Glee featured multiple major and secondary roles who have contributed vocals to the show: Lea Michele, Matthew Morrison, Dianna Agron, Cory Monteith, Amber Riley, Chris Colfer, Mark Salling, Jenna Ushkowitz, Kevin McHale, Naya Rivera, Heather Morris, Jayma Mays, Jane Lynch, Chord Overstreet, Darren Criss, Harry Shum, Jr., Damian McGinty, Vanessa Lengies, Samuel Larsen, Blake Jenner, Alex Newell, Melissa Benoist, Jacob Artist, and Dean Geyer. Numerous special guests have also featured on tracks, including Jonathan Groff, Kristin Chenoweth, Grant Gustin, Olivia Newton-John, John Stamos, Neil Patrick Harris, Idina Menzel, Charice, Gwyneth Paltrow, k.d. lang, Ricky Martin, Matt Bomer, Kate Hudson, and Sarah Jessica Parker.
The pilot episode of the show was broadcast on May 19, 2009 and the first season began airing on September 9, 2009. The show was created by Ryan Murphy, Brad Falchuk and Ian Brennan. Murphy selects all music featured within the series himself, with the intent of maintaining a balance between show tunes and chart hits. Songs featured on the show are available for digital download through iTunes up to two weeks before new episodes air, and through other digital outlets and mobile carriers a week later.
Their debut single, "Don't Stop Believin'", a cover of the 1981 Journey song, was a top ten hit, and was certified platinum in Australia and gold in the US. The group's cover of The All-American Rejects' "Gives You Hell" reached number one in Ireland, giving them their first number one single.
There has been Nineteen soundtracks released through Columbia Records: Glee: The Music, Volume 1, Glee: The Music, Volume 2, Glee: The Music, Volume 3 Showstoppers, Glee: The Music, The Christmas Album, Glee: The Music, Volume 4, Glee: The Music, Volume 5, Glee: The Music, Volume 6, Glee: The Music, Volume 7 and Glee: The Music, The Christmas Album Volume 2,Glee: The Music, Volume 7,Glee: The Music, The Graduation Album,Glee: The Music, Season 4, Volume 1,Glee: The Music, The Christmas Album Volume 3,Glee Sings the Beatles and Glee: The Music - Celebrating 100 Episodes.
Nineteen EPs have also been released: Glee: The Music, The Power of Madonna, Glee: The Music, Journey to Regionals,Glee: The Music, The Rocky Horror Glee Show.Glee: The Music, The Rocky Horror Glee Show,Glee: The Music, Love Songs,Glee: The Music, The Rocky Horror Glee Show,Glee: The Music, Love Songs,Glee: The Music, Dance Party,Britney 2.0,Glee: The Music Presents Glease,The Quarterback (Music from the TV Series),A Katy or a Gaga (Music from the Episode),Movin' Out,Glee: The Music, The Christmas Album Volume 4,City of Angels,New New York,Glee: The Music, Bash,Glee: The Music, Tested,Glee: The Music, Opening Night,Glee: The Music, the Back Up Plan,Glee: The Music, Old Dog, New Tricks,Glee: The Music – The Untitled Rachel Berry Project,Glee: The Music – Loser Like Me and Glee: The Music – Homecoming.
The cast is second behind The Beatles for most chart appearances by a group act in the Billboard Hot 100's history, and holds the record of sixth overall among all artists, with sixty-nine appearances. The cast has sold over thirty six million and over eleven million albums worldwide. The series' cover versions have also had a positive effect on the original recording artists, with sales of Rihanna's "Take a Bow" increasing by 189 percent after the song was covered in the Glee episode "Showmance".
The series features covers of numerous songs sung on-screen by the characters. Musical segments typically take the form of performances, as opposed to the characters singing spontaneously, as the intention is for the series to remain reality-based. Murphy is responsible for selecting all of the songs used, and strives to maintain a balance between show tunes and chart hits, as: "I want there to be something for everybody in every episode. That's a tricky mix, but that's very important — the balancing of that." Song choices are integral to script development, with Murphy explaining: "Each episode has a theme at its core. After I write the script, I will choose songs that help to move the story along."
