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Taylor Alison Swift is an American singer-songwriter. Her discography spans… Read Full Bio ↴Taylor Alison Swift is an American singer-songwriter. Her discography spans multiple genres, and her narrative songwriting, which is often inspired by her personal life, has received widespread media coverage and critical praise.
Born in West Reading, Pennsylvania, Swift relocated to Nashville, Tennessee in 2004 to pursue a career in country music. She broke into the country music scene with her eponymous self-titled debut studio album, Taylor Swift in 2006, which included the singles "Teardrops on My Guitar" and "Our Song". Swift also released the holiday album, Sounds of the Season: The Taylor Swift Holiday Collection, later titled as The Taylor Swift Holiday Collection in October 2007.
Swift rose to mainstream prominence with her sophomore studio album, Fearless (2008), a country pop record with crossover appeal. Aided by the top-five singles "Love Story" and "You Belong with Me", Fearless was certified Diamond by the Recording Industry Recording Industry Association of America (RIAA). Swift's third studio album, Speak Now (2010), blended country pop with elements of rock and featured the top-ten singles "Mine" and "Back to December".
Drawing inspiration from various pop, rock, and electronic genres, Swift's fourth studio album Red (2012) saw her transcending her country roots. She completely moved to pop with her synth-pop fifth studio album, 1989 (2014), and expanded the electropop sound on her next two studio albums, reputation (2017) and Lover (2019), which respectively embraced urban and retro styles. The four albums spawned a string of international top-five singles, including "We Are Never Ever Getting Back Together", "I Knew You Were Trouble", "Shake It Off", "Blank Space", "Bad Blood", "Look What You Made Me Do", "ME! (feat. Brendon Urie of Panic! at the Disco)", "You Need to Calm Down", and "Lover".
In the midst of the COVID-19 pandemic, Swift experimented with folk and alternative rock on her eighth and ninth studio albums, folklore and evermore (both 2020), whose lead singles "cardigan" and "willow" topped charts around the world. She also released the critically acclaimed documentaries Miss Americana and Folklore: The Long Pond Studio Sessions that year. Swift's tenth studio album, Midnights (2022), marked her triumphant return to pop after two folk albums. The album set the record for biggest first day and first week ever on Spotify, spawned the hits Anti-Hero and Lavender Haze, and sold over 1.5 million copies in its first week becoming not only the biggest debut of the decade but also Swift's biggest debut ever. She would make history by becoming the first artist to occupy the entire top ten of the Billboard Hot 100 with tracks from Midnights. Following Midnights, Taylor Swift announced her upcoming eleventh studio album, “The Tortured Poets Department” (2024) which is set to be released on April 19, 2024. She announced this record at 66th Annual Grammy Award Show accepting the award for Best Pop Vocal Album for her previous album, Midnights (2022) in honour of receiving her 13th Grammy.
Additionally, Swift began re-recording her back catalog in November 2020 as a result of a publicized dispute with talent manager Scooter Braun and her former label Big Machine, regarding the acquisition of the masters of her back catalog. In April 2021, Swift released a re-recorded issue of her 2008 album Fearless, titled Fearless (Taylor's Version). It debuted at number one in the US. Swift continued releasing re-recorded versions of her back catalog in November, 2021 with the release of Red (Taylor's Version), a 30 track re-issue of her 2012 critical smash. The album debuted at #1 in the US, spawned the #1 hit All Too Well (10 Minute Version) (Taylor's Version) (From the Vault), and broke the record at the time for biggest first day for a female album on Spotify. Red (Taylor's Version) was a critical and commercial hit, and proved that Swift's ambitious plan to re-record her first 6 albums was well worth it.
Along with the release of Red (Taylor's Version) came All Too Well: The Short Film (2021), Swift's filmmaking debut. The 15 minute romantic drama was based on the lyrical content from Swift's 2012 fan favorite "All Too Well" starring Sadie Sink and Dylan O'Brien. It had a limited theatrical release in major cities, and Swift held special screenings of the film throughout 2022 at various film festivals. In December, 2022 Taylor announced that she would be making her feature directorial debut with Oscar-winning studio Searchlight Pictures.
