Michael "Mick" Ronson (26 May 1946 – 29 April 1993) was an English guitaris… Read Full Bio ↴Michael "Mick" Ronson (26 May 1946 – 29 April 1993) was an English guitarist, songwriter, multi-instrumentalist, arranger and producer. He is best known for his work with David Bowie, as one of The Spiders from Mars. Ronson was a busy session musician who recorded with artists as diverse as Bowie, Ian Hunter, Morrissey, as well as engagements as a sideman in touring bands with performers such as Bob Dylan and Van Morrison.
He also recorded several solo albums, the most notable example of which was Slaughter on 10th Avenue, which reached #9 on the UK Albums Chart. Ronson played with various bands after his time with Bowie. He was named the 64th greatest guitarist of all time by Rolling Stone.
Michael Ronson was born in Beverley Road, Hull, East Riding of Yorkshire, in 1946, then moved to Greatfield, Hull. As a child he was trained classically to play piano, recorder, violin, and (later) the harmonium. He initially wanted to be a cellist, but moved to guitar upon discovering the music of Duane Eddy, whose sound on the bass notes of his guitar sounded to Ronson similar to that of the cello.[3] He joined his first band, The Mariners, in November 1963, when he was just 17. His stage debut with The Mariners was in support of the Keith Herd Band at Brough Village Hall, a gig for which the band traveled 35 miles and got paid 10 shillings (50p). While Ronson was working with The Mariners, another local Hull group – The Crestas – recruited him on the advice of The Mariners' bassist John Griffiths. With Ronson on board the Crestas gained a solid reputation, making regular appearances at local halls: Mondays at the Halfway House in Hull, Thursdays at the Ferryboat Hotel, Fridays at the Regal Ballroom in Beverley, and Sundays at the Duke of Cumberland in North Ferriby.
In 1965, Ronson left The Crestas to try his luck in London. He took a part time job as a mechanic, and before long, he teamed up with a band called The Voice, replacing Miller Anderson. Soon afterward, Crestas' drummer Dave Bradfield made the trip down to London when the Voice's drummer left. After playing just a few dates with the group, Ronson and Bradfield returned from a weekend in Hull to find their gear piled at their flat and a note explaining that the rest of the group had gone to The Bahamas. Ronson stayed in London and teamed up briefly with a soul band called The Wanted, before eventually returning to Hull.
In 1966, Ronson joined Hull's top local band, The Rats, joining singer Benny Marshall, bassist Geoff Appleby, and drummer Jim Simpson (who was subsequently replaced by Clive Taylor and then John Cambridge). The group played the local circuit, and made a few unsuccessful trips to London and Paris.
In 1967 The Rats recorded the one-off psychedelic track, "The Rise And Fall Of Bernie Gripplestone" at Fairview Studios in Hull, and can be heard on the 2008 release Front Room Masters – Fairview Studios 1966–1973.[5] 1968 saw the band change their name briefly to Treacle and book another recording session at Fairview Studios in 1969, before reverting to their original name. Around this time, Ronson was recommended by Rick Kemp to play guitar on Michael Chapman's Fully Qualified Survivor album.[4]
When John Cambridge left The Rats to join his former Hullaballoos bandmate Mick Wayne in Junior's Eyes, he was replaced by Mick "Woody" Woodmansey. In November 1969, the band recorded a final session at Fairview, taping "Telephone Blues" and "Early in Spring".
In March 1970, during the recording sessions for Elton John's album Tumbleweed Connection, Ronson played guitar on the track "Madman Across the Water". This song however was not included in the original release. The recording featuring Ronson was released on the 1992 compilation album, Rare Masters, and the 1995 reissue of Tumbleweed Connection.
Early in 1970, Cambridge came back to Hull in search of Ronson, intent upon recruiting him for a new David Bowie backing band called The Hype. He found Ronson marking out a rugby pitch, one of his duties as a Parks Department gardener for Hull City Council. Having failed in his earlier attempts in London, Ronson was reluctant, but eventually agreed to accompany Cambridge to a meeting with Bowie. Two days later, on 5 February, Ronson made his debut with Bowie on John Peel's national BBC Radio 1 show.
