Arthur "Art" Blakey (October 11, 1919 – October 16, 1990), also known as A… Read Full Bio ↴Arthur "Art" Blakey (October 11, 1919 – October 16, 1990), also known as Abdullah Ibn Buhaina, was an American jazz drummer and bandleader.
Along with Kenny Clarke and Max Roach, he was one of the inventors of the modern bebop style of drumming. He is known as a powerful musician and a vital groover; his brand of bluesy, funky hard bop was and continues to be profoundly influential on mainstream jazz. For more than 30 years his band Art Blakey & The Jazz Messengers included many young musicians who went on to become prominent names in jazz. The band's legacy is thus not only known for the often exceptionally fine music it produced, but as a proving ground for several generations of jazz musicians; Blakey's groups are matched only by those of Miles Davis in this regard. He was a member of the Ahmadiyya Muslim Community.
Legendary jazz drummer Art Blakey (1919-1990) is best known for the band he led, known as Art Blakey & The Jazz Messengers, which over the course of thirty years included some of the most prominent jazz musicians of the day -- including Clifford Brown, Wayne Shorter, Lee Morgan, Wynton Marsalis and Branford Marsalis.
Blakey was born in Pittsburgh, Pennsylvania. By the time he was a teenager he was playing the piano full-time, leading a commercial band. Shortly afterwards, he taught himself to play the drums in the aggressive swing style of Chick Webb, Sid Catlett and Ray Bauduc. He joined Mary Lou Williams as a drummer for an engagement in New York in autumn 1942. He then toured with the Fletcher Henderson Orchestra (1943–4). During his years with Billy Eckstine’s big band (1944–7) Blakey became associated with the modern-jazz movement, along with his fellow band members Miles Davis, Dexter Gordon, Fats Navarro and others.[4]
In 1947 Blakey organized the Seventeen Messengers, a rehearsal band, and recorded with an octet called the Jazz Messengers. He claimed that he then travelled to Africa. Unfortunately, no documentation has been uncovered that supports this claim. In the early 1950s he performed and broadcast with such musicians as Charlie Parker, Miles Davis and Clifford Brown, and particularly with Horace Silver, his kindred musical spirit of this time. Blakey and Silver recorded together on several occasions, including the album A Night at Birdland (1954, BN), having formed in 1953 a cooperative group with Hank Mobley and Kenny Dorham, retaining the name Jazz Messengers. By 1956 Silver had left and the leadership of this important band passed to Blakey, and he remained associated with it until his death. It was the archetypal hard-bop group of the late 1950s, playing a driving, aggressive extension of bop with pronounced blues roots. Over the years the Jazz Messengers served as a springboard for young jazz musicians such as Donald Byrd, Johnny Griffin, Lee Morgan, Wayne Shorter, Freddie Hubbard, Keith Jarrett, Chuck Mangione, Woody Shaw, JoAnne Brackeen and Wynton Marsalis. Blakey also made a world tour in 1971–2 with the Giants of Jazz (with Dizzy Gillespie, Kai Winding, Sonny Stitt, Thelonious Monk and Al McKibbon). [4]
From his earliest recording sessions with Eckstine, and particularly in his historic sessions with Monk in 1947, Blakey exuded power and originality, creating a dark cymbal sound punctuated by frequent loud snare- and bass-drum accents in triplets or cross-rhythms. Although Blakey discouraged comparison of his own music with African drumming, he adopted several African devices after his visit in 1948–9, including rapping on the side of the drum and using his elbow on the tom-tom to alter the pitch. His much-imitated trademark, the forceful closing of the hi-hat on every second and fourth beat, was part of his style from 1950 to '51. A loud and domineering drummer, Blakey also listened and responded to his soloists. His contribution to jazz as a discoverer and molder of young talent over three decades was no less significant than his very considerable innovations on his instrument.
In the 1940s, Blakey was a member of bands led by Mary Lou Williams, Fletcher Henderson, and Billy Eckstine. He converted to Islam during a visit to West Africa in the late 1940s and took the name Abdullah Ibn Buhaina (which led to the nickname "Bu"). By the late forties and early fifties, Blakey was backing musicians such as Miles Davis, Bud Powell and Thelonious Monk — he is often considered to have been Monk's most empathetic drummer, and he played on both Monk's first recording session as a leader (for Blue Note Records in 1947) and his final one (in London in 1971), as well as many in between.
