Marina Correia Lima is a Brazilian singer and songwriter.

Born in Ri… Read Full Bio ↴Marina Correia Lima is a Brazilian singer and songwriter.

Born in Rio de Janeiro, she moved to Washington, in the United States, at the age of 5, due to her father's work at the Inter-American Development Bank. She began her musical career in 1977, when she had a song recorded by Brazilian musician Gal Costa. In 1978, she was introduced as a singer and released her debut studio album, Simples Como Fogo, in 1979.

In 1984, she released her fifth studio album, Fullgás, which brought her great success thanks to the title song. Her song "Pra Começar" became the opening theme of the Brazilian telenovela Roda de Fogo in 1986. Marina also participated in the Nordeste Já project, which supported the cause of the northeastern drought.

In the early 1990s, Marina faced depression due to the death of her father and separation from the woman she loved. She released her twelfth studio album, Registros à Meia-Voz, in 1996 and returned to the stage in 2000 with Síssi na Sua, a musical show with theatrical influence.

Marina Lima continued her career, going through ups and downs in her voice due to medical problems. In 2013, she released her memoir Maneira de Ser. In 2015, she released her fourth live album No Osso (Ao Vivo). In 2021, she released the EP Motim.

Prestes a voar
Marina Lima Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Na tarde violeta
E violenta
Você gelou o meu olhar
Era num cruzamento
Fazia tempo,

Te pergunte, I o que que há?
Você me disse apenas:

Fui ao inferno,
Tudo pra não te procurar
Eu me senti num beco
E disse a seco
Como é que não te vi por lá?

Eu já quis morrer
Eu já quis matar
Tudo por alguém
Que não sabe amar
Eu analiso tudo

E me pergunto
Quero a verdade
Ou quero amar?
É beira do abismo,

Queira ou não queira,
Estamos prestes a voar

Overall Meaning

The lyrics of Marina Lima's song Prestes a Voar deal with themes of love, pain, and self-inquiry. The opening lines set the scene for a violent and transformative experience, as the singer's gaze is frozen by a violet and violent afternoon encounter with someone they love. The setting is a crossroads, a place of decision and uncertainty, where the singer asks the other person what is going on. The other person replies cryptically that they have been to hell, just to avoid looking for the singer.

The ensuing conversation takes place in a metaphorical alley, where the singer realizes that they have missed their chance to connect with the other person. The chorus expresses the singer's ambivalence towards life, love, and the truth. They have experienced intense emotions, to the point of wanting to die or kill, but now they are trying to understand their situation with a cold eye. The question at the center of the chorus is whether they want the truth or love, implying that the two may be incompatible or mutually exclusive. The final image of the song is that of being on the edge of an abyss, poised to fly, which can be read as a metaphor for either falling into despair or taking a leap of faith.

Overall, the lyrics of Prestes a Voar are evocative and emotionally charged, using powerful metaphors to convey a sense of urgency and confusion. The theme of missed opportunities and unrequited love is relatable to many listeners, while the philosophical undertones of the chorus add a layer of complexity and ambiguity. The song invites interpretation and reflection, as well as appreciation for Marina Lima's poetic skills and expressive voice.

Line by Line Meaning

Na tarde violeta
In the violet and violent afternoon

E violenta
And reckless

Você gelou o meu olhar
You froze my gaze

Era num cruzamento
We were at a crossroads

Fazia tempo,
It had been a while

Te pergunte, I o que que há?
I asked you, what's going on?

Você me disse apenas:
You only told me

Fui ao inferno,
I went to hell

Tudo pra não te procurar
Just so I wouldn't look for you

Eu me senti num beco
I felt trapped

E disse a seco
And bluntly said