Vladimir Davidovich Ashkenazy (sometimes transliterated Ashkenazi) (Russian… Read Full Bio ↴Vladimir Davidovich Ashkenazy (sometimes transliterated Ashkenazi) (Russian: Влади́мир Дави́дович А́шкенази) (born July 6, 1937) is a Russian conductor and, more notably, a pianist. He was born in Nizhny Novgorod, Russia.
Ashkenazy began his studies at the age of 6 and showing prodigious talent, was accepted at the Central Music School at 8. A graduate of the Moscow Conservatory, he won second prize in the prestigious International Frederick Chopin Piano Competition in Warsaw in 1955 and shared first prize in the 1962 International Tchaikovsky Competition with English pianist John Ogdon. He is celebrated for his intelligent and well thought-out interpretations. He often recorded with the London Philharmonic Orchestra; two of these recordings were of the Emperor Concerto by Beethoven, and a number of Rachmaninoff pieces (including his Second Concerto).
He has recorded the complete 24 Preludes and Fugues of Shostakovich, and Chopin's entire works for piano.
Midway through his pianistic career, Ashkenazy branched into conducting. His performances of the Sibelius symphonies have been lauded in particular. He was the principal conductor of the Royal Philharmonic Orchestra from 1987 to 1994, and in 1998 he became principal conductor of the Czech Philharmonic Orchestra, a position he held until September 1, 2003.
Vladimir Ashkenazy is currently President of the Rachmaninoff Society.
An excellent resource covering Ashkenazy's musical philosophy and opinions on many other subjects is the book Beyond Frontiers (New York: Atheneum, 1985) which he co-wrote in 1985 with his associate Jasper Parrott.
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Awards and Recognitions
Grammy Award for Best Chamber Music Performance:
* Vladimir Ashkenazy, Lynn Harrell & Itzhak Perlman for Beethoven: The Complete Piano Trios (1988)
* Vladimir Ashkenazy, Lynn Harrell & Itzhak Perlman for Tchaikovsky: Piano Trio in A Minor (1982)
* Itzhak Perlman & Vladimir Ashkenazy for Beethoven: Sonatas for Violin and Piano (1979)
Grammy Award for Best Instrumental Soloist Performance (without orchestra):
* Vladimir Ashkenazy for Shostakovich: 24 Preludes & Fugues, Op. 87 (2000)
* Vladimir Ashkenazy for Ravel: Gaspard de la Nuit; Pavane Pour Une Infante Defunte; Valses Nobles et Sentimentales (1986)
Ashkenazy began his studies at the age of 6 and showing prodigious talent, was accepted at the Central Music School at 8. A graduate of the Moscow Conservatory, he won second prize in the prestigious International Frederick Chopin Piano Competition in Warsaw in 1955 and shared first prize in the 1962 International Tchaikovsky Competition with English pianist John Ogdon. He is celebrated for his intelligent and well thought-out interpretations. He often recorded with the London Philharmonic Orchestra; two of these recordings were of the Emperor Concerto by Beethoven, and a number of Rachmaninoff pieces (including his Second Concerto).
He has recorded the complete 24 Preludes and Fugues of Shostakovich, and Chopin's entire works for piano.
Midway through his pianistic career, Ashkenazy branched into conducting. His performances of the Sibelius symphonies have been lauded in particular. He was the principal conductor of the Royal Philharmonic Orchestra from 1987 to 1994, and in 1998 he became principal conductor of the Czech Philharmonic Orchestra, a position he held until September 1, 2003.
Vladimir Ashkenazy is currently President of the Rachmaninoff Society.
An excellent resource covering Ashkenazy's musical philosophy and opinions on many other subjects is the book Beyond Frontiers (New York: Atheneum, 1985) which he co-wrote in 1985 with his associate Jasper Parrott.
[edit]
Awards and Recognitions
Grammy Award for Best Chamber Music Performance:
* Vladimir Ashkenazy, Lynn Harrell & Itzhak Perlman for Beethoven: The Complete Piano Trios (1988)
* Vladimir Ashkenazy, Lynn Harrell & Itzhak Perlman for Tchaikovsky: Piano Trio in A Minor (1982)
* Itzhak Perlman & Vladimir Ashkenazy for Beethoven: Sonatas for Violin and Piano (1979)
Grammy Award for Best Instrumental Soloist Performance (without orchestra):
* Vladimir Ashkenazy for Shostakovich: 24 Preludes & Fugues, Op. 87 (2000)
* Vladimir Ashkenazy for Ravel: Gaspard de la Nuit; Pavane Pour Une Infante Defunte; Valses Nobles et Sentimentales (1986)
Mazurka No.32 in C sharp minor Op.50 No.3
Vladimir Ashkenazy Lyrics
We have lyrics for these tracks by Vladimir Ashkenazy:
Dances of the Dolls: Lyric Waltz Hi Miss Alice. Anata Garasu no me de Donna yume wo Mirareru …
Prelude In C Sharp Minor Op.3 No.2 Four five six eight Rainbow come late These bitter days So s…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Dolce
I had always Rubinstein had the best interpretation....I was sorely mistaken
KK Gan
Good playing
Dihelson Mendonca
Why all this "violence" of the second part ? Chopin is poetry, and the music itself doesn´t suggest this explosion. It´s written only "F", not FFF.
Somebody
this is music, not "if you play a wrong note or with the wrong dynamics or with wrong articulation then it is bad playing"
Davidpianist8642
I agree actually. The more assertive part is only marked F, not FF. I know there should be a contrast, but within the context of the style.
Stephan Weber
It is not really violent, more well balanced
John Doe
I actually really like that part, but true It’s probably not sympathetic to what was intended.