Up to the 1960s Blakey also recorded as a sideman with many other musicians: Jimmy Smith, Herbie Nichols, Cannonball Adderley, Grant Green, and Jazz Messengers graduates Lee Morgan and Hank Mobley, amongst many others. However, after the mid-1960s he mostly concentrated on his own work as a leader.
The origins of the Messengers are in a series of groups led or co-led by Blakey and pianist Horace Silver, though the name was not used on the earliest of their recordings. The most celebrated of these early records (credited to "The Art Blakey Quintet"), is A Night at Birdland from February 1954, one of the earliest commercially released "live" jazz records. This featured Silver, Blakey, the young trumpeter Clifford Brown, alto saxophonist Lou Donaldson and bassist Curly Russell. The "Jazz Messengers" name was first used on a 1954 recording nominally led by Silver, with Blakey, Hank Mobley, Kenny Dorham and Doug Watkins — the same quintet would record The Jazz Messengers at the Cafe Bohemia the following year, still as a collective. Donald Byrd replaced Dorham, and the group recorded an album called simply The Jazz Messengers for Columbia Records in 1956. Blakey took over the group name when Silver left after the band's first year (taking Mobley, Byrd and Watkins with him to form a new quintet with a variety of drummers), and the band was known as "Art Blakey and the Jazz Messengers" from then onwards.
From 1959 to 1961 the group featured Wayne Shorter on tenor saxophone, Jymie Merritt, Lee Morgan, and Bobby Timmons. The second line-up (1961–1964) was a sextet that added trombonist Curtis Fuller and replaced Morgan and Timmons with Freddie Hubbard and Cedar Walton, respectively. Shorter was the musical director of the group, and many of his original compositions such as "Lester Left Town" remained staples of Blakey's repertoire even after Shorter's departure. (Other players over the years made permanent marks on Blakey's repertoire — Timmons, composer of "Dat Dere" and "Moanin'", Benny Golson, composer of "Along Came Betty" and "Are You Real", and, later, Bobby Watson.) Shorter's more experimental inclinations pushed the band at the time into an engagement with the 1960s "New Thing", as it was called: the influence of Coltrane's contemporary records on Impulse! is evident on Free For All (1964), often cited as the greatest document of the Shorter-era Messengers (and certainly one of the most fearsomely powerful examples of hard bop on record)
Blakey went on to record dozens of albums with a constantly changing group of Jazz Messengers — he had a policy of encouraging young musicians: as he remarked on-mike on A Night at Birdland (1954): "I'm gonna stay with the youngsters. When these get too old I'll get some younger ones. Keeps the mind active." After weathering the fusion era in the 1970s with some difficulty (recordings from this period are less plentiful and include attempts to incorporate instruments like electric piano), Blakey's band got revitalized in the early 1980s with the advent of neotraditionalist jazz. Wynton Marsalis was for a time the band's trumpeter and musical director, and even after Marsalis's departure Blakey's band continued as a proving ground for many "Young Lions" like Terence Blanchard, Donald Harrison and Kenny Garrett. Blakey continued performing and touring with the group into the late 1980s, and he died in 1990 of lung cancer in New York City, leaving behind a vast legacy and approach to jazz which is still the model for countless hard-bop players.
Along with Kenny Clarke and Max Roach, he was one of the inventors of the modern bebop style of drumming. He is known as a powerful musician and a vital groover; his brand of bluesy, funky hard bop was and continues to be profoundly influential on mainstream jazz. For more than 30 years his band Art Blakey & The Jazz Messengers included many young musicians who went on to become prominent names in jazz. The band's legacy is thus not only known for the often exceptionally fine music it produced, but as a proving ground for several generations of jazz musicians; Blakey's groups are matched only by those of Miles Davis in this regard. He was a member of the Ahmadiyya Muslim Community.
Legendary jazz drummer Art Blakey (1919-1990) is best known for the band he led, known as Art Blakey & The Jazz Messengers, which over the course of thirty years included some of the most prominent jazz musicians of the day -- including Clifford Brown, Wayne Shorter, Lee Morgan, Wynton Marsalis and Branford Marsalis.
