The Three Tenors is a name given to collaborative concerts of the three ope… Read Full Bio ↴The Three Tenors is a name given to collaborative concerts of the three operatic tenors Plácido Domingo, José Carreras and Luciano Pavarotti. The trio began their collaboration with a debut concert at the ancient Baths of Caracalla in Rome held on the eve of the 1990 FIFA World Cup final in Italy, on July 7, 1990, with Zubin Mehta conducting the Orchestra del Maggio Musicale Fiorentino and the Orchestra del Teatro dell'Opera di Roma. The idea of the concert was originally conceived by the Italian manager/producer Mario Dradi. The first concert was held to raise money for Carreras's foundation and also as a way for his contemporaries, Domingo and Pavarotti, to welcome their friend and colleague back to the world of opera after his successful treatment for leukemia.

The three subsequently sang together, in concerts produced by Hungarian Tibor Rudas and others, at Dodger Stadium in Los Angeles for the 1994 World Cup finals, at the Champs de Mars, below the Eiffel Tower in Paris during France '98 and in Yokohama during the 2002 tournament. They have also played in other cities around the world, usually performing in stadiums or other large outdoor venues.

Ella Mi Fu Rapita
The Three Tenors Lyrics

We have lyrics for 'Ella Mi Fu Rapita' by these artists:

Andrea Bocelli Rigoletto Ella mi fu rapita! E quando, o ciel... Ne' brevi …

We have lyrics for these tracks by The Three Tenors:

"Nessun dorma" Così comanda Turandot Questa notte nessun dorma in Pekino! …
"Una furtiva lagrima" Una furtiva lagrima Negli occhi suoi spunto Quelle festose…
'O Sole Mio Che bella cosa na jurnata 'e sole N'aria serena doppo na…
Adeste Fideles Adeste fideles laeti, triumphantes Venite, venite in Bethleh…
adeste fidèles Adeste, fideles, laeti triumphantes; Venite, venite in Bethl…
An American Hymn I have seen a summer day That slowly opens like a…

Autumn Leaves The falling leaves drift by the window The autumn leaves of…
Ave Maria Ave Maria Gratia plena Maria Gratia plena Maria Gratia plena…
Ave Maria Dolce Maria Sesame Street Miscellaneous The Three Pretty Kitties In a pr…
Be My Love Be my love, for no one else can end this…
Brazil Ô, abre a cortina do passado Tira a mãe preta do…
Carreras O come, all ye faithful, Joyful and triumphant, O come ye,…
Caruso Qui dove il mare luccica E tira forte il vento Sulla vecchia…
Chitarra Romana Sotto un mondo di stelle Roma bella mi appare Solitario è …
Core 'Ngrato Catari, Catari, pecche me dice sti parole amare, Pecche me…
Di Quella Pira Di quella pira l'orrendo foco Tutte le fibre m'arse avvampò!…
E lucevan le stelle E lucevan le stelle... ed olezzava la terra... stridea l'us…
Easy To Love I know too well that I'm just wasting precious time In…
Encore: 'O Sole Mio Che bella cosa na jurnata 'e sole N'aria serena doppo na…
Encore: Nessun Dorma (Nessun dorma Nessun dorma) Nessun dorma Nessun dorma …
Encores: La Donna E Mobile La donna è mobile, qual piuma al vento Muta d'accento, e…
Feliz Navidad Feliz Navidad. Feliz Navidad. Feliz Navidad, próspero año y …
Granada Granada, tierra soñada por mi Mi cantar, se vuelve gitano c…
La Dona E Mobile La donna è mobile, qual piUma al vento Muta d'accento, e…
La Donna E Moblie La donna è mobile, qual piuma al vento Muta d'accento, e…
La donna č mobile La donna è mobile, qual piùma al vento, Woman is…
La donna è mobile La donna è mobile, qual piuma al vento Muta d'accento, e…
Libiamo ne' lieti calici LIBIAMO NE' LIETI CALICI (aka BRINDISI) From the Opera "…
Mamma MAMMA SON' TANTO FELICE PERCHE RITORNO DA TE LA MIA CANZONE…
Marechiare Quanno spónta la luna a Marechiare pure li pisce nce fanno…
Maria Ave Maria Gratia plena Maria Gratia plena Maria Gratia plena…
Maria/Tonight I'm wearing second hand shoes Second hand hose All the gir…
My Way And now, the end is near and so I got to…
Nessun Dorma Così comanda Turandot Questa notte nessun dorma in Pekino! …
Non ti scordar di me Partirono le rondini dal mio paese freddo E senza sole Cerca…
O Come O Come Emmanuel O come, all ye faithful, Joyful and triumphant, O come ye,…
O Little Town of Bethlehem Oh little town of Bethlehem, how still we see thee…
O sole mio Che bella cosa na jurnata 'e sole N'aria serena doppo na…
Oh Tannenbaum O Tannenbaum, o Tannenbaum, wie treu sind deine Blätter! Du …
Passione CchiÃ¹ luntana mme staje CchiÃ¹ vicina te sento ChisÃ¡ a chi…
Santa Lucia Luntana Partono ′e bastimente Pe' terre assaje luntane... Cántano a …
Silent Night Silent night! holy night! All is calm, all is bright, Round …
Singin' In the Rain I'm singin' in the rain, just singin' in the rain What…
Sleigh Ride Just hear those sleigh bells jingle-ing, ring-ting tingle-in…
Te Quiero Dijiste Te quiero, dijiste tomando mis manos Entre tus manitas de bl…
Those Were the Days yekhali na troike s bubentsami a vdali melkali aganki ... …
Torna a Surriento Vide 'o mare quant?è bello, Spira tantu sentimento, Comme …
Una Furtiva Lagrima Una furtiva lagrima Negli occhi suoi spunto Quelle festose…
Vesti La Giubba Recitar, mentre preso dal delirio non so piu quel che dico e…
White Christmas I'm dreaming of a white Christmas Just like the ones I…

