When referring to bands from other genres, it refers to bands who use minor classical and operatic themes in the bands music similar as to what is found in the symphonic metal genre, to show they are more "symphonic" than normal bands of their genre. "Symphonic" can also describe metal with elements resembling non-symphonic classical music, although this definition is not frequently used.
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Musical characteristics
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Symphonic metal as a genre takes much of its musical basis from early gothic metal, power metal, and classical music.
The guitar and bassline work in the genre often follows the pattern of its originator, gothic metal, by synthesizing other metal styles of guitar. Genres commonly synthesized in this fashion include black metal, death metal, power metal, and progressive metal sometimes with the addition of elements from rock music. The genre typically combines elements of these genres with those of classical music, creating songs with a strong "symphonic" feel. Bands that use elements of rock music typically take a simpler approach to the genre, using simplified and catchy melodies, leading to a more easily accessible and widely accepted version of the music. Another key ingredient to the mixture is the lighter feel of the sounds, typically created by higher, more melodic guitar lines; this characteristic is usually attributed to power metal as well.
Keyboards in symphonic metal play the most important role in the music, and are the focal point of the genre around which the rest of the music centers. While most of the instruments play relatively simple parts, the keyboards tend to have the most complex and technically difficult parts. The keyboards alone are used to play the "classical" parts of the music for which the genre is renowned, and covers all forms of classical music. Bands sometimes use orchestras when playing live to play the parts that the keyboardist would play, and at times feature real instruments in recording instead of using digital samples with a keyboard.
Atmosphere is commonly tailored to fit the song, although even songs with morbid themes tend to keep an upbeat sense. The atmosphere is particularly denoted by the keyboards and the instruments that they mimic, with the other instruments supporting the landscape evoked by the keyboards.
The lyrics of symphonic metal are highly expansive and cover a broad range of topics. Lyrics often borrow heavily from power metal, encompassing various forms of fantasy themes, or use themes typical of opera. Lyrics in symphonic metal, like those of gothic metal, often are arranged into concept albums, styled after epics.
Bands in the symphonic metal genre are mainly female led in both their images and vocals. The vocalists of symphonic metal bands have consistently been female, and tend to sing mezzo-soprano melodies in the operatic style. Sometimes symphonic metal artists use a male vocalist for backing vocals, similar to gothic metal's dual vocalists. Other forms of vocals are also sometimes found in songs, but are normally only used as an effect within the song. Symphonic metal bands with male lead singers usually fall into the symphonic power metal category.
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Brief History
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The first origins of symphonic metal as a genre begins with early bands in the death metal and gothic metal genres, which made some use of symphonic elements in their music. Of such bands, Therion was the first to feature a fully live orchestra and write their music with the symphonic elements of classical music as an essential inclusion into their musical style. Over time Therion grew further away from their death metal roots, and utilized more symphonic elements and based their music around their symphonic aspects that they became known for.
In 1997, Nightwish and Within Temptation released their first albums, and both bands followed heavily in the trend of Therion's symphonic nature. Within Temptation, using influence from gothic metal's synthesizing of other genres, used simpler aspects of the genres in their synthesis. Centering their music around the abilities of their female singer, Sharon den Adel, and the symphonic nature of their use of keyboards, the band reduced the use of male vocals to sparse backing vocals. Nightwish followed a similar trend, employing a style evocative of power metal and using a female vocalist with heavy use of classically influenced keyboarding.
In the early 2000s a surge of symphonic metal occurred, with many bands releasing albums. Rain Fell Within, After Forever, Epica, and Edenbridge all released albums around this time, displaying prominently the characteristic keyboards and female vocals. These bands also emphazised the upbeat nature of the music. This boom of symphonic metal bands also began to take more influence from power metal, borrowing from the lyrical theme of fantasy and the stylized, epic-like keyboards of that genre.
Bands that are primarily death metal, doom metal, gothic metal, power metal, or even black metal have also been classified as symphonic metal. While symphonic metal is regarded by many as a separate sub-genre of heavy metal, some argue that it is a style that can be of any heavy metal sub-genre. Regardless, symphonic metal tends to be more popular in areas where the above-mentioned sub-genres are better entrenched, such as Europe. Also, the first symphonic metal bands were from Europe and used European orchestras in their music
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Symphonic Metal Crossovers
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Symphonic metal, in regard to other genres of metal, encompasses any band that makes use of keyboarding akin to symphonic, classical, or gothic themed music. The use of symphonic aspects in varying forms of metal has been around for many years, however, symphonic metal is centered around extensive usage of symphonic elements, whereas bands that use them as backing themes are usually listed under other genres. Because of this, much like with gothic metal, bands that show a tendency towards one genre that also prominently feature symphonic elements are referred to as symphonic (genre) metal.