Following the release of Midnights, Swift would embark on her first tour in five years, The Eras Tour.
Swift has released several songs for film soundtracks. She co-wrote two songs for the Hannah Montana: The Movie soundtrack— "You'll Always Find Your Way Back Home" and "Crazier", and contributed two songs to the Valentine's Day soundtrack, including the single "Today Was a Fairytale", which was her first number one on the Canadian Hot 100, and peaked at number two on the Billboard Hot 100. She also contributed two original songs to The Hunger Games soundtrack album: "Safe & Sound - from The Hunger Games Soundtrack", co-written and recorded with The Civil Wars and T-Bone Burnett, and "Eyes Open". "Safe & Sound" won the Grammy Award for Best Song Written for Visual Media and was nominated for the Golden Globe Award for Best Original Song. In 2013, Swift recorded "Sweeter than Fiction", a song she wrote and produced with Jack Antonoff for the One Chance film soundtrack, which received a Best Original Song nomination at the 71st Golden Globe Awards. Swift and English singer Zayn Malik, mononymously known as Zayn, released a single together, "I Don't Wanna Live Forever", for the soundtrack of the film Fifty Shades Darker (2017). She also recorded an original song called "Beautiful Ghosts", which she wrote with Andrew Lloyd Webber for the Cats's soundtrack (2019). In 2020, Swift's documentary Miss Americana featured the song "Only the Young" which was written after the 2018 United States elections. In 2022, she released an original song titled "Carolina" for Where The Crawdads Sing (2022) inspired by the novel written by Delia Owens.
With sales of over 200 million records worldwide, Swift is a best-selling music artist. Her accolades include 14 Grammy Awards, including four Album of the Year wins, which makes
Swift the artist with the most awards for that category in history, two Brit Awards (including a Global Icon award), an Emmy Award, 28 [https://guinnessworldrecords.com/]Guinness World Records, 32 American Music Awards (the most wins by an artist), and 23 Billboard Music Awards (the most wins by a woman). She ranked eighth on Billboard's Greatest of All Time Artists Chart (2019) and was listed on Rolling Stone's 100 Greatest Songwriters of All Time (2015). Swift has been included in various power rankings, such as Time's annual list of the 100 most influential people in the world (2010, 2015 and 2019) and Forbes Celebrity 100 (placing first in 2016 and 2019). She was named Woman of the Decade (2010s) by Billboard, Artist of the Decade (2010s) by the American Music Awards, and Person of the Year (2023) by Time Magazine.
Born in West Reading, Pennsylvania, Swift relocated to Nashville, Tennessee in 2004 to pursue a career in country music. She broke into the country music scene with her eponymous self-titled debut studio album, Taylor Swift in 2006, which included the singles "Teardrops on My Guitar" and "Our Song". Swift also released the holiday album, Sounds of the Season: The Taylor Swift Holiday Collection, later titled as The Taylor Swift Holiday Collection in October 2007.
Swift rose to mainstream prominence with her sophomore studio album, Fearless (2008), a country pop record with crossover appeal. Aided by the top-five singles "Love Story" and "You Belong with Me", Fearless was certified Diamond by the Recording Industry Recording Industry Association of America (RIAA). Swift's third studio album, Speak Now (2010), blended country pop with elements of rock and featured the top-ten singles "Mine" and "Back to December".
Drawing inspiration from various pop, rock, and electronic genres, Swift's fourth studio album Red (2012) saw her transcending her country roots. She completely moved to pop with her synth-pop fifth studio album, 1989 (2014), and expanded the electropop sound on her next two studio albums, reputation (2017) and Lover (2019), which respectively embraced urban and retro styles. The four albums spawned a string of international top-five singles, including "We Are Never Ever Getting Back Together", "I Knew You Were Trouble", "Shake It Off", "Blank Space", "Bad Blood", "Look What You Made Me Do", "ME! (feat. Brendon Urie of Panic! at the Disco)", "You Need to Calm Down", and "Lover".
