Borrowing heavily from the impressionism of Debussy and Ravel, pianist Bill… Read Full Bio ↴Borrowing heavily from the impressionism of Debussy and Ravel, pianist Bill Evans brought an introverted, relaxed, and lyrical classical sensibility into jazz. Along with his keen technical ability and nuanced sense of harmony, Evans worked to democratize the role of the bassist and drummer in his succession of piano trios, encouraging greater contrapuntal interplay. After gaining widespread attention as a member of Miles Davis' late-'50s group, Evans garnered further acclaim for his own work, leading a celebrated trio with bassist Scott LaFaro and drummer Paul Motian and recording classic albums like 1960's Portrait in Jazz, 1961's At the Village Vanguard, and 1962's Waltz for Debby, the latter of which borrowed its title from the pianist's best-known composition. Following LaFaro's tragic death in 1961, Evans eventually forged a lasting creative partnership with bassist Eddie Gomez and continued to perform, working with drummers Jack DeJohnette and Marty Morell. He earned accolades including Grammy Awards for 1968's At the Montreux Jazz Festival, 1970's Alone, 1971's The Bill Evans Album, and 1979's We Will Meet Again. With the passage of time, Evans has become an entire school unto himself for pianists and a singular mood for listeners, leaving his mark on such noted players as Herbie Hancock, Keith Jarrett, Chick Corea, and Brad Mehldau.
Born and raised in New Jersey, Evans was recruited for Southeastern Louisiana University on a flute scholarship, where he received a thorough background in theory, played in the marching band, and also led his football team to a league championship as a quarterback. Graduating as a piano major in 1950, he started to tour with the Herbie Fields band, but the draft soon beckoned, and Evans was placed in the Fifth Army Band near Chicago. After three years in the service, he arrived in New York in 1954, playing in Tony Scott's quartet and undertaking postgraduate studies at Mannes College, where he encountered composer George Russell and his modal jazz theories. By 1956, he had already recorded his first album as a leader for Riverside, New Jazz Conceptions, still enthralled by the bop style of Bud Powell but also unveiling what was to become his best-known composition, "Waltz for Debby," which he wrote while still in the Army.
In spring 1958, Evans began an eight-month gig with the Miles Davis Sextet, where he exerted a powerful influence upon the willful yet ever-searching leader. Though Evans left the band that autumn, exhausted by pressured expectations and anxious to form his own group, he was deeply involved in the planning and execution of Davis' epochal Kind of Blue album in 1959, contributing ideas about mood, structure, and modal improvisation, and collaborating on several of the compositions. Although the original release gave composition credit of "Blue in Green" to Davis, Evans claimed he wrote it entirely, based on two chords suggested by Davis (nowadays, they receive co-credit).
Evans returned to the scene as a leader in December 1958 with the album Everybody Digs Bill Evans, which included the famous "Peace Piece," a haunting vamp for solo piano that sounds like a long-lost Satie Gymnopédie. Evans' first working trio turned out to be his most celebrated, combining forces with the astounding young bassist Scott LaFaro and drummer Paul Motian in three-way telepathic trialogues. With this group, Evans became a star -- and there was even talk about a recording with Davis involving the entire trio. Sadly, only ten days after a landmark live session at the Village Vanguard in June 1961, LaFaro was killed in an auto accident -- and the shattered Evans went into seclusion for almost a year. He re-emerged the following spring with Chuck Israels as his bassist, and he would go on to record duets with guitarist Jim Hall and a swinging quintet session, Interplay, with Hall and trumpeter Freddie Hubbard.
Upon signing with Verve in 1962, Evans was encouraged by producer Creed Taylor to continue to record in more varied formats: with Gary McFarland's big band, the full-orchestra arrangements of Claus Ogerman, co-star Stan Getz, and a reunion with Hall. The most remarkable of these experiments was Conversations with Myself, a session where Evans overdubbed second and third piano parts onto the first; this eventually led to two sequels in that fashion.
