King Cannibal (b. Dylan Richards, aka Zilla), is a London, UK breakbeat / b… Read Full Bio ↴King Cannibal (b. Dylan Richards, aka Zilla), is a London, UK breakbeat / breakstep / dancehall / drum and bass / dubstep artist. He signed to Ninja Tune in 2008, following projects on Combat Recordings, Kriss & Rag & Bone Records - which crafted his ferocious take on dancehall & filthy bass-driven beats.
It all began with a series of super-evolved mixes towards the latter end of the nineties as a reaction to the glut of uninspiring mix compilations that had began to flood the industry. The first salvo against conformity was A Friendly Game of Chess , a self-funded, hand-sprayed, highly under-the-counter mix project with Lex Records DJ and friend Buddy Peace . The highly stylised conceptual expression of work that combined a rich fusion of textures together with strong themes and motifs began to ignite more than their own imaginations, selling out in just 48 hours and earning high praise on a global scale.
A Friendly Game Of Chess was swiftly followed by solo mixtape strike One Foot In The Fire, One Fist In The Air which earned numerous comparisions to Coldcuts 70 Minutes Of Madness’. Comprised of almost 100 tracks from Autechre to Britney Spears, interviews and spoken word interludes, the CD sold-out in a day, attracted attention from all corners and ended up in many a Best of 2004 list. Among those with their ears to the ground were Trash supremo Erol Alkan, notorious London promoters Wheels Instead of Hooves and the heads of both Ninja Tune and Warp Records.
After 2 appearances on the legendary Solid Steel radio show, the honour of being the first unsigned act to play at Strictly Kev & D.Ks Solid Steel clubnight, 4 sets with Buddy Peace at Dedbeat 04 in the course of one weekend and a number of European dates, Warp Records stepped in and invited Buddy Peace & Zilla to compile a retrospective of the label. Released late September 2004 as part of the ‘WARP VISION The Videos’ DVD, the mix entitled ‘Watch And Repeat Play‘ was a startlingly original tour de force, over 70 minutes the two DJs re-worked and re-wired the label’s back catalogue, twisting the already twisted into sonic maelstrom.
The Warp Vision Audio Visual / Resfest Tour followed, with appearances alongside artists such as Plaid, Chris Cunningham, Seiji, Mike Paradinas and Funkstorung and invitations to play at the Glade Festival, Trash, The Warp Summer Ball and The Poke Xmas Rave. It was these shows and the experience of playing live that inspired ZILLAs latest mix Grinted Teeth & Brawlsville , a year in the making, it was a more uptempo and aggressive yet challenging body of work that manages to find the link between party starting crunk of Lil’ Jon and the dancefloor destroying sonics of The Aphex Twin.
Once again the great and the good were suitably impressed with praise coming from the likes of Kid 606, Knifehandchop and, again, Erol Alkan. The success of Grinted Teeth and ‘ZILLA’s growing reputation led to Domino Records inviting him to remix the final single from Test-Icicles, ‘Biggest Mistake’, a remix which has been rapturously received by everyone from Laurent Garnier to Lo Recordings Jon Tye.
Punishing remixes of Black Grass (Catskills), and New Flesh (Big Dada) have followed as ‘ZILLA’ perfected his twisted industrial take on dancehall, dubstep & drum n bass and in late 2006 he was asked to produce an EP for kid606’s Shockout label.
Recieving massive support from Amon Tobin (Ninja Tune,) Combat Recordings and Rag And Bone Records, the results were so good that the one EP quickly became two, both of which are due for release in 2008 under ‘ZILLA’s brand new new alias KING CANNIBAL alongside other releases including work for Combat Recordings and Bong Ra’s Kriss Records. Recent highlights from the past few months have included the ‘ZILLA’/Autechre remixes of Unique 3 ‘s The Theme (Fat! Records), Premier At Last featuring on The Chap’s The Chop EP. and King Cannibal’s – Beneath The Surface on Uncharted Audio’s new Signals imprint
Its not often that someone comes along and defines your opinion of the potential of djing. Over the course of two under-the-counter mix-cds, the man known as ZILLA has done just that. – Fact Magazine
“Too dark, love this tune”- Marry Anne Hobbs (BBC Radio 1) on Aragami Style
“..a great tune…put together like a dj’s wet dream.”- Amon Tobin writing about Aragami Style (forthcoming on Shockout) for Urb
someone please give this guy a residency! – D.K (Solid Steel/Ninja Tune).
