Forro
Forrรณ is a kind of Northeastern Brazilian dance that developed from classic styles of folk music such as "Chula" and "Xotis" (term that originated the derivate "Xote"), as well as a word used to denote the different genres of music which accompanies the dance. Both are much in evidence during the annual Festa Junina (June Festival), a part of Brazilian traditional culture which celebrates some of the saints of the Catholic religion. The most celebrated day of the festival is known as the Saint John's (Sรฃo Joรฃo) day. Read Full BioForrรณ is a kind of Northeastern Brazilian dance that developed from classic styles of folk music such as "Chula" and "Xotis" (term that originated the derivate "Xote"), as well as a word used to denote the different genres of music which accompanies the dance. Both are much in evidence during the annual Festa Junina (June Festival), a part of Brazilian traditional culture which celebrates some of the saints of the Catholic religion. The most celebrated day of the festival is known as the Saint John's (Sรฃo Joรฃo) day.
The most accepted theory puts forrรณ as a derivative of forrobodรณ, meaning "great party" or "commotion". This is the view held by Brazilian folklorist Cรขmara Cascudo, who studied the Brazilian Northeast through most of his life. Forrobodรณ is believed to come from the word forbodรณ (itself a corruption of fauxbourdon), which was used in the Portuguese court to define a dull party.
Another theory often heard popularly in Brazil is that the word forrรณ is a derivative of the English expression "for all" and that it originated in the early 1900s. English engineers on the Great Western Railway of Brazil near Recife would throw balls on weekends and classify them as either only for railroad personnel or for the general populace ("for all").
There is a third theory that it also comes from the number of the engine that the English engineers used as they roamed the tracks of the railroad supervising the construction, "40", " Four-oh" that was corrupted by the Brazilians into "Forrรณ".
In a quick note, "forrรณ" in the same written way (with the accented o) in the Hungarian language means "burning hot" and in the argo meaning "funky" or "cool". In the 1940's, there were thousands of Hungarian emigrants arriving to South-America.
There are three rhythms of forrรณ, xote (a slower-paced rhythm), baiรฃo (the original forrรณ) and arrasta-pรฉ (the fastest of the three), and amongst these, many styles of dancing, which varies from region to region, and may be known by different names according to the location. Forrรณ is the most popular dance in Brazil's Northeast. Different genres of music can be used to dance the forrรณ. Traditionally, all of these music genres use only three instruments: accordion, zabumba, and a metal triangle. The dance becomes very different as you cross the borders of the Northeast into the Southeast. As part of the popular culture it is in constant change. The dance known as college forrรณ is the most common style between the middle-class students of colleges and universities in the Southeast, having influences of other dances like salsa and samba-rock. The traditional music used to dance the forrรณ was brought to the Southeast from the Northeast by Luiz Gonzaga, who transformed the baiรฃo (a word originated from baiano, an assigned warm-up for artists to search for inspiration before playing) into a more sophisticated rhythm. In later years, forrรณ achieved popularity throughout Brazil, in the form of a slower genre known as xote, that has been influenced by pop-rock music to become more acceptable by the youth of Southeast, South and Center-West Brazil.
Forrรณ lyrics are usually about love and romance, passion, jealousy, or reminiscing about an ex-lover. They often are about Northeastern themes and the longing or homesickness (saudade) that was often experienced during migrations in search of work. An example of this are the lyrics of a folkloric, anonymous song, very popular in the Northeast and made famous across the country by Luiz Gonzaga, "Asa Branca" (the literal translation is White Wing; there is a recent American version played by Forro in the Dark featuring David Byrne) in which the singer says he will return home when the rains fall again on the dry, barren land of Northeast. They will know he is coming when they see a certain white winged bird of the savannah (sertรฃo) that only arrives when it rains.
Luiz Gonzaga and Jackson do Pandeiro are two of the most traditional forrรณ composers. Other major forro musicians include Elba Ramalho, Geraldo Azevedo, Accioly Neto, Trio Nordestino, Dominguinhos, Eliane, Marinรชs, Falamansa, Trio Virgulino, Sivuca, Pertรบcio Amorim, Santanna, Rastapรฉ, Geraldinho Lins, Joรฃo do Vale, Flรกvio Josรฉ, Trio Forrozรฃo, Jacinto Silva, Arlindo dos Oito Baixos, Santana, Vicente Nery, Jorge de Altinho, Arleno Farias, Nando Cordel, Aldemรกrio Coelho, Delmiro Barros, and others like Nelio Guerson & Carlos Guerson.