Blakey was born in Pittsburgh, Pennsylvania. By the time he was a teenager he was playing the piano full-time, leading a commercial band. Shortly afterwards, he taught himself to play the drums in the aggressive swing style of Chick Webb, Sid Catlett and Ray Bauduc. He joined Mary Lou Williams as a drummer for an engagement in New York in autumn 1942. He then toured with the Fletcher Henderson Orchestra (1943–4). During his years with Billy Eckstine’s big band (1944–7) Blakey became associated with the modern-jazz movement, along with his fellow band members Miles Davis, Dexter Gordon, Fats Navarro and others.[4]
In 1947 Blakey organized the Seventeen Messengers, a rehearsal band, and recorded with an octet called the Jazz Messengers. He claimed that he then travelled to Africa. Unfortunately, no documentation has been uncovered that supports this claim. In the early 1950s he performed and broadcast with such musicians as Charlie Parker, Miles Davis and Clifford Brown, and particularly with Horace Silver, his kindred musical spirit of this time. Blakey and Silver recorded together on several occasions, including the album A Night at Birdland (1954, BN), having formed in 1953 a cooperative group with Hank Mobley and Kenny Dorham, retaining the name Jazz Messengers. By 1956 Silver had left and the leadership of this important band passed to Blakey, and he remained associated with it until his death. It was the archetypal hard-bop group of the late 1950s, playing a driving, aggressive extension of bop with pronounced blues roots. Over the years the Jazz Messengers served as a springboard for young jazz musicians such as Donald Byrd, Johnny Griffin, Lee Morgan, Wayne Shorter, Freddie Hubbard, Keith Jarrett, Chuck Mangione, Woody Shaw, JoAnne Brackeen and Wynton Marsalis. Blakey also made a world tour in 1971–2 with the Giants of Jazz (with Dizzy Gillespie, Kai Winding, Sonny Stitt, Thelonious Monk and Al McKibbon). [4]
From his earliest recording sessions with Eckstine, and particularly in his historic sessions with Monk in 1947, Blakey exuded power and originality, creating a dark cymbal sound punctuated by frequent loud snare- and bass-drum accents in triplets or cross-rhythms. Although Blakey discouraged comparison of his own music with African drumming, he adopted several African devices after his visit in 1948–9, including rapping on the side of the drum and using his elbow on the tom-tom to alter the pitch. His much-imitated trademark, the forceful closing of the hi-hat on every second and fourth beat, was part of his style from 1950 to '51. A loud and domineering drummer, Blakey also listened and responded to his soloists. His contribution to jazz as a discoverer and molder of young talent over three decades was no less significant than his very considerable innovations on his instrument.
In the 1940s, Blakey was a member of bands led by Mary Lou Williams, Fletcher Henderson, and Billy Eckstine. He converted to Islam during a visit to West Africa in the late 1940s and took the name Abdullah Ibn Buhaina (which led to the nickname "Bu"). By the late forties and early fifties, Blakey was backing musicians such as Miles Davis, Bud Powell and Thelonious Monk — he is often considered to have been Monk's most empathetic drummer, and he played on both Monk's first recording session as a leader (for Blue Note Records in 1947) and his final one (in London in 1971), as well as many in between.
Up to the 1960s Blakey also recorded as a sideman with many other musicians: Jimmy Smith, Herbie Nichols, Cannonball Adderley, Grant Green, and Jazz Messengers graduates Lee Morgan and Hank Mobley, amongst many others. However, after the mid-1960s he mostly concentrated on his own work as a leader.
The origins of the Messengers are in a series of groups led or co-led by Blakey and pianist Horace Silver, though the name was not used on the earliest of their recordings. The most celebrated of these early records (credited to "The Art Blakey Quintet"), is A Night at Birdland from February 1954, one of the earliest commercially released "live" jazz records. This featured Silver, Blakey, the young trumpeter Clifford Brown, alto saxophonist Lou Donaldson and bassist Curly Russell. The "Jazz Messengers" name was first used on a 1954 recording nominally led by Silver, with Blakey, Hank Mobley, Kenny Dorham and Doug Watkins — the same quintet would record The Jazz Messengers at the Cafe Bohemia the following year, still as a collective. Donald Byrd replaced Dorham, and the group recorded an album called simply The Jazz Messengers for Columbia Records in 1956. Blakey took over the group name when Silver left after the band's first year (taking Mobley, Byrd and Watkins with him to form a new quintet with a variety of drummers), and the band was known as "Art Blakey and the Jazz Messengers" from then onwards.