By 1966, Evans had paired with Puerto Rican bassist Eddie Gomez and formed a trio with drummer Jack DeJohnette. Though short-lived, the group garnered attention, picking up a Grammy Award for the 1968 concert album Bill Evans at the Montreux Jazz Festival. That same year, DeJohnette left to be replaced by Marty Morell. This version of Evans' trio continued to work for a decade, releasing albums like 1969's What's New and 1971's Grammy-winning The Bill Evans Album. Evans also picked up a Grammy in 1970 for his solo piano date Alone.
In his only concession to the emerging jazz-rock scene, Evans dabbled with the Rhodes electric piano in the 1970s but eventually tired of it, even though inventor Harold Rhodes had tailored the instrument to Evans' specifications. He recorded further trio sessions with Gomez and drummer Eliot Zigmund before launching a final trio in the late '70s with bassist Marc Johnson and drummer Joe La Barbera. Often considered one of the pianist's best configurations since the LaFaro-Motian team, their brief time together was documented on 1979's Grammy-winning We Will Meet Again, also featuring trumpeter Tom Harrell and saxophonist Larry Schneider.
By the late '70s, Evans' health was rapidly deteriorating, aggravated by long periods of heroin and cocaine addiction. He died on September 15, 1980, at Mount Sinai Hospital in New York City. He was 51 years old. Along with a 1994 Grammy Lifetime Achievement Award, a flood of unreleased recordings from commercial and private sources helped to further elevate interest in Evans' work. Turn Out the Stars: The Final Village Vanguard Recordings arrived in 1996, followed by 2000's The Last Waltz, recorded at Keystone Korner in 1980. Resonance Records also released three archival albums featuring Evans' late-'60s trio: 2016's Some Other Time: The Lost Session from the Black Forest, 2018's Another Time: The Hilversum Concert, and 2020's Live at Ronnie Scott's.
Biography by Richard S. Ginell
There are other artists with the same name:
2.) Bill Evans (born 9th February 1958 in Clarendon Hills, Illinois, USA) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with jazz tenor saxophonist Vince Micko.
He plays primarily tenor and soprano saxophones. Evans attended North Texas State University and William Paterson University, where he studied with Dave Liebman, who had played with Miles Davis. Moving to New York City in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of twenty-two he joined Miles Davis. In the early to mid-1980s, Evans played with Davis and was instrumental in his musical comeback. Notable albums recorded with Miles include The Man with the Horn, We Want Miles, and Decoy.
In addition to playing with Miles Davis he has played, toured and recorded with artists such as Herbie Hancock, John Mclaughlin (and his Mahavishnu Orchestra), Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, and Randy Brecker, among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb.
Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a groundbreaking bluegrass-jazz fusion concept involving such musicians as Béla Fleck, Sam Bush, Bruce Hornsby, and Vinnie Colaiuta. Although his latest projects are musically eclectic, his stylistic roots remain in the history of jazz saxophone, influenced by such players as Sonny Rollins, Joe Henderson, Sonny Stitt, John Coltrane, Hank Mobley, Stan Getz, and Steve Grossman.
3.) San Francisco Bay Area musician and Virginia native Bill Evans has been involved with bluegrass music and the banjo for over twenty-five years as a player, teacher, writer, and historian. He occupies a unique niche in the banjo world: celebrated worldwide for his traditional and progressive bluegrass banjo styles as well as his innovative original compositions, he also enjoys a reputation as an outstanding instructor as well as being an expert player of nineteenth-century minstrel and classic/parlour banjo styles.
