DOB: June 22, 1966 (sun sign:Cancer)
Hometown: … Read Full Bio ↴Name: Kazuyoshi Saito
DOB: June 22, 1966 (sun sign:Cancer)
Hometown: Tochigi, Japan
Blood Type: O
An acoustic guitar that his mother bought for him in the 6th grade changed his life. In intermediate / high school, Kazuyoshi was a guitarist in a band. Having been influenced by his senior schoolmate, he started to write songs in college and moved to Tokyo at the age of 21. He continued to build his experience as a musician and made his major label debut in 1993. His well-known works include: 'Aruite Kaero', 'Utautai no Ballad' and others. Kazuyoshi performed at the famous Budokan in both 1999 and 2004.
天国の月
斉藤和義 Lyrics
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いい人達ばかりで暇そうだから
どうかそんな風に責めないで
ミニカーで旅が出来た子供は今
渋滞の中で"ふっと"俺は誰だ
夕暮れの空に飛行機雲
いつか一人でまたあの町へ行こう
ただ知りたくて
今日は誰からもメールひとつないな
だけど今電話にはでたくないな
忙しいと言えば忙しい
駅前で十字架持った人が叫ぶ
神様の裁きの時が近づいてる
ねぇ嘘の罪はどれくらい?
しぼみそうで凍えてるオレンジは
あと少し、もう少しで実をつける
真ん中は左より右の方で
そっちよりこっちより
あっちへ行こう
どっちだっていいか 満月だ
いつか二人でまたあの海へ行こう
ただ嬉しくていつも笑ってた夜へ
争いは天国ですればいいさ
いい人達ばかりで暇そうだから
どうかそんな風に泣かないで
カモシカはオオカミが嫌いだから
オオカミはカモシカを
追いかけるのかな
どっちだっていいか 満月だ
争いは天国ですればいいさ
いい人達ばかりで暇そうだから
The lyrics of 斉藤和義's song "天国の月" delve into themes of conflict, inner turmoil, and the quest for peaceful resolutions. The opening lines suggest a juxtaposition that conflict can find its haven in paradise, where only good people reside, seemingly with nothing much to do. This portrayal hints at a longing for a simpler, serene existence free from strife. The plea not to blame in such a manner perhaps reflects a desire for understanding and empathy in navigating disagreements.
The imagery shifts to a child embarking on a journey with a toy car, pondering his identity amidst the bustle of traffic. The mention of contrails in the evening sky evokes a sense of wanderlust and nostalgia for revisiting a past place. The desire to return to that town is driven by a curiosity tinged with a longing for connection and understanding, symbolized by the solitude of not receiving any messages today.
The lyrics continue with a contemplation on busyness as a shield, highlighted by a person holding a cross by the station, heralding the nearing judgment day. The questioning of the extent of sin and the metaphor of the struggling orange tree on the brink of bearing fruit symbolize the journey towards self-realization and growth, navigating the paths from left to right, ultimately pointing towards making a choice amidst the full moon's glow.
The recurring theme of conflict finding solace in paradise is revisited, urging against shedding tears in such a manner. The analogy of the chamois being repelled by the wolves and the whimsical pondering of whether they chase or avoid each other encapsulate the complexities of interpersonal dynamics and the acceptance of the duality inherent in relationships. The lyrics poignantly encapsulate a search for harmony amidst chaos and a yearning for a tranquil haven where only kind souls reside, suggesting a longing for inner peace and reconciliation in the face of conflict.
Lyrics © O/B/O APRA AMCOS
Written by: saitou kazuyoshi
Lyrics Licensed & Provided by LyricFind
@user-jr1rg3pl5j
斉藤和義さんの、雰囲気が、たまらなく素敵💓
@user-xj8cg6vs9i
毒のある鋭い歌詞なのに、子守歌のように優しいメロディー…
@Grantionseon
最高のギタリストで、最高の歌うたいだと思いました。
@gaja53
こんにちは。 私もこのライブに行ってました。あの時の記憶がよみがえってきて心に染みます。どうもありがとうございました。
@catwalk8041
こんばんは^ ^ 素晴らしいupload有難う御座います^ ^✨✨✨✨✨✨✨✨✨✨✨✨💓💓💓💓💓❣️❣️❣️❣️🎵🎵🎵🎵🎵❣️
@mi01nn
好きすぎて泣く
@user-to4cr4bb7g
本当にやってられないですよ!私は、ずっとお金はなくて、困っているんです。貴方は、俊之さんは、なにを考えているんですか?早く私は、三三九度や神前結婚と三三九度を急いでいますし、早く妊婦さんに、ならないと許嫁として、やっていけないですよ!俊之さんしゃんとしたら、どうですか?浮気する人などとの結婚などは、私は、嫌ですよ!本当に、許嫁相手として、しっかりとしたらどうですか?警察には届けてありますけれど、本当に私は、やってられないですよ!