From 1959 to 1961 the group featured Wayne Shorter on tenor saxophone, Jymie Merritt, Lee Morgan, and Bobby Timmons. The second line-up (1961–1964) was a sextet that added trombonist Curtis Fuller and replaced Morgan and Timmons with Freddie Hubbard and Cedar Walton, respectively. Shorter was the musical director of the group, and many of his original compositions such as "Lester Left Town" remained staples of Blakey's repertoire even after Shorter's departure. (Other players over the years made permanent marks on Blakey's repertoire — Timmons, composer of "Dat Dere" and "Moanin'", Benny Golson, composer of "Along Came Betty" and "Are You Real", and, later, Bobby Watson.) Shorter's more experimental inclinations pushed the band at the time into an engagement with the 1960s "New Thing", as it was called: the influence of Coltrane's contemporary records on Impulse! is evident on Free For All (1964), often cited as the greatest document of the Shorter-era Messengers (and certainly one of the most fearsomely powerful examples of hard bop on record)
Blakey went on to record dozens of albums with a constantly changing group of Jazz Messengers — he had a policy of encouraging young musicians: as he remarked on-mike on A Night at Birdland (1954): "I'm gonna stay with the youngsters. When these get too old I'll get some younger ones. Keeps the mind active." After weathering the fusion era in the 1970s with some difficulty (recordings from this period are less plentiful and include attempts to incorporate instruments like electric piano), Blakey's band got revitalized in the early 1980s with the advent of neotraditionalist jazz. Wynton Marsalis was for a time the band's trumpeter and musical director, and even after Marsalis's departure Blakey's band continued as a proving ground for many "Young Lions" like Terence Blanchard, Donald Harrison and Kenny Garrett. Blakey continued performing and touring with the group into the late 1980s, and he died in 1990 of lung cancer in New York City, leaving behind a vast legacy and approach to jazz which is still the model for countless hard-bop players.
Justice
Art Blakey Lyrics
We have lyrics for 'Justice' by these artists:
30/30 Buried our heads in the sand Dropped us off into this…
40oz. To Life As your head is split open with our fists We…
Aki Kudou Fight for your justice yuuki o dashite Righy! kono te ni…
Alan Price We all want justice but you got to have the…
all & always Another crime but it's not in the streets Another criminal i…
Avatar Warden, let me in I tried to be the mad man…
Ayọ feat. Citizen Cope I found this brand new gift Looking for somebody to share…
Berserkr (MTTB cover) Look back on your life, you've done nothing …
Big Ups We're all walking through to no man's land But no one…
Bim Sherman meets Horace Andy And U.Black Justice t'es pas faite pour nous seuls Et ces gens-là on…
Brigitte DeMeyer Plum tuckered out of sleep Didn't get to bed 'til three I…
Bruce Cockburn What's been done in the name of Jesus? What's been done…
Budgie Don't want to talk with you no more Don't want to…
Buju Banton One man say, restore the peace by any means Shoot…
C-CLOWN 쿵 치키치키치키치키 아 Boom Chikichikichikichiki Ah 쿵 치키치키치키치키 호 Bo…
C-CLOWN(씨클라운) Maybe in the future, there will be love and peace And…
C-styles LET'S RAISE HELL The self righteous simple minded sheep who …
Chicago P.D. 中王区 中心勢力 mighty (mighty) We are 言の葉党(パーティー) (葉党) 逆うやつ no mer…
Citizen Cope I found this brand new giftriff Looking for somebody to shar…
Claudia Vazquez & B-BANDJ 中王区 中心勢力 mighty (mighty) We are 言の葉党(パーティー) (葉党) 逆うやつ no mer…
Cockburn Bruce What's been done in the name of Jesus? What's been done…
Constantines When your words won't do no justice And you've been led…