Born and raised in New Jersey, Evans was recruited for Southeastern Louisiana University on a flute scholarship, where he received a thorough background in theory, played in the marching band, and also led his football team to a league championship as a quarterback. Graduating as a piano major in 1950, he started to tour with the Herbie Fields band, but the draft soon beckoned, and Evans was placed in the Fifth Army Band near Chicago. After three years in the service, he arrived in New York in 1954, playing in Tony Scott's quartet and undertaking postgraduate studies at Mannes College, where he encountered composer George Russell and his modal jazz theories. By 1956, he had already recorded his first album as a leader for Riverside, New Jazz Conceptions, still enthralled by the bop style of Bud Powell but also unveiling what was to become his best-known composition, "Waltz for Debby," which he wrote while still in the Army.
In spring 1958, Evans began an eight-month gig with the Miles Davis Sextet, where he exerted a powerful influence upon the willful yet ever-searching leader. Though Evans left the band that autumn, exhausted by pressured expectations and anxious to form his own group, he was deeply involved in the planning and execution of Davis' epochal Kind of Blue album in 1959, contributing ideas about mood, structure, and modal improvisation, and collaborating on several of the compositions. Although the original release gave composition credit of "Blue in Green" to Davis, Evans claimed he wrote it entirely, based on two chords suggested by Davis (nowadays, they receive co-credit).
Evans returned to the scene as a leader in December 1958 with the album Everybody Digs Bill Evans, which included the famous "Peace Piece," a haunting vamp for solo piano that sounds like a long-lost Satie Gymnopédie. Evans' first working trio turned out to be his most celebrated, combining forces with the astounding young bassist Scott LaFaro and drummer Paul Motian in three-way telepathic trialogues. With this group, Evans became a star -- and there was even talk about a recording with Davis involving the entire trio. Sadly, only ten days after a landmark live session at the Village Vanguard in June 1961, LaFaro was killed in an auto accident -- and the shattered Evans went into seclusion for almost a year. He re-emerged the following spring with Chuck Israels as his bassist, and he would go on to record duets with guitarist Jim Hall and a swinging quintet session, Interplay, with Hall and trumpeter Freddie Hubbard.
Upon signing with Verve in 1962, Evans was encouraged by producer Creed Taylor to continue to record in more varied formats: with Gary McFarland's big band, the full-orchestra arrangements of Claus Ogerman, co-star Stan Getz, and a reunion with Hall. The most remarkable of these experiments was Conversations with Myself, a session where Evans overdubbed second and third piano parts onto the first; this eventually led to two sequels in that fashion.
By 1966, Evans had paired with Puerto Rican bassist Eddie Gomez and formed a trio with drummer Jack DeJohnette. Though short-lived, the group garnered attention, picking up a Grammy Award for the 1968 concert album Bill Evans at the Montreux Jazz Festival. That same year, DeJohnette left to be replaced by Marty Morell. This version of Evans' trio continued to work for a decade, releasing albums like 1969's What's New and 1971's Grammy-winning The Bill Evans Album. Evans also picked up a Grammy in 1970 for his solo piano date Alone.
In his only concession to the emerging jazz-rock scene, Evans dabbled with the Rhodes electric piano in the 1970s but eventually tired of it, even though inventor Harold Rhodes had tailored the instrument to Evans' specifications. He recorded further trio sessions with Gomez and drummer Eliot Zigmund before launching a final trio in the late '70s with bassist Marc Johnson and drummer Joe La Barbera. Often considered one of the pianist's best configurations since the LaFaro-Motian team, their brief time together was documented on 1979's Grammy-winning We Will Meet Again, also featuring trumpeter Tom Harrell and saxophonist Larry Schneider.
By the late '70s, Evans' health was rapidly deteriorating, aggravated by long periods of heroin and cocaine addiction. He died on September 15, 1980, at Mount Sinai Hospital in New York City. He was 51 years old. Along with a 1994 Grammy Lifetime Achievement Award, a flood of unreleased recordings from commercial and private sources helped to further elevate interest in Evans' work. Turn Out the Stars: The Final Village Vanguard Recordings arrived in 1996, followed by 2000's The Last Waltz, recorded at Keystone Korner in 1980. Resonance Records also released three archival albums featuring Evans' late-'60s trio: 2016's Some Other Time: The Lost Session from the Black Forest, 2018's Another Time: The Hilversum Concert, and 2020's Live at Ronnie Scott's.