It completely blew me away’ – Erol Alkan on ‘One Foot in the Fire, One Fist in the Air’
A phenomenal mix by UK up-and-comers Buddy Peace & ZILLA… Besting even some of the most accomplished feats of creative cutting-and-pasting, the Watch And Repeat Play mix is a rarity that you have to get your paws on – Scissorkick.com on ‘Watch And Repeat Play’
“Heavy as fuck!”- Parasite (Deathsucker Records)
“Heavy as fuck tech step dancehall!!”- Bong Ra
“Slamming ragga rinse out”- Kid 606
“Zilla remix is absolutely brilliant – I will playlist on the radio and play the hell out of it on the dancefloor!”- Laurent Garnier on Test-Icicles – ‘Biggest Mistake (Zilla remix)’
“Fucking great….I love it!”- Knifehandchop on Grinted Teeth & Brawlsville
Other reactions for Grinted Teeth… Album of the Week- Boomkat, Warpmart and Banquet Records “..the mix album of the year”- Fact Magazine “stunning …”- Sounds Of The Universe
It all began with a series of super-evolved mixes towards the latter end of the nineties as a reaction to the glut of uninspiring mix compilations that had began to flood the industry. The first salvo against conformity was A Friendly Game of Chess , a self-funded, hand-sprayed, highly under-the-counter mix project with Lex Records DJ and friend Buddy Peace . The highly stylised conceptual expression of work that combined a rich fusion of textures together with strong themes and motifs began to ignite more than their own imaginations, selling out in just 48 hours and earning high praise on a global scale.
A Friendly Game Of Chess was swiftly followed by solo mixtape strike One Foot In The Fire, One Fist In The Air which earned numerous comparisions to Coldcuts 70 Minutes Of Madness’. Comprised of almost 100 tracks from Autechre to Britney Spears, interviews and spoken word interludes, the CD sold-out in a day, attracted attention from all corners and ended up in many a Best of 2004 list. Among those with their ears to the ground were Trash supremo Erol Alkan, notorious London promoters Wheels Instead of Hooves and the heads of both Ninja Tune and Warp Records.
After 2 appearances on the legendary Solid Steel radio show, the honour of being the first unsigned act to play at Strictly Kev & D.Ks Solid Steel clubnight, 4 sets with Buddy Peace at Dedbeat 04 in the course of one weekend and a number of European dates, Warp Records stepped in and invited Buddy Peace & Zilla to compile a retrospective of the label. Released late September 2004 as part of the ‘WARP VISION The Videos’ DVD, the mix entitled ‘Watch And Repeat Play‘ was a startlingly original tour de force, over 70 minutes the two DJs re-worked and re-wired the label’s back catalogue, twisting the already twisted into sonic maelstrom.
The Warp Vision Audio Visual / Resfest Tour followed, with appearances alongside artists such as Plaid, Chris Cunningham, Seiji, Mike Paradinas and Funkstorung and invitations to play at the Glade Festival, Trash, The Warp Summer Ball and The Poke Xmas Rave. It was these shows and the experience of playing live that inspired ZILLAs latest mix Grinted Teeth & Brawlsville , a year in the making, it was a more uptempo and aggressive yet challenging body of work that manages to find the link between party starting crunk of Lil’ Jon and the dancefloor destroying sonics of The Aphex Twin.
Once again the great and the good were suitably impressed with praise coming from the likes of Kid 606, Knifehandchop and, again, Erol Alkan. The success of Grinted Teeth and ‘ZILLA’s growing reputation led to Domino Records inviting him to remix the final single from Test-Icicles, ‘Biggest Mistake’, a remix which has been rapturously received by everyone from Laurent Garnier to Lo Recordings Jon Tye.
Punishing remixes of Black Grass (Catskills), and New Flesh (Big Dada) have followed as ‘ZILLA’ perfected his twisted industrial take on dancehall, dubstep & drum n bass and in late 2006 he was asked to produce an EP for kid606’s Shockout label.
Recieving massive support from Amon Tobin (Ninja Tune,) Combat Recordings and Rag And Bone Records, the results were so good that the one EP quickly became two, both of which are due for release in 2008 under ‘ZILLA’s brand new new alias KING CANNIBAL alongside other releases including work for Combat Recordings and Bong Ra’s Kriss Records. Recent highlights from the past few months have included the ‘ZILLA’/Autechre remixes of Unique 3 ‘s The Theme (Fat! Records), Premier At Last featuring on The Chap’s The Chop EP. and King Cannibal’s – Beneath The Surface on Uncharted Audio’s new Signals imprint
Its not often that someone comes along and defines your opinion of the potential of djing. Over the course of two under-the-counter mix-cds, the man known as ZILLA has done just that. – Fact Magazine
“Too dark, love this tune”- Marry Anne Hobbs (BBC Radio 1) on Aragami Style
“..a great tune…put together like a dj’s wet dream.”- Amon Tobin writing about Aragami Style (forthcoming on Shockout) for Urb
someone please give this guy a residency! – D.K (Solid Steel/Ninja Tune).