The Hype played their first gig at The Roundhouse on 22 February with a line-up that included Bowie, Ronson, Cambridge, and producer/bassist Tony Visconti. The group dressed up in superhero costumes, with Bowie as Rainbowman, Visconti as Hypeman, Ronson as Gangsterman, and Cambridge as Cowboyman. Also on the bill that day were Bachdenkel, The Groundhogs and Caravan. The following day they performed at the Streatham Arms in London under the pseudonym of 'Harry The Butcher'. They also performed on 28 February at the Basildon Arts Lab experimental music club at the Basildon Arts Centre in Essex, billed as 'David Bowie's New Electric Band'. Also on the bill were High Tide, Overson and Iron Butterfly. Strawbs were due to perform but were replaced by Bowie's New Electric Band. John Cambridge departed on 30 March, again replaced by Woody Woodmansey. In April 1970, Ronson, Woodmansey, and Visconti commenced recording Bowie's The Man Who Sold The World album.
During the sessions for The Man Who Sold The World, the trio of Ronson, Visconti, and Woodmansey – still under The Hype moniker – signed to Vertigo Records. The group recruited Benny Marshall from The Rats as vocalist, and entered the studio to record an album. By the time a single appeared, The Hype had been renamed Ronno. "4th Hour of My Sleep" was released on Vertigo to an indifferent reception in January 1971. The song was written by Tucker Zimmerman. The B-side was a Ronson/Marshall composition called "Powers of Darkness". The Ronno album was never completed.
Bowie's backing ensemble, which now included Trevor Bolder who had replaced Visconti on bass guitar and keyboardist Rick Wakeman, were used in the recording of Hunky Dory. The departure of Visconti also meant that Ronson, with Bowie, took over the arrangements, whilst Ken Scott co-produced with Bowie. Hunky Dory was perhaps their most collaborative album, which the sleeve notes acknowledged.
It was this band, minus Wakeman, that became known as The Spiders From Mars from the title of the next Bowie album. Again, Ronson was a key part of The Rise and Fall of Ziggy Stardust and the Spiders from Mars, providing string arrangements and various instrumentation, as well as playing lead guitar. Ronson and Bowie achieved some notoriety over the concerts promoting this album, when Bowie would simulate fellatio on Ronson's guitar as he played. Ronson's guitar and arranging during the Spiders from Mars era provided much of the underpinning for later punk rock musicians. In 1972 Ronson provided a strings-and-brass arrangement for the song "Sea Diver" on the Bowie-produced All The Young Dudes album for Mott The Hoople, and co-produced Lou Reed's album Transformer with Bowie, playing lead guitar and piano on the song "Perfect Day". Again with Bowie, he re-recorded and produced the track "The Man Who Sold The World" for Lulu, released as a single in the UK, and played on a few tracks on the Dana Gillespie album Weren't Born a Man.
Ronson appeared on the 1972 country rock album Bustin' Out by Pure Prairie League, where he undertook string ensemble arrangements and contributed guitar and vocals on several tracks most notably "Angel #9" which reappeared on his solo LP "Play Don't Worry."
His guitar work was next heard on Bowie's Aladdin Sane and 1973's covers album Pin Ups. However, he was absent from the subsequent Diamond Dogs album.
Bowie said in a 1994 interview that "Mick was the perfect foil for the Ziggy character. He was very much a salt-of-the-earth type, the blunt northerner with a defiantly masculine personality, so that what you got was the old-fashioned Yin and Yang thing. As a rock duo, I thought we were every bit as good as Mick and Keith or Axl and Slash. Ziggy and Mick were the personification of that rock n roll dualism."
After leaving Bowie's entourage after the "Farewell Concert" in 1973, Ronson released three solo albums. His solo debut Slaughter on 10th Avenue, featured a version of Elvis Presley's, "Love Me Tender", as well as Ronson's most famous solo track, "Only After Dark". In addition, his sister, Margaret (Maggi) Ronson, provided the backing vocals for the set. Between this and the 1975 follow-up, Ronson had a short-lived stint with Mott the Hoople.He then became a long-time collaborator with Mott's former leader Ian Hunter, commencing with the album Ian Hunter(UK #21) and featuring the UK Singles Chart #14 hit "Once Bitten, Twice Shy", including a spell touring as the Hunter Ronson Band. In 1980, the live album Welcome to the Club was released, including a couple of Ronson contributions, although it also contained a few studio-based tracks – one of which was a Hunter/Ronson composition.
In 1974, Ronson secured the #2 spot from a reader's poll in Creem magazine as the best guitarist that year (with Jimmy Page taking first place, and Eric Clapton in third place after Ronson.
Ronson contributed guitar to the title track of the 1976 David Cassidy release Getting It in the Street.
