle, Washington.
9) Coma is a Finish progressive / indie-rock band.
10) Coma is an alternate ego of Simon Rees who released an Ambient-IDM album called "Chronoglide" under the moniker Astral Engineering on Worm Interface Recordings in the mid 90s. The drum and bass side-project Coma turns up via a few remixes and also on the first "Alt.Frequencies" compilation on Worm Interface with the track "Zero".
11) Coma is solo orchestral-ambience project from Adelaide, Australia.
12) Coma was a former Slovak rock quaternion consisting of Miroslav Feher (guitar), Jozef Tomašovič (drums and vocal), František Vizváry (bass guitar) and Peter Tomašovič (vocal). Their only one album was issued in 1992 under label Tak sa mám.
13) Coma is swedish crustcore band. They released split 7ep w/ Mass genocide process and s/t LP on Insane society recs. Currently inactive.
14) Coma is an alternative band from Windsor, Ontario, Canada. Coma was Brendan Hickey (guitars, boomerang), Christien Gagnier (guitars, analogue synthesizer, organ, lapsteel w/ebow, voice), Stewart Adamson (bass), Ryan Fields (percussion), James Tiller (production)
15) Coma is a Black Metal band from Germany. They formed in 2004 and have released two demos.
16) Coma is a Melodic Death-Black Metal band from Italy.
17) Coma was a thrash metal band from Poland.
18) Coma was a Technical Grind / Death metal band from Romania.
19) Coma was a thrash metal band from Washington, USA.
20) Coma is no-metal band in Brooklyn/Albany, NY/San Francisco, USA.
21) coma is a post-rock band in Georgetown, Penang Malaysia.
Coma hails from a two-block radius in Albany, NY (a city with deadly low self-esteem, but I digress). They practice in a spooky warehouse across the river. The three boys performing under the name Coma have spent the last almost-decade playing their little hearts out in musical outfits of tiny personal successes (Zahnarzt, Lincoln Money Shot, Amazing Plaid) and retarded, cringe-inducing failures (Starts With A 'B' Ends With An 'H').
Coma sounds like a nihilistic ghost trapped in the body of a friendly robot. It's wicked reductive to compare 'x' to 'y', but that's what you're interested in, right? Well, the boys like to listen to Scott Walker, Bobby Conn, the Screamers, the Birthday Party, David Bowie and the fun Brian Eno records. They enjoy cozy living rooms, bottomless dark nights of monumental personal reflection, drinking with friends and listening to dubstep. Their turn-offs include old people and tacky coupons.
22) CoMa
CoMa is U.S. born female vocalist and producer residing in Los Angeles, also known as Nicole Marie:
She participates in many collaborations, such as CoMa & Owsey and has worked with Stumbleine: The Beat My Heart Skips (ft CoMa)
Facebook band pageSoundcloud
23) Coma is stoner doom band from Pittsburgh, Pennsylvania, United states
Bandcamp
Podmiot czynności twórczych
Coma Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Gdy należało się zatrzymać
Rozpatrzyć z pewnego dystansu
Rozmieszczenie realnych
Punktów odniesienia
Mojego aktualnego położenia
Względem rzeczywistości
Ujętej standardowo
Pojawiło się
Faktyczne zagrożenie
Autentyczności doznania
Na trzech poziomach realności
Po pierwsze zmysły
Obezwładnione rozpaczą
Zmrożone późnym listopadem
Sprawiły że doznawałem
Przepotwornego weldszmerca
Jednego z tych potworów
Które zmieniają na później
Wszystkie tory rozumowania
Pojmowania rzeczy
Wraz z przyległymi
Punktami widzenia
A na teraz mi on zniekształcał
Możliwość analizy
Bodźców zewnętrznych
Paraliżując władność
Umysłu nad zarówno
Zdolnością myślenia
Abstrakcyjnego
Jak i umiejętnością
Kontrolowania podstawowych
Czynności życiowych
Świadczących o życiu
Przypadłość
Diagnozowana objawowo
Halucynacje wzrokowo słuchowe
Niepewność wszystkiego
Błogość
Po drugie
Z perspektywy podmiotu
Czynności twórczych
Próba opisania
W podobny sposób
Podobnych zdarzeń
Podtyka możliwość
Posądzenia osoby
Opisującej
Z równoczesnym ominięciem
Efektu artystycznego
Pracy
Posądzenia o naiwność
Po trzecie
Podmiot mi się waha
Międzysferycznie
Między sferami
Rozpięty w panice
I żaden z wymiarów
Nie jest autentycznie
Ni wiarygodny
Ni potrzebny
Bym nie brnął dalej
Skoro już zacząłem
Bym nie brnął do
Pointy i tak
Przemieniam się
Zatem dzielnie
Z powrotem
W podmiot liryczny
Tym samym ucinam
Rozterki autora
Ucinam dygresje
I liczę
Na rozwinięcie się i finał
Pączkujących od wcześniej
Owocem pachnących tajemnic
Zawartych w owej tu historii
Opowieści
The lyrics to "Podmiot czynności twórczych" by Coma describe a moment of reflection and self-evaluation. The singer feels the need to pause and analyze their current position in relation to reality, which is commonly perceived according to societal norms and standards. However, the authenticity of their experience becomes threatened on three levels of reality.
