Ney de Souza Pereira (born August 1, 1941, in Bela Vista, Mato Grosso do Su… Read Full Bio ↴Ney de Souza Pereira (born August 1, 1941, in Bela Vista, Mato Grosso do Sul), widely known as Ney Matogrosso, is a Brazilian singer.
An uncommon artist with an uncommon sopranino voice, Ney Matogrosso fell in the Brazilian popular music scene like a bomb in the '70s aboard the Secos & Molhados. The end of the group marked the beginning of a fertile and successful solo career in which he began exploring his sensuous and charismatic persona through satiric and ironic repertories. As time passed, he substituted self-contained and deeply sensitive interpretations of classics for the popular and classical Brazilian music. Along with his representative and prolific solo discography, for which he received three platinum and three gold records, Matogrosso recorded in Itália with Astor Piazzola, performed in Argentina, Uruguay, participated in two Montreux Jazz Festivals (Switzerland), and toured Portugal several times. He also performed in Israel and the U.S., but always refused invitations to develop an international career. Matogrosso also worked as an actor in Sonho de Valsa (by Ana Carolina, the director, not the singer/composer) and Caramujo Flor (short subject by Joel Pizzini), and directed shows by RPM, Cazuza, and Simone.
Arriving in Rio de Janeiro in 1966, Matogrosso became a hippie leather artisan and divided his time between Rio, São Paulo, and Brasília, where he was a close friend of singer/composer Luli. Through her he met João Ricardo, who had a vision for a groundbreaking group and was searching for a high-pitched male voice. Invited by Ricardo, Matogrosso moved to São Paulo where he spent one year dedicating himself to exhaustive rehearsals, artisanship, and theater plays. With the explosive success of Secos e Molhados and the group's final dissolution, Matogrosso started his solo career exploring his unusual voice timbre, his mesmerizing scenic persona, and his androgynous visuals, enhanced by innovative and exotic costumes. A second solo album, Água do Céu - Pássaro, was supported by the show Homem de Neanderthal, in 1975, with which Matogrosso opened in Rio de Janeiro, drawing both raves and packed houses. "Barco Negro" and "Homem com H" appeared amongst considerable polemics aroused by the usual conservatives on duty. In that period, he worked with Astor Piazzola in Milan, Italy, where he recorded a double single with the Argentinean composer. A cleaner Matogrosso recorded Bandido in 1976, having his first national hit as a solo artist with "Bandido Corazón," written especially for him by Rita Lee.
An uncommon artist with an uncommon sopranino voice, Ney Matogrosso fell in the Brazilian popular music scene like a bomb in the '70s aboard the Secos & Molhados. The end of the group marked the beginning of a fertile and successful solo career in which he began exploring his sensuous and charismatic persona through satiric and ironic repertories. As time passed, he substituted self-contained and deeply sensitive interpretations of classics for the popular and classical Brazilian music. Along with his representative and prolific solo discography, for which he received three platinum and three gold records, Matogrosso recorded in Itália with Astor Piazzola, performed in Argentina, Uruguay, participated in two Montreux Jazz Festivals (Switzerland), and toured Portugal several times. He also performed in Israel and the U.S., but always refused invitations to develop an international career. Matogrosso also worked as an actor in Sonho de Valsa (by Ana Carolina, the director, not the singer/composer) and Caramujo Flor (short subject by Joel Pizzini), and directed shows by RPM, Cazuza, and Simone.
Arriving in Rio de Janeiro in 1966, Matogrosso became a hippie leather artisan and divided his time between Rio, São Paulo, and Brasília, where he was a close friend of singer/composer Luli. Through her he met João Ricardo, who had a vision for a groundbreaking group and was searching for a high-pitched male voice. Invited by Ricardo, Matogrosso moved to São Paulo where he spent one year dedicating himself to exhaustive rehearsals, artisanship, and theater plays. With the explosive success of Secos e Molhados and the group's final dissolution, Matogrosso started his solo career exploring his unusual voice timbre, his mesmerizing scenic persona, and his androgynous visuals, enhanced by innovative and exotic costumes. A second solo album, Água do Céu - Pássaro, was supported by the show Homem de Neanderthal, in 1975, with which Matogrosso opened in Rio de Janeiro, drawing both raves and packed houses. "Barco Negro" and "Homem com H" appeared amongst considerable polemics aroused by the usual conservatives on duty. In that period, he worked with Astor Piazzola in Milan, Italy, where he recorded a double single with the Argentinean composer. A cleaner Matogrosso recorded Bandido in 1976, having his first national hit as a solo artist with "Bandido Corazón," written especially for him by Rita Lee.
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Ney Matogrosso anos 70
Ney Matogrosso Lyrics
Açúcar Candy As balas do teu 38 são como Açúcar Candy no meu…
América Do Sul Deus salve a América do Sul Desperta, ó claro e amado…
Ando Meio Desligado Ando Meio desligado Eu nem sinto Meus pés no chão Olho E nã…
Ardente Eu sou ardente, não vou negar Gosto de me secar ao…
As Ilhas Vi mosca urdindo fios De sombra na madrugada Vi sangue num…
Bandido Corazon Bandido, bandido corazón No deja de te amar Bandido, bandi…
Bandolero Fossem ciganos a levantar poeira A misturar nas patas Terr…
Bodas chegou no porto um canhão dentro de uma canhoneira, neira, …
Cachorro viralata (eu) gosto (muito) de cachorro vagabundo que anda sozinho n…
Cante Uma Canção de Amor Cante uma canção De amor só pra mim Isso vai me ajudar A…
Com A Boca No Mundo Quantas vezes eles vão me perguntar Se eu não faço nada…
Dos Cruces Sevilla tuvo que ser Con su lunita plateada Testigo de nue…
Falando De Amor Composição: Tom Jobim e Vinícius de Moraes Se eu pudesse …
Homem de Neanderthal Eu sou o Homem De Neanderthal Catando caramujo na beira do…
Mal Necessário Sou um homem, sou um bicho, sou uma mulher Sou a…
Metamorfose Ambulante Prefiro ser essa metamorfose ambulante Prefiro ser essa meta…
Não Existe Pecado Ao Sul Do Equador Composição: Chico Buarque / Ruy Guerra Não existe …
Postal de Amor Meu amor, sem cor Velho postal, amor banal Sem nenhum Sem ne…
rio de janeiro Sequei o meu pranto Enxuguei nesse sol E nele um rio virei P…
Rosa De Hiroshima Pensem nas crianças Mudas telepáticas Pensem nas meninas Ceg…
Sangue Latino Jurei mentiras E sigo sozinho Assumo os pecados Os ventos d…
Tem Gente Com Fome Trem sujo da Leopoldina Correndo, correndo, parece dizer T…
Tigresa Uma tigresa de unhas negras e íris cor de mel Uma…
Ultimo drama Hoje eu vi o homem voltando para casa Ele trazia o…