Martha Reeves & The Vandellas
Martha Reeves & The Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to present, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave" Read Full BioMartha Reeves & The Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to present, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave", "Jimmy Mack", "I'm Ready For Love", "My Baby Loves Me", "Nowhere to Run", and, their signature song, "Dancing in the Street".
The group had its origins in Detroit, Michigan in 1957, and had initially gone by the name The Del-Phis. It originally was a quartet comprising childhood friends Martha Reeves, Rosalind Ashford, Annette Beard, and original lead singer Gloria Williams. Williams left after a failed single on the Checkmate label, leaving the quartet as a trio. They changed their name to The Vells signing a deal with Motown's Mel-o-dy label, and singing background for established Motown performers such as Mary Wells and Marvin Gaye before signing a new deal with Motown's Gordy label on September 21, 1962, after which the group changed its name to Martha and the Vandellas.
In 1964, the Vandellas' lineup changed with Betty Kelley replacing Sterling. In 1967, Kelley was fired and was replaced by Martha's younger sister, Sandra "Lois" Reeves. In 1969, Ashford was also fired and replaced by Sandra Tilley. The lineup of the Reeves sisters and Tilley continued after Martha's return from an institution after suffering a nervous breakdown. The group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972., however, Reeves still performs with sister Lois and another Reeves sister, Delphine.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave" Read Full BioMartha Reeves & The Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to present, performing at various times doo-wop, pop, rock and roll and soul.
The label's second most-successful all-female singing group after The Supremes, Martha Reeves & The Vandellas were known for a churchier, more southern-styled soul than the Supremes, as typified in Motown hits such as "(Love Is Like A) Heat Wave", "Jimmy Mack", "I'm Ready For Love", "My Baby Loves Me", "Nowhere to Run", and, their signature song, "Dancing in the Street".
The group had its origins in Detroit, Michigan in 1957, and had initially gone by the name The Del-Phis. It originally was a quartet comprising childhood friends Martha Reeves, Rosalind Ashford, Annette Beard, and original lead singer Gloria Williams. Williams left after a failed single on the Checkmate label, leaving the quartet as a trio. They changed their name to The Vells signing a deal with Motown's Mel-o-dy label, and singing background for established Motown performers such as Mary Wells and Marvin Gaye before signing a new deal with Motown's Gordy label on September 21, 1962, after which the group changed its name to Martha and the Vandellas.
In 1964, the Vandellas' lineup changed with Betty Kelley replacing Sterling. In 1967, Kelley was fired and was replaced by Martha's younger sister, Sandra "Lois" Reeves. In 1969, Ashford was also fired and replaced by Sandra Tilley. The lineup of the Reeves sisters and Tilley continued after Martha's return from an institution after suffering a nervous breakdown. The group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972., however, Reeves still performs with sister Lois and another Reeves sister, Delphine.
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11(Love Is Like A) Heat Wave - Single VersionMartha Reeves & The VandellasMartha Reeves & The Vandellas
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Dancing in the Street
Martha Reeves & The Vandellas Lyrics
Calling out around the world
Are you ready for a brand new beat?
