Air is a French music duo from Versailles, consisting of Nicolas Godin and … Read Full Bio ↴Air is a French music duo from Versailles, consisting of Nicolas Godin and Jean-Benoît Dunckel. Their critically acclaimed debut album, Moon Safari, including the track "Sexy Boy", was an international success in 1998. Its follow-up, The Virgin Suicides, was the score to Sofia Coppola's first movie of the same name. The band has since released the albums 10 000 Hz Legend, Talkie Walkie, Pocket Symphony, Love 2, Le voyage dans la lune and Music for Museum. The band is influenced by a wide variety of musical styles and artists.

Nicolas Godin studied architecture at the École nationale supérieure d'architecture de Versailles, and Jean-Benoît Dunckel studied mathematics, before forming a band in 1995. Before founding Air (erroneously considered as an acronym of Amour, Imagination, Rêve, which translates to Love, Imagination, Dream), Dunckel and Godin played together in the band Orange with others such as Alex Gopher, Xavier Jamaux and Jean de Reydellet. The former two subsequently contributed to remixes of tracks recorded by Air.

Initially Godin worked alone, recording a demo with members of Funkadelic as his backing band before releasing his first entirely solo effort, "Modular Mix", which featured production by Étienne de Crécy.

Career
After making several remixes for other acts in the first half of the 1990s, Air recorded its first EP, Premiers Symptômes, in 1995. The band released its first album, Moon Safari, in 1998. Its first single, "Sexy Boy", was heavily played on alternative radio stations. The album received universal acclaim and became an international success. In 1999, Air composed the score The Virgin Suicides to Sofia Coppola's debut film of the same name; in 2012, Air wrote its second score to Georges Méliès' Le voyage dans la lune.

Other works
Air has often collaborated with Coppola. Air drummer and former Redd Kross member Brian Reitzell put together the soundtrack to 2003's Lost in Translation, including one original contribution by Air titled "Alone in Kyoto". The soundtrack for Coppola's October 2006 film Marie Antoinette featured a track by Air ("Il Secondo Giorno"). Air wrote and played the music of the album 5:55 by Anglo-French actress and singer Charlotte Gainsbourg, which was released in August 2006. Air has recorded a DJ mix album, Late Night Tales: Air, for Azuli Records' Late Night Tales series. The release was initially scheduled for October 2005, but was delayed several times. It finally was released, complete with a new sleeve design, in September 2006. Darkel, a solo album by Dunckel, was released that same year.

City Reading (Tre Storie Western) (2003) started as an idea for a collaboration with contemporary Italian writer Alessandro Baricco, known for his unusual characterizations and lyrical, poetic style. Baricco contacted Air in summer 2002 with the idea to marry narration of texts from his book City with live original musical accompaniment. The performance premiered live in November 2002 at Rome's Teatro Valle and was deemed such a success that both parties resolved to make a full studio recording.

Influences and musical style
Air is associated with a variety of musical styles: electronica, space pop, dream pop, progressive rock, downtempo, chillout, trip hop, ambient, electronic pop and space rock. Dunckel grew up listening to both classical and electronic music, especially Kraftwerk. He later took an interest in what he called the "English dark rock" of Siouxsie and the Banshees and Joy Division, while being a fan of David Bowie, Iggy Pop and Lou Reed. Brian Eno and Cluster were two of the electronic acts who inspired him the most. He cites among his favorite artists: Maurice Ravel for classical music, François de Roubaix for music soundtracks and Siouxsie and the Banshees for pop music. Dunckel shared with Godin a special liking for the music of Michel Legrand, Philip Glass and Grace Jones. During his childhood, Godin was fascinated by the Beatles before later discovering the soul of Sly and the Family Stone. The duo were influenced by progressive rock pioneers Pink Floyd.