Roger Daltrey employed Ronson's guitar on his 1977 solo release One of the Boys.
In 1979 Ronson and Hunter produced and played on the Ellen Foley debut album, Night Out, with "We Belong To The Night" and the hit single "What's a Matter Baby."
In 1982, Ronson worked with John Mellencamp on his American Fool album, and in particular the song "Jack & Diane". Both "Jack & Diane" and American Fool topped their respective US Billboard charts.
In 1990, Ronson again collaborated with Hunter on the album Yui Orta, this time getting joint credit, as "Hunter/Ronson". In 1993, he again appeared on a Bowie album, Black Tie White Noise, playing on the track "I Feel Free", originally recorded by Cream. Ronson and Bowie had already covered this track live twenty years earlier, whilst touring as Ziggy Stardust and the Spiders from Mars.
His second and third solo albums were Play Don't Worry in 1975, and Heaven and Hull in 1994. The latter set was only partly completed at the time of Ronson's death, and was released posthumously. Artists involved with the album included John Mellencamp, Joe Elliott, Ian Hunter, David Bowie, Chrissie Hynde, and Martin Chambers.
Besides Bowie and Hunter, Ronson went on to work as a musician, songwriter and record producer with many other acts including Slaughter & The Dogs (who took their name from the Ronson album Slaughter on 10th Avenue), Morrissey, The Wildhearts, The Rich Kids, Elton John, John Mellencamp, T-Bone Burnett, Dalbello, Benny Mardones, Iron City Houserockers and the Italian band Moda. He did not restrict his influence behind the recording desk to just established acts. His production work appears on albums by more obscure artists, such as Payolas, Phil Rambow and Los Illegals and The Mundanes. Ronson produced The Visible Targets, a Seattle based group, on their 1983 five track EP, "Autistic Savant".
Ronson was also a member of Bob Dylan's "Rolling Thunder Revue" live band,[12] and can be seen both on and off-stage in the film of the tour.[17] He also made a connection with Roger McGuinn during this time, which led to his producing and contributing guitar and arrangements to McGuinn's 1976 solo album Cardiff Rose.
In 1982, he participated on lead guitar in a short lived band with Hilly Michaels on drums and Les Fradkin on bass guitar. One of their recordings from this group, Spare Change, appeared on the Fradkin's 2006 album, Goin' Back.
In 1987, Ronson made an appearance on a record by The Toll. Ronson played lead on the band's song, "Stand in Winter", from the album The Price of Progression.
In 1992 he produced Morrissey's album, Your Arsenal. The same year, Ronson's final high profile live performance was his appearance at The Freddie Mercury Tribute Concert. He played on "All the Young Dudes" with Bowie and Hunter; and "Heroes" with Bowie. Ronson's final recorded session was as a guest on the 1993 Wildhearts album Earth vs the Wildhearts, where he played the guitar solo on the song "My Baby is a Headfuck".
Ronson died of liver cancer on 29 April 1993 at the age of 46, survived by his wife Suzy, and his children Nicholas, Lisa (with wife, Suzi Ronson), and Joakim (with Carola Westerlund). Ronson was raised in The Church of Jesus Christ of Latter-day Saints. His funeral was held in a Mormon chapel in London on 6 May.
In his memory, the Mick Ronson Memorial Stage was constructed in Queens Gardens in his hometown of Hull. There is also a street named after him on Bilton Grange Estate, not far from where he lived.
Throughout his career with Bowie, Ronson used a 1968 Gibson Les Paul customised "Black Beauty". In the post-Bowie era, Ronson tended towards a blue, rosewood-board Fender Telecaster; he did not, however, limit himself to these two guitars. Ronson also used Marshall 200 amps (not to be confused with a Marshall Major) that he nicknamed "The Pig". Ronson also used a MKI Tone Bender for his signature sound during the Spiders from Mars era.
He also recorded several solo albums, the most notable example of which was Slaughter on 10th Avenue, which reached #9 on the UK Albums Chart. Ronson played with various bands after his time with Bowie. He was named the 64th greatest guitarist of all time by Rolling Stone.