The most accepted theory puts forrรณ as a derivative of forrobodรณ, meaning "great party" or "commotion". This is the view held by Brazilian folklorist Cรขmara Cascudo, who studied the Brazilian Northeast through most of his life. Forrobodรณ is believed to come from the word forbodรณ (itself a corruption of fauxbourdon), which was used in the Portuguese court to define a dull party.
Another theory often heard popularly in Brazil is that the word forrรณ is a derivative of the English expression "for all" and that it originated in the early 1900s. English engineers on the Great Western Railway of Brazil near Recife would throw balls on weekends and classify them as either only for railroad personnel or for the general populace ("for all").
There is a third theory that it also comes from the number of the engine that the English engineers used as they roamed the tracks of the railroad supervising the construction, "40", " Four-oh" that was corrupted by the Brazilians into "Forrรณ".
In a quick note, "forrรณ" in the same written way (with the accented o) in the Hungarian language means "burning hot" and in the argo meaning "funky" or "cool". In the 1940's, there were thousands of Hungarian emigrants arriving to South-America.
There are three rhythms of forrรณ, xote (a slower-paced rhythm), baiรฃo (the original forrรณ) and arrasta-pรฉ (the fastest of the three), and amongst these, many styles of dancing, which varies from region to region, and may be known by different names according to the location. Forrรณ is the most popular dance in Brazil's Northeast. Different genres of music can be used to dance the forrรณ. Traditionally, all of these music genres use only three instruments: accordion, zabumba, and a metal triangle. The dance becomes very different as you cross the borders of the Northeast into the Southeast. As part of the popular culture it is in constant change. The dance known as college forrรณ is the most common style between the middle-class students of colleges and universities in the Southeast, having influences of other dances like salsa and samba-rock. The traditional music used to dance the forrรณ was brought to the Southeast from the Northeast by Luiz Gonzaga, who transformed the baiรฃo (a word originated from baiano, an assigned warm-up for artists to search for inspiration before playing) into a more sophisticated rhythm. In later years, forrรณ achieved popularity throughout Brazil, in the form of a slower genre known as xote, that has been influenced by pop-rock music to become more acceptable by the youth of Southeast, South and Center-West Brazil.
Forrรณ lyrics are usually about love and romance, passion, jealousy, or reminiscing about an ex-lover. They often are about Northeastern themes and the longing or homesickness (saudade) that was often experienced during migrations in search of work. An example of this are the lyrics of a folkloric, anonymous song, very popular in the Northeast and made famous across the country by Luiz Gonzaga, "Asa Branca" (the literal translation is White Wing; there is a recent American version played by Forro in the Dark featuring David Byrne) in which the singer says he will return home when the rains fall again on the dry, barren land of Northeast. They will know he is coming when they see a certain white winged bird of the savannah (sertรฃo) that only arrives when it rains.
Luiz Gonzaga and Jackson do Pandeiro are two of the most traditional forrรณ composers. Other major forro musicians include Elba Ramalho, Geraldo Azevedo, Accioly Neto, Trio Nordestino, Dominguinhos, Eliane, Marinรชs, Falamansa, Trio Virgulino, Sivuca, Pertรบcio Amorim, Santanna, Rastapรฉ, Geraldinho Lins, Joรฃo do Vale, Flรกvio Josรฉ, Trio Forrozรฃo, Jacinto Silva, Arlindo dos Oito Baixos, Santana, Vicente Nery, Jorge de Altinho, Arleno Farias, Nando Cordel, Aldemรกrio Coelho, Delmiro Barros, and others like Nelio Guerson & Carlos Guerson.
