Richard "Richie" Beirach (born May 23, 1947) is a jazz pianist born in New … Read Full Bio ↴Richard "Richie" Beirach (born May 23, 1947) is a jazz pianist born in New York City.
He initially studied both classical and jazz before entering the Berklee College of Music.
In 1972 he began working with Stan Getz. He also worked with Chet Baker and in the 1990s worked well with French saxophonist Henrik Frisk. He maintained an ongoing musical partnership with David Liebman from the 1970s to the 90s, in Lookout Farm, Quest and many duos.
Richie Beirach's style is influenced by Art Tatum, Bill Evans, and his earlier classical training. It is also individualistic with many touches all its own. Several of his compositions, "Leaving" and "Elm" for instance, have found their way into the jazz standard repertoire.
Richie Beirach
Richard Aron Beirach was born on 23 May 1947 in Brooklyn, New York City. Having a sheltered childhood, he started playing the piano at the age of 5. From age 6 to age 18, Beirach was given lessons by the pianist und composer James Palmieri. “James Palmieri showed me everything that I know about music,...he made me understand the deeper meaning of music.”
Palmieri’s lessons were strictly classic and until age 13, Beirach exclusively dealt with classical music.When, at the age of 13, he stayed at a friend’s place, he heard Red Garland’s version of “Billy Boy“ from Miles Davis’ album “Milestones”: “I could hardly believe it. This was exactly what I was looking for, what I needed. Until then, I had only had a classical musical education: Mozart, Beethoven, no improvisation. I took the album to my teacher. He hated it, he hated it a lot…”Beirach realized that he wanted to devote himself to improvisation and Jazz. He tried and got in touch with Jazz musicians, while continuing to take lessons with Palmieri.
In the middle of the 1960s, Richard Beirach entered the New York club scene, played innumerable gigs and jam sessions, with, among others, Freddie Hubbard and Lee Konitz, while, at the same time occasionally working as a longshoreman at the docks of New York.In 1967, he went to Boston in order to study at the Berklee College Of Music, where Keith Jarrett, Miroslav Vitous and John Abercrombie were enrolled as well at that time. But he only stayed for one year and returned to New York in 1968, where he started a composition degree with Ludmilla Ulehla at the Manhattan School Of Music, from which he graduated in 1972 with a “Master Of Music”.
Soon afterwards, he played in the band of Stan Getz, together with bass player Dave Holland and drummer Jack deJohnette. The band largely went on worldwide tours.In 1973, he joined the group “Lookout Farm” of the saxophone player Dave Liebman. “Lookout Farm“ became one of the most outstanding groups of the Fusion movement and the cooperation between Beirach and Liebman beyond the group, which broke up in 1976, developed to a close musical partnership. Together, as a duo, they recorded “Forgotten Fantasies”, “Omerta” and “Chant”". In 1976, the first album under Beirach’s own name was released: “Eon”, recorded with drummer Eliot Zigmund and bass player Frank Tusa. For the label ECM, Beirach worked as a leader, e.g. on the albums “Eon“ in 1976, “Elm“ in 1979, “Elegy for Bill Evans“, and as a sideman respectively (for John Abercrombie and George Adams) from the middle of the 1970s until the beginning of the 1980s. His first solo album “Hubris” was released in 1977. At that time, he went on tour a lot with, among others, Chet Baker, John Scofield and John Abercrombie.
