Raekwon
Corey Woods (born January 12, 1970) is an American rapper most well known as Raekwon (the Chef), one of the nine Wu-Tang Clan members. Raekwon joined Wu-Tang Clan, a hip hop group based in Staten Island, New York in 1992. When the time came for him to release his first solo album, Only Built 4 Cuban Linx... (1995), hip-hop, once again, underwent a momentous transformation. The album moves from track to track like a film moves from scene to scene. Read Full BioCorey Woods (born January 12, 1970) is an American rapper most well known as Raekwon (the Chef), one of the nine Wu-Tang Clan members. Raekwon joined Wu-Tang Clan, a hip hop group based in Staten Island, New York in 1992. When the time came for him to release his first solo album, Only Built 4 Cuban Linx... (1995), hip-hop, once again, underwent a momentous transformation. The album moves from track to track like a film moves from scene to scene. With its invigorating instrumentals and dramatic lyrical tales, Raekwon painted vivid pictures and presented powerful imagery through his enchanting verbal expression.
Rae's groundbreaking debut album helped to bring the flavour of flossing to wax as well as the use of the moniker among Wu brethren and other prominent emcees. The single "Verbal Intercourse" featured the first appearance of Nas Escobar, Nas' alter ego. Similarly, Raekwon and Ghostface Killah, who served as Rae's partner in rhyme throughout the entire Cuban Linx album, also developed a slew of other identities. Identities like Lex Diamond, one of the flashy, witty and intellectually stimulating personas of the multifaceted Raekwon.
In the years after the release of Cuban Linx, Raekwon continued to record several albums with the Clan including the platinum Wu-Tang Forver (1997) and The W (2000), as well as the gold Iron Flag (2001). He also starred in the critically acclaimed film Black and White, before releasing his second solo album, Immobilarity in 1999. Four years later, it's time for another masterpiece from Raekwon.
The Lex Diamond Story, Raekwon's forthcoming third solo album is that desperately needed effort. This new LP is as much a reflection of his first musical triumph Cuban Linx, as it is a manifestation of the future and what is to come from this great emcee. Raekwon is like the E.F. Hutton of hip-hop: when he speaks, everyone listens. The current void in hip-hop is filled with this rap veteran's
crafty verbal gymnastics and artistic form of storytelling. The Lex Diamond Story takes the top shelf elements of the Wu's first album and the finest sentiments of Raekwon's debut and joins them together to deliver another classic album to the masses.
A lyrical gourmet meal, The Lex Diamond Story shows that The Chef still possesses the recipe to cook up a jambalaya of words with the main ingredient being superior skills. Animated and intense, Raekwon's stealth delivery is filled with emotion, skilled cadence and an array of diverse stories, hooks, and topics. The track, "All Over Again (The Way We Were)" touches on the flavour of "Can It Be All So Simple" with its tale of street survival. Meanwhile, "Pit Bull Fights" is reminiscent of the ferocious lyrical beating inflicted on "Incarcerated Scarfaces." Raekwon is indisputably at his creative beast. Unchained and uninhibited, he is assertive with his music and focused on his goals.
Rae's groundbreaking debut album helped to bring the flavour of flossing to wax as well as the use of the moniker among Wu brethren and other prominent emcees. The single "Verbal Intercourse" featured the first appearance of Nas Escobar, Nas' alter ego. Similarly, Raekwon and Ghostface Killah, who served as Rae's partner in rhyme throughout the entire Cuban Linx album, also developed a slew of other identities. Identities like Lex Diamond, one of the flashy, witty and intellectually stimulating personas of the multifaceted Raekwon.
In the years after the release of Cuban Linx, Raekwon continued to record several albums with the Clan including the platinum Wu-Tang Forver (1997) and The W (2000), as well as the gold Iron Flag (2001). He also starred in the critically acclaimed film Black and White, before releasing his second solo album, Immobilarity in 1999. Four years later, it's time for another masterpiece from Raekwon.
The Lex Diamond Story, Raekwon's forthcoming third solo album is that desperately needed effort. This new LP is as much a reflection of his first musical triumph Cuban Linx, as it is a manifestation of the future and what is to come from this great emcee. Raekwon is like the E.F. Hutton of hip-hop: when he speaks, everyone listens. The current void in hip-hop is filled with this rap veteran's
crafty verbal gymnastics and artistic form of storytelling. The Lex Diamond Story takes the top shelf elements of the Wu's first album and the finest sentiments of Raekwon's debut and joins them together to deliver another classic album to the masses.
A lyrical gourmet meal, The Lex Diamond Story shows that The Chef still possesses the recipe to cook up a jambalaya of words with the main ingredient being superior skills. Animated and intense, Raekwon's stealth delivery is filled with emotion, skilled cadence and an array of diverse stories, hooks, and topics. The track, "All Over Again (The Way We Were)" touches on the flavour of "Can It Be All So Simple" with its tale of street survival. Meanwhile, "Pit Bull Fights" is reminiscent of the ferocious lyrical beating inflicted on "Incarcerated Scarfaces." Raekwon is indisputably at his creative beast. Unchained and uninhibited, he is assertive with his music and focused on his goals.
