Daho is best known in Britain for his appearence on the number 11 Saint Etienne hit single "He's On The Phone", which is an English-language adaptation of his 1984 French-language hit "Weekend à Rome". He also collaborated with Saint Etienne on the Resurrection EP, his album Eden, and his single "Le Premier Jour", itself based on the track "Ready or Not" from Sarah Cracknell's 1997 solo album "Lipslide".
He has worked with many other artists, such as Chris Isaak, Marianne Faithfull, Elli Medeiros, Astrud Gilberto, Vanessa Daou, the Swingle Singers, and more. His duet with Charlotte Gainsbourg, titled "If", was released in 2004.
His 1996 album Eden featured a mix of electronic-oriented songs, ranging from downtempo ballads to drum 'n' bass-influenced tracks, and HiNRG dance. Corps & armes (2000) saw Daho return to a more orchestral sound fuelled by traditional instruments, such as piano, acoustic guitar, and horns. In 2004, he released Réévolution, which featured a guitar-heavy rock sound.
In 2012, he produced and composed songs for French comedian/singer Lou Doillon for her first album Places.
Étienne Daho is one of the most influential French pop singers of the last four decades. His extensive work has seen him collaborate with many artists, and explore a wide range of musical styles.
L'Etrangère
Étienne Daho Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
For the exile of radiant children
Downtown there will always be a piece of grey wall
Full of those who like you are rebels, la clandestine
(Yes I'm gonna start)
(Yes I'm gonna start)
Le mascara coule de ses yeux gris et se mélange à la pluie
Dans les rues on sent l'énergie, bouleversante odeur de vie
Le taxi la dépose au Chelsea où elle venait avec lui
À la radio Call me de Blondie
Contagieuse mélodie
(Call me, Call me)
Ronger sa mélancolie
Downtown il y aura toujours un coin de mur bleu
Pour y adosser l'exil les enfants radieux
Downtown il y aura toujours un goût de mur gris
Pour tous ceux la qui comme toi ne sont pas d'ici
Et dont le destin
Est d'être clandestin
Carnet de poèmes et croquis pour qui entendra son cri
Champagne et (?) Ou barbie et leur douce anesthésie
À la radio Call me de Blondie
Contagieuse mélodie (Call me, Call me, Call me)
Ronger sa mélancolie
Downtown il y aura toujours un coin de mur bleu
Pour y adosser l'exil, les enfants radieux
Downtown il y aura toujours un goût de mur gris
Pour tous ceux la qui comme toi ne sont des insoumis
Et dont le destin
Est d'être clandestin
Downtown il y aura toujours un goût de mur gris
Pour tous ceux la qui comme toi ne sont pas d'ici
Et dont le destin
Est d'être clandestin
Et dont le destin
Est d'être clandestin
Downtown there will always be a corner of the world
For the exile of radiant children to lean
Downtown there will always be a piece of grey wall
Full of those who like you are rebels, la clandestine
La clandestine
Clandestine
The song "L'Etrangère" by Etienne Daho deals with the themes of exile, rebellion, and melancholy. The lyrics evoke a sense of displacement and otherness, as the singer (the "étrangère" or foreigner) navigates the urban landscape of downtown. The song describes the various elements of the city that serve as a refuge for those who don't belong: the corner of the world that welcomes the radiant children in exile, the piece of grey wall that is full of rebels and clandestine figures.
The opening lines of the song set the stage for this urban narrative, as the lyrics speak of the enduring presence of these underground spaces: "Downtown there will always be a corner of the world / For the exile of radiant children." The imagery of the grey wall is similarly evocative, suggesting a sense of resistance and subversion: "Downtown there will always be a piece of grey wall / Full of those who like you are rebels, la clandestine."
Throughout the song, there are references to the music and culture of the city, with Blondie's "Call Me" playing on the radio and "champagne and (?) / Or barbie and their sweet anesthesia" providing a sense of escape. Ultimately, though, the song is a testament to the enduring power of marginal spaces and underground communities, reminding us that even in the midst of a bustling metropolis, there will always be a corner of the world for those who feel like outsiders.