Biography by Richard S. Ginell
There are other artists with the same name:
2.) Bill Evans (born 9th February 1958 in Clarendon Hills, Illinois, USA) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with jazz tenor saxophonist Vince Micko.
He plays primarily tenor and soprano saxophones. Evans attended North Texas State University and William Paterson University, where he studied with Dave Liebman, who had played with Miles Davis. Moving to New York City in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of twenty-two he joined Miles Davis. In the early to mid-1980s, Evans played with Davis and was instrumental in his musical comeback. Notable albums recorded with Miles include The Man with the Horn, We Want Miles, and Decoy.
In addition to playing with Miles Davis he has played, toured and recorded with artists such as Herbie Hancock, John Mclaughlin (and his Mahavishnu Orchestra), Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, and Randy Brecker, among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb.
Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a groundbreaking bluegrass-jazz fusion concept involving such musicians as Béla Fleck, Sam Bush, Bruce Hornsby, and Vinnie Colaiuta. Although his latest projects are musically eclectic, his stylistic roots remain in the history of jazz saxophone, influenced by such players as Sonny Rollins, Joe Henderson, Sonny Stitt, John Coltrane, Hank Mobley, Stan Getz, and Steve Grossman.
3.) San Francisco Bay Area musician and Virginia native Bill Evans has been involved with bluegrass music and the banjo for over twenty-five years as a player, teacher, writer, and historian. He occupies a unique niche in the banjo world: celebrated worldwide for his traditional and progressive bluegrass banjo styles as well as his innovative original compositions, he also enjoys a reputation as an outstanding instructor as well as being an expert player of nineteenth-century minstrel and classic/parlour banjo styles.
My Melancholy Baby
Bill Evans Lyrics
We have lyrics for 'My Melancholy Baby' by these artists:
Al Bowlly & His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Al Bowlly with Orchestra conducted by Ray Noble Come, sweetheart mine, don't sit and pine Tell me of the…
Al Jolson Yes sir, that's my baby No sir, I don't mean…
Andre Previn Come to me my melancholy baby, Cuddle up and don't…
André Previn & Dinah Shore Come to me my melancholy baby, Cuddle up and don't…
Barbra Streisand Why do you grieve? Try and believe Life is always sunshine…
Bárbra Streisand Why do you grieve? Try and believe Life is always sunshine W…
Benny Goodman and His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Bing Crosby Come to me my melancholy baby Cuddle up and don't be…
Caterina Valente Come to me my melancholy baby Cuddle up and don't be…
charlie mingus jackie mclean j.r. monterose mal waldron willie jones Met many but not like you Keep it true I might…
Charlie Parker ... Volver a verte la cara ciudad despintada, no tengo opció…
Charlie Parker and His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Chas 'n' Dave Come to me, my melancholy baby Cuddle up and don't be…
Chick Bullock and his Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Dave Brubeck Come to me, my melancholy baby Cuddle up and don't feel…
Dean Martin Come to me my melancholy baby Cuddle up and don't be…
Della Reese Come to me, my melancholy baby Cuddle up and don't be…
Dinah Shore Come to me my melancholy baby, Cuddle up and don't…
Dorsey Brothers i'm as happy as a king feeling good and everything just like…
Earl Hines and His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
EDWARDS TOMMY Why do you grieve? Try and believe Life is always sunshine W…
Ella Fitzgerald Why do you grieve? Try and believe Life is always sunshine …
Ella Fitzgerald & Teddy Wilson Come to me, my melancholy baby Cuddle up and don't be…
Ella Fitzgerald with Teddy Wilson and His Orchestra Come to me my melancholy baby Cuddle up and don't be…
