The Magnetic Fields
The Magnetic Fields is a New York-based group fronted by Stephin Merritt. Recent albums released under the name "The Magnetic Fields" usually consist of synth-pop music in a 1980s style underlying clever lyrics which are often heavily ironic. While synth-pop often forms the foundation of their music, The Magnetic Fields' music borrows from many other styles, notably country, folk and indie pop.
The band was originally formed in Cambridge, Massachusetts in 1990 by friends Merritt and (percussionist/pianist/vocalist) Claudia Gonson. Read Full BioThe Magnetic Fields is a New York-based group fronted by Stephin Merritt. Recent albums released under the name "The Magnetic Fields" usually consist of synth-pop music in a 1980s style underlying clever lyrics which are often heavily ironic. While synth-pop often forms the foundation of their music, The Magnetic Fields' music borrows from many other styles, notably country, folk and indie pop.
The band was originally formed in Cambridge, Massachusetts in 1990 by friends Merritt and (percussionist/pianist/vocalist) Claudia Gonson. While 1991's Distant Plastic Trees and 1992's The Wayward Bus (now most easily available together as a compilation, The Wayward Bus / Distant Plastic Trees) are sung by Susan Anway, all subsequent albums are principally sung by Merritt himself.
Longtime members include: Gonson, (cellist) Sam Davol, and (banjo player/guitarist) John Woo. Contributors include (but are not limited to) the singers Susan Anway, Dudley Klute, Shirley Simms, and LD Beghtol, and the accordionist/writer Daniel Handler (famous for writing the childrens' books A Series of Unfortunate Events under the alias Lemony Snicket).
Their most popular and best-selling album to date is 69 Love Songs issued on Merge Records as a triple album filled with many fairly short songs that are reminiscent of early Beatles productions.
The album is notable for its employment of many unorthodox musical arrangements and downright impressive quantity of material presented. Instruments used on this album include the ukulele, banjo, accordion, cello, mandolin, piano, flute, xylophone guitars, various percussion instruments, and a standard setup of synths and effects. It features several guest vocalists on several different tracks. The album is a three CD set, released in the US as three separate albums (also available as a boxed set) and in the UK as a triple album.
The album i (2004, Nonesuch Records) continues Merritt's fixation on the concept album, with each of the 14 songs beginning with the letter (and often the pronoun) "I".
The most recent album, entitled Distortion, was released through Nonesuch on the 15th January 2008 and introduced noise pop to the array of styles utilized in their music. The album's release was followed by a sold-out U.S. tour starting in February.
Stephin Merritt is involved in several other musical projects: The 6ths (featuring different guest performers on every track), The Gothic Archies (songs dealing humorously with dark themes) and Future Bible Heroes (with music written by Chris Ewen)
http://www.houseoftomorrow.com/
The band was originally formed in Cambridge, Massachusetts in 1990 by friends Merritt and (percussionist/pianist/vocalist) Claudia Gonson. Read Full BioThe Magnetic Fields is a New York-based group fronted by Stephin Merritt. Recent albums released under the name "The Magnetic Fields" usually consist of synth-pop music in a 1980s style underlying clever lyrics which are often heavily ironic. While synth-pop often forms the foundation of their music, The Magnetic Fields' music borrows from many other styles, notably country, folk and indie pop.
The band was originally formed in Cambridge, Massachusetts in 1990 by friends Merritt and (percussionist/pianist/vocalist) Claudia Gonson. While 1991's Distant Plastic Trees and 1992's The Wayward Bus (now most easily available together as a compilation, The Wayward Bus / Distant Plastic Trees) are sung by Susan Anway, all subsequent albums are principally sung by Merritt himself.
Longtime members include: Gonson, (cellist) Sam Davol, and (banjo player/guitarist) John Woo. Contributors include (but are not limited to) the singers Susan Anway, Dudley Klute, Shirley Simms, and LD Beghtol, and the accordionist/writer Daniel Handler (famous for writing the childrens' books A Series of Unfortunate Events under the alias Lemony Snicket).
Their most popular and best-selling album to date is 69 Love Songs issued on Merge Records as a triple album filled with many fairly short songs that are reminiscent of early Beatles productions.
The album is notable for its employment of many unorthodox musical arrangements and downright impressive quantity of material presented. Instruments used on this album include the ukulele, banjo, accordion, cello, mandolin, piano, flute, xylophone guitars, various percussion instruments, and a standard setup of synths and effects. It features several guest vocalists on several different tracks. The album is a three CD set, released in the US as three separate albums (also available as a boxed set) and in the UK as a triple album.
The album i (2004, Nonesuch Records) continues Merritt's fixation on the concept album, with each of the 14 songs beginning with the letter (and often the pronoun) "I".
The most recent album, entitled Distortion, was released through Nonesuch on the 15th January 2008 and introduced noise pop to the array of styles utilized in their music. The album's release was followed by a sold-out U.S. tour starting in February.