In the 1980s, Richie Beirach focused increasingly on the solo piano and, parallel to that, on the cooperation with David Liebman in their duo and in the band „Quest“, which they founded together in 1981, with drummers Billy Hart and Al Forster and George Mraz or Ron McClure on the bass, respectively. Until their break-up in 1991, the band recorded six albums: “Quest”, “Quest 2”, “Midpoint: Live at the Montmartre”, “Natural Selection”, “N.Y. Nites: Standards” and “Of one mind”, and went on tours throughout Europe, Asia and South and North America. Stylistically, the quartet did not set any limits and thus played both standards and original compositions with the same intensity and freedom. Beirach then devoted himself increasingly to playing solo. The album “Live in Tokyo“ (1981) was recorded during a Japan tour. Following albums were “Ballads“ and “Ballads 2“, which dealt intensely and in a contemporary manner with the Jazz standard repertoire. Records, which are characterized by non-musical influences, from “Waterlilies”, compositions impressed by the paintings of Claude Monet, and “Breathing of Statues”, after texts by Rilke, to the completely improvised “Self Portraits”, “Sunday Songs” and “Live at Maybeck Recital Hall”, were created at the beginning of the 1990s. “Inspiration”, recorded in 1991 as a member of the RonMcClure Trio, and “Trust”, recorded in 1993 under his own name with Dave Holland and Jack deJohnette, showed Beirach in a trio again. As a co-leader and sideman, he recorded several albums with the trombonist Conrad Herwig, e.g. the duo record “Intimate Conversation”, and, with a bigger band, “The Amulet” and “The Latin Side of John Coltrane”. Since the middle of the 1990s, Beirach has mostly worked with two different trios; together with his musical fellows George Mraz (bass) and Billy Hart (drums), Beirach recorded the album “The Snow Leopard” in 1996. That was followed by “Romantic Rhapsody” and “What is this thing called love”, which showed a fresh view on standards and some own compositions. “No borders” (2002) focuses on classical pieces as a basis for improvisation, and, on the other hand, also contains a completely composed original composition by Beirach: “Steel Prayers”, a piece for the victims of 9/11. To take classical pieces and open them for improvisation, without depriving them of their character, is also the basic principle in the cooperation with violinist Gregor Hübner. The trio with Beirach, Hübner and again George Mraz on the bass has released three albums with the label ACT. “Round about Bartok”, “Round about Federico Mompou” and “Round about Monteverdi” are each dedicated to the respective composer and try and approach them via improvisation.
Since 2000, Richie Beirach lives in Leipzig and holds a professorship for Jazz piano at the Leipzig conservatory "Felix Mendelssohn-Bartholdy".
He initially studied both classical and jazz before entering the Berklee College of Music.
In 1972 he began working with Stan Getz. He also worked with Chet Baker and in the 1990s worked well with French saxophonist Henrik Frisk. He maintained an ongoing musical partnership with David Liebman from the 1970s to the 90s, in Lookout Farm, Quest and many duos.
Richie Beirach's style is influenced by Art Tatum, Bill Evans, and his earlier classical training. It is also individualistic with many touches all its own. Several of his compositions, "Leaving" and "Elm" for instance, have found their way into the jazz standard repertoire.
Richie Beirach
Richard Aron Beirach was born on 23 May 1947 in Brooklyn, New York City. Having a sheltered childhood, he started playing the piano at the age of 5. From age 6 to age 18, Beirach was given lessons by the pianist und composer James Palmieri. “James Palmieri showed me everything that I know about music,...he made me understand the deeper meaning of music.”
Palmieri’s lessons were strictly classic and until age 13, Beirach exclusively dealt with classical music.When, at the age of 13, he stayed at a friend’s place, he heard Red Garland’s version of “Billy Boy“ from Miles Davis’ album “Milestones”: “I could hardly believe it. This was exactly what I was looking for, what I needed. Until then, I had only had a classical musical education: Mozart, Beethoven, no improvisation. I took the album to my teacher. He hated it, he hated it a lot…”Beirach realized that he wanted to devote himself to improvisation and Jazz. He tried and got in touch with Jazz musicians, while continuing to take lessons with Palmieri.
In the middle of the 1960s, Richard Beirach entered the New York club scene, played innumerable gigs and jam sessions, with, among others, Freddie Hubbard and Lee Konitz, while, at the same time occasionally working as a longshoreman at the docks of New York.In 1967, he went to Boston in order to study at the Berklee College Of Music, where Keith Jarrett, Miroslav Vitous and John Abercrombie were enrolled as well at that time. But he only stayed for one year and returned to New York in 1968, where he started a composition degree with Ludmilla Ulehla at the Manhattan School Of Music, from which he graduated in 1972 with a “Master Of Music”.