Symphonic black metal has similar components as melodic black metal, but uses keyboarding or instruments normally found in symphonic or classical music. It can also include black metal bands that make heavy usage of atmospheric keyboarding in the music, akin to symphonic metal or gothic metal, though these bands are often more commonly referred to as gothic black metal. The symphonic aspects of this genre are normally integral parts of a band, and as such are commonly feautred throughout the whole duration of a song, in contrast to melodic black metal which focuses more prominently on guitar melodies and solos.
Many black metal purists discount this genre as having nothing to do with 'black metal,' due to the heavy similarities some of its bigger bands hold with gothic metal. Claims that keyboards, female vocals and other characteristics derived from gothic metal are inconsistent with the essence of "true" black metal have often resulted in confusion between symphonic black metal and gothic metal bands. This controversy is further fueled by the usage of the term gothic black metal, which focuses on bands who place emphasis on elements borrowed from the other genre. Thy Serpent, Cradle of Filth, and Dimmu Borgir have all been subjects of this claim.
Symphonic power metal, also known sometimes as epic symphonic metal, refers to power metal bands that make extensive usage of keyboards, or instruments normally found in classical music similar to symphonic metal. These additional elements are often used as key elements of the music when compared to normal power metal, contributing not only an extra layer to the music, but a greater variety of sound.
Sometimes symphonic power metal is considered to be both symphonic metal and power metal, due to some debate about the usage of the term "symphonic power metal" by fans. For example, Edenbridge features more symphonic metal elements, while Nightwish features more power metal elements.
Symphonic gothic metal: Within Temptation was founded in 1996, with their debut album Enter being released in the following year, followed shortly by the EP The Dance. Both releases made use of the beauty and beast approach delivered by vocalists Sharon den Adel and Robert Westerholt. Their second full length release, Mother Earth, was released in 2000 and dispensed entirely with the death metal vocals, instead relying solely on den Adel's vocal abilitys. The album was a commercial success with their lead single "Ice Queen" topping the charts in Belgium and their native Netherlands.
Within Temptation's style of music combines elements of popular rock music, gothic metal and symphonic metal. Later bands followed in this trend, including After Forever, Epica, Autumn, Xandria, and Delain.
The term symphonic gothic metal is also often used to describe bands that place emphasis on the keyboard extensive nature of symphonic metal alongside the atmospheric and beauty and the beast natures of gothic metal. Bands that also feature dual vocalists but whose music is primarily symphonic metal, or bands with only a female vocalist whose music is primarily gothic metal are also generally referred to as symphonic gothic metal.
Lush Life
Zara Larsson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Live my day as if there was no past
Doin' it all night, all summer
Doin' it the way I wanna
Yeah, I'ma dance my heart out 'til the dawn
But I won't be done when morning comes
Doin' it all night, all summer
Gonna spend it like no other
It was a crush
But I couldn't, couldn't get enough
It was a rush
But I gave it up
It was a crush
Now I might have went and said too much
But that's all it was
So I gave it up
I live my day as if it was the last
Live my day as if there was no past
Doin' it all night, all summer
Doin' it the way I wanna
Yeah, I'ma dance my heart out 'til the dawn
But I won't be done when morning comes
Doin' it all night, all summer
Gonna spend it like no other
It was a crush
I kept saying I'ma stay in touch
But that thing went bust
So I gave it up, ooh
No tricks, no bluff
I'm just better off without them cuffs
Yeah, the sun won't set on us
Ooh-ooh-ooh-ooh, yeah, yeah
Went low, went high
Still waters run dry
Gotta get back in the groove
I ain't ever worried
Went low, went high
What matters is now
Getting right back in the mood
I live my day as if it was the last
Live my day as if there was no past
Doin' it all night, all summer
Doin' it the way I wanna
Yeah, I'ma dance my heart out 'til the dawn
But I won't be done when morning comes
Doin' it all night, all summer
Gonna spend it like no other
Now I've found another crush
The lush life giving me a rush
Had one chance to make me blush
Second time is one too late
Now I've found another crush
The lush life giving me a rush
Had one chance to make me blush
Second time is one too late
Ooh, ooh, ooh, ooh
I live my day as if it was the last
Live my day as if there was no past
Doin' it all night, all summer
Doin' it the way I wanna
Yeah, I'ma dance my heart out 'til the dawn
But I won't be done when morning comes
Doin' it all night, all summer
Gonna spend it like no other
Now I've found another crush
The lush life giving me a rush
Had one chance to make me blush
Second time is one too late
Now I've found another crush
The lush life giving me a rush
Had one chance to make me blush
Second time is one too late
The song "Lush Life" by Zara Larsson is about living in the moment and enjoying life to the fullest without worrying about the past or the future. The lyrics "I live my day as if it was the last, Live my day as if there was no past" portrays this idea. The singer wants to dance all night and make the most of her time without any regrets. She mentions having a crush on someone before but realizing that it was just a passing phase, and now she has found someone new who gives her a rush.
The lines "Went low, went high, Still waters run dry, Gotta get back in the groove" indicate that in life, there are both good and bad times, but itâs important to keep moving forward even when things get tough. The song is upbeat and catchy, matching the carefree attitude of the lyrics.