The first level is sensory, as the singer's senses are overwhelmed by despair and paralyzed by the coldness of late November. This leads to experiencing a monstrous "weldszmerca," which distorts their ability to reason and comprehend things, along with the accompanying perspectives. It distorts their ability to analyze external stimuli and paralyzes their mind, affecting both abstract thinking and the basic functions of daily life, which are indicators of existence. This condition is symptomatically diagnosed with visual and auditory hallucinations, creating a sense of uncertainty yet bliss.
The second level pertains to the perspective of the subject of creative activities. The singer attempts to describe similar events in a similar manner, but they are met with the possibility of being accused of naivety. This suggests that the act of describing such experiences without considering the artistic effect of their work may be seen as naive or lacking sophistication.
The third level involves the wavering of the singer themselves between different dimensions, panicking in the process. None of these dimensions are genuinely reliable or necessary, yet the singer feels compelled to continue moving forward despite the uncertainty. They transform back into the lyrical subject, cutting off the author's dilemmas and side remarks, and anticipate the development and culmination of the blossoming secrets contained within this story.
Line by Line Meaning
I najpewniej była to chwila
And most likely it was a moment
Gdy należało się zatrzymać
When it was necessary to stop
Rozpatrzyć z pewnego dystansu
To consider from a certain distance
Rozmieszczenie realnych
The arrangement of real
Punktów odniesienia
Points of reference
Mojego aktualnego położenia
Of my current position
Względem rzeczywistości
Relative to reality
Ujętej standardowo
Taken in a standard way
Wg norm rzeczywistych
According to real norms
Pojawiło się
There appeared
Faktyczne zagrożenie
An actual threat
Autentyczności doznania
Authenticity of experience
Na trzech poziomach realności
On three levels of reality
Po pierwsze zmysły
First, the senses
Obezwładnione rozpaczą
Overwhelmed by despair
Zmrożone późnym listopadem
Frozen in late November
Sprawiły że doznawałem
Causing me to experience
Przepotwornego weldszmerca
A monstrous pain
Jednego z tych potworów
One of those monsters
Które zmieniają na później
That change everything later on
Wszystkie tory rozumowania
All tracks of reasoning
Pojmowania rzeczy
Understanding things
Wraz z przyległymi
Along with adjacent
Punktami widzenia
Points of view
A na teraz mi on zniekształcał
And now it distorted for me
Możliwość analizy
The possibility of analysis
Bodźców zewnętrznych
External stimuli
Paraliżując władność
Paralyzing the power
Umysłu nad zarówno
Of the mind over both
Zdolnością myślenia
The ability to think
Abstrakcyjnego
Abstract
Jak i umiejętnością
As well as the skill
Kontrolowania podstawowych
Controlling basic
Czynności życiowych
Life activities
Świadczących o życiu
That indicate life
Przypadłość
Affliction
Diagnozowana objawowo
Diagnosed symptomatically
Halucynacje wzrokowo słuchowe
Visual and auditory hallucinations
Niepewność wszystkiego
Uncertainty of everything
Błogość
Bliss
Po drugie
Secondly
Z perspektywy podmiotu
From the perspective of the subject
Czynności twórczych
Of creative activities
Próba opisania
An attempt to describe
W podobny sposób
In a similar way
Podobnych zdarzeń
Similar events
Podtyka możliwość
Suggests the possibility
Posądzenia osoby
Accusing the person
Opisującej
Describing
Z równoczesnym ominięciem
With simultaneous omission
Efektu artystycznego
Of artistic effect
Pracy
Work
Posądzenia o naiwność
Accusing of naivety
Po trzecie
Thirdly
Podmiot mi się waha
The subject wavers for me
Międzysferycznie
Interdimensionally
Między sferami
Between spheres
Rozpięty w panice
Stretched in panic
I żaden z wymiarów
And none of the dimensions
Nie jest autentycznie
Are authentically
Ni wiarygodny
Or trustworthy
Ni potrzebny
Or necessary
Bym nie brnął dalej
For me not to go further
Skoro już zacząłem
Since I have already started
Bym nie brnął do
For me not to go to
Pointy i tak
The point anyway
Przemieniam się
I transform myself
Zatem dzielnie
So bravely
Z powrotem
Back
W podmiot liryczny
Into the lyrical subject
Tym samym ucinam
Thus, I cut off
Rozterki autora
The author's dilemmas
Ucinam dygresje
I cut off digressions
I liczę
And I count
Na rozwinięcie się i finał
On development and finale
Pączkujących od wcześniej
Budding from before
Owocem pachnących tajemnic
Fruit of fragrant mysteries
Zawartych w owej tu historii
Contained in this story
Opowieści
Narrative
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
SuperTruten
Rewelacja...
zmorojewo
moj stary
nemo
pijany
Baager
Nie wiem Ale coś mi nie pasują te piosenki. Może za dużo artyzmu a za mało śpiewania. Zbyt przekombinowane
Szczery Szczeniak
to akurat nie jest istotne co pasuje, czy co się podoba. Rogucki chciał zrobić taki utwór to zrobił
bima
Rogucki jak Kaszpirowski hehehe