María Rodríguez, also known as La Mal… Read Full Bio ↴Artist page: La Mala Rodriguez
María Rodríguez, also known as La Mala, La Mala María, or Mala Rodríguez, is a Spanish hip hop singer. She was born in Jerez de la Frontera,(Cádiz), 13 February 1979. She moved to Seville when she was 4 and to Madrid when she was 19.
Her hip-hop songs are greatly influenced by flamenco music. Some of her lyrics talk about feminism and the problems of the outcasts of society, but in general they are rather abstract.
She became well known in the Spanish hip-hop scene around 1998/1999 when she collaborated with other Sevilla groups like SFDK. However her style was a lot more rough and hardcore. Later on she crossed-over to the mainstream audience with her solo albums but she left behind most of the edge she had in her beginnings and her sound became more laid-back.
She admitted to having been a heroin junkie in her youth but claims that since then she cleaned up. She used to date rapper/producer Supernafamacho, from the group CPV (the founding fathers of Spanish rap). Later on she got involved with a Cuban MC, from the group Explosión Suprema who's now the father of her first baby.
Her music has been featured of the soundtracks of the Spanish films, Lucía y el Sexo (Sex and Lucía), Yo Puta (her songs were used on the movie's television adverts and trailers), the Mexican film, Y tu Mamá También, and the French film, L'Auberge espagnole.
She was also featured on the soundtrack for the EA Sports FIFA 2005 and Scarface: The World is Yours video games.
Most recently, her single "Por la noche" was featured in the Spanish film, "Yo Soy la Juani" (2007). She has also recorded "Mala Suerta con el 13" ("Mala, Loose with -Residente, from Calle- 13) with the Puerto Rican rap duo Calle 13.
La Mala Rodriguez Official web
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Caida Libre
Mala Rodríguez Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Di-di-di-di… Dispara
Besarme, caída libre
Besarme, caída libre
Besarme, caída libre
Besarme, caída libre
Detente y piensa antes de complacerme
antes de decir que me conoces, soy difícil,
soy loca, soy una patá' en to' la boca
pensamientos que chocan, soy lo que no se toca,
soy yo pa' ti
si me siento así el demonio tiene que existir, ¡oh, sí!
La culpa es tuya por hacerme caso, yo no me canso
solo lo haría con conveniencia,
es mi drama, belleza, recuerda, hay que tener paciencia
vamos a hacerlo con las manos atás, como Mohamed,
data y ratatá
yo te puedo salir cara, me regalo, pero me vendo cara
¿te gusta?, ¿te asusta?
Hermano es malo, es mala, es más, trafico con seguridad, ¡dispara!
estoy expuesta, estoy escrita, estoy descrita en algún manual, seguro
paso y pongo en el cielo un grito oscuro
siempre lo hago bien, no prometo ná, lo juro, desde el otro lao del muro
mi mirada cruza
[Estribillo]
Si quieres algo, ¡dilo!
no entres con sigilo
ya con 17 yo los mandé pal asilo
coge aguja e hilo
haber si coges kilos
ay no, no conmigo
no te hagas el asesino (x2)
Terrorismo es dejar en paro a un pare de familia
que Dios ampare, que la ley no ampara
ampárame mamá, las cosas están claras
existe un precio, bájate las bragas
vende esa droga y hazte rico, la banca paga
tiro certero, censurarme por dinero,
quiero que Telefónica me distribuya como un camello
ya lo hace en medio mundo, el otro medio, es otro asunto
el informe es contradictorio, mujeres con accesorios, sellos, vagabundos
en toas las partes del primer mundo, casos abiertos
[…]pida y perdona,
aquí nadie Dios y gracias a Dios, ese cuento quién te lo vendió
haz un hoyo y mete el cuello, pide la baja, consume antibióticos
[Estribillo]
Si quieres algo, ¡dilo!
no entres con sigilo
ya con 17 yo los mandé pal asilo
coge aguja e hilo
haber si coges kilos
ay no, no conmigo
no te hagas el asesino (x2)
The song "Caída Libre" by Mala Rodríguez is a powerful and poetic expression of her identity as a strong and unconventional woman. In the opening lines, she repeats the phrase "besarme, caída libre" ("kiss me, free fall") several times, which can be interpreted as a metaphor for surrendering to the unknown and following one's desires without fear. She then challenges the listener to think before trying to please her, warning that she is difficult and unpredictable. She describes herself as "crazy" and "uncontrollable", and acknowledges that her thoughts may clash with others' beliefs. Mala then declares that she is willing to give herself, but only on her own terms and for her own benefit, and warns that she is tough to handle. She goes on to say that she is a powerful force to be reckoned with, even dealing in security, and dares anyone to try and stop her.
