Since then HK has collaborated with many artist such as The Boo Yaa Tribe, Matai of P-Vine Records (Japan), Bay Dawgs, Big Laz of Upstairs Records/Melendez Ent., Y.S. of Most Bangin Ent./Song BMG, 500, Charizma of Go Bigg Ent./Jungle Rock and A-R Star. Through networking with artist from different genres HK began experimenting with his own style swaying away from his in your face gangster rap delivery to a more toned down pop sound.
HK keeps hard at work not only in the studio but also on stage opening up for many major artist including The Game and David Banner and has performed at various Bay Area night clubs and venues as well as large festivals and college functions.
From his work behind the microphone to doing shows, HK refuses to fall into the same category as your average Bay Area Hyphee rapper with his own sound developed through years in the studio. HK now records and engineers his own music keeping a consistent stream of hits for his followers. Keep a look out for HK and his upcoming events and new music!
Le Plat Pays
HK Lyrics
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Et des vagues de dunes pour arrêter les vagues
Et de vagues rochers que les marées dépassent
Et qui ont à jamais le cœur à marée basse
Avec infiniment de brumes à venir
Avec le vent de l'est écoutez-le tenir
Le plat pays qui est le mien
Et de noirs clochers comme mâts de cocagne
Où des diables en pierre décrochent les nuages
Avec le fil des jours pour unique voyage
Et des chemins de pluie pour unique bonsoir
Avec le vent d'ouest écoutez-le vouloir
Le plat pays qui est le mien
Avec un ciel si bas qu'un canal s'est perdu
Avec un ciel si bas qu'il fait l'humilité
Avec un ciel si gris qu'un canal s'est pendu
Avec un ciel si gris qu'il faut lui pardonner
Avec le vent du nord qui vient s'écarteler
Avec le vent du nord écoutez-le craquer
Le plat pays qui est le mien
Avec de l'Italie qui descendrait l'Escaut
Avec Frida la Blonde quand elle devient Margot
Quand les fils de novembre nous reviennent en mai
Quand la plaine est fumante et tremble sous juillet
Quand le vent est au rire, quand le vent est au blé
Quand le vent est au sud, écoutez-le chanter
Le plat pays qui est le mien
"In Le Plat Pays, HK paints a vivid picture of his homeland, Belgium, and expresses his deep connection to its unique landscape and culture. The lyrics are filled with imagery that captures the essence of the country, its natural features, and its people.
The opening lines, 'Avec la mer du Nord pour dernier terrain vague, Et des vagues de dunes pour arrêter les vagues,' describe the North Sea as the final untamed space and the dunes as a barrier against the crashing waves. This imagery symbolizes the resilience and strength of the people living in this land. The reference to 'vagues rochers que les marées dépassent' represents the enduring spirit of the people who always remain grounded, even when facing overwhelming challenges.
HK further highlights the unique features of Belgium by mentioning cathedrals as the only mountains and black church steeples resembling ship masts. These images reflect the rich cultural heritage and architectural beauty of the country. The lyric 'Où des diables en pierre décrochent les nuages' suggests a touch of folklore and mystery, emphasizing the folklore and legends that permeate Belgian culture.
The song continues to describe the changing seasons and the influence of different winds on the flat landscape. The reference to 'chemins de pluie pour unique bonsoir' signifies the beauty in the simplicity of everyday life. The final verses pay homage to the influences of neighboring countries, such as Italy, and celebrate the diversity that shapes Belgian identity.
Overall, Le Plat Pays is a heartfelt ode to HK's homeland, capturing the essence of Belgium's natural beauty, historical significance, and the enduring spirit of its people."
Lyrics © O/B/O APRA AMCOS
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