Air uses many of its studio instruments (like Moog synthesizers, the Korg MS-20, Wurlitzer and Vocoder) on stage, where their ability to improvise is more clearly highlighted. The band performs the well-known tracks from the albums live as extended or altered versions. Air often collaborates (both in the studio and live) with artists like Beth Hirsch (Moon Safari), Françoise Hardy ("Jeanne"), Jean-Jacques Perrey ("Cosmic Bird"), Gordon Tracks ("Playground Love" and "Easy Going Woman" – Gordon Tracks is a pseudonym of the French singer Thomas Mars from Phoenix), Beck (10 000 Hz Legend) and Jean-Michel Jarre ("Close Your Eyes" from Jarre's Electronica 1: The Time Machine). They also invited Dave Palmer on their 2004 tour and drummer Earl Harvin, Vincent Taurelle and Steve Jones on their 2007 tour.

Studio albums
Moon Safari (1998)
10 000 Hz Legend (2001)
Talkie Walkie (2004)
Pocket Symphony (2007)
Love 2 (2009)
Le voyage dans la lune (2012)

Soundtrack albums
The Virgin Suicides (2000)
Music for Museum (2014)

Extended plays
Premiers Symptômes (1997)

Collaborative albums
City Reading (Tre Storie Western) (2003)

Mix and remix albums
Everybody Hertz (2002)
Late Night Tales (2006)

Compilation albums
Twentyears (2016)
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Air is one of the many aliases of Pete Namlook. He has been releasing ambient music under this name since the release of an eponymous album in 1993.
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Japanese noise rock, Air is an alias of Koji Kurumatani first released album Wear Off in 1996.
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Air is a late 90s Indonesian Pop band that became popular with their "Bintang" song.
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Air was a jazz trio with its roots steeped in Chicago's Association for the Advancement of Creative Musicians (AACM), and was formed originally in 1971. The jazz trio Air formed from within the Muhal Richard Abrams Sextet, which was active on the Chicago scene contemporaneously with the birth and growth of the AACM and groups such as the Art Ensemble of Chicago. Henry Threadgill on reeds, hubcaphone, and percussion; Fred Hopkins on bass, and Steve McCall on drums formed the trio when Threadgill was commissioned by Columbia College to score and adapt Scott Joplin's work for a performance honoring Joplin's centenary (Joplin's birth has been established now as sometime in 1868) and a rebirth of interest in the noted ragtime composer. All three men were Air signs in the zodiac, and so adopted the name.

They performed first around Chicago, while maintaining residency with Muhal Abrams group, which also featured Kalaparusha Maurice McIntyre and Wallace McMillan, both reed players. The Air "brand" remained a side project until all three reunited in New York in 1975, and began recording under that name for India Navigation, Nessa, Black Saint, and Novus. The trio broke up when Steve McCall left in the early 1980s, and when Pheroan Aklaff joined in 1982, they recorded as New Air, and recorded several albums under that name, including Air Show No. 1 in 1986, which featured Cassandra Wilson on vocals. Andrew Cyrille ultimately replaced akLaff before the band eventually was superceded by the burgeoning careers of its members: Threadgill with his groups Sextett and Very Very Circus, and Hopkins as the go-to bassist for Threadgill, David Murray, and Hamiet Bluiett. McCall's health forced his retirement from touring around 1980, and the dynamic drummer and effusive and gracious man who was a cofounder of the AACM with Muhal Abrams and Fred Anderson, died of a stroke in 1989.

This Air is listed as Air (4) on Discogs and is also been identified on last.fm as Air (Fred Hopkins, Steve McCall, Henry Threadgill) and Air with Fred Hopkins, Steve Mccall, Henry Threadgill (sic: McCall's name misspelt), and possibly also other alternative spellings of the group's name exist.
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Air was a psychedelic folk rock band featuring Googie and Tom Coppola, John Siegler and Mark Rosengarden. They released their first self titled album in 1971.

Everything or Everyone and Everything or Peace
Air Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

今にきっとわかる日が来る
今日がきっかけの日であると
色褪せた FRONTIER SPIRIT
NO MEDICINE CAN CURE FOLLY!
HURRY UP...NOW!
HURRY UP...NOW!
HURRY UP 風は今吹いている
THIS WAY!...