It completely blew me away’ – Erol Alkan on ‘One Foot in the Fire, One Fist in the Air’
A phenomenal mix by UK up-and-comers Buddy Peace & ZILLA… Besting even some of the most accomplished feats of creative cutting-and-pasting, the Watch And Repeat Play mix is a rarity that you have to get your paws on – Scissorkick.com on ‘Watch And Repeat Play’
“Heavy as fuck!”- Parasite (Deathsucker Records)
“Heavy as fuck tech step dancehall!!”- Bong Ra
“Slamming ragga rinse out”- Kid 606
“Zilla remix is absolutely brilliant – I will playlist on the radio and play the hell out of it on the dancefloor!”- Laurent Garnier on Test-Icicles – ‘Biggest Mistake (Zilla remix)’
“Fucking great….I love it!”- Knifehandchop on Grinted Teeth & Brawlsville
Other reactions for Grinted Teeth… Album of the Week- Boomkat, Warpmart and Banquet Records “..the mix album of the year”- Fact Magazine “stunning …”- Sounds Of The Universe
Diaspora
King Cannibal Lyrics
We have lyrics for 'Diaspora' by these artists:
Alborada Qipay qamuq chikchik para lastrullayta pampaykuy yanallaypa …
Carlinhos Brown Deeplick & Tribalistas (Uh-uh-uh!) Acalmou a tormenta (ah-ah-ah) Pereceram (ah-ah-…
Celo Abdi Wir starten vom goldenen Tal, umgeben von Bergen und Wäldern…
D.V Tribo DIcSPORc When I'm down & lost & lonely, There is a voice…
Diaspora Mi gente vive una balanza rota No es problema de dirección E…
Dv Tribo São vários marginal alado Consequência é de opção Posicionam…
Gabriel Teodros I'm always gonna want to share a plate with you I…
Golden Mammoth Taken by surprise, sold out to convince When they have compl…
Ibrahim Maalouf It′s terrible to wast your life losing your freedom It's ter…
Loji Baby Voye voye voye (waw Kreyol Mizik) Voye voye dlo beton an…
Lunatic Je m'exprime dans la langue de mes ex-colons Mes pensées res…
M.E.O.W Diáspora Nordestina [ZULU 4-Ó] Coé W-Black,…
MC V.E.G.A VEGA VEGA VEGA Caribbean things Summer sound 2k20 Lets get i…
Octopizzo Jaba ici mwakinya mbele Mutikariganirou Ni makinya maria mwo…
Pacman XII Pacman Rubbersoul Porno Pride Baby Too Loud for Crowd Bella …
Rael Só olhar pra frente e ver a multidão Frutos da semente…
Rise Against Warm yourself by the fire, son And the morning will come…
Rise Against - The Sufferer & The Witness Warm yourself by the fire, son, And the morning will…
The Golden Mammoth Taken by surprise, sold out to convince When they have compl…
Tiken Jah Fakoly Diaspora African diaspora (We need you) Diaspora Mama Africa…
Tribalistas Acalmou a tormenta Pereceram Os que a estes mares ontem…
Victor O Victor O Diaspora 79 rivé, yo di mwen sé lété Man fini…
Yodael G So imma do this for my East African Brothers and sisters And…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@baisabel5193
@Johan van Schouwenburg
Vous comparez des sujets de basse caste de son royaume,que en effet servait les hautes castes ,comme en Europe
A des gens vendu ,dont l'estimation de vie étais de 6 mois à cause du travaille ,
Les gens de basse caste du royaume du Ndongo mourait à cause du travaille force ?
Les gens au Ndongo ou encore au Congo étais force à se reproduire entre eux ?
Elle a vendu des esclaves aux Hollandais mais le documentaire explique bien le pourquoi.
L'occident à cette époque prenais l'or en Afrique de l'ouest(Ghana et Côte D'Ivoire)
Mais en Afrique Centrale c'était bien des matières vivants que les intéressait.