Glee is choreographed by Zach Woodlee, and features five to eight production numbers per episode. Once music rights are cleared, songs are arranged and pre-recorded by the cast. Woodlee constructs the accompanying dance moves, which are then taught to the cast and filmed. Numbers can take several weeks to prepare, depending on complexity. Each episode costs at least $3 million to produce, and can take up to 10 days to film as a result of the elaborate choreography.
Only the Good Die Young
Glee Cast Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come out, Virginia, don't let me wait
You Catholic girls start much too late
Oh, but sooner or later, it comes down to fate
I might as well be the one
Well, they showed you a statue, told you to pray
They built you a temple and locked you away
For things that you might have done
Only the good die young
That's what I said
Only the good die young
Only the good die young
You might've heard I run with a dangerous crowd
We ain't too pretty, we ain't too proud
We might be laughing a bit too loud
Oh, but that never hurt no one
So come on, Virginia, show me a sign
Send up a signal, I'll throw you the line
The stained-glass curtain you're hiding behind
Never lets in the sun
Darlin', only the good die young, whoa
I tell, you only the good die young
Only the good die young
You got a nice white dress and a party on your confirmation
You got a brand new soul
Ooh, and a cross of gold
But, Virginia, they didn't give you quite enough information
You didn't count on me
When you were counting on your rosary, woah, oh, oh
And they say there's a heaven for those who will wait
Some say it's better, but I say it ain't
I'd rather laugh with the sinners than cry with the saints
The sinners are much more fun
You know that only the good die young
Oh oh oh, baby
I tell ya, only the good die young
Only the good die young
You said your mother told you all that I could give you was a reputation
Oh, she never cared for me
But did she ever say a prayer for me?
Woah, oh, oh
Come out, come out, come out Virginia, don't let me wait
You Catholic girls start much too late
But sooner or later, it comes down to fate
I might as well be the one
You know that only the good die young
Tell ya, baby
You know that only the good die young
Only the good die young
Only the good...
Only the good die young
Ooh, ooh
Ooh hoo, ooh hoo
Ooh hoo!
The song "Only the Good Die Young" by Glee Cast, sung by Puck, is a song about a boy trying to convince a Catholic girl, Virginia, to sleep with him. Puck sings about how Catholic girls always wait until marriage to have sex, but that Virginia might as well be the one to break the mold and engage in a sexual relationship with him. He sings about how the Catholic Church has sheltered Virginia and has not told her the cost of not following her desires. Puck is basically trying to convince Virginia to be spontaneous and have some fun while she is young.
The chorus of the song, "Only the good die young," suggests that if Virginia does not break her religious rules and wait for Puck, she is not living life to its fullest. The lyrics also suggest that Catholics are not as fun as sinners, and that Puck is part of this "dangerous crowd," which makes him more exciting.
Overall, the song is controversial in its message and may be considered offensive by some. It perpetuates the idea that Catholic girls are repressed and should loosen up, while also promoting sexual promiscuity. However, it's important to note that the song is a work of fiction and does not necessarily reflect the views of the Glee Cast or the show.
Line by Line Meaning
Come out, Virginia, don't let me wait
Puck is calling out to Virginia to not waste any time.
You Catholic girls start much too late
Puck points out how Catholic girls tend to hold off on pursuing romance.
Oh, but sooner or later, it comes down to fate
Puck emphasizes how fate plays a role in any romantic relationship.
I might as well be the one
Puck asserts his desire to be Virginia's partner.
Well, they showed you a statue, told you to pray
Puck references the religious upbringing of Catholic girls.
They built you a temple and locked you away
Puck describes the conservative and restricting nature of religious institutions.
Oh, but they never told you the price that you'd pay
Puck points out the hidden costs of growing up in such an environment.
For things that you might have done
Puck hints at the potential for missed opportunities due to religious obligations.