Summer's here and the time is right
For dancing in the street
They're dancing in Chicago (dancing in the street)
Down in New Orleans (dancing in the street)
In New York City (dancing in the street)
All we need is music, sweet music
There'll be music everywhere
There'll be swinging, swaying, and records playing
Dancing in the street
Oh, it doesn't matter what you wear
Just as long as you are there
So come on, every guy, grab a girl
Everywhere around the world
They'll be dancing (dancing in the street)
They're dancing in the street (dancing in the street)
It's an invitation across the nation
A chance for folks to meet
There'll be laughing, singing, and music swinging
Dancing in the street
Philadelphia, PA (dancing in the street)
Baltimore and D.C. now (dancing in the street)
Can't forget the Motor City (dancing in the street)
All we need is music, sweet music (sweet music)
There'll be music everywhere (everywhere)
There'll be swinging, swaying, and records playing
Dancing in the street
Oh, it doesn't matter what you wear
Just as long as you are there
So come on, every guy, grab a girl
Everywhere around the world
They're dancing
They're dancing in the street (dancing in the street)
Way down in L.A. (dancing in the street)
Every day, they're dancing in the street (dancing in the street)
Let's form a big, strong line (dancing in the street)
Get in time, we're dancing in the street (dancing in the street)
Across the ocean blue (dancing in the street)
Me and you, we're dancing in the street (dancing in the street)
Lyrics © Sony/ATV Music Publishing LLC
Written by: Marvin Gaye, William Stevenson, Ivy Hunter
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Baddie Mauve
[Verse 1]
Calling out around the world
Are you ready for a brand new beat
Summer's here
And the time is right
For dancing in the street
They're dancing in Chicago
Down in New Orleans
Up in New York City
[Hook]
All we need is music
Sweet music
There'll be music everywhere
There'll be swinging
Swaying
And records playing
Dancing in the street
[Chorus]
Oh
It doesn't matter what you wear
Just as long
As you are there
So come on
Every guy
Grab a girl
Everywhere around the world
They'll be dancing
They're dancing in the street
[Verse 2]
It's just an invitation
Across the nation
A chance for folks to meet
There'll be laughing
Singing
Music swinging
Dancing in the street
Philadelphia, PA
Baltimore and D.C. now
Can't forget the Motor City
[Hook]
All we need is music
Sweet music
There'll be music everywhere
There'll be swinging
Swaying
And records playing
Dancing in the street
[Chorus]
Oh
It doesn't matter what you wear
Just as long
As you are there
So, come on
Every guy
Grab a girl
Everywhere
Around the world
Dancing
They're dancing in the street
Way down in L.A
Every day
(Dancing in the street)
Across the ocean blue
Me and you
We're dancing in the street
(Dancing in the street)
Michael Jessett
This is David Gilmour’s favourite song - if it’s good enough for the main man of one of the greatest bands ever I guess I’ll have to add it to my playlist
Herb Superb
Really. I never knew that. One of the greatest of the many great Motown classics. I can't hear this and not smile, and instantly feel better about the world. Pink Floyd's been my favorite musical act since I was about 12. I keep thinking that might change, then it never does. I never got to see Pink Floyd proper, but I'll always be grateful to have seen David and Roger in concert. Both in Chicago. Saw Roger do 'The Wall' at Wrigley Field in 2012. One of the best days of my life. Incredible piece of music.
Xx-MrEBA-xX
this is one of those songs that require you to hit max volume whenever its on
Mister Nobody
No. I will just dislike and close app.
ronforeman
"Dancing In the Street sounded absolutely MASSIVE, even on a cheap made-in-Japan transistor radio with a 2" speaker. But it ached to be heard OUTDOORS over a more powerful sound system.
The song was released on July 31, 1964: I have vivid memories of hanging out at the Officers Club pool on Westover Air Force Base and hearing this "blasting" over the PA. Now THERE was a song that could compete with the roar of all those B-52s taking off and landing around the clock.
And there was something about the smell of those hamburgers and hotdogs sizzling on the snackbar grill that made the whole experience unforgetable.
divine williams
it really is THE motown anthem...
Dean Nomad
+Xx-MrEBA-xX and I got the audio system for it RIP neighbors ;)
Donati2151233
Beats the hell out of anything on the radio today.
Rainn M
shut up and don't listen to the radio then. there's so much music out there loved by so many different people. just cus this song is bomb doesn't mean you need to shit on other music. can't you just enjoy the existence of all of it, that there's sooooo many different sounds and it's amazing?
anyway.
I'm glad I got to hear this version, especially since the jagger/bowie version is more popular. this is the recording that popularized the song after all. it's very different but I like it!
Sam Bramley
You're right.