Ella Fitzgerald;Teddy Wilson & his Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Fats Waller Everybody loves my baby but my baby don't love nobody but…
Frank Sinatra Come to me, my melancholy baby Cuddle up and don't be…
Frank Sinatra with Axel Stordahl and His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Gene Austin Come, sweetheart mine, don′t sit and pine Tell me of the…
Gene Austin Tenor & Orchestra Come to me, my melancholy baby Cuddle up and don't be…
George A. Norton Would you be would you be Would you be my baby? Would…
Glenn Miller Come to me, my melancholy baby, Cuddle up and don�t…
Glenn Miller & His Orchestra feat. Tex Beneke Come to me, my melancholy baby Cuddle up and don't be…
Glenn Miller & his Orchestra;Tex Beneke Come to me, my melancholy baby Cuddle up and don't be…
Glenn Miller and his Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Harry Allen & Scott Hamilton I'm the world's most happy creature, Tell me, what can worry…
Harry James & His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Jack Teagarden Come to me my melancholy baby Cuddle up and don't be…
Jaimee Paul Come sweetheart, mine, don't sit and pine Tell me of the…
Jan Garber & His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Jerry Vale Come to me my melancholy baby, Cuddle up and don't…
Jimmy Rushing Come to me, my melancholy baby Cuddle up and don't feel…
Jimmy Rushing Dave Brubeck Quartet Come to me, my melancholy baby Cuddle up and don't feel…
Joan Chamorro & Rita Payés I got a gal who's always late Anytime we have a…
Joe E. Ross Whose hair styles are out of this world Whether it's…
Joe Haymes and His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Johnnie Ray Well now, gee, but it's great After staying out late Walking…
Kate Smith Come to me my melancholy baby, Cuddle up and don't…
Lamplighters All-Stars Don't need to talk to my doctor Don't need to talk…
Leon Redbone Come sweetheart mine don't sit and pine Tell me of the…
Marcels The My tears are fallin' cause you've taken her away And throug…
Mina Why do you grieve? Try and believe Life is always sunshine…
Mindy Carson i'm as happy as a king feeling good and everything just like…
Mitch Miller and the Gang Sun a-shining, there's plenty of life. . . a new day…
Mrs. Mills Zaga dat It's your boy Eazi Gratest gbogbo gbobo Greatest gb…
Parker And Gillespie God knew what he was doing when He made her and…
Patrick Saussois Ninine Garcia and Friends Blue Jeans Were Made For My Baby (Alice Olsen) Girls all sig…
Paul Whiteman & His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Perry Como Come to me my melancholy baby Cuddle up and don't be…
Perry Como With Russ Case and His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Phil Mattson & The P.M. Singers どこのだれかさん とおまえがいたとか 聞きたくもない噂ばかりだよ 街の風はすでに夏に近く 色っぽく匂う子も増えてきて も…
ProleteR Come to me, my melancholy baby Cuddle up and don′t be…
Rat Pack Come to me, my melancholy baby Cuddle up and don't be…
Ray Charles You be my baby, Don't give me no maybe, I never, never…
Ray Noble & His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Sidney Bechet Yeah, everybody loves my baby But my baby don't love nobody…
Sinatra Come to me, my melancholy baby Cuddle up and don't be…
The Dave Brubeck Quartet Come to me, my melancholy baby Cuddle up and don't feel…
The Dave Brubeck Quartet And Jimmy Rushing Come to me, my melancholy baby Cuddle up and don't feel…
The Dave Brubeck Quartet feat. Jimmy Rushing Come to me, my melancholy baby Cuddle up and don't feel…
The Dorsey Brothers i'm as happy as a king feeling good and everything just like…
The Glenn Miller Orchestra Come to me, my melancholy baby Cuddle up and don't be…
The Marcels Nah, not that thing again... sing Melancholy baby All right.…
The Medleys You watched your hand hold the pen And write the note,…
The Pied Pipers With Paul Weston And His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
