When formed in 1955, the band included Willie Williams on rhythm guitar (replaced in late 1956 by Paul Peek), Jack Neal on upright bass, Dickie Harrell on drums, and Cliff Gallup on lead guitar. The band quickly gained a reputation playing in various country bars in Norfolk, Virginia (where Vincent was born. There they won a talent contest organized by a local radio DJ, "Sheriff Tex" Davis, who then became Vincent's manager.
After "Be-Bop-a-Lula" became a hit, Vincent & His Blue Caps were unable to follow it up with the same level of commercial success, although they released critically acclaimed songs like "Race with the Devil" (number 96 on the US Billboard chart and number 50 on the US Cash Box chart) and "Bluejean Bop" (number 49 on the US Billboard chart and another million-selling disc).
Cliff Gallup left the band in 1956, and Russell Williford joined as the new guitarist for the Blue Caps. Williford played and toured Canada with Vincent in late 1956 but left the group in early 1957. Gallup came back to do the next album and then left again. Williford came back and exited again before Johnny Meeks joined the band. The group had another hit in 1957 with "Lotta Lovin'" (highest position number 13 and spending 19 weeks on the Billboard chart and number 17 and 17 weeks on the Cashbox chart). Vincent was awarded gold records for two million sales of "Be-Bop-a-Lula", and 1.5 million sales of "Lotta Lovin'".
On November 17, 1957, Vincent & His Blue Caps performed "Be-Bop-a-Lula" on the nationally broadcast US television program The Ed Sullivan Show. The song spent nine weeks on the Billboard chart and peaked at number 23 on January 23, 1958 and reached number 36 and spent eight weeks on the US Cashbox chart. It was Vincent's last American hit single. The song was used in the movie Hot Rod Gang for a dance rehearsal scene featuring dancers doing the West Coast Swing.
Vincent & His Blue Caps also appeared several times on Town Hall Party, California's largest country music barn dance, held at the Town Hall in Compton, California. They appeared on October 25, 1958, and July 25 and November 7, 1959.
By the end of 1959 the Blue Caps were no longer part of the billing on Gene Vincent records. The late 1959 single "Wild Cat" was credited solely to Gene Vincent, and this would be the case on all subsequent Gene Vincent releases.
Gene Vincent, real name Vincent Eugene Craddock, (February 11, 1935 β October 12, 1971) was an American rockabilly pioneer musician, best known for his hit βBe-Bop-A-Lulaβ.
Early life:
His parents, Ezekiah Jackson and Mary Louise Craddock, were shop owners in Norfolk, Virginia. He grew up in Virginia under the influence of country, Rhythm and Blues and Gospel music. He received his first guitar as a gift from a friend at the age of 12.
In 1952 Gene left school and joined the Navy. In 1955 he was stationed in Korea, where he suffered a severe motorcycle accident that shattered his left leg. He refused to have it amputated, the leg was saved, but left him with a permanent limp and considerable chronic pain for the rest of his life.
Early career:
He left the Navy and started playing in various country bands in his native Norfolk, Virginia. In 1956 he wrote "Be-Bop-A-Lula", which helped him sign a contract at Capitol Records with his backing band The Blue Caps.
After "Be-Bop-A-Lula" had become a huge hit, Gene Vincent & the Blue Caps were unable to follow it up with the same level of commercial success but recorded critically acclaimed songs like "Bluejean Bop" and "Race with the Devil". That year, Vincent was reputedly convicted of public obscenity and fined $10,000 by the state of Virginia for his live performance of the erotic song, "Woman Love", although this is now believed to have been just a rumor.
The group had another hit with 1957's "Lotta Lovin'." Vincent also became one of the first rock stars to star in a film, The Girl Can't Help It together with Jayne Mansfield.
There were numerous changes of personnel in his backing group, The Blue Caps. However, a dispute with the US Tax Authorities and The American Musicians' Union over payments to his band and his having sold the band's equipment to pay a tax bill led him to leave the USA and try his hand in Europe.
Following a tour through Europe in 1959, Vincent managed to attract a new huge and discerning audience there, especially in England and France. By that time his career had mostly ended in the US. Consequently, he moved to England in 1960. His stage shows became "must see" events and his bands through those years were to spawn some of the most respected players in the world today. It was during his early tours of Britain that he adopted the trademark leather outfit, at the suggestion of British Rock 'n' Roll impressario, Jack Good.
In 1960, while on tour in Britain, Vincent and songwriter Sharon Sheeley were seriously injured in a high-speed traffic accident in a private hire taxi travelling through Chippenham, Wiltshire on the A4. The car, a Ford Consul, suffered a blowout causing it to swerve and crash into a lamp post. Vincent broke his ribs, collarbone, and added further damage to his already weak leg, and Sheeley suffered a broken pelvis. Both Vincent and Sheeley survived, but the accident killed Vincent's tourmate and Sheeley's fiancΓ©, Eddie Cochran.
Later career:
His attempts to re-establish his American career by recording in folk rock and country-rock styles proved unsuccessful, and he is most remembered today for his recordings of the 1950s and early 1960s which originally appeared on the Capitol Records label.
On the album "I'm Back and I'm Proud" recorded for long-time fan John Peel's Dandelion label, Gene was backed by members of The Doors, whose lead singer, Jim Morrison, copied Gene's 'Leather Look'.
He has achieved a genuine legendary status and his work is respected, and often copied, by singers and groups worldwide. His major hit, Be-Bop-A-Lula has become what is considered to be one of the top three rock'n'roll records of all time and has rightly earned Gene a place in the history of modern music. Had he managed to survive through the Punk years, he would undoubtedly still be a leading figure in contemporary rock'n'roll.