You'll Never Walk Alone When you walk through a storm, hold your head up high, and…

The lyrics are frequently found in the comments by searching or by filtering for lyric videos

TRACKS

Genre not found

Artist not found

Album not found

Search results not found

Song not found

Most interesting comment from YouTube:

Legendary Tenor

2y↑2

Parmi veder le lagrime
Scorrenti da quel ciglio,
Quando fra il dubbio e l'ansia
Del subito periglio,
|: Dell'amor nostro memore :|
Il suo Gualtier chiamò.
Ned ei potea soccorrerti,
Cara fanciulla amata;
Ei che vorria coll'anima
Farti quaggiù beata;
|: Ei che le sfere agli angeli :|
Per te non invidiò.

Ei che |: le sfere :| agli angeli
Per te Per te
le sfere agli angeli
per te non invidiò.

Per te

All comments from YouTube:

Kurt Garmaker

12y↑24

This is fabulous... I heard him live in this opera , it was in the late 80's .. he had just recovered from the flu and he still sounded like a million bucks.. This is the tenor voice of the last 100 years.. folks.

operabitch77

15y↑6

he's in cruise control during the whole aria. just pure technique and awareness of the instruments workings. pure technique. he was a student of the voice until his last breath on this planet. pure technician!

Dion Isaiah

More of natural tenor imo. Literally born with this voice

Remy Gielen

14y↑10

Always a pleasure to watch Levine conduct, love the way he sings along in the beginning. Splendid performance by Luciano also. I believe he did apologise for the Bb afterwards, ridiculous of course, having to apologise for bringing such beauty to this aria.

Numi Pieta

2y↑4

Extraordinary, divine Luciano! He seems to be slightly ahead of the orchestra. Poor Levine, for everything he did for that theater...Both of them are now angeli musicanti per sempiternum...

eoselan7

6y↑13

Pavarotti in superb voice and singing most expressively.. an extremely beautiful and utterly satisfying performance.

john m

5y↑8

Total singing machine...what a sound!

Tony Caruso

14y↑17

We will NEVER hear a voice like this again in our generation. BRAVO Pavarotti!

Bernardo Girardi

3y↑1

Really...THANK'S GOD!!!

Doet 106

in no generation that will come;)

appeace1

12y↑41

Ahhhh that Bb--unbelievable! A tad past his prime??? How bout getting his second wind! I love all of Pava's stages, his first the young, strong, brilliant, piercing high range, ultimate bel canto voice, then his middle period, full, round, resonating, bell quality, slightly darkening voice, still with the diamond top, then his later period, slightly aged, darker yet, velvety, emotional, which made the top even more remarkable! Past his prime--no--the greatest tenor ever to grace a stage simply

giovanni medini

7y↑3

irraggiungibile!--fantastico!

flav'

Amen.

Theodore Coen

3y↑1

pro tip : you can watch series on Flixzone. Been using them for watching a lot of movies lately.