Cross Your criminal eyes, that see straight through We criminalize…
D.A.N.C.E. Gotz art recordz Yo ,Big N Kev Kid, bro 069 ,237 Die Schrift…
D.L. Hughley 中王区 中心勢力 mighty (mighty) We are 言の葉党(パーティー) (葉党) 逆うやつ no mer…
Danakil & Ondubground Vous aurez la paix Quand on aura la justice Quand on aura…
Daniel Donato Ain’t no justice when you’re out alone In the winter when…
Dezarie We want justice That is our only interest Don't waan no ju…
Dirt Poor Robins I never was late, you could rest assured I'd never need…
DIV JUSTICE DIV ダイヴ 泣き顔 追い回すレンズ 誇張された速報ニュース 無数の指がつぶやく 顔も名前も真実も …
DJ-Pipes Higher than ubiquity Rare where the gangster be If I could h…
Dubioza Kolektiv Things are about to explode Like a dubnamite (Hey) Let us …
Dumpstaphunk Only the victim remains the victim While the truth slips thr…
E. JONES Oh, I told you if you walked out on me…
Easy Mccoy Justice Justice Yeah The world is mad And they say that the…
Ed Rec Vol. 2 F&R sur mon étendard, j'ai quitté le bateau pars à…
Ed Rec Vol. 3 J'ai grandi en croyant que mes bonnes œuvres étaient les…
Ezza C.C Maybe in the future, there will be love and peace And…
F.T.G. Pat G’s in the house And you know i make it…
FAT-D My ideals are founded on justice and equality I was raised…
Felony I'm standing before the high court It seems like a…
Floortje Yeah You would be my man, I would be your girl, Oh yeah, …
Francis & The Drakes Every second, every minute, man I swear that she can…
Gallery Provence Mm, damn (Brr) (Ayy, pipe up Hoodrixh) Ayy (Yeah) All of the…
Ghettoman Yeah man,our God is God of justice and peace, Equality…
GROUNDBREAKING Sometimes I can see the things all happening Before they pas…
hiroyuki takami 眠るような 静寂の闇で 睨み付ける 真実の行方 手のひられで 転がすマリオネット 軋むように 動き出す運命 黒い炎が 美…
I&I What do I see in this age of adversity Fighting for…
I/II F&R sur mon étendard, j'ai quitté le bateau pars à…
In Strict Confidence By a calm lake in the forest Justice stands and sighs Take…
J.A.M Hey love, hey love Just checkin on you, cause time has…
Jaya the Cat Sometimes I wish I was a bird Flying high above this…
Jennifer Castle Justice, my sister I need you This very hour Where are you? …
Jimmy Cliff I work all day To find my daily bread Work so hard…
Josh Kelley Justice will be served and deserved Life is a funny, tiny…
Junodef Justice Justice come home with me I can tell you all the…
Justice - D.A.N.C.E 中王区 中心勢力 mighty (mighty) We are 言の葉党(パーティー) (葉党) 逆うやつ no mer…
Justice - D.A.N.C.E. Say they call me Too sleek oh And I dey here…
Justice - Genesis T T T Tcm Justice Since we sending texts (Okay) i'm…
Kaiju The situation's perfect "I'll be damned" You gotta find your…
Keznamdi I'm looking for justice The people dem a bawl Dem ah bawl De…
Kim Milford Jimi, Janis Judy, Jim, Jesus J stands for jives and justice …
Kirlian Camera Those eyes were staring at me through the glass. A silent…
Krokus Where are we going? What's on your mind So full…
Kylee From the start I knew you'd end up with him You…
Lara-B 中王区 中心勢力 mighty (mighty) We are 言の葉党(パーティー) (葉党) 逆うやつ no mer…
Les Espoirs de Coronthie Hee baratoro la guinée diyé bara torodé éh bala toro…
Little Steven Somebody's country, somebody's war Nobody knows just what th…
Lucky Brown & The S.G.'s Pat G’s in the house And you know i make it…
Lukas Rieger I can't explain the way the world works baby I'm not…
Luna Haruna 誰かの言葉に 揺らいだ思い 崩れた夢 でも何より辛いことは その熱さえ 忘れること 生きるため生きてる訳じゃない 僕ら…
M.G.T. Maybe in the future, there will be love and peace And…
MANSHN Justice is no more How are you so bored We're losing grip…
Matenrou Opera どれだけの善意が どれだけの悪意が この地上にへばりついてる 人の為だって 胸張って悟りきってる 恐ろしいほど盲目にで…
Māyā -Order in the fucking court! -How do you plead? -Justice is…
MC V.E.G.A Pat G’s in the house And you know i make it…
