The Low End Theory is the classic second album by American hip-hop group A … Read Full Bio ↴The Low End Theory is the classic second album by American hip-hop group A Tribe Called Quest. Released on September 24, 1991 through Jive Records, the album produced three singles; "Check the Rhime", "Jazz (We've Got)", and "Scenario", and stands as one of hip-hop’s greatest and most influential albums of all time.
After A Tribe Called Quest's debut album People's Instinctive Travels and the Paths of Rhythm, Jarobi White left the group to study culinary art. Phife Dawg learned that he was diabetic a month after the album's release and after a discussion with fellow member Q-Tip, they agreed to increase his participation on their second album and to "step it up in general as a group. "Q-Tip credited N.W.A's album "Straight Outta Compton" as an inspiration for the record. The group hired double bassist Ron Carter on the track "Verses from the Abstract". Q-Tip stated, "We wanted that straight bass sound, and Ron Carter is one of the premier bassists of the century." Carter agreed to record tracks on the condition that the group avoids profanity, to which Q-tip assured they were addressing "real issues".
The Low End Theory is stylistically reminiscent of mid-1980s hip-hop. Producer Ali Shaheed Muhammad and rappers Q-Tip and Phife Dawg showcase how rap was done before commercial success influenced many rappers' creativity. The album's minimalist sound is "stripped to the essentials: vocals, drums, and bass." The bass drum and vocals emphasize the downbeat on every track.
The Low End Theory helped shape alternative hip-hop in the 1990s. It established the musical, cultural, and historical link between hip-hop and jazz. Writer Oliver Wang called the album "a consummate link between generations", which took the essence of jazz and hip-hop, and "showing they originated from the same black center." The group's "mellow innovations" helped jazz rap gain significant exposure from 1992 to 1993. Rolling Stone ranked the album at number 154 in "The 500 Greatest Albums of All Time", stating that "people connected the dots between hip-hop and jazz -- both were revolutionary forms of black music based in improvisation and flow -- but A Tribe Called Quest's second album drew the entire picture."
In Time Magazine's "All-Time 100" albums, Josh Tyrangiel called the record an exception to jazz rap often being "wishful thinking on the part of critics". He described the album as "socially conscious without being dull" and likened a few tracks to "smoky rooms where cool guys ... say cool things." Pitchfork Media listed the album at number fifty-six in its "Top 100 Albums of the 1990s". The Low End Theory was voted at number thirty-two in The Village Voice's 1991 Pazz & Jop critics poll. Allmusic writer John Bush, who declared it "the most consistent and flowing hip-hop album ever recorded", summed up the record as "an unqualified success, the perfect marriage of intelligent, flowing raps to nuanced, groove-centered productions." On February 1, 1995, the Recording Industry Association of America (RIAA) certified the album Platinum, and the album is usually praised as the group's best work.
After A Tribe Called Quest's debut album People's Instinctive Travels and the Paths of Rhythm, Jarobi White left the group to study culinary art. Phife Dawg learned that he was diabetic a month after the album's release and after a discussion with fellow member Q-Tip, they agreed to increase his participation on their second album and to "step it up in general as a group. "Q-Tip credited N.W.A's album "Straight Outta Compton" as an inspiration for the record. The group hired double bassist Ron Carter on the track "Verses from the Abstract". Q-Tip stated, "We wanted that straight bass sound, and Ron Carter is one of the premier bassists of the century." Carter agreed to record tracks on the condition that the group avoids profanity, to which Q-tip assured they were addressing "real issues".
The Low End Theory is stylistically reminiscent of mid-1980s hip-hop. Producer Ali Shaheed Muhammad and rappers Q-Tip and Phife Dawg showcase how rap was done before commercial success influenced many rappers' creativity. The album's minimalist sound is "stripped to the essentials: vocals, drums, and bass." The bass drum and vocals emphasize the downbeat on every track.
The Low End Theory helped shape alternative hip-hop in the 1990s. It established the musical, cultural, and historical link between hip-hop and jazz. Writer Oliver Wang called the album "a consummate link between generations", which took the essence of jazz and hip-hop, and "showing they originated from the same black center." The group's "mellow innovations" helped jazz rap gain significant exposure from 1992 to 1993. Rolling Stone ranked the album at number 154 in "The 500 Greatest Albums of All Time", stating that "people connected the dots between hip-hop and jazz -- both were revolutionary forms of black music based in improvisation and flow -- but A Tribe Called Quest's second album drew the entire picture."
In Time Magazine's "All-Time 100" albums, Josh Tyrangiel called the record an exception to jazz rap often being "wishful thinking on the part of critics". He described the album as "socially conscious without being dull" and likened a few tracks to "smoky rooms where cool guys ... say cool things." Pitchfork Media listed the album at number fifty-six in its "Top 100 Albums of the 1990s". The Low End Theory was voted at number thirty-two in The Village Voice's 1991 Pazz & Jop critics poll. Allmusic writer John Bush, who declared it "the most consistent and flowing hip-hop album ever recorded", summed up the record as "an unqualified success, the perfect marriage of intelligent, flowing raps to nuanced, groove-centered productions." On February 1, 1995, the Recording Industry Association of America (RIAA) certified the album Platinum, and the album is usually praised as the group's best work.
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The Low End Theory
A Tribe Called Quest Lyrics
Buggin' Out Yo, microphone check one two what is this The five foot…
Butter 1988 Senior Year, Garvey High Where all the guys were corny…
Check the Rhime Uh, uh, uh, uh Uh, uh, check the rhyme Back in the…
Everything Is Fair Everything is fair when you're living in the city Looking…
Excursions Back in the days when I was a teenager Before I…
Jazz (We've Got) Intro/Chorus We got the jazz [X4] Verse One: Q-Tip Stern …
Rap Promoter It's a fly love song To the effect of nothing, effective…
Scenario Here we go yo, here we go yo So what so…
Show Business Let me tell you 'bout the snakes, the fakes, the…
Skypager Do you know the importance of a skypager? Uh, uh, uh Those…
The Infamous Date Rape Classic, classic Classic example of a, a date rape Listen t…
Verses from the Abstract I had a dream about my man last night And my…
Vibes and Stuff Let me flaunt the style, I think that the time's…
What? Babies babble on, they lookin' for excuses Game for the buzz…
Tate Buitrago
on Electric Relaxation
another of my dads