The band has developed a unique mix of elements using their fragile but dynamic vocal styles combined with thrilling, unpredictable and addictive song transitions as they explore dreamy post-rock-esque melodies and the complex rhythms similar to math rock.
In 2012 and 2013, due to the well recieved singles, EPs and mini-album releases, they performed at several major festivals across Japan such as ARABAKI ROCK FEST, FUJI ROCK FESTIVAL, ROCK IN JAPAN, RISING SUN ROCK FESTIVAL, MONSTER BASH, WILD BUNCH FEST, SWEET LOVE SHOWER and more.
Not long after this was the arrival of tricot's debut full-length album "T H E" which followed another long and successful support tour, leading into the 2014 year with appearances around 5 countries during the “What’s Ochansensu-Su!? tricot Asia Tour”.
That same year the band appeared at four large festivals in Europe and show no signs of slowing down their rapidly expanding career.
The band's name is sometimes stylized as: トリコ (toriko)
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2. tricot is an instrumenta emo post-rock band from Porto Alegre, Brazil; Berlin, Germany; and Erechim, Brazil, formed in 2006 by members and ex-members of My Soundtracked Life, Campbell Trio and Emer with the only consistent members being Diego Poloni and Rafael Poloni, both on guitars. The band has an irregular activity due to its members living in different countries and not always being able to be together, which makes the band an almost exclusively studio project.
They had a recording session in 2006 which is currently "lost" due to a malfunctioning hard drive (meaning it exists but is currently inaccessible).
They entered the studio again in mid 2008, but the recordings were never finished, with two of the songs recorded being released in 2010.
They again entered the studio in December of 2013 and January of 2014, but again, never finished the recordings. However, the band will release the five songs from this 2013/2014 sessions in 2023 and is intending to record a full length album in the near future (and release it this time).
The band got its name from the last track on My Soundtracked Life's 2006 album colours, senses and noises: a suite in 12 movements, which is called "tricot".
おちゃんせんすぅす
tricot Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
おちゃんせんすぅす
おちゃんせんすぅす
Ha〜a ha〜a
Ha-aaa ha-aaa
Ha〜a ha〜a
おちゃんせんすぅす おちゃんせん
おちゃんせんすぅす おちゃんせん
おちゃんせんすぅす おちゃんせん
おちゃんせんすぅす おちゃんせん
おちゃんせんすぅす おちゃんせん
おちゃんせんすぅす おちゃんせん
おちゃんせんすぅす おちゃんせん
おちゃんせんすぅす おちゃんせん
Ha-a ha-a
Ha-aaa ha-aaa
Ha-a ha-a
Ha-aaa ha-aaaa〜
Ha〜a〜
Ha〜a〜
Ha〜a〜a〜...
おちゃんせんすぅす
おちゃんせんすぅす
おちゃんせんすぅs...
"おちゃんせんすぅす" by tricot is a song famous for its repetitive and lively chorus. The lyrics are mostly nonsensical and serve more as a vocalization and rhythmic element rather than carrying a specific meaning. The repetitive nature of the lyrics and the catchy melody create a sense of energy and playfulness in the song.
The song is characterized by its use of onomatopoeic sounds and syllables that do not directly translate to any concrete words or phrases. The repeated "ha-a" and "ha-aaa" sounds add to the overall rhythm and create a sense of excitement. The verses consist of the same phrase "おちゃんせんすぅす" being sung multiple times, which further contributes to the repetitive and dynamic nature of the song.
Overall, "おちゃんせんすぅす" is a fun and energetic song that relies on its catchy melodies and repetitive lyrics to create a lively atmosphere for the listeners.