Stephin Merritt is involved in several other musical projects: The 6ths (featuring different guest performers on every track), The Gothic Archies (songs dealing humorously with dark themes) and Future Bible Heroes (with music written by Chris Ewen)
http://www.houseoftomorrow.com/
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The Book of Love
The Magnetic Fields Lyrics
The book of love is long and boring
No one can lift the damn thing
It's full of charts and facts and figures
And instructions for dancing
But I, I love it when you read to me
And you, you can read me anything
The book of love has music in it
In fact that's where music comes from
Some of it is just transcendental
Some of it is just really dumb
But I, I love it when you sing to me
And you, you can sing me anything
The book of love is long and boring
And written very long ago
It's full of flowers and heart-shaped boxes
And things we're all too young to know
But I, I love it when you give me things
And you, you ought to give me wedding rings
I, I love it when you give me things
And you, you ought to give me wedding rings
Lyrics © Kobalt Music Publishing Ltd.
Written by: Stephin Raymond Merritt
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Zofia Marcinkowska
The book of love is long and boring
No one can lift the damn thing
It's full of charts and facts and figures
and instructions for dancing
but I, I love it when you read to me
and you, you can read me anything
The book of love has music in it
In fact that's where music comes from
Some of it is just transcendental
Some of it is just really dumb
but I, I love it when you sing to me
and you, you can sing me anything
The book of love is long and boring
and written very long ago
It's full of flowers and heart-shaped boxes
and things we're all too young to know
but I, I love it when you give me things
and you, you ought to give me wedding rings
I, I love it when you give me things
and you, you ought to give me wedding rings
Theashesone k
The book of love is long and boring
No one can lift the damn thing
It's full of charts and facts and figures
And instructions for dancing
But I, I love it when you read to me
And you, you can read me anything
The book of love has music in it
In fact that's where music comes from
Some of it is just transcendental
Some of it is just really dumb
But I, I love it when you sing to me
And you, you can sing me anything
The book of love is long and boring
And written very long ago
It's full of flowers and heart-shaped boxes
And things we're all too young to know
But I, I love it when you give me things
And you, you ought to give me wedding rings
I, I love it when you give me things
And you, you ought to give me wedding rings
PoeBoy
Lyrics:
The book of love is long and boring
No one can lift the damn thing
It's full of charts and facts and figures and instructions for dancing
But I
I love it when you read to me
And you
You can read me anything
The book of love has music in it
In fact that's where music comes from
Some of it is just transcendental
Some of it is just really dumb
But I
I love it when you sing to me
And you
You can sing me anything
The book of love is long and boring
And written very long ago
It's full of flowers and heart-shaped boxes
And things we're all too young to know
But I
I love it when you give me things
And you
You ought to give me wedding rings
And I
I love it when you give me things
And you
You ought to give me wedding rings
And I
I love it when you give me things
And you
You ought to give me wedding rings
You ought to give me wedding rings
ary rafsanjani
The Book of Love
The Magnetic Fields
The book of love is long and boring
No one can lift the damn thing
It's full of charts and facts and figures
And instructions for dancing
But I, I love it when you read to me
And you, you can read me anything
The book of love has music in it
In fact that's where music comes from
Some of it is just transcendental
Some of it is just really dumb
But I, I love it when you sing to me
And you, you can sing me anything
The book of love is long and boring
And written very long ago
It's full of flowers and heart-shaped boxes
And things we're all too young to know
But I, I love it when you give me things
And you, you ought to give me wedding rings
I, I love it when you give me things
And you, you ought to give me wedding rings
Charlie Sneden
"And things we're all too young to know" is such a beautiful yet melancholy line. No matter how old we get, we'll never understand love.
Princeton NJ
My interpretation of that line is that it's about loss, betrayal, hurt, emptiness--the other things love can bring. We'll never be old enough for that.
Benji Carr
For people who prefer the Peter Gabriel version, I understand. Gabriel's voice is haunting and beautiful. However, the Magnetic Fields version more fits the words of the song. It's an everyman version - sung imperfectly by an imperfect person, trying to explain something magical and impossible and intangible that hopefully comes - at one time or another - to most everyone.
Khambrel Green
@Lord Yaoi, When shall we be able to hear your version?
Rainy's youtube2
yeah, exactly
JL inMS
@lmw_blue First off, my opinion is mine so I will keep it whether you like it or not. Second, take care.
lmw_blue
@JL inMS First off, “greatest songwriter and singer in the English language” is kind of pushing it. Secondly, he made a sappy overproduced and melodramatic dead-serious power ballad of a song with silly lyrics just don’t fit that. It’s a silly, stripped-down, cynical, minimalist, everyman campfire tune, and that’s what it’s meant to be.
Sam Gordon
There's a warmness to this version that fits the tone and meaning better for me.
EddieEight
it takes a true genius to write something this simple. merritt is easily one of the top 10 living songwriters.
kunty fucstik
@brian laakso Or, more correctly: renders (their) comment moot