Kannon Houston

@Theodore Coen definitely, I've been using flixzone for months myself =)

Steven Burton

Well said!

Dominic Lorange

16y↑7

A lot of colors in this rendition! Incredible! Have you noticed hat he doesn't open his mouth that much to sing notes around the passagio? You don't have to if you breathe correctly. Thank you for this video, an inspiring one!

john m

6y↑10

Pavarotti is electrifying, simply wonderful, amazing.

MrGer2295

6y↑9

Beautiful singing ! Thank you for posting :)

CarlosDOnofrio

15y↑14

every performance of Pavarotti is a statement of how "covering" should be done. If you hear that the Bflat is open is because that is how it should be. After after the pasaggio the voive "gira" and it can go out free again because the passagio was correctly done, well covered.

telford34uk

4y↑7

What can you say that hasn't already been said ? I'll go with perfection.

utscav

11y↑9

not a huge opera fan, but watching this brought me to tears. wow!

Adler Horst

6y↑25

Luciano the best tenor ever!

Monnarch Monnarchy

Lol.
He was the only one tenor on operatic trash

Monnarch Monnarchy

On tapes

Adler Horst

@Monnarch Monnarchy And who had the higher C?

Lonely Rider

13y↑9

Grande Luciano, un mito!

Legendary Tenor

2y↑2

GERMAN QUINTERO

2y↑3

MARAVILLA PURA

Paolo Parravicini

3y↑8

Il miglior tenore di tutti i tempi...voce inconfondibile...la senti e senza vederlo sai che è lui....grande luciano

lpizzella

15y↑1

Que bella voz fue Luciano Pavarotti, ahora no suena igual en vivo que en estudio, esa aceleracion le da un toque de distincion pero no es lo ideal. En esta presentacion escuchen el addio en dueto y veran a que me refiero. Igualmente fuiste un tenorazo que siempre recordaremos.

operaspark

15y

Thanks for uploading this video Mooorhe. I love how Pavarotti sings this aria, but i'd not previously seen this version from the met. More so than any other version i've heard Pavarotti sing this aria he really seems to be concentrating on the duke's tragedy at losing Gilda.

Henry Moore

15y↑7

It was this production, this was the last of the run I think, Levine had probably accepted that Pavarotti wanted to do it with the Bb by this performance.

ron

8y↑31

They say at the moment when he sing this aria. He was over his top. He is better here then al the top tenors we have now in 2016

star dust

6y↑10

thats because he is the best tenor who has ever lived.

David Jhon Lara Alayo

4y↑2

And also 2020...

Bernardo Girardi

@star dust since your "answer" I guess you are a...really YOUNG boy...but ...you'll LEARN....time will..teach you...I hope

Elke Goldberg

9y↑3

Wunderschön!!

Giuseppina Scapparone

4y↑2

Divino Pavarotti!!!!

appeace1

12y↑5

@appeace1 moved from one prime to another--taking his audiences, his fans , and the entire world of opera with him! There will never be another to touch him and I miss him and his voice so---

Davide Costanzo

4y↑1

Grande maestro! Avrei preferito l'altra versione ma stupendo

aeneas4dido

15y↑3

This is by far the most difficult in this opera, though Pav stated that "Questa o quella" is the hardest, but only because it comes right away. Most people think La donna e mobile is hard because of the high B, but it's actually one of the easiest arias Verdi has ever written-that is if you still have a voice that late in the opera!

Jay Dee

6y↑2

Thank you for posting all these wonderful videos .

Nater389

15y↑2

Right, upcoming singers didn't match. He had superb technique as well that allowed him to last a long time.

chaiter1

13y↑3

Beautiful.

aguacun

14y↑1

That High B is perhaps one of the most difficult notes of the tenor repertory because all the aria is very difficult, specially te last phrase: ei che le sfere, ending in this B. What I most like is how soft and easy sounds this note in Pavarotti´s voice... some famous tenors like he was used to transpose down this note... may be saying is because this note was not writted in the score... but we now that is not the reason. GREAT PAVAROTTI

Sauron Baggins

aguacun you meant “written”, not writted. No such word exists.

Константин Зеленюк

5y↑3

The best ever!!!!!!!!!!!!!!!!!

dickinsonmaiden

13y↑5

Più vado avanti nei miei studi, più mi rendo conto che Pavarotti era veramente una macchina!! Allucinante o.O Pace all'anima sua e mille grazie per averci lasciato interpretazioni e sfoggi di tecnica come questi!

g.m. f.