Michael & Levan You look so good me and my main girl might…
Michajlov Trestní právo zase další paragraf Porušení podmínky je padno…
Mike Park Wake up, nights fly This is the day I've been looking…
Miru Takayama with TWO-MIX When you wake up tomorrow You won't even remember my name It…
Molly Hatchet The Daltons ride and the desert sky gets swallowed up…
Mr. Pauer They doubted that I’ll ever make it this far I’m shitting…
My Darkest Hate Where is my justice Where's your respect Merger of equals …
N.EX.T Gotz art recordz Yo ,Big N Kev Kid, bro 069 ,237 Die Schrift…
Nakkia Gold Get up, stand up stand up for your rights Get up,…
Nasio Fontaine This is reggae power Prop-pop-pidle-llp-pap-praop-pol We got…
Nasty Wanna fight for justice, this is what you get! Fucked…
Nerve Damage Bring in the liars and thieves Bring in the poor And they'll…
Nosce Teipsum The glories of our blood and state Are shadows, not substant…
Nuclear Assault "When the law becomes a tool of the rich And not…
O.H. Maybe in the future, there will be love and peace And…
On 'n' On Gotz art recordz Yo ,Big N Kev Kid, bro 069 ,237 Die Schrift…
Ou2s F&R sur mon étendard, j'ai quitté le bateau pars à…
OXYMORRONS They wanted us to hang Jesus piece on a nuse Been rapping…
Papoose R.I.P. to all my dead homies, R.I.P. to the God, Everythin′ …
Phantom Thunderous Thunderous rumblings Woke me in the night Heart …
Praiser You live for power You live for wealth You live for success …
Promoe Verse 1: (Promoe) I know I'm not the first, probably not…
Proton & Wizard Tere nal layia si mai Tere nal nibhayia si han Kedi gallon…
Psycho le Cému Nemuri wo kasanereba itsu no hi ka mata aeru darou mabuta…
R.C. Sproul 中王区 中心勢力 mighty (mighty) We are 言の葉党(パーティー) (葉党) 逆うやつ no mer…
Raging Fyah Tell me what you think about Marcus Tell me what…
Rev Theory I want justice I want you overthrown I want justice I want…
Rive Fermer les yeux sur la ville qui nous flash et…
RIZE Hey, 日本語解放 RIZEからの提示 音にRIDE ON Hey, マイノリティーファイト 百獣の王の子 we ar…
Robert Forster I'm a lucky man I'm a lucky man The best is yet…
Ruffneck & Endymion I am not angry, I am anger I am not dangerous,…
Running Lights Feels like I'm losin' my mind And I check myself 'cause…
Ruthless Rap Assassins We're ruthless on the mic you may have heard us…
S.O.H LET'S RAISE HELL The self righteous simple minded sheep who …
Sashamon My knees feel weak as I'm led from the dock My…
Saxon We lay our case before you Let your hammer fall Tip the…
Shaneil Muir A top gyal( It's top girl) Yow( Yo) Mi know yuh fk mi …
Skrewdriver My knees feel weak as I'm dragged from the dock My…
Skyver & D-Jon 中王区 中心勢力 mighty (mighty) We are 言の葉党(パーティー) (葉党) 逆うやつ no mer…
Soprano J'suis là, t'es où? J'te cherche un peu partout On m'dit qu'…
Steve Camp You met a smooth-talking stranger Had Cupid on his arm His…
Stinx Seems your life's safe enough You sit at home &…
The 4-Skins I've got these dreams and these thoughts, all in my…
The Chinkees Wake up, eyes wide This is the day that I've been…
The Constantines When your words won't do no justice And you've been led…
The Hitch Lowke 例えば誰もかもが 嘘をつかなくなって 思う事感じたまま さらけ出した物語 君の声は耳障りだな 早く歩け老人 よくまぁそん…
The Missing You show your affection With fists of rejection An innocen…
The Pan-Afrikan Peoples Arkestra Its not what you say how you say it Not how…
The Pop Group I wake up every day And look at my country This is…
The Sun She's freezing cold I know that I don't have a…
Tiken Jah Fakoly Justice t'es pas faite pour nous seuls Et ces gens-là on…
TWO-MIX (When you wake up tommorrow, you won't even remember my…
Two-Mix with Takayama Miru F&R sur mon étendard, j'ai quitté le bateau pars à…
UCK Grind justice, justice and pride. in the gasroom no more crime. w…
Up & Running Feels like I'm losin' my mind And I check myself 'cause…