The Starlite Orchestra We were as one babe For a moment in time And it…
The Travelers Sun a-shining, there's plenty of life. . . a new day…
Thelonious Monk ... Volver a verte la cara ciudad despintada, no tengo opció…
Tommy & Jimmy Dorsey Why do you grieve? Try and believe Life is always sunshine W…
Tommy Dorsey & His Orchestra Featuring Frank Sinatra Come to me, my melancholy baby Cuddle up and don't be…
Tommy Edwards Why do you grieve? Try and believe Life is always sunshine W…
Urbie Green and His Orchestra Come to me, my melancholy baby Cuddle up and don't be…
Various Artist Well, I love that hair, long an' black Hangin' down to…
Vic Damone Come to me my melancholy baby. Cuddle up and don't be…
Warne Marsh Trio/Quartet Come to me, my melancholy baby Cuddle up and don't feel…
Woody Herman My baby don't care for shows My baby don't care for…
Yi Come sweetheart mine Don't sit and pine Tell me of the cares…
We have lyrics for these tracks by Bill Evans:
'Deed I Do We were married on a rainy day The sky was yellow And…
'Round Midnight It begins to tell 'Round midnight, midnight I do pretty we…
'S Wonderful Don't mind telling you, in my humble fash That you thrill…
A Child Is Born Now, out of the night Soft as the dawn Into the light This…
A Hard Day's Night It's been a hard day's night, and I been working…
A Simple Matter Of Conviction Suddenly my choice is clear I knew when only you and…
A Sleepin' Bee I wish, I knew someone like you could love me I…
A Time For Love A time for summer skies For hummingbirds and butterflies For…
Alfie What's it all about, Alfie? Is it just for the moment…
Autumn Leave The falling leaves drift by the window The autumn leaves of…
Autumn Leaves {3rd Set} The falling leaves Drift by the window The autumn leaves Of …
Blue In Green Hues of blues and greens surround me Knowing you have found…
Body & Soul My heart is sad and lonely For you I sigh, for…
But Beautiful Love is funny, or it's sad Or it's quiet, or it's…
But Not For Me {2nd Set} Old man sunshine listen you Never tell me dreams come true J…
California Here I Come When the wintry winds start blowing And the snow is starting…
Come Rain or Come Shine I'm gonna love you like nobody's loved you Come rain or…
come rain or shine I'm gonna love you like no one's loved you Come rain…
Comrade Conrad Give it to me, yo yo give it to me Yo,…
Dancing In The Dark Dancing in the dark Till the tune ends, We're dancing in…
Danny Boy Oh, Danny boy, the pipes, the pipes are calling From glen…
Days of Wine and Roses The days of wine and roses Laugh and run away Like a…
Dream Dancing When shades enfold The sunset's gold And stars are bright ab…
Driftin' Well I'm drifting and drifting, Like a ship out on the…
Easy to Love I know too well that I'm just wasting precious time In…
Embraceable You Embrace me, my sweet embraceable you! Embrace me, you irrepl…
Emily Emily, Emily, Emily Has the murmuring sound of may All silve…
Everything Happens To Me Black cats creep across my path Until I'm almost mad I must…
Follow the Drinking Gourd When the Sun comes back And the first quail calls Follow the…
For All We Know For all we know We may never meet again Before we go Make…
For All We Know (We May Meet Again) Fighting flames of fire Hang onto burning wires We don't car…
For All We Know (We May Never Meet Again) For all we know We may never meet again Before we go Make…
For What it's Worth There's something happening here What it is ain't exactly cl…
Gary's Theme You Must Believe in Spring 1.B Minor Waltz (For Ellaine) 2.Y…
Goodbye I remember holdin' on to you All them long and lonely…
Green Dolphin Street It seems like a dream, yet I know it happened A…
Haunted Heart Listen while you read! In the night, though we're apart, T…
Here Spring is here! Why doesn't my heart go dancing? Spring is…
Here's That Rainy Day Maybe I should have saved those left over dreams Funny, but…
Hi Lili Hi Lo On every tree there sits a bird, singing a song…