Soon afterwards, he played in the band of Stan Getz, together with bass player Dave Holland and drummer Jack deJohnette. The band largely went on worldwide tours.In 1973, he joined the group “Lookout Farm” of the saxophone player Dave Liebman. “Lookout Farm“ became one of the most outstanding groups of the Fusion movement and the cooperation between Beirach and Liebman beyond the group, which broke up in 1976, developed to a close musical partnership. Together, as a duo, they recorded “Forgotten Fantasies”, “Omerta” and “Chant”". In 1976, the first album under Beirach’s own name was released: “Eon”, recorded with drummer Eliot Zigmund and bass player Frank Tusa. For the label ECM, Beirach worked as a leader, e.g. on the albums “Eon“ in 1976, “Elm“ in 1979, “Elegy for Bill Evans“, and as a sideman respectively (for John Abercrombie and George Adams) from the middle of the 1970s until the beginning of the 1980s. His first solo album “Hubris” was released in 1977. At that time, he went on tour a lot with, among others, Chet Baker, John Scofield and John Abercrombie.
In the 1980s, Richie Beirach focused increasingly on the solo piano and, parallel to that, on the cooperation with David Liebman in their duo and in the band „Quest“, which they founded together in 1981, with drummers Billy Hart and Al Forster and George Mraz or Ron McClure on the bass, respectively. Until their break-up in 1991, the band recorded six albums: “Quest”, “Quest 2”, “Midpoint: Live at the Montmartre”, “Natural Selection”, “N.Y. Nites: Standards” and “Of one mind”, and went on tours throughout Europe, Asia and South and North America. Stylistically, the quartet did not set any limits and thus played both standards and original compositions with the same intensity and freedom. Beirach then devoted himself increasingly to playing solo. The album “Live in Tokyo“ (1981) was recorded during a Japan tour. Following albums were “Ballads“ and “Ballads 2“, which dealt intensely and in a contemporary manner with the Jazz standard repertoire. Records, which are characterized by non-musical influences, from “Waterlilies”, compositions impressed by the paintings of Claude Monet, and “Breathing of Statues”, after texts by Rilke, to the completely improvised “Self Portraits”, “Sunday Songs” and “Live at Maybeck Recital Hall”, were created at the beginning of the 1990s. “Inspiration”, recorded in 1991 as a member of the RonMcClure Trio, and “Trust”, recorded in 1993 under his own name with Dave Holland and Jack deJohnette, showed Beirach in a trio again. As a co-leader and sideman, he recorded several albums with the trombonist Conrad Herwig, e.g. the duo record “Intimate Conversation”, and, with a bigger band, “The Amulet” and “The Latin Side of John Coltrane”. Since the middle of the 1990s, Beirach has mostly worked with two different trios; together with his musical fellows George Mraz (bass) and Billy Hart (drums), Beirach recorded the album “The Snow Leopard” in 1996. That was followed by “Romantic Rhapsody” and “What is this thing called love”, which showed a fresh view on standards and some own compositions. “No borders” (2002) focuses on classical pieces as a basis for improvisation, and, on the other hand, also contains a completely composed original composition by Beirach: “Steel Prayers”, a piece for the victims of 9/11. To take classical pieces and open them for improvisation, without depriving them of their character, is also the basic principle in the cooperation with violinist Gregor Hübner. The trio with Beirach, Hübner and again George Mraz on the bass has released three albums with the label ACT. “Round about Bartok”, “Round about Federico Mompou” and “Round about Monteverdi” are each dedicated to the respective composer and try and approach them via improvisation.
Since 2000, Richie Beirach lives in Leipzig and holds a professorship for Jazz piano at the Leipzig conservatory "Felix Mendelssohn-Bartholdy".