Michael Ronson was born in Beverley Road, Hull, East Riding of Yorkshire, in 1946, then moved to Greatfield, Hull. As a child he was trained classically to play piano, recorder, violin, and (later) the harmonium. He initially wanted to be a cellist, but moved to guitar upon discovering the music of Duane Eddy, whose sound on the bass notes of his guitar sounded to Ronson similar to that of the cello.[3] He joined his first band, The Mariners, in November 1963, when he was just 17. His stage debut with The Mariners was in support of the Keith Herd Band at Brough Village Hall, a gig for which the band traveled 35 miles and got paid 10 shillings (50p). While Ronson was working with The Mariners, another local Hull group – The Crestas – recruited him on the advice of The Mariners' bassist John Griffiths. With Ronson on board the Crestas gained a solid reputation, making regular appearances at local halls: Mondays at the Halfway House in Hull, Thursdays at the Ferryboat Hotel, Fridays at the Regal Ballroom in Beverley, and Sundays at the Duke of Cumberland in North Ferriby.
In 1965, Ronson left The Crestas to try his luck in London. He took a part time job as a mechanic, and before long, he teamed up with a band called The Voice, replacing Miller Anderson. Soon afterward, Crestas' drummer Dave Bradfield made the trip down to London when the Voice's drummer left. After playing just a few dates with the group, Ronson and Bradfield returned from a weekend in Hull to find their gear piled at their flat and a note explaining that the rest of the group had gone to The Bahamas. Ronson stayed in London and teamed up briefly with a soul band called The Wanted, before eventually returning to Hull.
In 1966, Ronson joined Hull's top local band, The Rats, joining singer Benny Marshall, bassist Geoff Appleby, and drummer Jim Simpson (who was subsequently replaced by Clive Taylor and then John Cambridge). The group played the local circuit, and made a few unsuccessful trips to London and Paris.
In 1967 The Rats recorded the one-off psychedelic track, "The Rise And Fall Of Bernie Gripplestone" at Fairview Studios in Hull, and can be heard on the 2008 release Front Room Masters – Fairview Studios 1966–1973.[5] 1968 saw the band change their name briefly to Treacle and book another recording session at Fairview Studios in 1969, before reverting to their original name. Around this time, Ronson was recommended by Rick Kemp to play guitar on Michael Chapman's Fully Qualified Survivor album.[4]
When John Cambridge left The Rats to join his former Hullaballoos bandmate Mick Wayne in Junior's Eyes, he was replaced by Mick "Woody" Woodmansey. In November 1969, the band recorded a final session at Fairview, taping "Telephone Blues" and "Early in Spring".
In March 1970, during the recording sessions for Elton John's album Tumbleweed Connection, Ronson played guitar on the track "Madman Across the Water". This song however was not included in the original release. The recording featuring Ronson was released on the 1992 compilation album, Rare Masters, and the 1995 reissue of Tumbleweed Connection.
Early in 1970, Cambridge came back to Hull in search of Ronson, intent upon recruiting him for a new David Bowie backing band called The Hype. He found Ronson marking out a rugby pitch, one of his duties as a Parks Department gardener for Hull City Council. Having failed in his earlier attempts in London, Ronson was reluctant, but eventually agreed to accompany Cambridge to a meeting with Bowie. Two days later, on 5 February, Ronson made his debut with Bowie on John Peel's national BBC Radio 1 show.
The Hype played their first gig at The Roundhouse on 22 February with a line-up that included Bowie, Ronson, Cambridge, and producer/bassist Tony Visconti. The group dressed up in superhero costumes, with Bowie as Rainbowman, Visconti as Hypeman, Ronson as Gangsterman, and Cambridge as Cowboyman. Also on the bill that day were Bachdenkel, The Groundhogs and Caravan. The following day they performed at the Streatham Arms in London under the pseudonym of 'Harry The Butcher'. They also performed on 28 February at the Basildon Arts Lab experimental music club at the Basildon Arts Centre in Essex, billed as 'David Bowie's New Electric Band'. Also on the bill were High Tide, Overson and Iron Butterfly. Strawbs were due to perform but were replaced by Bowie's New Electric Band. John Cambridge departed on 30 March, again replaced by Woody Woodmansey. In April 1970, Ronson, Woodmansey, and Visconti commenced recording Bowie's The Man Who Sold The World album.
During the sessions for The Man Who Sold The World, the trio of Ronson, Visconti, and Woodmansey – still under The Hype moniker – signed to Vertigo Records. The group recruited Benny Marshall from The Rats as vocalist, and entered the studio to record an album. By the time a single appeared, The Hype had been renamed Ronno. "4th Hour of My Sleep" was released on Vertigo to an indifferent reception in January 1971. The song was written by Tucker Zimmerman. The B-side was a Ronson/Marshall composition called "Powers of Darkness". The Ronno album was never completed.