In the midst of the COVID-19 pandemic, Swift experimented with folk and alternative rock on her eighth and ninth studio albums, folklore and evermore (both 2020), whose lead singles "cardigan" and "willow" topped charts around the world. She also released the critically acclaimed documentaries Miss Americana and Folklore: The Long Pond Studio Sessions that year. Swift's tenth studio album, Midnights (2022), marked her triumphant return to pop after two folk albums. The album set the record for biggest first day and first week ever on Spotify, spawned the hits Anti-Hero and Lavender Haze, and sold over 1.5 million copies in its first week becoming not only the biggest debut of the decade but also Swift's biggest debut ever. She would make history by becoming the first artist to occupy the entire top ten of the Billboard Hot 100 with tracks from Midnights. Following Midnights, Taylor Swift announced her upcoming eleventh studio album, “The Tortured Poets Department” (2024) which is set to be released on April 19, 2024. She announced this record at 66th Annual Grammy Award Show accepting the award for Best Pop Vocal Album for her previous album, Midnights (2022) in honour of receiving her 13th Grammy.
Additionally, Swift began re-recording her back catalog in November 2020 as a result of a publicized dispute with talent manager Scooter Braun and her former label Big Machine, regarding the acquisition of the masters of her back catalog. In April 2021, Swift released a re-recorded issue of her 2008 album Fearless, titled Fearless (Taylor's Version). It debuted at number one in the US. Swift continued releasing re-recorded versions of her back catalog in November, 2021 with the release of Red (Taylor's Version), a 30 track re-issue of her 2012 critical smash. The album debuted at #1 in the US, spawned the #1 hit All Too Well (10 Minute Version) (Taylor's Version) (From the Vault), and broke the record at the time for biggest first day for a female album on Spotify. Red (Taylor's Version) was a critical and commercial hit, and proved that Swift's ambitious plan to re-record her first 6 albums was well worth it.
Along with the release of Red (Taylor's Version) came All Too Well: The Short Film (2021), Swift's filmmaking debut. The 15 minute romantic drama was based on the lyrical content from Swift's 2012 fan favorite "All Too Well" starring Sadie Sink and Dylan O'Brien. It had a limited theatrical release in major cities, and Swift held special screenings of the film throughout 2022 at various film festivals. In December, 2022 Taylor announced that she would be making her feature directorial debut with Oscar-winning studio Searchlight Pictures.
Following the release of Midnights, Swift would embark on her first tour in five years, The Eras Tour.
Swift has released several songs for film soundtracks. She co-wrote two songs for the Hannah Montana: The Movie soundtrack— "You'll Always Find Your Way Back Home" and "Crazier", and contributed two songs to the Valentine's Day soundtrack, including the single "Today Was a Fairytale", which was her first number one on the Canadian Hot 100, and peaked at number two on the Billboard Hot 100. She also contributed two original songs to The Hunger Games soundtrack album: "Safe & Sound - from The Hunger Games Soundtrack", co-written and recorded with The Civil Wars and T-Bone Burnett, and "Eyes Open". "Safe & Sound" won the Grammy Award for Best Song Written for Visual Media and was nominated for the Golden Globe Award for Best Original Song. In 2013, Swift recorded "Sweeter than Fiction", a song she wrote and produced with Jack Antonoff for the One Chance film soundtrack, which received a Best Original Song nomination at the 71st Golden Globe Awards. Swift and English singer Zayn Malik, mononymously known as Zayn, released a single together, "I Don't Wanna Live Forever", for the soundtrack of the film Fifty Shades Darker (2017). She also recorded an original song called "Beautiful Ghosts", which she wrote with Andrew Lloyd Webber for the Cats's soundtrack (2019). In 2020, Swift's documentary Miss Americana featured the song "Only the Young" which was written after the 2018 United States elections. In 2022, she released an original song titled "Carolina" for Where The Crawdads Sing (2022) inspired by the novel written by Delia Owens.
