Francesco Cavalli (February 14, 1602 – January 14, 1676) was an Italian com… Read Full Bio ↴Francesco Cavalli (February 14, 1602 – January 14, 1676) was an Italian composer. His real name was Pietro Francesco Caletti-Bruni, but he is better known by that of Cavalli, the name of his patron, a Venetian nobleman.
Cavalli was born at Crema, Lombardy. He became a singer at St Mark's in Venice in 1616, second organist in 1639, first organist in 1665, and in 1668 maestro di cappella. He is, however, chiefly remembered for his operas.
He began to write for the stage in 1639 (Le nozze di Teti e di Peleo), and soon established so great a reputation that he was summoned to Paris in 1660 to produce an opera (Xerse). He visited Paris again in 1662, producing his Ercole amante at the Louvre, which was written in honour of the marriage of Louis XIV. He died in Venice at the age of 73.
Cavalli was the most influential composer in the rising genre of public opera in mid-17th century Venice. Unlike Monteverdi's early operas, scored for the extravagant court orchestra, Cavalli's operas make use of a small orchestra of strings and basso continuo to meet the limitations of public opera houses.
Cavalli introduced melodious arias into his music and popular types into his libretti. His operas have a remarkably strong sense of dramatic effect as well as a great musical facility, and a grotesque humour which was characteristic of Italian grand opera down to the death of Alessandro Scarlatti. Cavalli's operas provide the only example of a continuous musical development of a single composer in a single genre from the early to the late 17th century in Venice — only a few operas by others (e.g. Monteverdi and Antonio Cesti) survive. The development is particularly interesting to scholars because opera was still quite a new medium when Cavalli began working, and had matured into a popular public spectacle by the end of his career.
Cavalli wrote thirty-three operas, twenty-seven of which are still extant, being preserved in the Biblioteca Nazionale Marciana (Library of St Mark) at Venice. Copies of some of the operas also exist in other locations. In addition, nine other operas have been attributed to him, though the music is lost and attribution impossible to prove.
In addition to operas, Cavalli wrote settings of the Magnificat in the grand Venetian polychoral style, settings of the Marian antiphons, other sacred music in a more conservative manner (notably a Requiem Mass in eight parts [SSAATTBB], probably intended for his own funeral), and some instrumental music.
Cavalli was born at Crema, Lombardy. He became a singer at St Mark's in Venice in 1616, second organist in 1639, first organist in 1665, and in 1668 maestro di cappella. He is, however, chiefly remembered for his operas.
He began to write for the stage in 1639 (Le nozze di Teti e di Peleo), and soon established so great a reputation that he was summoned to Paris in 1660 to produce an opera (Xerse). He visited Paris again in 1662, producing his Ercole amante at the Louvre, which was written in honour of the marriage of Louis XIV. He died in Venice at the age of 73.
Cavalli was the most influential composer in the rising genre of public opera in mid-17th century Venice. Unlike Monteverdi's early operas, scored for the extravagant court orchestra, Cavalli's operas make use of a small orchestra of strings and basso continuo to meet the limitations of public opera houses.
Cavalli introduced melodious arias into his music and popular types into his libretti. His operas have a remarkably strong sense of dramatic effect as well as a great musical facility, and a grotesque humour which was characteristic of Italian grand opera down to the death of Alessandro Scarlatti. Cavalli's operas provide the only example of a continuous musical development of a single composer in a single genre from the early to the late 17th century in Venice — only a few operas by others (e.g. Monteverdi and Antonio Cesti) survive. The development is particularly interesting to scholars because opera was still quite a new medium when Cavalli began working, and had matured into a popular public spectacle by the end of his career.
Cavalli wrote thirty-three operas, twenty-seven of which are still extant, being preserved in the Biblioteca Nazionale Marciana (Library of St Mark) at Venice. Copies of some of the operas also exist in other locations. In addition, nine other operas have been attributed to him, though the music is lost and attribution impossible to prove.
In addition to operas, Cavalli wrote settings of the Magnificat in the grand Venetian polychoral style, settings of the Marian antiphons, other sacred music in a more conservative manner (notably a Requiem Mass in eight parts [SSAATTBB], probably intended for his own funeral), and some instrumental music.
Sinfonia
Francesco Cavalli Lyrics
We have lyrics for 'Sinfonia' by these artists:
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J. E. Gardiner The Monteverdi Choir The English Baroque Soloists exibições 26.846 Sinfonia Da Mata Orlando Dias Tenho a viol…
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maldita Terra industrial Com plataformas de mármore Dizem que lá tem…
No-Joy Sobe e desce, desce e sobe Sobe a todo vapor…
Pedro Diaz Archybak Only you can turn this thing around, Gotta fight for your…
Royz 瞳を閉じて漂うの 波にのせた歌はシンフォニア 遠回りして帰ってみたり 星を見上げたり らしくないなって苦笑い 私なのに…
Toto Cutugno Luce del giorno, giura di farlo Leva di torno questa citta'…
TROISANGES 神様が見つめてる 南の空にある 十字架に 君は何を祈った? 許しては許されて 愛だと感じては 調律を繰り返す心で今、叫…
Tsidkenu No le Damos Importancia A lo que pasa hoy en día El…
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