Bowie's backing ensemble, which now included Trevor Bolder who had replaced Visconti on bass guitar and keyboardist Rick Wakeman, were used in the recording of Hunky Dory. The departure of Visconti also meant that Ronson, with Bowie, took over the arrangements, whilst Ken Scott co-produced with Bowie. Hunky Dory was perhaps their most collaborative album, which the sleeve notes acknowledged.
It was this band, minus Wakeman, that became known as The Spiders From Mars from the title of the next Bowie album. Again, Ronson was a key part of The Rise and Fall of Ziggy Stardust and the Spiders from Mars, providing string arrangements and various instrumentation, as well as playing lead guitar. Ronson and Bowie achieved some notoriety over the concerts promoting this album, when Bowie would simulate fellatio on Ronson's guitar as he played. Ronson's guitar and arranging during the Spiders from Mars era provided much of the underpinning for later punk rock musicians. In 1972 Ronson provided a strings-and-brass arrangement for the song "Sea Diver" on the Bowie-produced All The Young Dudes album for Mott The Hoople, and co-produced Lou Reed's album Transformer with Bowie, playing lead guitar and piano on the song "Perfect Day". Again with Bowie, he re-recorded and produced the track "The Man Who Sold The World" for Lulu, released as a single in the UK, and played on a few tracks on the Dana Gillespie album Weren't Born a Man.
Ronson appeared on the 1972 country rock album Bustin' Out by Pure Prairie League, where he undertook string ensemble arrangements and contributed guitar and vocals on several tracks most notably "Angel #9" which reappeared on his solo LP "Play Don't Worry."
His guitar work was next heard on Bowie's Aladdin Sane and 1973's covers album Pin Ups. However, he was absent from the subsequent Diamond Dogs album.
Bowie said in a 1994 interview that "Mick was the perfect foil for the Ziggy character. He was very much a salt-of-the-earth type, the blunt northerner with a defiantly masculine personality, so that what you got was the old-fashioned Yin and Yang thing. As a rock duo, I thought we were every bit as good as Mick and Keith or Axl and Slash. Ziggy and Mick were the personification of that rock n roll dualism."
After leaving Bowie's entourage after the "Farewell Concert" in 1973, Ronson released three solo albums. His solo debut Slaughter on 10th Avenue, featured a version of Elvis Presley's, "Love Me Tender", as well as Ronson's most famous solo track, "Only After Dark". In addition, his sister, Margaret (Maggi) Ronson, provided the backing vocals for the set. Between this and the 1975 follow-up, Ronson had a short-lived stint with Mott the Hoople.He then became a long-time collaborator with Mott's former leader Ian Hunter, commencing with the album Ian Hunter(UK #21) and featuring the UK Singles Chart #14 hit "Once Bitten, Twice Shy", including a spell touring as the Hunter Ronson Band. In 1980, the live album Welcome to the Club was released, including a couple of Ronson contributions, although it also contained a few studio-based tracks – one of which was a Hunter/Ronson composition.
In 1974, Ronson secured the #2 spot from a reader's poll in Creem magazine as the best guitarist that year (with Jimmy Page taking first place, and Eric Clapton in third place after Ronson.
Ronson contributed guitar to the title track of the 1976 David Cassidy release Getting It in the Street.
Roger Daltrey employed Ronson's guitar on his 1977 solo release One of the Boys.
In 1979 Ronson and Hunter produced and played on the Ellen Foley debut album, Night Out, with "We Belong To The Night" and the hit single "What's a Matter Baby."
In 1982, Ronson worked with John Mellencamp on his American Fool album, and in particular the song "Jack & Diane". Both "Jack & Diane" and American Fool topped their respective US Billboard charts.
In 1990, Ronson again collaborated with Hunter on the album Yui Orta, this time getting joint credit, as "Hunter/Ronson". In 1993, he again appeared on a Bowie album, Black Tie White Noise, playing on the track "I Feel Free", originally recorded by Cream. Ronson and Bowie had already covered this track live twenty years earlier, whilst touring as Ziggy Stardust and the Spiders from Mars.
His second and third solo albums were Play Don't Worry in 1975, and Heaven and Hull in 1994. The latter set was only partly completed at the time of Ronson's death, and was released posthumously. Artists involved with the album included John Mellencamp, Joe Elliott, Ian Hunter, David Bowie, Chrissie Hynde, and Martin Chambers.
