T.Rex was a primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Mark Feld). Bolan created a deliberately trashy form of rock and roll that was proud of its own disposability, which stood in contrast to the low-key whimsical poetry of the earlier duo. T.Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads. While most of his peers concentrated on making cohesive albums, Bolan kept the idea of a three-minute pop single alive in the early 1970s. In Britain, he became a superstar, sparking a period of "T.Rextacy" among the pop audience with a series of Top Ten hits, including four number one singles. Over in America, the group only had one major hit -- the Top Ten "Bang a Gong (Get It On)" -- before disappearing from the charts in 1973. T.Rex's popularity in the U.K. didn't begin to waver until 1975, and they retained a devoted following until Marc Bolan's death in 1977. Over the next three decades, Bolan has emerged as a cult figure and the music of T.Rex has proved quite influential on hard rock, punk, new wave, and alternative rock.
Following a career as a teenage model, Marc Bolan began performing music professionally in 1965, releasing his first single, "The Wizard," on Decca Records. Bolan joined the psychedelic folk-rock combo John's Children in 1967, appearing on three unsuccessful singles before the group disbanded later that year. Following the breakup, he formed the folk duo Tyrannosaurus Rex with percussionist Steve Peregrine Took. The duo landed a record deal with a subsidiary of EMI in February 1968, recording their debut album with producer Tony Visconti. "Debora," the group's first single, peaked at number 34 in May of that year, and their debut album, "My People Were Fair and Had Sky in Their Hair...But Now They're Content to Wear Stars on Their Brow", reached number 15 shortly afterward. The duo released their second album, "Prophets, Seers & Sages, the Angels of the Ages", in November of 1968.
By this time, Tyrannosaurus Rex was building a sizable underground following, which helped Bolan's book of poetry, The Warlock of Love, enter the British best-seller charts. In the summer of 1969, the duo released their third album, "Unicorn", as well as the single "King of the Rumbling Spires," the first Tyrannosaurus Rex song to feature an electric guitar. Following an unsuccessful American tour that fall, Took left or as is often stated by people close to the band, was sacked. He was replaced by Mickey Finn, previously linked to the band Haphash and the coloured coat.(There are a few more artists using the name Mickey Finn, though that is where the connection ends)! The new duo's first single did not chart, yet their first album, 1970's "A Beard of Stars", reached number 21.
The turning point in Bolan's career came in October of 1970, when he shortened the group's name to T.Rex and released "Ride a White Swan," a fuzz-drenched single driven by a rolling backbeat. "Ride a White Swan" became a major hit in the U.K., climbing all the way to number two. The band's next album, T.Rex, peaked at number 13 and stayed on the charts for six months. Encouraged by the results, Bolan expanded T.Rex to a full band, adding bassist Steve Currie and drummer Bill Legend (born Bill Fifield). The new lineup recorded "Hot Love," which spent six weeks at number one in early 1971. That summer, T.Rex released "Get It On" (retitled "Bang a Gong (Get It On)" in the U.S.), which became their second straight U.K. number one; the single would go on to be their biggest international hit, reaching number ten in the U.S. in 1972. "Electric Warrior", the first album recorded by the full band, was released in the fall of 1971; it was number one for six weeks in Britain and cracked America's Top 40.
By now, "T.Rextacy" was in full swing in England, as the band had captured the imaginations of both teenagers and the media with its sequined, heavily made-up appearance; the image of Marc Bolan in a top hat, feather boa, and platform shoes, performing "Get It On" on the BBC became as famous as his music. At the beginning of 1972, T.Rex signed with EMI, setting up a distribution deal for Bolan's own T.Rex Wax Co. record label. "Telegram Sam," the group's first EMI single, became their third number one single.
"Metal Guru" also hit number one, spending four weeks at the top of the chart. The Slider, released in the summer of 1972, shot to number one upon its release, allegedly selling 100,000 copies in four days; the album was also T.Rex's most successful American release, reaching number 17. Appearing in the spring of 1973, Tanx was another Top Five hit for T.Rex; the singles "20th Century Boy" and "The Groover" soon followed it to the upper ranks of the charts. However, those singles would prove to be the band's last two Top Ten hits. In the summer of 1973, rhythm guitarist Jack Green joined the band, as did three backup vocalists, including the American soul singer Gloria Jones; Jones would soon become Bolan's girlfriend. At the beginning of 1974, drummer Bill Legend left the group and was replaced by Davy Lutton, as Jones became the group's keyboardist.
In early 1974, the single "Teenage Dream" was the first record to be released under the name Marc Bolan and T.Rex. The following album, Zinc Alloy and the Hidden Riders of Tomorrow, was the last Bolan recorded with Tony Visconti. Throughout the year, T.Rex's popularity rapidly declined -- by the time "Zip Gun Boogie" was released in November, it could only reach number 41. Finn and Green left the group at the end of the year, while keyboardist Dino Dines joined. The decline of T.Rex's popularity was confirmed when 1975's Bolan's "Zip Gun" failed to chart. Bolan took the rest of the year off, returning in the spring of 1976 with "Futuristic Dragon", which peaked at number 50. Released in the summer of 1976, "I Love to Boogie," a disco-flavored three-chord thumper, became Bolan's last Top 20 hit.