With sales of over 200 million records worldwide, Swift is a best-selling music artist. Her accolades include 14 Grammy Awards, including four Album of the Year wins, which makes
Swift the artist with the most awards for that category in history, two Brit Awards (including a Global Icon award), an Emmy Award, 28 [https://guinnessworldrecords.com/]Guinness World Records, 32 American Music Awards (the most wins by an artist), and 23 Billboard Music Awards (the most wins by a woman). She ranked eighth on Billboard's Greatest of All Time Artists Chart (2019) and was listed on Rolling Stone's 100 Greatest Songwriters of All Time (2015). Swift has been included in various power rankings, such as Time's annual list of the 100 most influential people in the world (2010, 2015 and 2019) and Forbes Celebrity 100 (placing first in 2016 and 2019). She was named Woman of the Decade (2010s) by Billboard, Artist of the Decade (2010s) by the American Music Awards, and Person of the Year (2023) by Time Magazine.
Fortnight
Taylor Swift Lyrics
I was supposed to be sent away
But they forgot to come and get me
I was a functioning alcoholic
'Til nobody noticed my new aesthetic
All of this to say I hope you're okay
But you're the reason
And no one here's to blame
But what about your quiet treason?
And for a fortnight there, we were forever
Run into you sometimes, ask about the weather
Now you're in my backyard, turned into good neighbors
Your wife waters flowers, I wanna kill her
All my mornings are Mondays stuck in an endless February
I took the miracle move-on drug, the effects were temporary
And I love you, it's ruining my life
I love you, it's ruining my life
I touched you for only a fortnight
I touched you, but I touched you
And for a fortnight there, we were forever
Run into you sometimes, ask about the weather
Now you're in my backyard, turned into good neighbors
Your wife waters flowers, I wanna kill her
And for a fortnight there, we were together
Run into you sometimes, comment on my sweater
Now you're at the mailbox, turned into good neighbors
My husband is cheating, I wanna kill him
I love you, it's ruining my life
I love you, it's ruining my life
I touched you for only a fortnight
I touched you, I touched you
I love you, it's ruining my life
I love you, it's ruining my life
I touched you for only a fortnight
I touched you, I touched you
Thought of callin' ya, but you won't pick up
'Nother fortnight lost in America
Move to Florida, buy the car you want
But it won't start up 'til you touch, touch, touch me
Thought of calling ya, but you won't pick up
'Nother fortnight lost in America
Move to Florida, buy the car you want
But it won't start up 'til I touch, touch, touch you
But they forgot to come and get me
I was a functioning alcoholic
'Til nobody noticed my new aesthetic
All of this to say I hope you're okay
But you're the reason
And no one here's to blame
But what about your quiet treason?
And for a fortnight there, we were forever
Run into you sometimes, ask about the weather
Now you're in my backyard, turned into good neighbors
Your wife waters flowers, I wanna kill her
All my mornings are Mondays stuck in an endless February
I took the miracle move-on drug, the effects were temporary
And I love you, it's ruining my life
I love you, it's ruining my life
I touched you for only a fortnight
I touched you, but I touched you
And for a fortnight there, we were forever
Run into you sometimes, ask about the weather
Now you're in my backyard, turned into good neighbors
Your wife waters flowers, I wanna kill her
And for a fortnight there, we were together
Run into you sometimes, comment on my sweater
Now you're at the mailbox, turned into good neighbors
My husband is cheating, I wanna kill him
I love you, it's ruining my life
I love you, it's ruining my life
I touched you for only a fortnight
I touched you, I touched you
I love you, it's ruining my life
I love you, it's ruining my life
I touched you for only a fortnight
I touched you, I touched you
Thought of callin' ya, but you won't pick up
'Nother fortnight lost in America
Move to Florida, buy the car you want
But it won't start up 'til you touch, touch, touch me
Thought of calling ya, but you won't pick up
'Nother fortnight lost in America
Move to Florida, buy the car you want
But it won't start up 'til I touch, touch, touch you
Contributed by Jackson I. Suggest a correction in the comments below.