Besides Bowie and Hunter, Ronson went on to work as a musician, songwriter and record producer with many other acts including Slaughter & The Dogs (who took their name from the Ronson album Slaughter on 10th Avenue), Morrissey, The Wildhearts, The Rich Kids, Elton John, John Mellencamp, T-Bone Burnett, Dalbello, Benny Mardones, Iron City Houserockers and the Italian band Moda. He did not restrict his influence behind the recording desk to just established acts. His production work appears on albums by more obscure artists, such as Payolas, Phil Rambow and Los Illegals and The Mundanes. Ronson produced The Visible Targets, a Seattle based group, on their 1983 five track EP, "Autistic Savant".
Ronson was also a member of Bob Dylan's "Rolling Thunder Revue" live band,[12] and can be seen both on and off-stage in the film of the tour.[17] He also made a connection with Roger McGuinn during this time, which led to his producing and contributing guitar and arrangements to McGuinn's 1976 solo album Cardiff Rose.
In 1982, he participated on lead guitar in a short lived band with Hilly Michaels on drums and Les Fradkin on bass guitar. One of their recordings from this group, Spare Change, appeared on the Fradkin's 2006 album, Goin' Back.
In 1987, Ronson made an appearance on a record by The Toll. Ronson played lead on the band's song, "Stand in Winter", from the album The Price of Progression.
In 1992 he produced Morrissey's album, Your Arsenal. The same year, Ronson's final high profile live performance was his appearance at The Freddie Mercury Tribute Concert. He played on "All the Young Dudes" with Bowie and Hunter; and "Heroes" with Bowie. Ronson's final recorded session was as a guest on the 1993 Wildhearts album Earth vs the Wildhearts, where he played the guitar solo on the song "My Baby is a Headfuck".
Ronson died of liver cancer on 29 April 1993 at the age of 46, survived by his wife Suzy, and his children Nicholas, Lisa (with wife, Suzi Ronson), and Joakim (with Carola Westerlund). Ronson was raised in The Church of Jesus Christ of Latter-day Saints. His funeral was held in a Mormon chapel in London on 6 May.
In his memory, the Mick Ronson Memorial Stage was constructed in Queens Gardens in his hometown of Hull. There is also a street named after him on Bilton Grange Estate, not far from where he lived.
Throughout his career with Bowie, Ronson used a 1968 Gibson Les Paul customised "Black Beauty". In the post-Bowie era, Ronson tended towards a blue, rosewood-board Fender Telecaster; he did not, however, limit himself to these two guitars. Ronson also used Marshall 200 amps (not to be confused with a Marshall Major) that he nicknamed "The Pig". Ronson also used a MKI Tone Bender for his signature sound during the Spiders from Mars era.
Dogs
Mick Ronson Lyrics
We have lyrics for 'Dogs' by these artists:
(2) Good, now that we're finally alone I get the feeling you…
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Annie and the Bang Bang (Vade on the keys) (Hardbody) I been rollin' all night I'm …
ATC Taff Εγω αραζω ολη μερα με σκυλουσ μαγκεσ κολλανε σαν ψυλλουσ Που…
Atlantic Popes You know the one who looks at you As if he's…
Bark Loud as raging thunder Blasting straight out of hell Behol…
Bee Gees I was hungry and I was cold , had a…
Billy Pettinger All of these dogs In the country They're either roaming arou…
C.Aarme´ Open the bars before my snout Poke me with fear until…
Christian Death Have the virgins with their honesty guarantee We move like v…
Christian Death Featuring Rozz Williams Have the virgins with their honesty guarantee We move like …
Cyanide And Happiness I'm Zach and I'm back For real this time, coming with…
Damien Rice She lives with an orange tree The girl that does yoga She…
Damien Rice (www.united-forums.co.uk) ทำไมดูถูกหมา คนใจเลวก็ว่าใจหมา โดนรุมก็ว่าหมาหมู่ เพื่อนงกว่…
Damien Rice feat. Lisa Hannigan She lives with an orange tree The girl that does yoga She…
Dasoku & Ren Intro Watch out man, here comes those Firedogs! Verse Ren: Y…
David Gilmour/Roger Waters By Roger Waters You gotta be crazy, you gotta have a…
Dennis Lloyd It's not the life that I wanted I never thought I'd…
Doug Anthony All Stars Shalalalalalala shalalalalala, Shalalalalalala shalalalalala…
