Beirut
Beirut is an American indie-rock and world music band which was originally the solo musical project of Zach Condon (born Zachary Francis Condon in Santa Fe, New Mexico) and later expanded into a band. The band's first performances were in New York, in May 2006, to support the release of their debut album, Gulag Orkestar.
Condon recorded before Beirut was established: when he was fifteen and under the name of Realpeople, he made an electronic record, fashioned after his love for The Magnetic Fields. Read Full BioBeirut is an American indie-rock and world music band which was originally the solo musical project of Zach Condon (born Zachary Francis Condon in Santa Fe, New Mexico) and later expanded into a band. The band's first performances were in New York, in May 2006, to support the release of their debut album, Gulag Orkestar.
Condon recorded before Beirut was established: when he was fifteen and under the name of Realpeople, he made an electronic record, fashioned after his love for The Magnetic Fields. Condon was a straight-A student until he dropped out at the age of 17 to travel Europe with his cousin in a drunken haze, cavorting and partying with the locals wherever he ended up. It was during one of these evenings that he was first exposed to Balkan music (notably including the Boban Marković Orkestar and Goran Bregović), blasting from the upstairs apartment. Condon ended up with the Serbian artists all night, going through albums country by country, note for note.
The first album under the Beirut moniker, Gulag Orkestar (2006), was the direct result of what he learned that night. While it may sound like an entire Balkan orchestra playing modern songs as mournful ballads and upbeat marches, the album was performed and recorded almost entirely by Condon alone. He did so on Pro Tools while skipping school in Albuquerque and at Sea Side Studios in Park Slope, Brooklyn. Jeremy Barnes added percussion and some violin overlays.
After recording, Condon formed a full band which at times varies in the number of members, from six to ten. Live he is accompanied by Perrin Cloutier (cello/accordion), Jason Poranski (guitar/mandolin/ukulele), Nick Petree (drums), Kristin Ferebee (violin), Paul Collins (organ/keys/tambourine/ukulele), Jon Natchez (baritone sax/mandolin/glockenspiel), and Kelly Pratt (trumpet/euphonium).
In November 2006 Condon was "briefly hospitalized for extreme exhaustion", the band's website said, and as a consequence the band cancelled the rest of the tour. They resumed performing in March 2007 and released their second album, The Flying Club Cup the same year on October 9th. Parts of the album were performed and recorded by Condon in his bedroom again, but others were recorded with the live band, which resulted in a more organic, live sound. While writing, Condon said he was inspired by French music, like Jacques Brel (whose song Le Moribond he covered on his Elephant Gun EP), and he moved to Paris for a while. During the extensive tour in support of The Flying Club Cup, Condon and the band more or less fell apart from exhaustion once again and disappeared from the radar in April 2008.
Condon took a long break and returned in 2009 with a double EP, March of the Zapotec & Realpeople: Holland. The first was partly recorded in Mexico with the Mexican Band Jimenez and had a more South-American flavour to it than Condon's previous efforts. The second EP 'Holland' was credited to Condon's old name Realpeople and consisted of five electrotracks, once more in the vein of The Magnetic Fields.
The band's album "The Rip Tide" was released in 2011.
Albums
* Gulag Orkestar (May 9, 2006)
* The Flying Club Cup (October 9, 2007)
* The Rip Tide (August 2, 2011)
EPs
* Lon Gisland EP (January 30, 2007)
* Pompeii (February 28, 2007)
* Elephant Gun (June 25, 2007)
* March of the Zapotec & Realpeople: Holland (2009)
Official website: www.beirutband.com
Condon recorded before Beirut was established: when he was fifteen and under the name of Realpeople, he made an electronic record, fashioned after his love for The Magnetic Fields. Read Full BioBeirut is an American indie-rock and world music band which was originally the solo musical project of Zach Condon (born Zachary Francis Condon in Santa Fe, New Mexico) and later expanded into a band. The band's first performances were in New York, in May 2006, to support the release of their debut album, Gulag Orkestar.
Condon recorded before Beirut was established: when he was fifteen and under the name of Realpeople, he made an electronic record, fashioned after his love for The Magnetic Fields. Condon was a straight-A student until he dropped out at the age of 17 to travel Europe with his cousin in a drunken haze, cavorting and partying with the locals wherever he ended up. It was during one of these evenings that he was first exposed to Balkan music (notably including the Boban Marković Orkestar and Goran Bregović), blasting from the upstairs apartment. Condon ended up with the Serbian artists all night, going through albums country by country, note for note.
The first album under the Beirut moniker, Gulag Orkestar (2006), was the direct result of what he learned that night. While it may sound like an entire Balkan orchestra playing modern songs as mournful ballads and upbeat marches, the album was performed and recorded almost entirely by Condon alone. He did so on Pro Tools while skipping school in Albuquerque and at Sea Side Studios in Park Slope, Brooklyn. Jeremy Barnes added percussion and some violin overlays.
After recording, Condon formed a full band which at times varies in the number of members, from six to ten. Live he is accompanied by Perrin Cloutier (cello/accordion), Jason Poranski (guitar/mandolin/ukulele), Nick Petree (drums), Kristin Ferebee (violin), Paul Collins (organ/keys/tambourine/ukulele), Jon Natchez (baritone sax/mandolin/glockenspiel), and Kelly Pratt (trumpet/euphonium).