On his final tour of the UK, he was backed by The Wild Angels, a British band who had previously worked at the Royal Albert Hall with Bill Haley & the Comets and Duane Eddy. Because of pressure from his ex-wife, the Inland Revenue and promoter Don Arden, Gene had to return rather swiftly to the USA.
Gene Vincent died from a ruptured stomach ulcer while visiting his father in California, and is interred in the Eternal Valley Memorial Park, Newhall, California.
He was the first inductee into the Rockabilly Hall of Fame on its formation in 1997. The following year he was also posthumously inducted into the Rock and Roll Hall of Fame.
Race With The Devil
Gene Vincent & His Blue Caps Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But I'll hide from the devil on judgement day, I said
Move, hot-rod, move man
Move, hot-rod, move man
Move hot-rod, move me on down the the line, oh yeah
Well me and the devil, sittin at a stop light
He started rollin', I was out of sight, I said
Move, hot-rod, move man
Move hot-rod, move me on down the the line, oh yeah
Well, goin' pretty fast, looked behind
A-hear come the the devil doin' ninety-nine, I said
Move, hot-rod, move man
Move, hot-rod, move man
Move hot-rod, move me on down the the line, oh yeah
Well thought I was smart, the race was won
A-hear come the devil doin' a-hundred and one
Move, hot-rod, move man
Move, hot-rod, move man
Move hot-rod, move me on down the the line
I was goin' pretty fast, looked behind
A-hear come the the devil doin' ninety-nine, I said
Move, hot-rod, move man
Move, hot-rod, move man
Move hot-rod, move me on down the the line, oh yeah
Well I've led an evil life, so they say
But I'll hide from the devil on judgement day, I said
Move, hot-rod, move man
Move, hot-rod, move man
Move hot-rod, move me on down the the line
The lyrics of Gene Vincent's "Race With the Devil" showcase a man with a shady past and a looming fear of judgment day. He feels like he has lived an "evil life" but in an attempt to escape facing the consequences, he decides to race with the devil. The singer uses the imagery of a highway race with the devil in a hot-rod, speeding away from him at every turn. The repetition of "move, hot-rod, move man, move me on down the line" creates a sense of urgency and adrenaline throughout the track.
It can be interpreted that this song is about a man's struggle between right and wrong, and his eventual acceptance of his choices. The hot-rod represents a way to escape his troubles and judgement day, while the devil represents his past and his fears. Overall, the song is a powerful metaphor for life's hardships, and how we must face them head-on, rather than trying to outrun them.
Line by Line Meaning
Well I've led an evil life, so they say
My reputation is that I have not lived a virtuous life
But I'll hide from the devil on judgement day, I said
I hope to avoid the eternal punishment the devil would inflict on me
Move, hot-rod, move man
Accelerate, car, accelerate, driver
Move hot-rod, move me on down the the line, oh yeah
Continue driving this car at high speeds down the road
Well me and the devil, sittin at a stop light
I found myself waiting at a traffic light next to the devil himself
He started rollin', I was out of sight, I said
The devil began driving away and I tried to do the same
Well, goin' pretty fast, looked behind
I was speeding and decided to check what was behind me
A-hear come the the devil doin' ninety-nine, I said
I then saw the devil driving towards me at almost 100mph
Well thought I was smart, the race was won
With my superior driving skills, it seemed like I had won the race
A-hear come the devil doin' a-hundred and one
Suddenly, the devil appeared again and surpassed my speed at 101mph
I was goin' pretty fast, looked behind
Again, I decided to gaze backwards while still driving at high speed
Old boy, you gotta move then
I realized that I needed to drive even faster to stay ahead of the devil
Lyrics Β© BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: BILL DAVIS, GENE VINCENT
Lyrics Licensed & Provided by LyricFind
@jstnxprsn
Simply amazing. Gallup was so far ahead of his time.
@BrianCarnevaleB26
iF I HAD A RACE WITH HER, AS YOUNG AS SHE IS AND AS old AS i AM i WOULD STILL WIN. A ZOMMER BUT ALL SHE DOES IS ZOOM IN PLACE ROUND AND ROUND AND ROUND SHE GOES NOWHERE!
@BlackRockDigitalLLC
Just read an interview with Jeff Beck, calling Race with the Devil one of the top 3 guitar solos. When you consider the timeframe (even now), Gallup really was an amazing player.
@borkoff7835
What were the other 2 guitar solos?
@BlackRockDigitalLLC
@Borkoff Sorry to keep you hanging, I should have dded that. Here's the artile
http://rockandrollgarage.com/jeff-beck-and-his-3-favorite-guitar-solos-of-all-time/
@gaelbgalbar9307
He invented the thing.
@mvinge
It's a great contender for sure. That lick in the first solo has been borrowed by other players 100s of times since
@Our__Earth
Gallup rules !! And Gene.
@rickrick5041
There is just nothing today that can in any way compare to this and other greats. We are lucky there is still audio and video for a lot of songs. Those times went by and away like lightening. I'm clinging to shadows now
@Sergulli
100% Π·Π°,ΠΎΡΠ΅Π½Ρ Π²Π΅ΡΠ½ΠΎ Π·Π°ΠΌΠ΅ΡΠ΅Π½ΠΎ.ΠΡΠ΅ΠΌΠ΅Π½Π° Π±ΡΠ»ΠΈ ΠΎ'ΠΊΠ΅ΠΉ!