Menti
Alain Souchon Lyrics


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Tout ce que tu m'as dit
Vieux Scott Joplin maudit
Tout ce que tu m'as dit
C'était menti
Tu disais le bonheur c'est un gros pétard
Caché dans les crinolines des autos Panhard
Tu disais l'industrie et l'agriculture
Tu disais la vieille Sissi sur la côte d'Azur
De Karl Marx la rêverie
Et le tsarévitch Alexis
Tout tout était menti
Scott Joplin maudit

Tout ce que tu m'as dit
Vieux Fats Waller maudit
Tout ce que tu m'as dit
C'était menti
Tu disais le bonheur c'est un gros pétard
Dans les mains d'Al Capone à Chicago le soir
Tu disais Métro Goldwyn les Dessoto les Packard
Lilly Palmer un jour j'aurai ma part
Armstrong et Stormy Weather aussi
Le charleston et Mussolini
Tout tout était menti
Fats Waller maudit

Tout ce que tu m'as dit
Vieux Bob Dylan maudit
Tout ce que tu m'as dit
C'était menti
Tu disais le bonheur c'est un gros pétard
La révolution une forme d'art
Marianne Faithfull et ses jolies dents qui claquent
Enroulée dans l'anorak de Jack Kerouac
Katmandou et la mort à bas prix
Et les limousines hors de prix
Tout tout était menti
Bob Dylan maudit

C'était menti

Et toi tes mots d'amour au piano
Est-ce que c'était tout du pipeau?




Toi qui disais que tu m'aimais
Comment c'était?

Overall Meaning

The song "Menti" by Alain Souchon reflects a feeling of betrayal and deception from someone the singer has trusted. Throughout the song, the singer realizes that everything this person has ever told them was a lie. The song repeats the phrase "Tout ce que tu m'as dit, c'était menti" ("Everything you told me was a lie") multiple times, and incorporates references to three different American musicians: Scott Joplin, Fats Waller, and Bob Dylan.


In the first verse, the singer questions all the things this person has told them, including the idea that happiness is a "big bomb" hidden in the crinolines of Panhard cars, and references to the old empress Sissi on the French Riviera. These things are juxtaposed with references to Karl Marx and the tsarévitch Alexis, suggesting that this person is confusing or blurring fact and fiction. The reference to Scott Joplin, an American composer and pianist known for his ragtime music, may indicate that this person is trying to create a sense of nostalgia or comfort through their lies, but in reality, they are just manipulating the singer.


The second verse references Fats Waller, another American jazz musician, and suggests that this person continues to lie and deceive. They use glamorous and famous names like Al Capone, Lilly Palmer, and Armstrong and Stormy Weather to make their lies more believable, but in reality, they are all still lies. The final verse references Bob Dylan, an American folk singer and songwriter, and suggests that this person has even lied about serious things like revolution and mortality, indicating a complete disregard for truth.


The final lines of the song express the singer's doubt in the sincerity of the person's love, wondering if everything they ever said was just empty promises or "pipe dreams."


Line by Line Meaning

Tout ce que tu m'as dit
Everything you told me


Vieux Scott Joplin maudit
Old Scott Joplin damned


C'était menti
It was a lie


Tu disais le bonheur c'est un gros pétard
You said happiness was a big firework


Caché dans les crinolines des autos Panhard
Hidden in the crinolines of Panhard cars


Tu disais l'industrie et l'agriculture
You said industry and agriculture


Tu disais la vieille Sissi sur la côte d'Azur
You said the old Sissi on the French Riviera


De Karl Marx la rêverie
The dream of Karl Marx


Et le tsarévitch Alexis
And Tsarevich Alexei


Tout tout était menti
Everything was a lie


Scott Joplin maudit
Damned Scott Joplin


Tout ce que tu m'as dit
Everything you told me


Vieux Fats Waller maudit
Old Fats Waller damned


C'était menti
It was a lie


Tu disais le bonheur c'est un gros pétard
You said happiness was a big firework


Dans les mains d'Al Capone à Chicago le soir
In the hands of Al Capone in Chicago at night


Tu disais Métro Goldwyn les Dessoto les Packard
You said Metro Goldwyn, Dessoto, and Packard


Lilly Palmer un jour j'aurai ma part
Lilly Palmer, one day I'll have my share


Armstrong et Stormy Weather aussi
Armstrong and Stormy Weather too


Le charleston et Mussolini
The Charleston and Mussolini


Tout tout était menti
Everything was a lie


Fats Waller maudit
Damned Fats Waller


Tout ce que tu m'as dit
Everything you told me


Vieux Bob Dylan maudit
Old Bob Dylan damned


C'était menti
It was a lie


Tu disais le bonheur c'est un gros pétard
You said happiness was a big firework


La révolution une forme d'art
The revolution as a form of art


Marianne Faithfull et ses jolies dents qui claquent
Marianne Faithfull and her pretty clicking teeth


Enroulée dans l'anorak de Jack Kerouac
Wrapped up in Jack Kerouac's anorak


Katmandou et la mort à bas prix
Katmandu and cheap death


Et les limousines hors de prix
And expensive limousines


Tout tout était menti
Everything was a lie


Bob Dylan maudit
Damned Bob Dylan


C'était menti
It was a lie


Et toi tes mots d'amour au piano
And you, your words of love on the piano


Est-ce que c'était tout du pipeau?
Was it all just a bunch of hot air?


Toi qui disais que tu m'aimais
You who said you loved me


Comment c'était?
How was it?




Lyrics © LES EDITIONS ALAIN SOUCHON
Written by: Alain Souchon, Pierre Souchon

Lyrics Licensed & Provided by LyricFind
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