Les Hollandais ,avant de convoiter les terres étais tous d'abord venu pour acheter des humains ,malheureusement c'est l'histoire ce n'est pas contre les gens parce que ils sont blancs ou autre .
En effet la Chine viens elle aussi par intérêt.elle viens en ami bienveillante dénouer d'intérêt
@Niani23455
@Sikandros "Wow a jesuit college for the worship of non indigenous gods built in the same time of colonialism with slave labor money."
The Kingdom of Kongo were Christians and for your information Christianity doesn't belong to Europe as it even originates from the Near East. It was built in 1619 when Kongo was a free state not colonized. Colonialism came in 1861.
"...built in the same time of colonialism with slave labor money."
If you're concerned about slave money, show similar concerns to the Portuguese Empire within that same period who built an entire colonial empire in the Americas sponsored by slave labor money.
" Kinda weird how that wasn't built 200 years ago before Europeans arrived."
Kinda weird the Portuguese didn't have a university before the North African conquest.
@johanvanschouwenburg9459
Njinga also gained notoriety during this period for her involvement in the slave trade. As a result of the conflicts during her reign, Njinga's forces took hundreds of thousands of captives, allowing the queen to sell nearly 200,000 slaves to the Portuguese.
@baisabel5193
,C'etais pas elle mais son frère que va ce suicider apres.
Sache aussi que malheureusement tous ce que l'occident voulais de l'Afrique étais ses matières primaires vomme encore de nos jours sauf que à cette époque les matieres premières étais des êtres humains
@johanvanschouwenburg9459
@bublle nana Ek dink jy is reg, al wat die Weste nog ooit van Afrika wou hê was hulle minerale rykdom. Daar is ongelukkig een uitsondering hier, China is op die oomblik besig om Afrika harder te plunder as enige iemand anders. so dis nie net die Weste nie. Njinga het self slawe besit, sy was beide 'n slawe handelaar sowel as die eienaar van slawe. Alle ryk mense en magtige mense in daardie tyd het slawe besit. Dit was ongelukkig maar net soos die wêreld gewerk het.
@baisabel5193
@Johan van Schouwenburg
Vous comparez des sujets de basse caste de son royaume,que en effet servait les hautes castes ,comme en Europe
A des gens vendu ,dont l'estimation de vie étais de 6 mois à cause du travaille ,
Les gens de basse caste du royaume du Ndongo mourait à cause du travaille force ?
Les gens au Ndongo ou encore au Congo étais force à se reproduire entre eux ?
Elle a vendu des esclaves aux Hollandais mais le documentaire explique bien le pourquoi.
L'occident à cette époque prenais l'or en Afrique de l'ouest(Ghana et Côte D'Ivoire)
Mais en Afrique Centrale c'était bien des matières vivants que les intéressait.
Les Hollandais ,avant de convoiter les terres étais tous d'abord venu pour acheter des humains ,malheureusement c'est l'histoire ce n'est pas contre les gens parce que ils sont blancs ou autre .
En effet la Chine viens elle aussi par intérêt.elle viens en ami bienveillante dénouer d'intérêt
@jamesoakley4570
lol so are you saying Netflix is faking history once again 😅
@BlueBirdsProductions
@@jamesoakley4570 She was literally the biggest female slave trader of all time, as far as we are aware.
Another thing American's like to leave out is that European powers never went to Africa and captured random villagers as slaves. They paid for people who were already slaves, and then sold them in American colonies.
@Niani23455
This is just a trailer but I can't shake off the feeling that these shows make African kingdoms look more less sophisticated than they are supposed to be. Ndongo sent diplomatic missions across Western Europe. However, the palace and meeting of the king as seen in the trailer looks like something that would have occurred in the Zulu kingdom rather than Ndongo. The Woman King did something similar to Dahomey where Abomey lacked a ditch, and walls of the palace had no bridges, towers and the cannons that were mounted on them.
Either way, I hope the documentary touches on Ndongo's martial arts of Sanguar and how Ndongo soldiers were so agile they could dodge arrows. I hope it also touches of Ndongo's musketeers and their ability to build fortifications.
@Sikandros
Angola didnt even have one university until the Portuguese built one for them in the 1960s.
@Niani23455
@Sikandros "Angola didn't even have one University until the Portuguese built one for them in the 1960s."
The Kingdom of Kongo built a college around 1619 in the capital of Mbanza Kongo by king Alvaro III.
@Sikandros
@Badu wow a jesuit college for the worship of non indigenous gods built in the same time of colonialism with slave labor money. Kinda weird how that wasnt built 200 years ago before europeans arrived.