Bolan released "Dandy in the Underworld" in the spring of 1977; it was a modest hit, peaking at number 26. While "The Soul of My Suit" reached number 42 on the charts, T.Rex's next two singles failed to chart. Sensing it was time for a change of direction, Bolan began expanding his horizons in August. In addition to contributing a weekly column for Record Mirror, he hosted his own variety television show, Marc. Featuring guest appearances by artists like David Bowie and Generation X, Marc helped restore Bolan's hip image. Signing with RCA Records, the guitarist formed a new band with bassist Herbie Flowers and drummer Tony Newman, yet he never was able to record with the group. While driving home from a London club with Bolan, Gloria Jones lost control of her car, smashing into a tree. Marc Bolan, riding in the passenger's seat of the car, was killed instantly.
While T.Rex's music was intended to be disposable, it has proven surprisingly influential over the years. Hard rock and heavy metal bands borrowed the group's image, as well as the pounding insistence of their guitars. Punk bands may have discarded the high heels, feather boas, and top hats, yet they adhered to the simple three-chord structures and pop aesthetics that made the band popular, as they still are today 30 years after Marc's death.
Jasper C Debussy
T. Rex Lyrics
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He crucified me with his pixie coloured lies
His hair was black, he had a bend in his back
He tied my cousin Eddy to the railroad tracks
The train it come, he started to run
Jasper C. Debussy that's his kind of fun
Jasper was born with a moth in his mind
The moth was too soft on the curtain behind
He cut out her eyes and he wore them with furs
I get half the dues, wear my shoes
Tonight you might laugh while crying the news
'cause Jasper C. Debussy, that's his kind of blues
Mama
Jasper he dressed in the darkest of clothes
He wears scarlet pantaloons and five foot one inch hose
His face is like a rock and his eyes like the night
He's like a grim faced dog that's looking for a fight
Silhouette looks like a furry Persian rat
When you see him coming mama, you'd better run
Because Jasper C. Debussy that's his kind of fun
The song Jasper C. Debussy by T. Rex is a dark and eerie ballad that tells the story of a man who enjoys causing harm and destruction. Jasper is described as having glass eyes, black hair, and a bend in his back. He uses his pixie-colored lies to manipulate people and has tied someone to a train track. The lyrics go on to say that Jasper was born with a "moth in his mind" which leads him to commit violent acts, such as cutting out someone's eyes and wearing them with furs. The song's narrator warns the listener to avoid Jasper at all costs, as he is always looking for a fight.
The lyrics of the song are filled with vivid and disturbing imagery that paint a clear picture of Jasper and his malicious ways. The use of metaphors, such as describing Jasper's silhouette as a "furry Persian rat," add to the overall sinister tone of the song. The use of repetition, particularly in the chorus, emphasizes the danger and dread associated with Jasper C. Debussy.
Overall, this song tells the story of a truly terrifying individual and the havoc that he causes. The lyrics are both poetic and chilling, leaving a lasting impression on the listener.
Line by Line Meaning
Jasper was fine but he had glass eyes
Jasper seemed fine, but he was deceitful and could not be trusted.
He crucified me with his pixie coloured lies
Jasper lied to me with great ease, causing me considerable emotional pain.
His hair was black, he had a bend in his back
Jasper had a unique look, but his physical appearance was not enough to make up for his flaws.
He tied my cousin Eddy to the railroad tracks
Jasper was a cruel and dangerous person who would harm others for fun.
The train it come, he started to run
Jasper was a coward who would run away from difficult situations.
Jasper C. Debussy that's his kind of fun
Jasper found joy in causing harm to others and getting away with it.
Jasper was born with a moth in his mind
Jasper had a fascination with destruction and had an unstable personality.
The moth was too soft on the curtain behind
Jasper's obsession with causing harm was not motivated by anything substantial.
He startled the face of a friend of my girl's
Jasper's actions were so disturbing that they had lasting impact on a friend of someone I care about.
He cut out her eyes and he wore them with furs
Jasper was capable of unspeakable acts of violence and sadism.
I get half the dues, wear my shoes
I will not rest until Jasper is brought to justice and pays his penance.
Tonight you might laugh while crying the news
The truth about Jasper may be disturbing and difficult to accept, but it is important to acknowledge it.
'cause Jasper C. Debussy, that's his kind of blues
Jasper's life is a tragedy because he hurts people and finds pleasure in it.
Jasper he dressed in the darkest of clothes
Jasper wore dark clothes that reflected his dark personality.
He wears scarlet pantaloons and five foot one inch hose
Jasper's style is eccentric and draws attention to himself.
His face is like a rock and his eyes like the night
Jasper has a hard, unfriendly appearance and a cold gaze.
He's like a grim faced dog that's looking for a fight
Jasper is always looking for an excuse to be violent and combative.
Silhouette looks like a furry Persian rat
Jasper's appearance is unappealing and unattractive.
When you see him coming mama, you'd better run
Jasper is so dangerous that it is best to avoid him at all costs.
Because Jasper C. Debussy that's his kind of fun
Jasper finds joy in causing fear and harm to others.
Lyrics © O/B/O APRA AMCOS
Written by: MARC BOLAN
Lyrics Licensed & Provided by LyricFind