The first chorus is a call-to-action to be direct and honest, rejecting any attempts at manipulation or hidden agendas. The second verse takes a dark turn, addressing the harsh reality of poverty and the drug trade, implicating the banks and corporations that profit from it. The line "vende esa droga y hazte rico, la banca paga" ("sell that drug and get rich, the banks pay") exposes the corruption and greed behind these businesses. Mala also questions the justice system, noting that it often fails to protect those in need. Ultimately, the song expresses the strength and resilience of a person who refuses to be silenced or oppressed, and who is determined to make her voice heard.
Line by Line Meaning
Besarme, caída libre
I want to kiss you recklessly, with no boundaries or restraints.
Detente y piensa antes de complacerme
Pause and consider before attempting to please me.
antes de decir que me conoces, soy difícil,
Don't claim to know me, as I am not easy to understand.
soy loca, soy una patá' en to' la boca
I am wild and unpredictable, a force to be reckoned with.
pensamientos que chocan, soy lo que no se toca,
My thoughts are unique and unconventional, and I am not easily influenced by others.
si me siento así el demonio tiene que existir, ¡oh, sí!
If I feel this intense, it must be the work of the devil.
La culpa es tuya por hacerme caso, yo no me canso
You brought this upon yourself by listening to me, but I will not apologize for it.
solo lo haría con conveniencia,
I only act with convenience and personal gain in mind.
es mi drama, belleza, recuerda, hay que tener paciencia
This is my drama, my beauty, but be patient with me.
Hermano es malo, es mala, es más, trafico con seguridad, ¡dispara!
I am dangerous, and I traffic with confidence, so shoot if you must!
estoy expuesta, estoy escrita, estoy descrita en algún manual, seguro
I am exposed, written, and described in some manual, for sure.
paso y pongo en el cielo un grito oscuro
I pass by and let out a dark shout to the heavens.
siempre lo hago bien, no prometo ná, lo juro, desde el otro lao del muro
I always do things right, and I don't make promises that I can't keep, no matter where I am or what obstacles I face.
Si quieres algo, ¡dilo!
If you want something, just say it!
no entres con sigilo
Don't come in sneakily.
ya con 17 yo los mandé pal asilo
I sent them to the retirement home when I was only 17 years old.
coge aguja e hilo
Take a needle and thread.
haber si coges kilos
Let's see if you can gain weight.
ay no, no conmigo
Oh no, not with me.
no te hagas el asesino
Don't play the killer.
Terrorismo es dejar en paro a un pare de familia
Terrorism is leaving a family without a job.
que Dios ampare, que la ley no ampara
May God protect them because the law won't.
ampárame mamá, las cosas están claras
Protect me, mother, the situation is clear.
existe un precio, bájate las bragas
There is a price to pay, so lower your pants.
vende esa droga y hazte rico, la banca paga
Sell those drugs and get rich, the bank will pay.
tiro certero, censurarme por dinero,
A well-aimed shot, trying to censor me for money.
quiero que Telefónica me distribuya como un camello
I want Telefónica to distribute me like a drug dealer.
ya lo hace en medio mundo, el otro medio, es otro asunto
They already do it in half the world, the other half is a different story.
el informe es contradictorio, mujeres con accesorios, sellos, vagabundos
The report is contradictory, with women and vagabonds wearing accessories.
en toas las partes del primer mundo, casos abiertos
In every part of the first world, there are open cases.
[…]pida y perdona,
Sorry and forgive me.
aquí nadie Dios y gracias a Dios, ese cuento quién te lo vendió
Here, nobody is God, and thank God for that. Who sold you that story?
haz un hoyo y mete el cuello, pide la baja, consume antibióticos
Dig a hole and bury your head, ask for a leave of absence, and take antibiotics.
Lyrics © Universal Music Publishing Group
Written by: JAVIER PLAZA MOYA, MARIA RODRIGUEZ GARRIDO
Lyrics Licensed & Provided by LyricFind
Natalia Núñez
detente y piensa antes de complacerme...