Elba Ramalho was born in the rural area of Conceição, in Vale do Piancó. In 1962, the family moved to the city of Campina Grande, also in Paraíba. Her father became the owner of the local theater. Daughter of a musician, she became interested in music still as a teenager.
In 1966, she participated, for the first time, in a performance on stage, in the Choir of the Fundação Artística e Cultural Manuel Bandeira, of which she was a member, with "Evocação do Recife". The Manuel Bandeira and Cecília Meireles Talking Choirs gained fame and started to be seen all over the Northeast, and Elba, who made her first presentation on stage together with them, soon became the highlight in the presentations. She starred in the poetic montages of Castro Alves, Thiago de Mello, Lindolfo Bell, Carlos Pena Filho and Figueiredo Agra. He participated in the montages of the plays "Ministro do Supremo" and "Diálogo das Carmelitas."
In 1968, while attending college of Economics and Sociology at the Federal University of Paraíba, she formed the ensemble As Brasas, in which she acted as drummer, which later became a theater group. However, Elba never stopped singing, and performed in several festivals throughout the Northeast.
In 1979, she released her first album, "Ave de Prata", and since then she has consolidated her position as one of the main Brazilian singers in activity. On her father's side, she is a cousin of fellow singer Zé Ramalho.
She has two Latin Grammys for her albums: Qual o Assunto Que Mais Lhe importa?, released in 2008, and Balaio de Amor, 2009, in the category Best Brazilian Roots Album: Regional and Tropical. In over 35 years of career, Elba Ramalho has sold more than 10 million albums. She received from the Art Critics Association of São Paulo the award "Best Show of the Year" on two occasions: in 1989 for the show Popular Brasileira and in 1996 for the show Leão do Norte.
A Prosa Impúrpura Do Caicó
Elba Ramalho Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Em meu peito catolaico
Tudo é descrença e fé
Ah! Caicó arcaico
Meu cashcouer mallarmaico
Tudo rejeita e quer
Milhão e vintém
Todo mundo e ninguém
Pé de xique-xique, pé de flor
Relabucho, velório
Videogame oratório
High-cult simplório
Amor sem fim, desamor
Sexo no-iê
Oxente, oh! Shit
Cego Aderaldo olhando pra mim
Moonwalkman
Ah! Caicó arcaico
Em meu peito catolaico
Tudo é descrença e fé
Ah! Caicó arcaico
Meu cashcouer mallarmaico
Tudo rejeita e quer
The lyrics of Elba Ramalho's song "A Prosa Impúrpura Do Caicó" convey a sense of contradiction and complexity through the use of playful wordplay and juxtapositions. Caicó, a town in Brazil, is depicted as arcaic (archaic), representing both tradition and resistance to change. The line "Em meu peito catolaico" can be interpreted as a fusion of "peito católico" (Catholic belief) and "peito catártico" (cathartic heart), emphasizing the conflicting emotions and beliefs experienced by the singer.
The song oscillates between descrença (disbelief) and fé (faith), implying a constant struggle between doubt and belief within the town's inhabitants. The line "Meu cashcouer mallarmaico" blends English and French influences, possibly expressing the influence of globalization and consumerism on the traditional culture of Caicó. The song also plays with the concept of acceptance and rejection, as expressed in the line "Tudo rejeita e quer" (Everything rejects and desires).
The lyrics further explore this contrast through phrases like "Milhão e vintém" (Coin and bill, representing different economic classes) and "Todo mundo e ninguém" (Everybody and nobody, emphasizing the paradoxical nature of identity and social dynamics). The verses continue with references to local traditions and modern influences, such as "Pé de xique-xique, pé de flor" (Prickly pear cactus, foot of a flower), "Relabucho, velório" (Party, funeral), and "Videogame oratório" (Oratory video game).