In November 2006 Condon was "briefly hospitalized for extreme exhaustion", the band's website said, and as a consequence the band cancelled the rest of the tour. They resumed performing in March 2007 and released their second album, The Flying Club Cup the same year on October 9th. Parts of the album were performed and recorded by Condon in his bedroom again, but others were recorded with the live band, which resulted in a more organic, live sound. While writing, Condon said he was inspired by French music, like Jacques Brel (whose song Le Moribond he covered on his Elephant Gun EP), and he moved to Paris for a while. During the extensive tour in support of The Flying Club Cup, Condon and the band more or less fell apart from exhaustion once again and disappeared from the radar in April 2008.
Condon took a long break and returned in 2009 with a double EP, March of the Zapotec & Realpeople: Holland. The first was partly recorded in Mexico with the Mexican Band Jimenez and had a more South-American flavour to it than Condon's previous efforts. The second EP 'Holland' was credited to Condon's old name Realpeople and consisted of five electrotracks, once more in the vein of The Magnetic Fields.
The band's album "The Rip Tide" was released in 2011.
Albums
* Gulag Orkestar (May 9, 2006)
* The Flying Club Cup (October 9, 2007)
* The Rip Tide (August 2, 2011)
EPs
* Lon Gisland EP (January 30, 2007)
* Pompeii (February 28, 2007)
* Elephant Gun (June 25, 2007)
* March of the Zapotec & Realpeople: Holland (2009)
Official website: www.beirutband.com
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Nantes
Beirut Lyrics
Well it's been a long time, long time now
Since I've seen you smile
And I'll gamble away my fright
And I'll gamble away my time
And in a year, a year or so
This will slip into the sea
Well it's been a long time, long time now
Since I've seen you smile
Nobody raise your voices
Just another night in Nantes
Nobody raise your voices
Just another night in Nantes
Oh non je t'en prie, nous ne sommes pas chez nous
Oh je t'assure que ce n'est pas grave
Non laisse moi
Mais qu'est-ce que tu as aujourd'hui?
J'ai que les hommes me dégoûtent, vous ne pensez qu'à ça
Well it's been a long time, long time now
Since I've seen you smile
And I'll gamble away my fright
And I'll gamble away my time
And in a year, a year or so
This will slip into the sea
Well it's been a long time, long time now
Since I've seen you smile
Lyrics © Sony/ATV Music Publishing LLC
Written by: Zach Condon
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
verndari
Well it's been a long time, long time now
Since I've seen you smile
And I'll gamble away my fright
And I'll gamble away my time
And in a year, a year or so
This will slip into the sea
Well it's been a long time, long time now
Since I've seen you smile
Nobody raise your voices
Just another night in Nantes
Nobody raise your voices
Just another night in Nantes
Oh non je t'en prie, nous ne sommes pas chez nous.
Oh je t'assure que ce n'est pas grave.
Non laisse moi!
Mais qu'est-ce que tu as aujourd'hui?
J'ai que les hommes me dégoûtent. Vous ne pensez qu'à ça.
Well it's been a long time, long time now
Since I've seen you smile
And I'll gamble away my fright
And I'll gamble away my time
And in a year, a year or so
This will slip into the sea
Well it's been a long time, long time now
Since I've seen you smile
Sarah Victoria
Well it's been a long time, long time now
Since I've seen you smile
And I'll gamble away my fright
And I'll gamble away my time
And in a year, a year or so
This will slip into the sea
Well it's been a long time, long time now
Since I've seen you smile
Nobody raise your voices
Just another night in Nantes
Nobody raise your voices
Just another night in Nantes
Oh non je t'en prie, nous ne sommes pas chez nous
Oh je t'assure que ce n'est pas grave
Non laisse moi
Mais qu'est-ce que tu as aujourd'hui?
J'ai que les hommes me dégoûtent, vous ne pensez qu'à ça
Well it's been a long time, long time now
Since I've seen you smile
And I'll gamble away my fright
And I'll gamble away my time
And in a year, a year or so
This will slip into the sea
Well it's been a long time, long time now
Since I've seen you smile
Zoë DiAngelo
I don't wanna give an answer to that swearing person but I guess some other might wonder as well so as a French person walking by:
Oh no I'm begging you, we are not at our place
Oh I promise you it doesn't matter
No leave me alone!
What's it you've got, today!
I've got that men are disgusting to me! You only think about that
Here you go but don't insult people guys, it's a nice song no need to get angry for a translation I would've been disappointed if they had put this part in English directly whereas the interest is that it's in French
Kate Lopez
This song feels like a warm hug before saying goodbye to a good friend.
mària zeta
"if nantes was a famous song, the world would certainly be a better place."
Isabella Hurlston
The only bad thing about this song is that it ends :(
Bishop
Sad to say that before Changeland I had no idea they existed. I am absolutely in love with this music
Samantha Arthur
LOOP IT
InSparkWeTrust
As all things do
Red Dunkey
@Hugin Hertz I try to elevate eternity with vortex math
Hugin Hertz
"The music never stops, we just stop listening"
Deep Vienna
I think we´ve all been there. Where we gambled away our time in the search for something meaningful in our life
Mitchell Midnight
@HolaSilver This comment made me cry, it's so much more difficult to do or create anything with depression, trying is exhausting. I want to shrivel up & fade away already while this song plays in the background...and I'm 22. 😔