Pidżama Porno evolved from Polish underground acts, such as Ręce do góry, R… Read Full Bio ↴Pidżama Porno evolved from Polish underground acts, such as Ręce do góry, Ryzyko and Papierosy. The name Pidżama Porno was first used in 1987. It was then an underground band. Their first demo albums, "Ulice jak stygmaty" and "Futurista", were widely spread across Poland through amateur copying, and achieved great popularity among punk rock and hardcore music listeners.

Pidżama Porno disbanded in 1990, but reactivated 4 years later. The demo album "Futurista" was officialy released under the same name, but it also contained six songs from "Ulice jak stygmaty". In 1997 "Złodzieje zapalniczek" was released, "Styropian" followed in 1998. Then, the "Ulice jak stygmaty" demo album was recorded again, and released as "Ulice jak stygmaty - absolutne rarytasy". The next album, "Marchef w butonierce", arguably their most popular one, saw the light in 2001.

As for now, their newest album is "Bułgarskie Centrum", which appeared in 2004. It is slightly different from the former releases, but is still widely appreciated among fans.

Currently, the band consist of the following artists:
Krzysztof "Grabaż" Grabowski - vocals, lyrics, composition
Andrzej Kozakiewicz - vocals, guitar
Sławek Mizerkiewicz - guitar
Julian Piotrowiak - bass guitar
Rafał Piotrowiak - percussion

Some members of the band also form Grabaż i Strachy na Lachy.

The band officially disbanded after their 20-th anniversary concert, which was held in Poznań on 8th December 2007.

Codzienność
Pidżama Porno Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Są miejsca w których grzech
Spaceruje chodnikami
Są miejsca w których gniew
Rozbrzmiewa milczącymi słowami

Tam gdzie złoto zamienia się w piasek
Tam gdzie złoto zamienia się w śmierć
Po zakurzonych chodnikach

Pijacko zatacza się śmiech

Codzienność zaklęta w kwadraty
Figury geometryczne
Te same czerwone ryje w południe
Syreny fabryczne

Proletariackie madonny
Pełne herezji i grzechu
Niezmienne rytmy szychty
Buldożery o przyspieszonym oddechu

Doskonała maszyna
Zaczyna się zacinać

Overall Meaning

The lyrics of Pidżama Porno's song "Codzienność" (Everyday Life) depict the different aspects of life in certain places. The song begins by describing the sins that walk the sidewalks and the anger that resonates with silent words in some locations. It portrays a stark contrast between places where gold turns into sand and places where gold turns into death. The image of dust-covered sidewalks and drunken laughter signifies a sense of decay and despair.

The chorus speaks of the everyday routine that is trapped within squares and geometric figures, symbolizing the monotony and conformity of daily life. The repetition of the same red faces at noon and the sound of factory sirens further emphasize the repetitive nature of this routine.

The lyrics also touch upon the presence of proletarian madonnas, who are depicted as sinful and heretical, representing the human struggle with faith and morality. The unchanging rhythms of work and machinery, coupled with the bulldozers breathing heavily, symbolize a sense of suffocation and oppression in the industrial environment.

The final line, "Doskonała maszyna, zaczyna się zacinać" (The perfect machine, begins to stutter), suggests that even the most well-oiled system eventually falters and encounters difficulties.

Overall, "Codzienność" explores themes of decay, monotony, and the struggles of everyday life in certain spaces.

Line by Line Meaning

Są miejsca w których grzech
There are places where sin

Spaceruje chodnikami
Strolls along the sidewalks

Są miejsca w których gniew
There are places where anger

Rozbrzmiewa milczącymi słowami
Resonates with silent words

Tam gdzie złoto zamienia się w piasek
Where gold turns into sand

Tam gdzie złoto zamienia się w śmierć
Where gold turns into death

Po zakurzonych chodnikach
Along dusty sidewalks

Pijacko zatacza się śmiech
Drunk laughter sways

Codzienność zaklęta w kwadraty
Everyday life trapped in squares

Figury geometryczne
Geometrical figures