Oi Compadre
Martinho Da Vila Lyrics


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Oi, compadre
Mete o dedo na viola

Oi, compadre
Mete o dedo na viola

Oi, compadre
Mete o dedo na viola

Se segura no cavaco,
Porque tem remandiola

Ôh, compadre
Solta o bicho e se escora
Pois o velho gavião
Ja está com as unhas de fora, compadre

Oi, compadre
Mete o dedo na viola

Oi, compadre
Mete o dedo na viola

Oi, compadre
Mete o dedo na viola

Canta samba dos quilombos
Quilombeta e quilombola
Meu compadre,
Mete o dedo na viola
Já tem mente alienada
E nego pisando na bola

Oi, compadre
Mete o dedo na viola

Oi, compadre
Mete o dedo na viola

Oi, compadre
Mete o dedo na viola

Oi, compadre
Vascaíno não se engana
Temos que ser mais fiéis
Do que a fiel corintiana

Ôh, compadre
Mete o dedo na viola
Calangueia no quilombo
Canta samba na escola
Brasileiro tá cansado
De cocada e mariola
Abre o olho, meu compadre
Porque tem remandiola
Atrás de um som inocente
Tem um fraque, uma cartola, eu já disse

Oi, compadre
Mete o dedo na viola

Oi, compadre
Mete o dedo na viola

Oi, compadre
Mete o dedo na viola

Oi, compadre
Mete o dedo na viola

Oi, compadre
Mete o dedo na viola





Oi, compadre
Mete o dedo na viola

Overall Meaning

The song "Oi Compadre" by Martinho Da Vila is a playful and rhythmic ode to self-expression and cultural resistance. The repetition of the line "Oi, compadre, mete o dedo na viola" creates a catchy and interactive call-and-response effect, encouraging people to engage with music and their own creative abilities.


In the context of the song, "mete o dedo na viola" can be interpreted as an invitation to play the guitar or any musical instrument. It symbolizes the act of embracing one's artistic talent and participating in the tradition of making music. By urging his compadre (a close friend or companion) to engage with the instrument, Da Vila emphasizes the importance of music as a means of expressing oneself and connecting with others.


The line "se segura no cavaco, porque tem remandiola" adds a layer of tension and excitement to the song. The cavaco is a small stringed instrument commonly used in Brazilian samba music, and "remandiola" refers to a challenging or complex situation. So, Da Vila is advising his compadre to hold on tight to the cavaco, as they may encounter difficulties or face obstacles in their creative journey, but should persevere and overcome them with determination and skill.


The lyrics also touch upon social and cultural themes. The mention of "samba dos quilombos" and the terms "quilombeta" and "quilombola" highlight the African roots of Brazilian music, referencing the historical struggle and resilience of Afro-Brazilian communities. Da Vila urges his compadre to sing and celebrate this cultural heritage, emphasizing the importance of acknowledging and valuing the contributions of black people to Brazilian society.


The mention of being "brasileiro tá cansado de cocada e mariola" refers to the weariness of the Brazilian people regarding superficial entertainment and distractions. Da Vila encourages his compadre to open his eyes and be aware of the manipulative tactics and false promises that can hide behind seemingly innocent sounds and images. He suggests that true artistic expression and cultural preservation go beyond mere entertainment and require critical thinking and awareness.


Overall, "Oi Compadre" celebrates the power of music as a tool for self-expression, cultural resistance, and unity. Through playful language and engaging rhythms, Martinho Da Vila invites listeners to embrace their artistic talents, celebrate their cultural heritage, and remain vigilant to the deeper messages that may be hidden behind seemingly harmless entertainment.


Line by Line Meaning

Oi, compadre
Hello, my friend


Mete o dedo na viola
Put your finger on the guitar strings


Se segura no cavaco, Porque tem remandiola
Hold onto your cavaquinho (a Brazilian instrument), Because trouble is coming


Ôh, compadre Solta o bicho e se escora Pois o velho gavião Ja está com as unhas de fora, compadre
Oh, my friend Let the beast loose and lean on it Because the old hawk Has already shown its claws, my friend


Canta samba dos quilombos Quilombeta e quilombola
Sing the samba of the quilombos (communities of escaped slaves) Quilombeta and quilombola


Meu compadre, Mete o dedo na viola Já tem mente alienada E nego pisando na bola
My friend, Put your finger on the guitar strings There are already minds brainwashed And people messing up


Oi, compadre Vascaíno não se engana Temos que ser mais fiéis Do que a fiel corintiana
Hey, my friend A Vasco supporter won't be fooled We have to be more loyal Than the loyal Corinthians supporter


Ôh, compadre Mete o dedo na viola Calangueia no quilombo Canta samba na escola
Oh, my friend Put your finger on the guitar strings Get together in the quilombo Sing samba in school


Brasileiro tá cansado De cocada e mariola Abre o olho, meu compadre Porque tem remandiola
Brazilians are tired Of the same old things Open your eyes, my friend Because trouble is coming


Atrás de um som inocente Tem um fraque, uma cartola, eu já disse
Behind an innocent sound There is a fancy suit, a top hat, I've already said




Lyrics © Universal Music Publishing Group
Written by: MARTINHO JOSE FERREIRA

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

Ana Paula Soares Sampaio

Viagem à minha infância...💖

Vanessa Ramos

CUMPADRE ESSA FOI BOA DEMAIS KKKKKKKK A MEU DEUS DO CÉU ESSA FOI BOA DEMAIS KKKKKKKKK

JOTTA BATYSTA - OFICIAL

Ouvia essa relíquia lá na infância. A noite,meu pai pedia para colocar os LPs para rodar!

Walter Ramos

Boas lembranças e sonhos. Porque o tempo é tão cruel e não volta?????

Vanessa Ramos

CULPA DE QUEM? MEU TIO MARCIO NE? KKKKKKKK A MEU DEUS DO CÉU ESSA FOI BOA DEMAIS

Ou você ama o mundo ou você segue a Deus.

Martinho da Vila! Maior compositor de sambas de partido alto do Brasil! Essa é talvez uma das mais politicamente engajadas composições do Mestre Martinho!

Vanessa Ramos

AGORA PRONTO MEU DEUS DO CÉU ESSA FOI. BOA DEMAIS KKKKKKKK

Vanessa Ramos

EU TAVA ESCUTANDO. NO CELULAR DO MEU TIO MARCIO AI EU VIM ESCUTAR KKKKKKK ESSA FOI BOA DEMAIS KKKKKKKK

Vanessa Ramos

LEGAL A MÚSICA ESSA FOI BOA DEMAIS

Vanessa Ramos

EU ACHO.QUE A MINHA AVÓ ELA CANTAVA ESSA MÚSICA TANBEM KKKKKKKK ESSA BOA DEMAIS

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