In 1993, they recorded "Winter Song" for the opening theme of the TriStar Pictures film Sleepless in Seattle and the following year recorded the song "Eternity" for the animated film The Swan Princess by New Line Cinema. In Japan, they recorded theme songs for TBS television shows, and it wasn't long before they caught the attention of the Walt Disney company, and were hired to create musical-tunes for their television shows, and attractions at the Tokyo Disney Resort. In 2001, they composed the theme song for the Japanese release on the Disney film Atlantis, and Miwa was hired to be the voice actor for the character Audrey Rocio Ramirez in the Japanese version.
Miwa Yoshida started a solo music career in 1995, and the following year appeared on the cover of Time Magazine. She has also appeared in advertisements for Sony, Visa, Honda, Shiseido, Lotte, Vodafone, and Coca Cola. Meanwhile Masato was hired to compose the music for television commercials, and around the same time compiled various "Dreams Come True" songs for Konami to be used in their game series Dance Dance Revolution. He had previously been hired to compose the music for the Sonic the Hedgehog video games on the Sega Mega Drive.
On April 1, 1996, they released Love Unlimited, which would be their final album for Sony Music. News of their departure would cause Sony Music shares to drop severely on the Tokyo Stock Exchange.
They later signed with Virgin Music America and Toshiba-EMI in Japan, due to that label's promises to break the group into the American market--something Sony was unwilling to do. Their first album under the new contract, Sing Or Die (a title that half-jokingly described the band's relationship with their former label, according to Nakamura), was released in an English-language version, but received very little promotion and even less airplay. It would be the band's final album as a trio, and Takahiro Nishikawa would depart the band shortly after its release. Sing or Die was Virgin's only attempt to penetrate the American market, and its failure would taint the band's future relationship with that label.
Part of the failure of the Virgin-DCT relationship can be laid at the label's attempt to renovate the band into something the American audiences could relate to. Miwa dropped her last name, Nakamura became "King Masa," but Nishikawa remained the same, and only received a passing mention on Sing or Die's liner notes. Musically, the album veered away from the classic DCT formula and deeper into the hip-hop dance theme begun on Delicious and Love Unlimited. The combination was not well-received by American audiences, nor DCT's legion of loyal Japanese fans.
There are conflicting accounts concerning Nishikawa's departure. Nishikawa himself states both he and longtime DCT producer Mike Pela were forced out by Virgin because they didn't fit into the label's makeover for the band. However, he also adds that prior to that, he hadn't been touring with DCT for some time, which supports the official account. At present, there seems to be little chance of Nishikawa playing with his former bandmates ever again.
Following 2001's monkey girl odyssey, DCT severed all ties with Virgin and Toshiba-EMI, and set up shop with Universal Music Japan. More recent albums such as The Love Rocks and And I Love You have returned to the classic DCT sound, and have been received more warmly.
They have also been involved in charity events. Including a collaboration with Ryuichi Sakamoto in 2001 to help raise funds for land mine removal agencies, and taking part in the Live 8 benefit concert in 2005.
In 2008, their single "Tsuretette Tsuretette" debuted a top on the Oricon weekly chart, nine years since their last number-one single "Asa ga Mata Kuru". The song also appears on the band's album Do You Dreams Come True?. The album is available in three versions: A single disc version, containing the main album; a second that adds Greatest Hits: The Soul 2, a sequel to their 2000 greatest-hits package; and a third that adds a live DVD, "Winter Fantasia 2008."
In 2010, they released their download only single "Godspeed", where the title is meant to be an even stronger wish of "Good Luck" for everyone to listen to it. In November of that same year, they released their 23rd album, Love Central, their second on Universal Music Japan's Nayutawave label.
In 2011, another Best-Of compilation, titled " THE SOUL FOR THE PEOPLE~Higashi-Nihon Daishinsai Shien Best Album~ . The profits from this album's sales go completely towards the Japanese Red Cross' Tohoku earthquake relief efforts.
DCT's latest single, "MY TIME TO SHINE", is set to be released on May 16th, 2012.
2) The 80's Hi NRG disco duo, Abbe Kanter and Stacy Dunne, that released one single in 1989, "Sweet Magic".
Unpretty Day!
DREAMS COME TRUE Lyrics
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It's a unlucky day, what goes on unhappy day, it's a unpretty day
電波のワルい場所で うわこんなことありえない
イラついた声 プラス大事なとこで途切れるっ
けんかになってしかも 笑うしかない充電の BEEP
あと10秒でいったい 何をどうできんの?
(Tell me how you're gonna do it)
かわいくないほんと この状況もあなたの態度も
はぁ～ まいるよな (tell me how you're going get through it)
とりあえず走るか いちばん近い駅まで
ちょっとのあぁ 行き違いなら
It's a unlucky day, what goes on unhappy day, it's a unpretty day
It's a unlucky day, what goes on unhappy day, it's a unpretty day
坂道なんですけど! いきなり気持ちも萎える
メールでもしとこうか って ケータイ死んでんですけど!
さっきからすぐそこに見えるのに近づかない駅ビル
会う予定だったから ヒール履いてきてるし
(Tell me how you're gonna do it)
かわいくないほんと このタイミングも 全部 全部
はぁ～ まいるよな (tell me how you're going get through it)
走るしかないかな ちょっとした誤解なんだけどな
あぁ 間に合うかな
このまま終わったら それもきっと運命かな
もし今あたしが行かなきゃ どうなんのかな
かわいくないほんと こんなこと考えてる時間が
はぁ～ あるなら (tell me how you're going get through it)
走るしかないよな だってあなたが大切だから
あぁ そうだよな (Tell me how you're gonna do it)
かわいくないちょっと? こんなこと考えてるあたしを
あぁ わかれよバカ! (tell me how you're going get through it)
かわいくないなやっぱ でもあとは会ってからにしよう
あぁ 走るか!
The lyrics of DREAMS COME TRUE's song "Unpretty Day!" delve into the theme of experiencing an unfortunate, unhappy, and unappealing day. The opening lines emphasize the negativity and unpredictability of the day, setting the tone for a series of frustrating events to come. The mention of being in a place with bad reception and experiencing unexpected interruptions in communication reflects feelings of irritation and helplessness in the face of challenging circumstances.
The following verses describe a situation escalating into an argument where laughter is the only response, highlighting the absurdity and frustration of the moment. The lyrics question how to navigate and overcome the obstacles presented in the situation, adding a layer of introspection on finding a solution amidst the chaos. The repetition of "tell me how you're gonna do it" underscores a plea for guidance or a way out of the predicament.
As the lyrics progress, the singer describes feeling disheartened by setbacks, such as a phone dying and plans going awry. The reluctance to approach a destination that seems within reach and the struggle to keep up with engagements further highlight the challenges faced on this unpretty day. The internal monologue and contemplation of what actions to take add depth to the narrative, portraying a sense of urgency and determination to persevere.
The song culminates in a realization of the importance of a significant person, despite the unattractive circumstances and negative thoughts that linger. The internal conflict of feeling unattractive or unworthy is juxtaposed with a sense of duty and commitment to meet the other person. The decision to prioritize the relationship over personal doubts and uncertainties reflects a resilient spirit and a willingness to push forward, even when faced with challenging moments. The repeated refrain of "tell me how you're gonna do it" serves as a rallying cry for finding a way to overcome obstacles and emerge stronger from the trials of an unpretty day.
Lyrics © Sony/ATV Music Publishing LLC
Written by: Masato Nakamura, Miwa Yoshida
Lyrics Licensed & Provided by LyricFind