How About You When a girl meets boy Life can be a joy But the…
How Deep If the Ocean How much do I love you? I'll tell you no lie How…
How Deep Is The Ocean? How much do I love you? I'll tell you no lie How…
How High the Moon Somewhere there's music How faint the tune Somewhere there's…
I Believe In You When lonely feelings chill The meadows of your mind Just thi…
I Do It For Your Love We were married on a rainy day The sky was yellow And…
I Fall in Love to Easily I fall in love too easily, I fall in love…
I Got It Bad Though folks with good intentions Tell me to save my tears W…
I Love You You don't know what love is 'Til you've learned the meaning…
I Remember You This lovely day will lengthen into evening We'll sigh goodby…
I Wish I Knew I wish I knew someone like you could love me I…
I'll Never Smile Again I'll never smile again Until I smile at you I'll never laugh…
I'll Remember April This lovely day will lengthen into evening We'll sigh goodby…
I'll See You Again I'll see you again When ever spring breaks through again T…
I'm Gettin' Sentimental Over You Never thought I'd fall, But now I hear love call, I'm gettin…
I'm Getting Sentimental Over You (Live) Never thought I'd fall, But now I hear love call, Things yo…
I'm Getting Sentimented Over You Never thought I'd fall, But now I hear love call, I'm gettin…
I've Got It Bad Though folks with good intentions Tell me to save my tears W…
If I Were a Bell Ask me how do I feel, Now that we're cosy and…
If You Could See Me Now If you could see me now, you'd know how blue…
In A Sentimental Mood In A Sentimental Mood I can see the stars come…
In Love in Vain It's only human for anyone to want to be in…
It Amazes Me When on foreign shores I am Very truly yours I…
It Might as Well Be Spring I'm as restless as a willow in a windstorm I'm as…
Just You Just Me Just you, just me Let's find a cozy spot To cuddle and…
Laura You know the feeling of something half remembered Of somethi…
Laurie You know the feeling of something half remembered Of someth…
Letter To Evan Sopla en mí, Tu aliento, sopla en mí Sopla en mí,…
Like Someone in Love Lately, I find myself out gazing at stars, Hearing guitars…
Lonely Girl Lonely girl in silk and satin Love has never known you Lonel…
Love Is Here To Stay It's very clear, our love is here to stay Not for…
Love Theme From 'Spartacus' The shadow of your smile When you have gone Will color all…
Lucky to Be Me I used to think it might be fun to be Anyone…
Lucy in the Sky With Diamonds Picture yourself in a boat on a river With tangerine trees…
Make Someone Happy Make someone happy Make just one someone happy Make just one…
Maybe September Maybe September I love again Maybe a rainbow Will catch me t…
Mother Nature's Son Born a poor young country boy Mother Nature's son All day lo…
My Foolish Heart The scene is set for dreaming Love's knocking at the door Bu…
My Heart Stood Still I took one look at you That's all I meant to…
My Man's Gone Now My Man's Gone Now Ain't No Use A Listenin' For His Tired…
Nardis scatting…
Om Natten Om natten Är alla änkor grå Utom hon som älskar För hon är…
On Green Dolphin Street It seems like a dream, yet I know it happened A…
On This Rainy Day Maybe I should have saved those left over dreams Funny, but…
One For Helen We were married on a rainy day The sky was yellow And…
Our Love Is Here to Stay It's very clear, our love is here to stay Not for…
People The two lonely people sit silently staring Their eyes lookin…
Polka Dots and Moonbeams A country dance was being held in a garden I felt…
Polkadots and Moonbeams A country dance was being held in a garden I felt…
Quiet Now When troubles get me, cares beset me And won't let me…
Round About Midnight It begins to tell 'Round midnight, midnight I do pretty well…
Santa Claus Is Coming To Town I just came back from a lovely trip along the…
Second Time Around Love is lovelier the second time around Just as wonderful wi…
Shadow of Your Smile The shadow of your smile When you have gone Will color all…