Some Other Time
Richie Beirach Lyrics
We have lyrics for 'Some Other Time' by these artists:
Adolph Green Let's not talk about bombs and the brain impulses of…
Alan Parsons In the matter of a moment Lost till the end of…
Alan Parsons / Eric Woolfson In a matter of a moment Lost till the end of…
Alan Parsons Project In a matter of a moment Lost till the end of…
Barbra Streisand Where has the time all gone to? Haven't done half the…
Bennett Tony Where has the time all gone to Haven't done half the…
Bernadette Peters Where has the time all gone to? Haven't done half the…
Betty Carter Laughin' till it pisses everybody off Pullin' up my dress a…
Betty Comden Let's not talk about bombs and the brain impulses of…
Bill Evans Monica Zetterlund Where has the time all gone to Haven't done half the…
Bill Evans The Bill Evans Trio Where has the time all gone to Haven't done half the…
Chika Olivia There must be some other time That we’ll meet again And I’ll…
Connie Lansberg Where has the time all gone to Haven't done half the…
Diane Schuur Where has the time all gone to Haven't done half the…
Dunderhead Light me up a cigarette and put it in my…
E. Shawn Qaissaunee Wanna play witcha I don't even gotta lie I wanna lay witcha …
Elizabeth Stanley Twenty-four hours can go so fast You look around, the day…
Elizabeth Stanley Alysha Umphress Jay Armstrong Johnson & Clyde Alves Twenty-four hours can go so fast, You look around, the day…
Ernestine Anderson Twenty-four hours can go so fast, You look around, the day…
Ernestine Anderson and George Twenty-four hours can go so fast, You look around, the day…
F.Sinatra Some other time I could resist you, yes Some other time Not …
Gabriela Robin Ghost in the Shell: SAC OST 1: Some Other Time*…
George Shearing & Ernestine Anderson Twenty-four hours can go so fast, You look around, the day…
Jane Monheit Where has the time all gone to Haven't done half the…
Jasmin Tabatabai I'm still thinking 'bout the time - bout the days when…
Jill Scott About another time, some other time How 'bout you call next…
Kritagya Hmmmm Yeah Main de ni paaya waqt sahi waqt par Ab kar rha…
Leonard Bernstein Let's not talk about bombs and the brain impulses of…
Mark Winkler & David Benoit You asked me why But I don't have a clue I have…
Martin Solveig I wish I could be a different kind of man. I…
Maureen McGovern Where has the time all gone to Haven't done half the…
mel tormé & george shearing Twenty-four hours can go so fast, You look around, the day…
Monheit Jane Where has the time all gone to Haven't done half the…
Monica Zetterlund and Bill Evans Trio Where has the time all gone to Haven't done half the…
Nancy Walker Let's not talk about bombs and the brain impulses of…
Orchestra Some other spring I'll try to love Now I still cling To fade…
P.Andersson so took that sir T (?) i clocked out at three no…
Parsons Alan In a matter of a moment Lost till the end of…
Sammy Cahn Some other time I could resist you, yes Some other time Not …
The Alan ... In the matter of a moment Lost till the end of…
The Alan Parsons Project In a matter of a moment Lost till the end of…
The Bill Evans Trio Bill Evans Where has the time all gone to Haven't done half the…
The Lost Patrol You belong to another And you know, so do I…
Tony Bennett Where has the time all gone to Haven't done half the…
Tony Bennett feat. Bill Evans Where has the time all gone to? Haven't done half the…
Tony Bennett/Bil Evans Where has the time all gone to Haven't done half the…
Tony Lucca Forgive me my lack of sympathy But it's never been that…
Vivii L'm reaching high But living low Delusional Ln stereo L've b…
Waylon Jennings & Willie Nelson Some other time, I'll forget you. And start my life anew. …
X Let's not talk about bombs and the brain impulses of…
We have lyrics for these tracks by Richie Beirach:
'Round Midnight It begins to tell 'Round midnight, midnight I do pretty well…
Autumn Leaves The falling leaves drift by the window The autumn leaves of…
On Green Dolphin Street It seems like a dream, yet I know it happened A…
Round Midnight It begins to tell 'Round midnight, midnight I do pretty well…
Spring Is Here Spring is here! Why doesn't my heart go dancing? Spring is…
You Don't Know What Love Is You don't know what love is 'Til you've learned the meaning…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
morongosteve
awesome
Alfredo Echevarrieta
Muchas gracias !
In tune
Paradox
The other guys seem to get a groove on
Even with the sco tone
Lol
L.M
México is present! 🇲🇽🎼✨
Marinus Visser
👍👍👍
James Mackey
Didn't read the title before listening and was like: This is a hellava lot like Chet 😅
Dimitris Karaganis
😍
坂巻洋
🍀😃💛🌾
Random Guy
My kinda jazz
bezuglich
Using Scofield and his skreekie-scroinkie guitar on this is like peeing in the Margaux.