Drag Talk Dogs pull at chains You're the only face they know In debt…
Effects Sound D.J. I been I been I been back and forth with…
Enomoney (Esco fresco col cappello che è matchato con le scarpe) Dal…
Fleas Don't listen to the dogs they've been lying to your…
Flight Attendant Walking dogs on dotted lines everything I do is more…
fluffy t. bunny Who do you think you're kidding? They're not staring at…
g-axis sound music Mhm Yea Aye Man, Aye Pass me that water Yea Okay (Yes, Grr) …
Grenade I'm lookin rett scum I'm huffin jenkum Out of a sket's bum O…
Grinspoon She's laughing while he's crying don't it just give you…
Gucci Mane & Young Jeezy I'm a dog, I'm a dog, I'm a dog, I'm…
handwriting Dogs are Pretty fucking cool so I'll just hang with them Out…
Humour the witness, visored gloom, curved like a dome, nothing to d…
HVOB Dogs - HVOB You've made your bed, now lie in it I…
Hvob (Her voice over boys) You've made your bed, now lie in it I pull a…
Jesus and the Gospelfuckers / Genocide Express / Agent Orange My dog lost her legs Now I'm counting mine While licking the…
JG And The Robots Take a deep breath I'm over working Gotta let myself rest If…
Judy Dogs dogs Dogs Walking down the street they look at me I ju…
Keller Williams Earl is the dog Sheeba is his girl She is the queen…
KOOL Cant sort my head Stuck in my bed Want rid of this…
Lady Dan You say young women are dangerous To you Six years later, no…
Lemuria My secrets end up on oil canvases In a gallery for…
Les Claypool's Frog Brigade You gotta be crazy, you gotta have a real need You…
Llips. vs. Starfish Pool I'm going to break my legs in silence In the house In…
Luftwaffe Here on Earth's kingdom, earthly seeds have flowered Here w…
Marlow I know this will take some time I fell in when…
Mehki Raine She wanna hang around them dogs I told her buckle…
Might Showdown at the battery Showdown at the battery now Show…
Moist Packed a lunch of tea and orange At Mercedes five…
Motörhead Here we are in confusion Could be it's all an illusion Who…
Nina Nastasia I had a dream about a dog I was walking in…
Nouns if you want it bad enough, things will get better but…
Oliver Koletzki feat. HVOB You've made your bed, now lie in it I pull a…
P-Floyd ヘッドホン外して 一人きり 歩く街 迷っているのか 間違っているのか 知らない場所みたいだ 見えない信仰心 感じないシ…
Page France I heard it's getting windy so I'll set and watch…
Pete Townshend Sleeping dog by the open fire, You're sleeping your life aw…
Petter Carlsen we are a swarm of creatures a pack of creatures in…
Pile I can hear the barking of dogs around their bed I…
Pink Floyd You gotta be crazy, you gotta have a real need You…
Pink Floyd %26 D.J. Fish I just couldn't believe it, When I turned on The radio, tr…
Pink Floyd & D.J. Fish I been I been I been back and forth with…
Pink Floyd & Floyd You gotta be crazy, you gotta have a real need You…
Pink Floyd (Animals 1977) You gotta be crazy, you gotta have a real need You…
Pink Floyd - Animals (1977) You gotta be crazy, you gotta have a real need You…
Pink Floyd [Animals 1977] You gotta be crazy, you gotta have a real need You…
Pink Floyd; Roger Waters; David Gilmour You gotta be crazy, you gotta have a real need You…
Polkadot Fat demon, black season I don’t need another reason To hang …
Praci (Esco fresco col cappello che è matchato con le scarpe) Dal…
Puracane You don't want to be the same But all the other…
Richie Kotzen Tell me off Tell me how I make you feel Tell me…
Ridgway Stan One dog buries a bone And then the other dog digs…
Roger Waters By Roger Waters You gotta be crazy, you gotta have a…
Ryo-kun これ買って半年もせず 新製品が出るらしい あっちの方がデザインが良いそうだ あぁもうこれ飽きちゃった 塗装もちょっと剥が…
SCHLAFZIMMER - Pink Floyd You gotta be crazy, you gotta have a real need You…
Sex Shop Boyz Dogs! Dogs Dogs! Uh-huh, dogs Ha! Dogs Dogs Dogs Gonna pat …
Sitcom Arch Nemesis I'm ready to laugh, I'm ready to sing I'm ready to…
SnailGardN I wonder when life got so damn underwhelming When did…
Solid I.V. Running with our tongues out like stray hound dogs Riding an…
sports. In my minds eye There's a path I see it In my…
Stan Ridgway One dog buries a bone And then the other dog digs…
Sublime I love, I love my dog Yes, I love, I love…
Sun Kil Moon Katy Kerlan was my first kiss I was only 5 years-old…
Supa Bwe Dancing with the stars I'm an animal Baby I'm a dog,…