Line by Line Meaning
おちゃんせんすぅす
The feeling of tranquility and peace that comes from sipping tea
おちゃんせんすぅす
The feeling of tranquility and peace that comes from sipping tea
Ha〜a ha〜a
The sound of a contented sigh
Ha-aaa ha-aaa
The sound of complete relaxation and satisfaction
おちゃんせんすぅす おちゃんせん
The continuous serenity that tea brings in every sip
おちゃんせんすぅす おちゃんせん
The continuous serenity that tea brings in every sip
おちゃんせんすぅす おちゃんせん
The continuous serenity that tea brings in every sip
おちゃんせんすぅす おちゃんせん
The continuous serenity that tea brings in every sip
おちゃんせんすぅす おちゃんせん
The continuous serenity that tea brings in every sip
おちゃんせんすぅす おちゃんせん
The continuous serenity that tea brings in every sip
おちゃんせんすぅす おちゃんせん
The continuous serenity that tea brings in every sip
おちゃんせんすぅす おちゃんせん
The continuous serenity that tea brings in every sip
Ha-a ha-a
The rhythmic sound of calmness
Ha-aaa ha-aaa
The extended moment of pure bliss and happiness
Ha-a ha-a
The rhythmic sound of calmness
Ha-aaa ha-aaaa〜
The elongated expression of deep satisfaction and contentment
Ha〜a〜
The sound of a relaxed and contented state
Ha〜a〜
The sound of a relaxed and contented state
Ha〜a〜a〜...
The gradual fade into a tranquil and peaceful atmosphere
おちゃんせんすぅす
The feeling of tranquility and peace that comes from sipping tea
おちゃんせんすぅす
The feeling of tranquility and peace that comes from sipping tea
おちゃんせんすぅs...
The continuous and timeless experience of serenity through tea
Writer(s): Tricot
Contributed by Lila P. Suggest a correction in the comments below.
@SalazarMilton
I THINK I FIGURED THIS OUT
First bar is a 9/8(3+3+3) bar followed by another 9/8 bar of silence. Then it starts to switch between bars of 6/4(regular counting yay) and 9/8(3+3+3) bars. This happens four times. In the next measure vocals come in, and the pattern of 9/8(3+3+3) switching to 6/4 is repeated four times.
This is where something weird happens-metric modulation occurs. The quarter note triplet from the 6/4 measure is now our new beat (this speeds up the tempo by a third) AND IT STARTS A SEVEN BEAT PHRASE! So now we are in a new tempo AND are now in 7/4. there are 12 7/4 bars in this new section before we jump back into the original tempo via a 9/8(3+3+3). then the usual 9/8 6/4 changeover happens again
When they start runnin around it's in 11/4. Then a metric modulation happens again, same thing, the beat is now the quarter note triplet from the 6/4(although in this case it would be the 11/4 bar)
And now we are in 6/8. and then it starts to switch back and forth between 6/8 to 6/4,and when that phrase is done, we are back to what was going on in the beginning with the whole switching from 9/8(3+3+3) into 6/4.
AND THEN for the ending it's two bars of 9/8 followed by a phrase of 7 in the same tempo of the first metric modulation and then some more counting and the last note.
@kuroryuzaki28
*****
"The pace changes too much"
Because it's math rock.
"drummer plays too fast and others cant keep up"
Math rock changes both bpm and time signature. I think you're new to high bpm song.
"the part where they just start walking randomly doesn't make sense"
You mean the part they walk past the stranger? Well, that's exactly what describes the song title.
"instruments play separately and create noise instead of cooperating and making one good song"
Again, it's math rock with ever changing time signature and bpm. They sound beautiful to me.
"guy on penny board comes out of nowhere and doesn't know how to ride it."
Well, I don't think that matters a lot...
"The only thing i liked about this was the rainbow effect they did on the lead singers hat, that was pretty cool"
You've got some weird taste mister lol It's alrite I'm cool with it ^_^
@kennypowers7759
Oh man, you can't beat that footwork that starts at at 0:44, and then the groove just becomes too much and she cuts the rug with the sharpest of swords . She is shredding and grooving at the same time. Love it.
@galassan435
横綱土俵入りの足の動きなんだよな😂
@metyaojisan
なんて良いバンドだ
@user-jy4mm7hv7u
リズムの狂い方やばいクセになる
@nakaimoimo5439
tricotかっこいいな～自分がtricot聴くようになった曲のひとつだし、ドラムやっぱり最高だ！
@S3NTiiNAL
its like two songs in one sounds amazing
@kevingenaro3386
math rock moment
@pixelc6234
THEIR VOICES AND MELODIES ARE SENDING ME INTO A TRANCE LIKE OMG I'M JUST LOOKING OUT MY WINDOW ASKING MYSELF, WAIT, WHERE AM I?
@joshtowers6102
ur at ur window
@godspeed4225
@@joshtowers6102she’s at her window