風はいろんな声を届け
その象徴の旗なびかせる
その手を伸ばせば届く
ところにある QUESTION CARDはNGO
かすかな光を集めてる NGO
何から何まで壊れてた
全ての破片かかげ
EVERYTHING, OR EVERYONE.
AND EVERYTHING, OR PEACE
EVERYTHING, OR EVERYONE.
AND EVERYTHING, OR PEACE
PUNKS の涙は僕らに
必要な光をもたらす
その光はやがて激しく
夢という夢全てを照らす
IN BLOOM...NOW!
人は笑いを表現できる
ただひとつの動物だった
全てを照らした完璧な輝く涙を見て
EVERYTHING, OR EVERYONE.
AND EVERYTHING, OR PEACE
EVERYTHING, OR EVERYONE.
AND EVERYTHING, OR PEACE

RISE NOW,
RISE UP NOW...
EVERYTHING, OR EVERYONE.
AND EVERYTHING, OR PEACE
EVERYTHING, OR EVERYONE.
AND EVERYTHING, OR PEACE
EVERYTHING, OR EVERYONE.
AND EVERYTHING, OR PEACE

EVERYTHING, OR EVERYONE.
AND EVERYTHING, OR PEACE

Overall Meaning

The lyrics in the first paragraph of Air's song "Everything or Everyone and Everything or Peace" speak to the idea that there will come a day when things will become clear and today is a significant day that serves as a starting point. The mention of the "color faded FRONTIER SPIRIT" could allude to a sense of lost or faded idealism, and the assertion that "NO MEDICINE CAN CURE FOLLY" suggests that some mistakes cannot be undone or fixed easily. The urgency conveyed with "HURRY UP...NOW!" and the mention of the wind blowing in the present moment signifies a sense of immediacy and the need to act swiftly. The imagery of reaching out for a symbolic flag and a QUESTION CARD belonging to an NGO conveys a sense of seeking answers and gathering faint glimmers of hope.

Moving on to the second paragraph, the lyrics introduce the concept of PUNKS' tears bringing essential light to the individuals listening to the song. This light is described as eventually shining intensely on all dreams, illuminating every aspect of them. The mention of laughter being a unique way for humans to express themselves suggests a contrast to the tears mentioned earlier, implying the complexities of human emotions. The imagery of a perfect shining tear that illuminated everything may symbolize a moment of clarity or understanding that transcends the pain or struggles previously experienced.

The repetition of the phrase "EVERYTHING, OR EVERYONE. AND EVERYTHING, OR PEACE" throughout the song reinforces the central theme of making choices between everything or everyone, and everything or peace. This could symbolize the internal conflicts or decisions that individuals face in their lives, where they must choose between different paths or outcomes. The call to rise up and rise now in the latter part of the lyrics signifies a call to action or empowerment, urging listeners to take a stand for what they believe in or strive towards achieving peace and harmony.

In the final paragraph, the repeated emphasis on the choices between everything or everyone, and everything or peace, conveys the importance of decision-making and the consequences that come with it. The lyrics evoke a sense of resolve and determination, urging individuals to consider what truly matters to them and to take action accordingly. The overarching message of the song seems to center around themes of clarity, choices, empowerment, and the search for peace amidst chaos or uncertainty.

Line by Line Meaning

今にきっとわかる日が来る
The day will surely come when we will understand

今日がきっかけの日であると
Today is the beginning, the trigger

色褪せた FRONTIER SPIRIT
The faded frontier spirit

NO MEDICINE CAN CURE FOLLY!
There is no cure for foolishness

HURRY UP...NOW!
Quickly, without delay

HURRY UP 風は今吹いている
The wind is blowing right now, hurry

THIS WAY!...
This is the direction to follow

風はいろんな声を届け
The wind carries various voices

その象徴の旗なびかせる
Let the symbol flag wave

その手を伸ばせば届く
Reach out your hand and you will touch

ところにある QUESTION CARDはNGO
The question card in place is NGO