4y↑2

straordinario

Grandeopera

13y↑4

not past his prime yet by the sound of it.

Aaron Michael Cooker

14y↑5

Wrong, wrong, wrong.... sorry, cover does not mean throaty. He doesnt sound tired to me. If you hear he still covers like you say until the day he died. And he stilled sounded pretty damn amazing.

John Mills

9y↑10

magnificent

giovanni medini

5y↑4

Fantastico Luciano Grazie

Shawn.F.G

16y

I would imagine. I'm not sure I would have the brains to memorize multiple roles, all hours long- it really does take dedication I guess.

Webarton

14y

@aroncooker Pavarotti's voice was one of the most incredible instruments i have ever heard, no doubt about that. But I am speaking of the objective aspect of it all, the production. I hope that you try to understand what I say and not bash me for this.

operabitch77

15y↑3

gotta love the change to the 'O" vowel in the passaggio to facilitate the high Bflat! technique baby! technique!

D Shofner

16y↑5

He is beautiful.

Monnarch Monnarchy

Not so.
His voice already has been damaged.
Heavy roles for uncoloured tenor are bad

TRUE BLUE

6y↑3

lo amo....

Monnarch Monnarchy

2:57 still got tenors top.
Most "tenors", which are baries forcing here and bari corelli too with his histerical voice

Henry Moore

16y

I noticed that... I guess he just forgot which way the vowel goes, must be hard to remember the whole opera when it's so long. Lol.

Silvano Giusti

😍😍😍😍😍😍😍😍😍😍😍

Aaron Michael Cooker

14y↑1

Yes these tenors were wonderful, although i dont prefer Kraus because of his nasally tambour. But pava did it pretty damn perfectly all the time. it didnt change his sound or tambour, he just narrowed and focused the sound like you have to through the passagio, which is why his top was so powerful and consistent.

D.K

Parmi vedere le lacrime i would prefer it more slower.. More space, more emotions!

Webarton

14y

@Pollione88 The soft palate is not supposed to lift. When I refer to "covering" I am talking about Pavarotti's definition of covering as explained in his videos. This is why all these singers are in the throat, "Covering" is not about lifting the soft palate. Pavarotti did a great job singing. But his concept of "covering", in order to achieve his "noble and dark" sound is what got him.

Shawn.F.G

16y↑1

Very nice! I wonder though why he pronounced the last "per te" almost like "per toy." =D Is that a phrasing technique to make it easier or something? :)

Sauron Baggins

ShawDAMAN to cover the vowel

D Shofner

15y↑3

Uh, forget the dad, I'll take the lover, though! What a gorgeous man. WOW...

jade lady grey

6y↑2

Yes, many woman ,myself included, would not have put up much of a resistance if the Duca had come riding up on that big black charger and sang with such passion at them.

Aaron Michael Cooker

14y

@Webarton actually the sound is still in his "covered" spot, it's just a different vowel. He went from it sounding more like an "UH" to the actual "EH" in per te. Just switching vowels, the EH vowel he instantly switched to is not more open. More forward yes, but just as narrow.

giovanni medini

5y↑1

You must Remember Pav in 1971 in. Tokio.... wonderful. ....more than wonderful

Anna Dołgolewska

Don’t you have an impression that Pava at moments accelerates so much that Levine has to chase him? IMHO there are moments when the singer and the orchestra are crossing...

aguacun

14y↑3

@Webarton , I think that those not perfect notes that somtimes Pavarotti used to sing are what makes him what he was... a perfect techically voice sounds boring. When I listen to Pavarotti I listen a man voice, not a singer or tenor voice... so natural... as Bono once said, Pavarotti has not only gold on his voice but other metals, including iron...meaning that he have imputiries as the the metal can be found in the nature... nature is the clue... HAIL PAVAROTTI

LOS PALADINES

Un Dio ❤️

CarlosDOnofrio

15y

You are wright he openend, it seems he did so because he felt he over did in the darkening but I stil belie thar some modifications should be done in the passaggio and Pav is usually a great example of how it should be done. have you seen Rockwell balke´s video on Dark timbre?? It´s very ilustriting. gedda also talks about the coverage, Giacomini, also. The main point is to understand what is it that we are talking about when we say "cover" because it is a very tricky concept.

La Mex

5y↑1

We miss you!