Line by Line Meaning
I live my day as if it was the last
Living life to the fullest, like it's the last day on earth
Live my day as if there was no past
Moving forward from past mistakes and not dwelling on the past
Doin' it all night, all summer
Having fun and enjoying life without any time constraints
Doin' it the way I wanna
Living life on one's own terms, doing what makes you happy
Yeah, I'ma dance my heart out 'til the dawn
Expressing oneself through dance without any inhibitions
But I won't be done when morning comes
The fun doesn't have to end when the night is over
Gonna spend it like no other
Making unforgettable memories
It was a crush
Having a fleeting attraction to someone
But I couldn't, couldn't get enough
Struggling with wanting more despite knowing it wasn't right
It was a rush
Feeling exhilarated by the crush
But I gave it up
Ending the crush and moving on
Now I might have went and said too much
Potentially oversharing feelings for the crush
But that's all it was
Realizing it wasn't anything more than a crush
So I gave it up
Moving on from the crush and not letting it affect one's life negatively
No tricks, no bluff
Not playing games with one's emotions
I'm just better off without them cuffs
Feeling freer and happier without the attachment to the former crush
Yeah, the sun won't set on us
Feeling limitless and invincible
Went low, went high
Experiencing highs and lows in life
Still waters run dry
Life can get stagnant and boring if one doesn't take risks
Gotta get back in the groove
Finding one's rhythm and getting back on track
I ain't ever worried
Feeling confident and carefree
What matters is now
Living in the present moment
Now I've found another crush
Finding a new romantic interest
The lush life giving me a rush
Living life to the fullest feels exhilarating
Had one chance to make me blush
The new crush made a memorable first impression
Second time is one too late
Not giving someone a second chance if they missed their opportunity
Lyrics © Kobalt Music Publishing Ltd.
Written by: Fridolin Walcher, Christoph Bauss, Markus Sepehrmanesh, Linnea Sodahl, Iman Hulten, Emanuel Abrahamsson
Lyrics Licensed & Provided by LyricFind
@trainprod1316
Playlist when the boys arenât over
Sugar - Robin Schulz
Lush Life - Zara Larsson
Summer - Calvin Harris
I took a Pill in Ibiza - Mike Posner
Lean On - Major Lazer
Feel So Close - Calvin Harris
Light it Up - Major Lazer
It Ainât Me - Kygo & Selena Gomez
Yeah Yeah Yeah - Chris Brown
Meant to Be - Bebe Rexha ft. Florida Georgia Line
Cheerleader - Omi
Riptide - Vance Joy
Budapest - George Ezra
Renegades - X Ambassadors
â EVERYTHING PAST THIS POINT IS A SUGGESTION. I DONT TAKE CREDIT FOR ANY OF IT â
Shake it off - Taylor Swift
Replay - Iyaz
7 years - Lucas Graham
Someone you loved - Lewis Capaldi
Waiting for love - Avicii
Hideaway - Daya
Sit still look pretty - Daya
Rather Be - Clean Bandit
Call Me Baby - Exo
Closer - Chainsmokers
Shower - Becky G
Thank you, next - Ariana Grande
If I canât have you - Shawn Mendes
In the name of love - Martin Garrix ft. Bebe Rexha
The Nights - Avicii
Off to the races - Lana del ray
Summertime Sadness - Lana del ray
PassionFruit - Drake
One Last Dance - Drake
Beautiful Madness - Michael Patrick Kelly
Girls Like You - Maroon 5
Adventure of a lifetime - Coldplay
Call you mine - Chainsmokers
Mama - Jonas Blue ft. William Singe
Perfect Stranger - Jonas Blue ft. JP
Me myself and I - Bebe Rexha
The way I are - Bebe Rexha
Era Istrefi - Bonbon
Maps - Maroon 5
Friends - Anne Marie ft. Marshmello
Sugar - Maroon 5
Hey Soul Sister - Train
Say so - Doja Cat
Stitches - Shawn Mendes
Cooler than me - Mike Posner
Better when Iâm dancing - Meghan Trainor
Panini - Lil Nas X
Some nights - Fun
Castle on the hill - Ed Sheeran
I donât care - Es Sheeran & Justin Bieber
Back to you - Louis Tomlinson ft. Bebe Rexha
Head and Heart - Joel Corry ft MNEK
What did I miss? Feel free to respond more songs. Iâll try to add them all.
@worldspot4384
someone in march 2024?????
@aquaqshark
Me
@vanesarezmuves1998
@@aquaqsharksame here!
@cxraliaa
yoo
@Evehelena05
Heyyyy
@lamammadelmanu6340
Yess
@hughdavies1177
Don't worry, you're not the only one watching this 8 years after
@georgiaurtuzuastegui3635
omg
@yilonmusk1189
.
@bshuffle527
Yess 2021 can never forget such an upbeat and positive song