Line by Line Meaning
Downtown there will always be a corner of the world
The city center will always offer a place to those whose home is afar
For the exile of radiant children
It's a place for those who, despite being away from home, still radiate with energy and life
Downtown there will always be a piece of grey wall
The urban landscape is marked by a wall that welcomes the rebels
Full of those who like you are rebels, la clandestine
These rebels, the clandestine, just like you, find solace in the streets
(Yes I'm gonna start)
The story is about to begin
(Yes I'm gonna start)
The story is about to begin
A yellow taxi bursts into the night and the stranger emerges
A taxi arrives, and the foreigner gets out, breaking the silence of the night
Her mascara runs from her gray eyes and mixes with the rain
Her make-up blurs, and her tears blend with raindrops
In the streets, one feels the energy, a stirring smell of life
The streets crackle with life and energy
The taxi drops her off at the Chelsea, where she used to come with him
She is taken to the Chelsea, a place where she's been before with someone close to her
On the radio, Blondie's Call Me
Blondie's song Call Me plays on the radio
Contagious melody
The melody captivates and controls her thoughts and feelings
(Call me, Call me)
Blondie's plea to call echoes in her mind
Nursing her melancholy
She attempts to find comfort in the song as she sinks into sadness
Downtown there will always be a corner of a blue wall
The city center also offers the chance to lean against a blue wall
For the radiant children in a state of exile
It is a spot for the ones whose home is far away and still fill with life
Downtown there will always be a taste of grey wall
The urban environment also tastes of gray walls
For those, like you, who are not from here
For those who, like you, are strangers
And whose destiny is to be clandestine
The destiny of the stranger is to remain hidden
A notebook of poems and sketches for anyone who will listen to her cry
She carries a notebook filled with creative expressions of pain that she hopes others will understand
Champagne and (?) Or Barbie and their sweet anesthesia
She's attempting to dull her sorrow with alcohol or other means of distraction
On the radio, Blondie's Call Me
Blondie's song Call Me still playing on the radio
Contagious melody (Call me, Call me, Call me)
The song's clamor for attention continues to swallow her
Nursing her melancholy
Her sadness lingers and continues to take hold of her
Downtown there will always be a corner of a blue wall
The city center also offers the chance to lean against a blue wall
For the radiant children in a state of exile
It is a spot for the ones whose home is far away and still fill with life
Downtown there will always be a taste of grey wall
The urban environment also tastes of gray walls
For those like you who are insubordinates
For those who, like you, are rebels
And whose destiny is to be clandestine
The destiny of the stranger is to remain hidden
Downtown there will always be a taste of grey wall
The urban environment also tastes of gray walls
For those, like you, who are not from here
For those who, like you, are strangers
And whose destiny is to be clandestine
The destiny of the stranger is to remain hidden
And whose destiny is to be clandestine
The destiny of the stranger is to remain hidden
Lyrics © Downtown Music Publishing
Written by: Etienne Daho, Jean Louis Pierot
Lyrics Licensed & Provided by LyricFind
@laetitia5099
Mélo disco queen
Androgyne
Plante dans mon cœur ton drapeau noir
Nitroglycérine
Sexe machine
Plante dans mon corps ton tempo noir
Berlin afro queen
M'assassine
Plante dans mon corps ton disco noir
Fille et garçonne
Perverse ou madone
Elle me fredonne
Les chansons de l'innocence retrouvée
Retrouvée
Mélo disco queen
Orpheline
Plante dans mon cœur ton drapeau noir
Berlin afro queen
Héroïne
Plante dans mon corps ton dico noir
Fille et garçonne
Perverse ou madone
Elle me fredonne
Les chansons de l'innocence retrouvée
Retrouvée
Mélo disco queen
Androgyne
Plante dans mon cœur ton disco noir
Berlin queen
Berlin disco
Disco queen
Berlin queen
Berlin disco
Disco queen
Berlin disco queen
Androgyne
Plante dans mon cœur ton drapeau noir
Berlin afro queen
Orpheline
Plante dans mon corps ton disco noir
Plante dans mon corps ton disco noir
Plante dans mon corps ton disco noir
Paroliers : Etienne Daho / Jean Louis Pierot
@UberHarlequin
Il est toujours dans SA vérité artistique. Et c'est si bon... d'avoir des artistes vrais et qui distillent leurs créations avec autant de générosité et de méticulosités. Etienne est un prodige. On vous a attendu longtemps Monsieur Daho. Enfin, vous voilà.....MERCI
@iAPX432
Ce clip en raconte énormément derrière le coté joueur, notamment avec Klaus Nomi, un personnage clé de l'époque, une voix différente, et aussi un parcours différent, et qui fait le lien avec le SIDA.
@laurencedupuy
Enfin le retour de Etienne, il était temps! Ca nous manquait, j'adoore! Ce coté déjanté, superbe disco queen et quel tempo!!! Daho a vraiment son style et sa signature uniques! copié mais jamais égalé!!!! Bravo, keep rocking on the Seine!
@JulienDichter
Daho on y revient toujours. Toujours aussi bon. Un des grands maîtres de la chanson française. Merci M. Daho
@texierchristophe1892
Enfin le retour d'ETIENNE encore EXCELLENT et PARFAIT en attente de la sortie de son album et de sa prochaine tournée.NE CHANGE RIEN !!!!!!!!!!!!!!!!!
@ROCKINGMAN
How many times have I seen this great video and song. Very addictive, this is my drug! Etienne Daho is a favourite of the modern french style.
@harphan
Magnifique cet album de la maturité qui parle de l'enfance.......
Quel talent Mr Daho....
@isabelleponceblanc5777
la voix, les textes, le style.....Mr Daho grand artiste que j'écoute depuis ses débuts......
@Nonimposable1
Le grand retour d'un des prodiges de la chanson française. Génial!!!
@Frenchiic
Bravo, excellent avant-goût : du Daho grand millésime dirait on. On se le repasse en boucle. J'ai hâte d'écouter les autres titres avec notamment les featuring des légendaires Nile Rodgers de CHIC et Debbie Harry de Blondie !!!