CarlosDOnofrio

15y

second part. We agree completely that the sond shoul be open- The throat should be completely open, letting the air flow freely through the folds but to achive that the larinx should be down un the soft palate up creating a longer space between them. And it it because of this wither space that the sound is darker, "covered".

Inspector Javert

8y↑2

I wish I could really here Kelsy Grammar sing this, though he has no chance of beating Pavarotti :)

Dorota Gembicka

6y↑2

J'aime Luciano

Lei Shi石磊

pavarotti is a technical king with his singing. but I think not all can sing like him on the stage. the end he sings pör toe.....absolutly no go with my musicdirector!

ron

8y↑2

And who the f is your musicdirector ?? Shi lei ?? To say that ?

john m

2y↑1

no one can sing like him. All the others huff and heave, sound a little constructed Corelli etc much as i like him and many others too but, with Pavarotti it's like opening the flood gates of a great Dam, it just pours forth with no sign of visible effort...look at his eyes and face, no strain.

louie1a

14y

webarton - at 4:29, i listened several times and found nothing like what you claim. if anything, a shift was so subtle that i couldn't hear it. pavarotti was not my favorite tenor, but you sound like you have an axe to grind.

Eldar

47w

Where exactly is he "past his prime"? And why you apply your perception of his "prime" as if it was some sort of established notion? What a stupid and disrespectful approach to exeptional talents. They set the bar so high, that when they seem to deviate a lil bit from their own 'wonderous minute' to their "ultimately better than anybody else there" - there r some shmuk, some smart ass to tell that somebody is "past their prime".
If he was 25 here and starting - this still would be the best voice by quality and power. Whch means we would call this his "prime". So the only reason you tag him with this silly "past" thing is that he is older and obviously a bit different from his previous self. But change does not = deviation from perfection. "Different" is not "worse", or "past good".
In this video he is in his prime, because the qualities, which once made him legendary, - are all still presented here.

Henry Moore

15y

He was past his prime, yes. And he was 46, not 41.

Monnarch Monnarchy

Its not the main reason.
Uncoloured tenor cracked his voice on heavy roles

Webarton

14y

@aroncooker This is spot on evidence of throaty singing on Pavarotti's part. I don't have an axe to grind with his singing, I actually love his voice and his singing, but his technique is worshiped as godly, which in comparison with other great tenors is just not as clean.

Nater389

15y

Listen to the 1966 versiom from Rome to hear the glorious Bb.

Cesare Zappa

era una macchina perfetta di suoni purtroppo non credibile dal punto di vista di trasmettere emozioni nella interpretazione,molto meglio Bonisolli e il grande Di Stefano

Jesus Muñoz

6y↑6

Bueno pero kraus supera en estilo, fraseo y elegancia en el duque.

Verista

6y↑3

En mi opinión Kraus es superior a Pavarotti en este rol. Aún así me encanta Pavarotti. Los dos fueron grandes.

giovanni medini

Mah!!!

Blas Cortés

5y↑3

Jesús Muñoz— De acuerdo en lo que dices. Pero además, esta versión no es de lo más afortunado de Pavarotti. En la segunda 'Ella mi fu rapita' la voz se le queda atrás y sin brillo ni squillo. No liga como Kraus. Es pobre en matices, linea de canto algo monocorde, por dos o tres veces hace pasar por media voz lo que no es más que astuta disminución del volumen de la voz. Yo respeto los halagos que he leído, pero en esta ocasión Pavarotti no me parece especialmente "fino", cosa que sí puede estarlo en otras piezas. Aquí hasta atrevería a decir que la canta con cierta tosquedad, y más aún: el bello timbre suyo 'de natura' aquí no resulta siempre tan bello. Y no hago juicio ad hominem (al cantante) sino sobre lo que escucho en esta grabación. Ya me lo pueden criticar o refutar, así sea Agamenón o su porquero.- Un saludo— Blas Cortés

juan atalla

4y↑1

Plenamente de acordo .

Aaron Michael Cooker

14y

pavarotti haha, technical god

Tia Toms

Primissimo tenore

FireOne Phototgraphy

3y↑1

I'm only here because I wanted to hear what it was Frasier was supposed to have attempted on PBS, only to chicken out at the last minute 😂

Ian Finrir

Yeah, no way Frasier was hitting the high notes.

Nater389

15y

Was it this performance where Levine gets upset because he sang the Bb?

Alberto Diaz

Pavarotti good tenor best Caruso wold

Monnarch Monnarchy

Your caruso was a bass, he screamed like a mad in tenors repertoire

Brent D

8y↑3

Thanks, Tom! Frasier, "Look Before You Leap."