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Blood Sweat & Tears
BTS Lyrics
๋ด ํผ ๋ ๋๋ฌผ
๋ด ๋ง์ง๋ง ์ถค์
๋ค ๊ฐ์ ธ๊ฐ ๊ฐ
๋ด ํผ ๋ ๋๋ฌผ
๋ด ์ฐจ๊ฐ์ด ์จ์
๋ค ๊ฐ์ ธ๊ฐ ๊ฐ
๋ด ํผ ๋ ๋๋ฌผ
๋ด ํผ ๋ ๋๋ฌผ๋
๋ด ๋ชธ ๋ง์ ์ํผ๋
๋์ ๊ฒ์ธ ๊ฑธ ์ ์๊ณ ์์ด
์ด๊ฑด ๋๋ฅผ ๋ฒ๋ฐ๊ฒ ํ ์ฃผ๋ฌธ
Peaches and cream
Sweeter than sweet
Chocolate cheeks
And chocolate wings
But ๋์ ๋ ๊ฐ๋ ์ ๋ง์ ๊ฒ
๋์ ๊ทธ sweet ์์ bitter bitter
Kiss me
์ํ๋ ๋ผ
์ด์ ๋ ์กฐ์ฌ์ค
๋ ์ด์ ์ํ ์๋ ์๊ฒ
Baby ์ทจํด๋ ๋ผ ์ด์ ๋ ๋ค์ด์ผ
๋ชฉ ๊น์์ด ๋ ์์คํค
๋ด ํผ ๋ ๋๋ฌผ
๋ด ๋ง์ง๋ง ์ถค์
๋ค ๊ฐ์ ธ๊ฐ ๊ฐ
๋ด ํผ ๋ ๋๋ฌผ
๋ด ์ฐจ๊ฐ์ด ์จ์
๋ค ๊ฐ์ ธ๊ฐ ๊ฐ
์ํด ๋ง์ด ๋ง์ด yeah ๋ง์ด ๋ง์ด
์ํด ๋ง์ด ๋ง์ด yeah ๋ง์ด ๋ง์ด ๋ง์ด ๋ง์ด
์ํด ๋ง์ด ๋ง์ด yeah ๋ง์ด ๋ง์ด
์ํด ๋ง์ด ๋ง์ด yeah ๋ง์ด ๋ง์ด ๋ง์ด ๋ง์ด
์ํ๋ ๋ผ ๋ ๋ฌถ์ด์ค
๋ด๊ฐ ๋๋ง์น ์ ์๊ฒ shh
๊ฝ ์ฅ๊ณ ๋ ํ๋ค์ด์ค
๋ด๊ฐ ์ ์ ๋ชป ์ฐจ๋ฆฌ๊ฒ
Kiss me on the lips lips
๋๋ง์ ๋น๋ฐ
๋๋ ๊ฐ์ฅ์ ์ค๋ ๋ผ ๊น์ด
๋ค๊ฐ ์๋ ๋ค๋ฅธ ์ฌ๋ ์ฌ๊ธฐ์ง ๋ชปํด
์๋ฉด์๋ ์ผ์ผ๋ฒ๋ฆฐ
๋ ์ด ๋ ์ฑ๋ฐฐ
๋ด ํผ ๋ ๋๋ฌผ
๋ด ๋ง์ง๋ง ์ถค์
๋ค ๊ฐ์ ธ๊ฐ ๊ฐ
๋ด ํผ ๋ ๋๋ฌผ
๋ด ์ฐจ๊ฐ์ด ์จ์
๋ค ๊ฐ์ ธ๊ฐ ๊ฐ
์ํด ๋ง์ด ๋ง์ด yeah ๋ง์ด ๋ง์ด
์ํด ๋ง์ด ๋ง์ด yeah ๋ง์ด ๋ง์ด ๋ง์ด ๋ง์ด
์ํด ๋ง์ด ๋ง์ด yeah ๋ง์ด ๋ง์ด
์ํด ๋ง์ด ๋ง์ด yeah ๋ง์ด ๋ง์ด ๋ง์ด ๋ง์ด
๋๋ฅผ ๋ถ๋๋ฝ๊ฒ ์ฃฝ์ฌ์ค
๋์ ์๊ธธ๋ก ๋ ๊ฐ๊ฒจ์ค
์ด์ฐจํผ ๊ฑฐ๋ถํ ์์กฐ์ฐจ ์์ด
๋๋ ๋๋ง๊ฐ ์์กฐ์ฐจ ์์ด
๋ค๊ฐ ๋๋ฌด ๋ฌ์ฝคํด ๋๋ฌด ๋ฌ์ฝคํด
๋๋ฌด ๋ฌ์ฝคํด์
๋ด ํผ ๋ ๋๋ฌผ
๋ด ํผ ๋ ๋๋ฌผ
Lyrics ยฉ Sony/ATV Music Publishing LLC, Peermusic Publishing
Written by: Do Hoon Kim, Ho Seok Jeong, Ho Weon Kang, Nam Jun Kim, Si Hyuk Bang, Yun Ki Min
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Latha Bhuvaneswaram
OUR GOALS :-
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IDOL - 1B.
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