UPLIFT SPICE 罪人臓器密売 拳銃流通間经路 たたかってもつれみだれる 破産斡旋組織 団離脱妨害 ほねとかわとがはなれるおと 闇に咲く花…
V.P.R Early one morning at county line The swells 4-6 approaching…
Vangard My generation has never seen one before Big Apple icon reac…
Various - Dance I don't even fucking feel nobody I don't even fucking feel…
Victor Wooten Here we go talk about justice Hush this we're not supposed…
X-Nova (La-la-la) (La-la-la-la-la) ah ooh (La-la-la-la-la) ah ah ah…
X.Y.Z.→A Young Sylvester a young nigga frm the trenches I saw him…
XX-me We want justice We ain't waiting for it (We ain't waitin') W…
Yamaarashi 誘惑と正義を天秤にかけ 右左揺れても最後に勝て 己と世間を天秤にかけ 違うと思ったら自分で立て 進めばやがて次の交差点 …
Ziggy Marley Justice, people say, justice Justice, brother say, justice …
ziggy marley & melody makers Justice, people say, justice Justice, brother say, justice …
Ziggy Marley And The Melody Makers Justice, people say, justice Justice, brother say, justice …
中島美嘉 あの手この手で卑怯者だらけ 口裏合わせの作戦会議 今回は相手が悪かったの oh no (Ready) 捨てることを恐…
工藤亜紀 Fight for your justice yuuki o dashite Righy! kono te ni…
徳永英明 幾つか恋にも触れたけど 少しの名誉に酔ったけど 嘘と飾りで街の空には 矛盾がこだまする 素直な自分が恋しくて 都会のネオ…
致命傷 Bass (to the) Yeah, hey She move, she move I like the way…
Rev Theory I want justice I want you overthrown I want justice I want…
DIV 泣き顔 追い回すレンズ 誇張された速報ニュース 無数の指がつぶやく 顔も名前も真実も 個人情報の観点から 匿名希望で …
MODE 誰かのいたずらで 闇にまぎれこんで 都会の片隅で 甘い言葉に触れたの 時期(とき)が誘う罪な過ちに やがてあなたも落ちて…
We have lyrics for these tracks by Art Blakey:
'Round Midnight It begins to tell 'Round midnight, midnight I do pretty well…
A_Night_In_Tunisia [Instrumental]…
Blue Moon Blue moon you saw me standing alone Without a dream in…
Blues Blue moon you saw me standing alone Without a dream in…
Body And Soul My heart is sad and lonely For you I sigh, for…
Caravan Night and stars above that shine so bright The myst'ry…
How Deep Is the Ocean How much do I love you? I'll tell you no lie How…
I mean you I could show the world how to smile I could be…
I Remember Clifford I know he′ll never be forgotten Long as there's still sound …
I Waited for You This is hard to say, but as I wandered through…
If I Had You I could show the world how to smile I could be…
Ill Wind Hush now don't explain I know you raise Cain I'm glad you'…
It's Only a Paper Moon Say, it's only a paper moon Sailing over a cardboard sea But…
It's You or No One How did I know that the warmth of the glow…
Just One of Those Things It was just one o' those things Just one o' those…
Like Someone in Love Lately, I find myself out gazing at stars, Hearing guitars…
Lover I don't know why but I'm feeling so sad I long…
My Heart Stood Still I took one look at you That's all I meant to…
Never Never Land I'll never be the same Stars have lost their meaning for…
Once in a While Once in a while will you try to give One little…
One By One I could show the world how to smile I could be…
One For Trane This is hard to say, but as I wandered through…
Round 'Bout Midnight It begins to tell 'Round midnight, midnight I do pretty well…
Skylark Skylark Have you anything to say to me? Won't you tell me…
Song Is You I hear music when I look at you, A beautiful theme…
Split Kick Ladies and gentleman, as you know we have something special…
Stardust And now the purple dusk of twilight time Steals across the…
That Old Feeling Last night I started out happy Last night my heart was…
The Man I Love The very thought of you makes my heart sing Like an…
The Song Is You I hear music when I look at you, A beautiful theme…
The Things I Love The very thought of you makes my heart sing Like an…
When Lights Are Low Listen to the melody entrancing Blending in a soft and sweet…
Without A Song Without a song the day would never end Without a song…
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