To comment on or correct specific content, highlight it
Joseph Cool
I agree with taking everything on this site with a grain of salt. Having said that, I get a kick out of a lot of the AI interpretations here. Sometimes the analysis will hilariously miss the point, other times it will be surprisingly on-target and even poignant. There are also songs here that the AI has analyzed that no humans have ever bothered writing about, which I find valuable. I know it's not popular to be a fan of AI these days, even if the tech itself seems pervasive, but I do appreciate the AI lyric interpretations for what they are.
Hans
Take it al with a grain of salt from this site. I'm a longtime human writer and critic of music. I was published in magazines and paid for my thoughts. I studied aesthetics and semiotics and music. Now the internet is filling up with not only amateurs who have no qualifications to write about music but also AI who give bland ideas like these found on this site. Be discerning, cultivate your independent thought, get off the Internet.
quy
giúp tôi
quy
Moon, a hole of light
Through the big top tent up high
Here before and after me
Shinin′ down on me
Moon, tell me if I could
Send up my heart to you?
So, when I die, which I must do
Could it shine down here with you?
Cause my love is mine, all mine
I love, mine, mine, mine
Nothing in the world belongs to me
(Điệp khúc)
Em ơi, từ ngày anh gặp mặt
Tình yêu nở, hạnh phúc tựa là giấc mơ
Cùng em đi qua bao tháng ngày
Đôi ta mãi mãi, tình yêu không phai mờ
(Verse 1)
Từng bước chân, ta cùng nhau bước
Nắng vàng rợp, trái tim hòa mình trong hạnh phúc
Em là ánh sáng, anh mãi yêu thương
Cùng nhau vượt qua, mọi thử thách đời đường
(Pre-chorus)
Và khi bão tố gọi, làm mình lạc lõng
Em là điểm tỏa, đưa anh trở về bờ
Làm sao anh không tri ân, cảm ơn em
Đã đồng hành, giữa biển cả tình yêu nồng
(Điệp khúc)
Em ơi, từ ngày anh gặp mặt
Tình yêu nở, hạnh phúc tựa là giấc mơ
Cùng em đi qua bao tháng ngày
Đôi ta mãi mãi, tình yêu không phai mờ
(Verse 2)
Những lỗi lầm, đôi khi ta gặp phải
Nhưng em ơi, chẳng gì có thể chia cách
Cùng nhau vượt qua, tất cả chông gai
Điều quan trọng nhất, là ta luôn bên nhau
(Pre-chorus)
Và khi đêm về, bên em êm đềm
Hạnh phúc như là một bức tranh không tì vết
Anh muốn nói lên, những lời tri ân
Cảm ơn em đã là người đồng hành trọn đời
(Điệp khúc)
Em ơi, từ ngày anh gặp mặt
Tình yêu nở, hạnh phúc tựa là giấc mơ
Cùng em đi qua bao tháng ngày
Đôi ta mãi mãi, tình yêu không phai mờ
(Bridge)
Dù có giông bão, hay sóng gió đêm tối
Em và anh, sẽ không bao giờ rời xa
Tay trong tay, mình đi đến cuối con đường
Tình yêu chúng ta, là vĩnh cửu, không hề thay đổi
(Điệp khúc)
Em ơi, từ ngày anh gặp mặt
Tình yêu nở, hạnh phúc tựa là giấc mơ
Cùng em đi qua bao tháng ngày
Đôi ta mãi mãi, tình yêu không phai mờ
Đó là lời bài hát tưởng tượng, hy vọng bạn thích!
Taylor
"Cause my love is mine, all mine" Best part of the song on god
Taylor
FRRRRRRRR!!!! LOVE THAT PART!!!!