Some Day My Prince Will Come Somewhere waiting for me There is someone I'm longing to see…
Some Other Creek Where has the time all gone to Haven't done half the…
Someday My Prince Will Come Somewhere waiting for me There is someone I'm longing to see…
Someone to Watch Over Me There's a saying old says that love is blind Still were…
Song From M*A*S*H Through early morning fog I see Visions of the things to…
Speak Low Speak low when you speak, love, Our summer day withers away …
Spoken Introduction And Warmup #5 Yo yo yo nigga Swinging through the forests of the jungles …
Spring Is Here Spring is here! Why doesn't my heart go dancing? Spring is…
Stairway to the Stars Let's build a stairway to the stars And climb that stairway…
Star Eyes Star eyes, That to me is what your eyes are, Soft as…
Stardust And now the purple dusk of twilight time Steals across the…
Stella By Starlight The song a robin sings, Through years of endless springs, …
Sweet And Lovely Sweet and lovely Sweeter than the roses in May Sweet and lov…
Tenderly The evening breeze caressed the trees tenderly The trembling…
That's That Maybe I should have saved those left over dreams Funny, but…
The Bad And The Beautiful ) Love is wrong, it sings a hopeless song It longs for…
The Day Of Wine And Roses The days of wine and roses Laugh and run away Like a…
The Dolphin It seems like a dream, yet I know it happened A…
The Man I Love When the mellow moon begins to beam Every night I dream…
The Shadow Of Your Smile The shadow of your smile When you have gone Will color all…
The Song Is You I hear music when I look at you, A beautiful theme…
The Touch of Your Lips When troubles get me, cares beset me And won't let me…
The Two Lonely People The two lonely people sit silently staring Their eyes lookin…
Theme From M*A*S*H The shadow of your smile When you have gone Will color all…
Time for Love A time for summer skies For hummingbirds and butterflies For…
Touch of Your Lips The touch of your lips Upon my brow Your lips that are…
Turn Out The Stars Turn out the stars Turn out the stars Let eternal darkness…
Unless It's You How did I know that the warmth of the glow…
Vindarna sucka Vindarna sucka uti skogarna Forsarna brusa uti älvarna Vågor…
Waltz for Debby In her own sweet world Populated by dolls and clowns And a…
We Will Meet Again We'll meet again Don't know where Don't know when But I kno…
We'll Be Together Again No tears, no fears Remember there's always tomorrow So what …
What Are You Doing The Rest Of Your Life I want to see your face in every kind of…
What Is the Thing Called Love What is this thing called love? This funny thing called love…
When I Fall in Love When I fall in love It will be forever Or I'll never…
When In Rome When in Spain for reasons I don't explain I remain enjoying…
When In Rome / It Amazes Me When on foreign shores I am Very truly yours I…
When You Wish Upon a Star When a star is born They possess a gift or two One…
Who Can I Turn To Who can I turn to when nobody needs me? My heart…
Witch Craft Those fingers in my hair That sly come hither stare That str…
Without A Song Without a song the day would never end Without a song…
Yesterdays Yesterdays, yesterdays Days I knew as happy sweet Sequeste…
You Don't Know What Love Is You don't know what love is Until you've learned the meaning…
You Go to My Head You go to my head And you linger like a haunting…
You Must Believe In Spring When lonely feelings chill The meadows of your mind Just thi…
you stepped out of a dream You stepped out of a dream You are too wonderful to…
You're Gonna Hear From Me Move over sun and you, give me some sky I've got…
You're Nearer You're nearer than my head is to my pillow Nearer than…
Young and Foolish Once we were foolish children Playing as children play Racin…
and many more tracks by Bill Evans.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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