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Incarcerated Scarfaces
Raekwon Lyrics
Now yo yo, whattup yo, time is runnin' out
It's for real though, let's connect politic - ditto!
We could trade places, get lifted in the staircases
Word up, peace incarcerated scarfaces
Thug related style attract millions
Fans, they understand my plan
Who's the kid up in the green Land?
Me and the RZA connect, blow a fuse, you lose
Half-ass crews get demolished and bruised
Fake be frontin', hourglass heads niggaz be wantin'
Shuttin' down your slot; time for pumpin'
Poisonous sting which thumps up and act chumps
Raise a heavy generator
But yo, guess who's the black Trump?
Dough be flowin' by the hour's
Wu, we got the collars, scholars
Word life, peace to power and my whole unit
Word up! Quick to set it, don't wet it
Real niggas lick shots, peace kinetic
Now yo yo, whattup yo, time is runnin' out
It's for real though, let's connect politic - ditto!
We could trade places, get lifted in the staircases
Word up, peace incarcerated scarfaces
Chef'll shine like marble, rhyme remarkable
Real niggaz raise up, spend your money, argue
But this time is for the uninvited
Go head and rhyme to it, big nigga mics is gettin' fired
Morphine chicks be burnin' like chlorine
Niggaz recognize from here to Baltimore to Fort Greene
But hold up, Moet be tastin' like throw-up
My mob roll up, dripped to death whips rolled up
Ya never had no wins, slidin' in these dens wit Timbs
Wit Mac-10's and broke friends
Ya got guns, got guns too, what up son, do
You want to battle for cash and see who Sun too?
I probably wax, tax, smack rap niggaz who fax
Niggaz lyrics is wack nigga
Can't stand unofficial, wet tissue, blank bustin' Scud missles
You rollin' like Trump, you get your meat lumped
For real, it's just slang rap democracy
Here's the policy, slide off the ring, plus the Wallabees
Check the status, soon to see me at
Caesar's Palace eatin' salads
We beatin' mics and the keys to Dallas
I move rhymes like retail, make sure shit sell
From where we at to my man's cell
From staircase to stage, minimun wage
But soon to get a article in RapPage
But all I need is my house, my gat, my Ac
Bank account fat - it's goin' down like that
And pardon the French but let me speak Italian
Black Stallion, dwellin' on Shaolin
That means the island of Staten
And niggaz carry gats and mad police from Manhattan
Now yo yo, whattup yo, time is runnin' out
It's for real though, let's connect politic - ditto!
We could trade places, get lifted in the staircases
Word up, peace incarcerated scarfaces
I do this for barber shop niggaz in the Plaza
Catchin' asthma, Rae is stickin' gun-flashers
Well-dressed, skatin' through the projects wit big ones
Broke elevators, turn the lights out, stick one
Upstairs, swithc like a chameleon
Hip Brazilians, pass the cash or leave your children
Leave the buildin
Niggas, yo they be foldin' like envelopes under pressure
Like Lou Farigno on coke
Yo, Africans denyin' niggaz up in yellow cabs
Musty like funk, wavin' they arms, the Arabs
Sit back, coolin' like Kahlua's on rocks
On the crack spots, rubberband wrapped on my knots
You bitches who fuck dreds on Sudafeds
Pussy's hurtin', they did it for a yard for the Feds
Word up cousin, nigga, I seen it
Like a 27-inch Zenith - believe it!
Now yo yo, whattup yo, time is runnin' out
It's for real though, let's connect politic - ditto!
We could trade places, get lifted in the staircases
Word up, peace incarcerated scarfaces
Politic ditto
Get lifted in the staircases
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: ABRIM TILMON JR., ABRIM JR. TILMON, COREY WOODS, ROBERT F. DIGGS
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Black Conservative Patriot
LISTENING IN 2020 AND THIS GRIMY BEAT IS SICKA THAN COVID-19. LIKE A 27 INCH ZENTIH. BELIEVE IT!
oracle808
Peace BCP👐🤙
Angelo Basso
Love this
Beats By The Kilo Music-Podcast Productions
listening in 2021 after the live wit Rae and Rza, said it took 15 minutes to make this, Rae roled in Rza's spot like 1 a.m. and knocked it right out.. i was just bout to typeTHIS- SEE IT, LIKE A 27 INCH Zenith, BELIEVE IT!!
Truth Seeker
💪❤
Tim Miller
Peace time is running....let's connect and build on
J/C Rosas
Peeps dont know how ill the 90's were
Asif Aslam
Im from chicago grew up in the 90's woooo love the comment broo!!!
Parks Jordan
@Ric o AMEN!!
Parks Jordan
They don't