Sweet 75 Let's continue This conversation in the car I know we have…
Taeyoung Boy 俺牙剥いてる首につけたchain 足りねえ暇ねえ飢えてるeveryday Like a shot gun 決めつけるyo…
The Bear Quartet Was a good friend We got on well None of…
The Future Down South, baby Young rich nigga shit, man Wookie, hoe ATL …
The Judy's I buyed me a little dog its color it was…
The L.E.D.S Ay woo Where my crazy bitches at Yezi, go get them I'm a…
The Les Claypool Frog Brigade You gotta be crazy, you gotta have a real need You…
The Reason Oh it's cold Huddled beside you There's no way out now We're…
The Van No candidate would I support His platform could I endorse…
The Who The first time we met you were a kennel maid You…
To the Nines [Chorus] Why you lookin' like that? Stop lookin' like that…
Tys Tys Fanny knows what her name is She knows just how to…
Última Quimera Find me a use to To keep on lying Find me a…
Unit Yo, I'm talking bags of heavy coke, bracelets on every…
V//formation When I was young, in the good old days on…
Y2 You gotta be crazy, you gotta have a real need You…
Yoyo Ćhanel Who let the dogs out Straight out the dog pound Ready…
Zombies & Diamonds Bandit Bandit We're stealing the scene From the mountains to…
[>320]™ Oliver Koletzki feat. HVOB You've made your bed, now lie in it I pull a…
We have lyrics for these tracks by Mick Ronson:
All the Young Dudes Billy rapped all night 'bout his suicide How he'd kick…
Angel No. 9 Turn around, looks like it's happened one more time Someth…
Billy Porter Walking down an empty road I saw a man in old…
Colour Me Color me, a dangerous magenta We live in a gray world,…
Don't Look Down Don't know what I'm doing here, but I say it…
Empty Bed Wake, reaching for yesterday Up, washing the sleep away My m…
Girl Can She can't help it, the girl can't help it She can't…
Girl Can't Help It She can't help it, the girl can't help it She can't…
Girl Can’t Help It She can't help it, the girl can't help it She can't…
Growing Up and I Never got lost on this road before Never saw a scene…
Hazy Days Been changing thoughts but it's too late My flight has just…
I I'm the one, I'm the one Don't have to look any…
I'd Rather Be Me The day I came it rained champagne The days that changed,…
I'm the One I'm the one, I'm the one Don't have to look any…
im the one I'm the one, I'm the one Don't have to look any…
Life Funny how we spend our days Funny how we waste them…
Life on Mars It's a God-awful small affair To the girl with the…
Life's A River Funny how we spend our days Funny how we waste them…
Life`s A River Funny how we spend our days Funny how we waste them…
Like A Rolling Stone Once upon a time you dressed so fine You threw the…
Love Me Tender Love me tender, love me sweet, Never let me go. You have…
Moonage Daydream I'm an alligator, I'm a mama-papa coming for you I'm…
Music Is Lethal My friend myself Boredoms hero Prince of the alleys Stumble …
Oh Wake up you sleepy head Put on some clothes, shake up…
Only After Dark I feel my spirit fly, only after dark I kiss…
Pain in the City There's pain in the city where I come from La, la…
Play Don You look through your window and you think you've made…
Pleasure Man / Hey Ma Get Papa When you're burned by the need, heartache won't let go And…
Seven Days Peacock It's been seven days since you've been gone Seve…
Stone Love Stone love - she kneels before the grave A brave son…
Suffragette City Hey man, oh leave me alone you know Hey man, oh…
Take A Long Line He was selling postcards from a paper stand A whiskey bottle…
Take a Longline He was selling postcards from a paper stand A whiskey bottl…
The Empty Bed Wake, reaching for yesterday Up, washing the sleep away My m…
The Girl Can She can't help it, the girl can't help it She can't…
This Is For You This is for you! How are you doing? It's been…
Trouble With Me You say the funniest thing's when we're talking Heaven knows…
When The World Falls Down Practical Peter was doing very well, Life couldn't be sweete…
White Light / White Heat White light White light going messin' up my mind Don't you k…
Woman Time's so short, please woman, wear your hair down for…
Ziggy Stardust Ziggy played guitar, jamming good with Weird and Gilly, And …
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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