He is most associated with the samba school Vila Isabel, and his own compositions (sambas de enredo) have been annually inaugurated by Vila Isabel in Rio de Janeiro's Carnaval competition for decades. His signature song, "Casa de Bamba," which dates back to the 1970s, is one of Brazilians' most beloved sambas. At age 74, he is still doing concerts and his lyrics continue to rally the spirits of audiences throughout Brazil. His 1995 CD "Ta Delicia Ta Gostoso" sold more than a million copies. His music shows influence from the region where he was born, such as the calango rhythm.
Martinho is politically active and a prominent figure and spokesperson for Afro-Brazilian issues as well as for the Brazilian Communist Party. He is the author of six books, and has been a recording artist since 1969.
Oi Compadre
Martinho Da Vila Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Mete o dedo na viola
Oi, compadre
Mete o dedo na viola
Oi, compadre
Mete o dedo na viola
Se segura no cavaco,
Porque tem remandiola
Ôh, compadre
Solta o bicho e se escora
Pois o velho gavião
Ja está com as unhas de fora, compadre
Oi, compadre
Mete o dedo na viola
Oi, compadre
Mete o dedo na viola
Oi, compadre
Mete o dedo na viola
Canta samba dos quilombos
Quilombeta e quilombola
Meu compadre,
Mete o dedo na viola
Já tem mente alienada
E nego pisando na bola
Oi, compadre
Mete o dedo na viola
Oi, compadre
Mete o dedo na viola
Oi, compadre
Mete o dedo na viola
Oi, compadre
Vascaíno não se engana
Temos que ser mais fiéis
Do que a fiel corintiana
Ôh, compadre
Mete o dedo na viola
Calangueia no quilombo
Canta samba na escola
Brasileiro tá cansado
De cocada e mariola
Abre o olho, meu compadre
Porque tem remandiola
Atrás de um som inocente
Tem um fraque, uma cartola, eu já disse
Oi, compadre
Mete o dedo na viola
Oi, compadre
Mete o dedo na viola
Oi, compadre
Mete o dedo na viola
Oi, compadre
Mete o dedo na viola
Oi, compadre
Mete o dedo na viola
Oi, compadre
Mete o dedo na viola
The song "Oi Compadre" by Martinho Da Vila is a playful and rhythmic ode to self-expression and cultural resistance. The repetition of the line "Oi, compadre, mete o dedo na viola" creates a catchy and interactive call-and-response effect, encouraging people to engage with music and their own creative abilities.
In the context of the song, "mete o dedo na viola" can be interpreted as an invitation to play the guitar or any musical instrument. It symbolizes the act of embracing one's artistic talent and participating in the tradition of making music. By urging his compadre (a close friend or companion) to engage with the instrument, Da Vila emphasizes the importance of music as a means of expressing oneself and connecting with others.
The line "se segura no cavaco, porque tem remandiola" adds a layer of tension and excitement to the song. The cavaco is a small stringed instrument commonly used in Brazilian samba music, and "remandiola" refers to a challenging or complex situation. So, Da Vila is advising his compadre to hold on tight to the cavaco, as they may encounter difficulties or face obstacles in their creative journey, but should persevere and overcome them with determination and skill.
The lyrics also touch upon social and cultural themes. The mention of "samba dos quilombos" and the terms "quilombeta" and "quilombola" highlight the African roots of Brazilian music, referencing the historical struggle and resilience of Afro-Brazilian communities. Da Vila urges his compadre to sing and celebrate this cultural heritage, emphasizing the importance of acknowledging and valuing the contributions of black people to Brazilian society.
The mention of being "brasileiro tá cansado de cocada e mariola" refers to the weariness of the Brazilian people regarding superficial entertainment and distractions. Da Vila encourages his compadre to open his eyes and be aware of the manipulative tactics and false promises that can hide behind seemingly innocent sounds and images. He suggests that true artistic expression and cultural preservation go beyond mere entertainment and require critical thinking and awareness.
Overall, "Oi Compadre" celebrates the power of music as a tool for self-expression, cultural resistance, and unity. Through playful language and engaging rhythms, Martinho Da Vila invites listeners to embrace their artistic talents, celebrate their cultural heritage, and remain vigilant to the deeper messages that may be hidden behind seemingly harmless entertainment.
Line by Line Meaning
Oi, compadre
Hello, my friend
Mete o dedo na viola
Put your finger on the guitar strings
Se segura no cavaco,
Porque tem remandiola
Hold onto your cavaquinho (a Brazilian instrument),
Because trouble is coming
Ôh, compadre
Solta o bicho e se escora
Pois o velho gavião
Ja está com as unhas de fora, compadre
Oh, my friend
Let the beast loose and lean on it
Because the old hawk
Has already shown its claws, my friend
Canta samba dos quilombos
Quilombeta e quilombola
Sing the samba of the quilombos (communities of escaped slaves)
Quilombeta and quilombola
Meu compadre,
Mete o dedo na viola
Já tem mente alienada
E nego pisando na bola
My friend,
Put your finger on the guitar strings
There are already minds brainwashed
And people messing up
Oi, compadre
Vascaíno não se engana
Temos que ser mais fiéis
Do que a fiel corintiana
Hey, my friend
A Vasco supporter won't be fooled
We have to be more loyal
Than the loyal Corinthians supporter
Ôh, compadre
Mete o dedo na viola
Calangueia no quilombo
Canta samba na escola
Oh, my friend
Put your finger on the guitar strings
Get together in the quilombo
Sing samba in school
Brasileiro tá cansado
De cocada e mariola
Abre o olho, meu compadre
Porque tem remandiola
Brazilians are tired
Of the same old things
Open your eyes, my friend
Because trouble is coming
Atrás de um som inocente
Tem um fraque, uma cartola, eu já disse
Behind an innocent sound
There is a fancy suit, a top hat, I've already said
Lyrics © Universal Music Publishing Group
Written by: MARTINHO JOSE FERREIRA
Lyrics Licensed & Provided by LyricFind
Ana Paula Soares Sampaio
Viagem à minha infância...💖
Vanessa Ramos
CUMPADRE ESSA FOI BOA DEMAIS KKKKKKKK A MEU DEUS DO CÉU ESSA FOI BOA DEMAIS KKKKKKKKK
JOTTA BATYSTA - OFICIAL
Ouvia essa relíquia lá na infância. A noite,meu pai pedia para colocar os LPs para rodar!
Walter Ramos
Boas lembranças e sonhos. Porque o tempo é tão cruel e não volta?????
Vanessa Ramos
CULPA DE QUEM? MEU TIO MARCIO NE? KKKKKKKK A MEU DEUS DO CÉU ESSA FOI BOA DEMAIS
Ou você ama o mundo ou você segue a Deus.
Martinho da Vila! Maior compositor de sambas de partido alto do Brasil! Essa é talvez uma das mais politicamente engajadas composições do Mestre Martinho!
Vanessa Ramos
AGORA PRONTO MEU DEUS DO CÉU ESSA FOI. BOA DEMAIS KKKKKKKK
Vanessa Ramos
EU TAVA ESCUTANDO. NO CELULAR DO MEU TIO MARCIO AI EU VIM ESCUTAR KKKKKKK ESSA FOI BOA DEMAIS KKKKKKKK
Vanessa Ramos
LEGAL A MÚSICA ESSA FOI BOA DEMAIS
Vanessa Ramos
EU ACHO.QUE A MINHA AVÓ ELA CANTAVA ESSA MÚSICA TANBEM KKKKKKKK ESSA BOA DEMAIS