Only the good die young
Puck suggests that taking risks and living life to the fullest may result in an early demise.
That's what I said
Puck reiterates his point about taking chances in life.
You might've heard I run with a dangerous crowd
Puck acknowledges his less-than-savory reputation.
We ain't too pretty, we ain't too proud
Puck admits that his group of friends may not be the most appealing or confident.
We might be laughing a bit too loud
Puck acknowledges that they can be obnoxious and overbearing.
Oh, but that never hurt no one
Puck rationalizes their behavior as harmless and fun-loving.
So come on, Virginia, show me a sign
Puck urges Virginia to give him a signal if she's interested in taking a risk with him.
Send up a signal, I'll throw you the line
Puck offers to be there for Virginia if she takes a chance on him.
The stained-glass curtain you're hiding behind
Puck uses the metaphor of a stained-glass curtain to describe the religious institution that Virginia is trapped in.
Never lets in the sun
Puck points out that such a restrictive environment doesn't allow for much happiness and joy.
Darlin', only the good die young, whoa
Puck repeats his belief that taking risks is essential to truly living life.
I tell, you only the good die young
Puck emphasizes his point about the importance of taking chances and living life to the fullest.
You got a nice white dress and a party on your confirmation
Puck refers to the Catholic tradition of confirmation and its accompanying festivities.
You got a brand new soul
Puck jokingly refers to the spiritual significance of the confirmation ceremony.
Ooh, and a cross of gold
Puck references the Catholic symbol of the cross with some irony.
But, Virginia, they didn't give you quite enough information
Puck implies that Virginia may not have been fully prepared for what life has in store.
You didn't count on me
Puck hints that Virginia may not have expected someone like him to come into her life.
When you were counting on your rosary, woah, oh, oh
Puck contrasts the religious tradition of counting rosary beads with his own propensity for living in the moment and taking risks.
And they say there's a heaven for those who will wait
Puck acknowledges the belief in the afterlife and the idea that some people wait their whole lives for a reward in heaven.
Some say it's better, but I say it ain't
Puck disagrees with the idea that waiting is the superior choice.
I'd rather laugh with the sinners than cry with the saints
Puck would rather take chances and potentially make mistakes than live a life devoid of excitement and passion.
The sinners are much more fun
Puck believes that living life to the fullest is more enjoyable than always being morally upright and responsible.
You know that only the good die young
Puck emphasizes his belief that taking risks and living fully may result in a shorter lifespan.
Oh oh oh, baby
Puck repeats this line to drive home his point about the importance of making the most out of life.
You said your mother told you all that I could give you was a reputation
Puck acknowledges that Virginia's mother may not approve of him due to his bad reputation.
Oh, she never cared for me
Puck implies that Virginia's mother never actually took the time to get to know him.
But did she ever say a prayer for me?
Puck wonders if Virginia's mother ever expressed any positive thoughts or wishes for him.
Woah, oh, oh
Puck adds this line for emphasis and to punctuate his question about whether Virginia's mother ever expressed any compassion for him.
Come out, come out, come out Virginia, don't let me wait
Puck repeats his earlier call to Virginia to join him in taking a chance and living life to the fullest.
But sooner or later, it comes down to fate
Puck acknowledges that the ultimate outcome of their relationship will still be determined by fate and circumstance.
You know that only the good die young
Puck reiterates his point that living fully and taking risks may have a negative impact on one's lifespan.
Tell ya, baby
Puck uses this line to emphasize his point about the importance of making the most of life.
Only the good die young
This line repeats the refrain of the song and serves as a reminder of Puck's core message.
Ooh, ooh
Punctuates the end of the song along with the final lines above.
Ooh hoo, ooh hoo
Punctuates the end of the song along with the final lines above.
Ooh hoo!
Punctuates the end of the song along with the final lines above.
Contributed by Lily G. Suggest a correction in the comments below.
Mya Parra
Omg I like it ❤️❤️
Denihigh
Mark's voice 😍
Rosita T
Right!! Finally someone who mentions it 😌