The song concludes with a mix of fragmented and contrasting elements, including "Amor sem fim, desamor" (Endless love, lack of love) and "Sexo no-iê" (Sex in the open), potentially pointing towards the complexities and contradictions of relationships and sexuality. The reference to "Cego Aderaldo" (a blind poet from northeast Brazil) looking at the singer can symbolize the power of artistic expression and perception beyond physical limitations. The mention of "Moonwalkman" suggests a blend of traditional and contemporary culture, emphasizing the interconnectedness of different influences in Caicó.
Overall, "A Prosa Impúrpura Do Caicó" portrays a town torn between tradition and modernity, faith and doubt, acceptance and rejection. The lyrics celebrate the complexity and diversity of human experiences, inviting listeners to reflect on the contradictions and paradoxes of life.
Line by Line Meaning
Ah! Caicó arcaico
Oh! Ancient Caicó
Em meu peito catolaico
In my Catholic heart
Tudo é descrença e fé
Everything is disbelief and faith
Meu cashcouer mallarmaico
My Mallarmé cashmere
Tudo rejeita e quer
Everything rejects and wants
É com, é sem
It's with, it's without
Milhão e vintém
Million and vintém
Todo mundo e ninguém
Everyone and no one
Pé de xique-xique, pé de flor
Thorny pear bush, flower foot
Relabucho, velório
Boisterous gathering, funeral
Videogame oratório
Oratory videogame
High-cult simplório
High-brow simplistic
Amor sem fim, desamor
Endless love, lovelessness
Sexo no-iê
Sex in iê (a Brazilian dance genre)
Oxente, oh! Shit
Oxente, oh! Shit (expressions of surprise)
Cego Aderaldo olhando pra mim
Blind Aderaldo looking at me
Moonwalkman
Moonwalkman
Ah! Caicó arcaico
Oh! Ancient Caicó
Em meu peito catolaico
In my Catholic heart
Tudo é descrença e fé
Everything is disbelief and faith
Meu cashcouer mallarmaico
My Mallarmé cashmere
Tudo rejeita e quer
Everything rejects and wants
Lyrics © Warner Chappell Music, Inc.
Written by: Francisco Cesar Goncalves
Lyrics Licensed & Provided by LyricFind
Victor Vasconcelos
Ah! Caicó arcaico
Em meu peito catolaico
Tudo é descrença e fé
Ah! Caicó arcaico
Meu cashcouer mallarmaico
Tudo rejeita e quer
É com, é sem
Milhão e vintém
Todo mundo e ninguém
Pé de xique-xique, pé de flor
Relabucho, velório
Videogame oratório
High-cult simplório
Amor sem fim, desamor
Sexo no-iê
Oxente, oh! Shit
Cego Aderaldo olhando pra mim
Moonwalkmam
MrPauloRobertoSilva
Uma das mais belas músicas do Grande Encontro. Marcante interpretação de Elba para um excepcional trabalho de Chico César.
Victor Vasconcelos
Ah! Caicó arcaico
Em meu peito catolaico
Tudo é descrença e fé
Ah! Caicó arcaico
Meu cashcouer mallarmaico
Tudo rejeita e quer
É com, é sem
Milhão e vintém
Todo mundo e ninguém
Pé de xique-xique, pé de flor
Relabucho, velório
Videogame oratório
High-cult simplório
Amor sem fim, desamor
Sexo no-iê
Oxente, oh! Shit
Cego Aderaldo olhando pra mim
Moonwalkmam
wylli Francisco
Victor Vasconcelos ah
Estúdio do Netão
Ganhei esse CD da minha mãe no meu aniversário de 15 anos , a música era um caminho inevitável... 👏👏👏U 🙏🏼
Fernanda Calcic
Lembranças a ouvir essa canção ... Volto no tempo , mais ou menos à 22 anos atrás !!!
Beatriz Rodrigues
Minha mãe ouvia tanto esse CD quando eu era pequena… que saudade dela 😔🥹♥️
Rosangela Cavichiolli
Coisa mais linda meu Deus!
Francisco Barretto
A faca de gume duplo que é a vida. Salve Caicó!!!!
Ricardo alencar
Show a voz dessa mulher...
Lazaro Valdevino
Eu morreria ouvindo Elba.......