One of MC Solaar's first claims to fame was the rap he did on a level one French language education tape: "Comment t'appelles-tu?".
MC Solaar's first single, Bouge de là, was a French hit in 1990 that went platinum, as was his first album, Qui Sème le Vent Récolte le Tempo. His second album, Prose Combat, may be his most acclaimed.
As a rapper MC Solaar is known for the complexity and poetry of his songs, which rely on wordplay, lyricism, and philosophical inquiry. The music is based on dance rhythms and sensual grooves. In the English-speaking world, Solaar was signed by London acid jazz label Talkin' Loud and invited to record with British group Urban Species and Guru, a member of the famous and highly-acclaimed New York group Gang Starr.
MC Solaar gained new fans in North America in early 2004, when his 2001 song La Belle Et Le Bad Boy was featured on the final episode of the popular television series Sex and the City. MC Solaar remains best-known outside of France for his work on Guru's Jazzmatazz project and as a guest rapper on the Missy Elliott track All N My Grill. Out of Guru and Solaar's collaboration, the single Le Bien, Le Mal (The Good, The Bad) was a popular Hip Hop/Dance crossover hit receiving playtime on MTV.
Jane et Tarzan
MC Solaar Lyrics
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C'était une fierté, une fille de la cité
Et là, c'est la lassitude qui la rend si taciturne
Depuis petite-tite, la petite est une pépite
Pas le genre qui se la pète parce qu'elle aura des pépètes
Mais la ville est une jungle
Harcelée parce qu'elle a une belle gueule
Si tu la siffle, elle te répond "ta gueule"
Le monde est mâle et cette femelle veut le mettre à mal
Parce que cela lui fait mal, oui c'est une maladie
Tu veux la balader, mais c'est une baladine
Pas le genre qu'on baratine, voilà ce que le mâle à dit
Oui la ville est une jungle
Où Tarzan recherche l'argent
Elle est seule, elle est single
C'est Jane qui recherche Tarzan
Oh-wouh, oh-wouh-oh
Elle se lamente parce qu'elle ne le trouve pas
Oh-wouh, oh-wouh-oh
Elle l'entend, mais elle ne le voit pas
Oh-wouh, oh-wouh-oh
Lui est Tarzan toi Jane
Oh-wouh, oh-wouh-oh
Toi Jane et puis lui c'est Tarzan
Toi Jane et puis lui c'est Tarzan
Il complote avec ses potes visant le jackpot
En se disant "sale époque", cela n'est pas une litote
Il ne vise que le bizz, oublie de faire des bisous
Des bizz où ne baise que les banques abusent des bijoux
Car la ville est une jungle
Quand on l'chasse, il s'arrache en Steeple
Interpol a sa presse people
Il se mate, trouve qu'il a une belle gueule
Il se mêle au monde pour voler des malles et mallettes
Tout faire de big deal dans la ville de Malaga
Pour semer les poulets, au Kodo con Malabo?
Aidé de deux malabars, c'est là qu'il a trouvé la gow
Oui la ville est une jungle
Où Tarzan cherche l'argent
Elle est seule, elle est single
C'est Jane qui recherche Tarzan
Oh-wouh, oh-wouh-oh
Lui est Tarzan toi Jane
Oh-wouh, oh-wouh-oh
Toi Jane et puis lui c'est Tarzan
Toi Jane et puis lui c'est Tarzan
Toi Jane et puis lui c'est Tarzan
Toi Jane et puis lui c'est Tarzan
Toi Jane et puis lui c'est Tarzan
Toi Jane et puis lui c'est Tarzan
Toi Jane et puis lui c'est Tarzan
The lyrics of MC Solaar's song "Jane et Tarzan" delve into the complexities of urban life and the struggles faced by individuals in a challenging environment. The song begins by introducing Jane and Tarzan as central characters, symbolizing two distinct personas within the cityscape. Jane is depicted as a prideful, streetwise girl who has grown weary and silent due to the constant harassment she faces for her beauty. Despite her inner strength and resilience, she is not one to boast about her potential wealth. The city is likened to a jungle where Jane faces unwarranted attention and objectification, responding defiantly to those who try to catcall her. The harsh realities of gender dynamics and societal pressures weigh heavy on Jane, as she navigates a world dominated by male power dynamics that seek to undermine her.
Tarzan, on the other hand, is portrayed as a schemer who conspires with his friends to pursue monetary gain in a world where material wealth is paramount. He is depicted as an individual who prioritizes financial success over genuine human connections, neglecting the importance of affection and intimacy. Tarzan's pursuit of wealth leads him to engage in illegal activities, exploiting the city's resources to his advantage. The lyrics highlight the juxtaposition between Tarzan's opportunistic behavior and Jane's intrinsic sense of authenticity and integrity, underscoring the disparities between their values and aspirations within the urban landscape.
The repeated motif of the city as a jungle reflects the chaotic and unforgiving nature of urban life, where individuals must navigate through societal pressures and economic disparities. Tarzan's relentless pursuit of wealth mirrors the cutthroat nature of the city, where success is often equated with material possessions and financial gain. In contrast, Jane's search for Tarzan highlights her desire for a genuine connection in a world that prioritizes profit over human relationships. The song's chorus emphasizes the longing between Jane and Tarzan, portraying them as two individuals seeking connection and understanding in a city that often fosters isolation and greed.
Overall, "Jane et Tarzan" delves into the themes of identity, gender dynamics, and societal pressures within the urban environment, offering a poignant reflection on the complexities of human relationships and the struggles faced by individuals trying to find their place in a harsh and competitive world. The lyrics serve as a lyrical commentary on the challenges of navigating through a city that can both empower and oppress its inhabitants, highlighting the contrasting journeys of Jane and Tarzan as they seek solace and connection amidst the chaos of urban life.
Lyrics © O/B/O APRA AMCOS
Written by: Eric Kroczynski, Claude M'Barali
Lyrics Licensed & Provided by LyricFind