Aaron Michael Cooker

14y

Ok, our careers.... The concepts you talk about are true in terms of correct vocal production. Its just putting them to what your hearing is whats wrong.

Edward Kerrigan

Past his prime - what are you talking about, he wasn't yet 50.

Aaron Michael Cooker

14y↑3

ok, that was a dumb comment. There is no tenor more perfect

Terry Deane

14y

@Mooorhe But honestly, what tenor(Domingo)sings this aria without the Bb?

Juan Cruz Gamarra

Schipa, Alagna

CarlosDOnofrio

15y

I don´t really think he was going to crack n trhe worst of cases it would have been a strangled tone and with it he could not have donethe "docisimo" the score idicates for that finale. Again when i speak of covering I´m not speaking of tongue cover. That it is just a damagging trick some siger use in order to false a heavier sound (that was the problem with Carreras and with Di Stefano)

Webarton

14y

You're right! I never said I didn't like Pavarotti! Just technically, the singing wasn't perfect.

Webarton

14y

@aroncooker You know, i hate the type of terminology that is used, it is so confusing and not necessary. I do understand what you are saying, however going higher in pitch on the uh vowel will lead to more strangulation. You are talking about purely vowel change, not thinking about the fact that per and te are sung on different pitches, teh higher than per. This is why to keep from strangulating he uses a brighter vowel.

Henry Moore

15y

It's not really crap.

Aaron Michael Cooker

14y

@GREATWHITEish very true!

Aaron Michael Cooker

14y↑1

@ Webarton not sure thats what cover really means but either way Pava never sang in the throat. Your not listening for the right thing.

Aaron Michael Cooker

14y↑1

Please just ignore that. He doesnt know what he is talking about. Seriously....

CarlosDOnofrio

15y

If you cover with the base of your tong then "covering" is a synonymous of more THROATY. but if that dark sound is , as it should be, the consequence of space, then it is good technique. I am my own person and i hear and i observe. I´m trying to have a good discussion with you so please stop assuming you are the only enlighten who observes and is able to do an analysis. Tell me who you like as a technical singer so we can discuss starting from you likes

Christian Sport

The spectacular spiderman gangland fight

Aaron Michael Cooker

14y↑1

he never sang in the throat. I dont think you know what you are hearing.

jbell0243

Aaron Cooker lol
I agree that anyone trying to decry Pavarotti’s technique is full of it, however all singing is done in the throat;)

jbell0243

Aaron Cooker of course he sang in the throat!! SINGING HAPPENS IN THE THROAT. Lol
I love these bullshit terms everyone uses “not in your throat”. Well where the hell is it?

Nater389

15y

Little goof there at 3:55. But doesn't detract from the performance at all.

Webarton

14y

@aroncooker Try this, sing an UH and do your "covering" try an ascending G Major scale and tell me that isn't swallowed. IT IS. And if you swallow the sound you have to keep swallowing as you go up, more and more until you choke. This is the reason for the change of vowel.

S SR

You completely misunderstand "U" vowel. The sound is not in the throat, the "U" opens the throat length ways and allows the larynx to drop, it also activates and connects the voice to the diaphragam. The Italian language is already naturally placed in this position. The sound is in Pavs mask, fron the top lip up, it is not in in his throat. Without that "U" though, his sound will become strangled as the larynx will raise. Pav's entire voice is covered, when he gets to the passagio it just starts to turn more. He is not modifying the vowel, he is apply more diaphragmatic support to equalize the pressure on the vocal chords.

Webarton

14y

Our carreers will determine that.Ask your teacher about the concepts I mentioned.

Aaron Michael Cooker

14y

@Mooorhe you arent gonna get anywhere with him...

Slow Brun

Like si viniste bibliotecaria de auschwitz

Bernardo Girardi

PERCHE non canta come " è SCRITTA?!?"... è NORMALE che un tenore (degno di tale nome..) raggiunga note alte ma...NON quando l'Autore NON le scrisse...credo...

Terry Deane

14y

@Villazonlover1 Ridiculous

PEDRO ARANGUREN

3y↑1

Pavarotti era un genio, pero aquí no me convenció...suena apurado desde el recitativo hasta el final, parece como si Levine lo corriera demasiado con la música...
En esta prefiero mil a veces a Kraus ( el mejor Duque) o el fino canto de Bergonzi...