Dylan started his musical odyssey in 1959 when he began playing in Dinkytown, Minneapolis while attending the University of Minnesota. Shortly after starting to play he changed his stage name to Bob Dylan, after being influenced by the poetry of Dylan Thomas before legally changing his name in 1962.
Much of his best known work is from the 1960s, when he became an informal documentarian and reluctant figurehead of American unrest, promoted by Joan Baez. Some of his songs, such as "Blowin' in the Wind" and "The Times They Are A-Changin'", became anthems of the anti-war and civil rights movements, with Joan Baez and Dylan singing together at the March on Washington in 1963. However he later became disenchanted with the civil liberty protest scene, feeling that he had been used by them.
His album Bringing It All Back Home marked a move away from the folk scene and a move towards rock and roll and Dylan began to consciously distance himself from his early association with civil rights. He also started to become irritated when being interviewed, often given facetious or irreverent answers to questions. Bringing It All Back Home was a controversial album as it the first on which he played electric guitar. This was seen by some of his fans as a betrayal of this folk roots, with some saying that it obscured his meaningful and poetic lyrics.
The second half of the 1960s was marked by a string of well received releases, with his song "Like a Rolling Stone", released in July of 1965, later being named "The Greatest Song of All Time" by Rolling Stone magazine in 2004, placing #1 in a list of 500 titles. It also marked the formation of Dylan's backing band The Hawks (who would later call themselves simply The Band). Dylan embarked on a world tour of Australia and Europe in 1966, during which he seemed to be under a lot of strain and pressure by both his fans, the music press and his own promoters. Dylan himself admitted that he began taking drugs seriously whilst on this tour, and found it immensely hard work. On returning to New York he crashed his motorbike, sustaining serious injuries in the process, and went into a period of withdrawal while he recuperated. During the late 1960s, Dylan again changed stylistic tradition, moving away from the psychedelic culture of the time. It was then that he recorded All Along the Watchtower, perhaps more famously recorded by Jimi Hendrix.
The 1970s were a period during which Dylan was more sporadic in his output, releasing some poorly received LPs. He rarely appeared in person until 1974, when he began touring again with his backing band The Band. He also wrote one of his most extensively covered songs, Knockin' On Heaven's Door, as well as what is now recognised as one of his best albums Blood On The Tracks. Towards the end of the 1970s, Dylan discovered Christ, and released some albums of gospel music. He started to talk to the crowd about his faith during his performances, and wouldn't play any of his early work, which alienated some of his previous fans.
Dylan today still remains an influential and popular artist; despite a period of little note between 1980-2000, his 2006 album Modern Times reached the US chart at #1, as did his 2009 album Together Through Life, in the US, Britain, France and several other countries. His 2012 album Tempest was also critically acclaimed. Since 1988, Dylan has been on the so-called Never Ending Tour, during which his performances have provoked controversy, with some critics claiming that his lyrics have become incomprehensible, an experience which is not helped by his tendency to change his set-list and vocals almost every performance.
Bob Dylan's strong influence over the past few years is becoming even more prominent amongst a growing group of younger emerging artists such as George Ellias and Devendra Banhart. Dylan's early lyrics incorporated politics, social commentary, philosophy and literary influences, defying existing pop music conventions and appealing widely to the counterculture of the time. While expanding and personalizing musical styles, Dylan has shown steadfast devotion to traditions of American song, from folk and country/blues to rock and roll and rockabilly, to Gaelic balladry, even jazz, swing and Broadway.
Dylan performs with the guitar, keyboard and harmonica. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s. He has also recently performed alongside other iconic artists, such as Paul Simon, Joni Mitchell, Tom Petty and Eric Clapton. Although his contributions as a performer and recording artist have been central to his career, his songwriting is generally held as his highest accomplishment.
Nobel Prize for Literature (2016) - On October 13, 2016, Dylan was awarded the Nobel Prize for Literature for “for having created new poetic expressions within the great American song tradition”. The prestigious award has been given annually since 1901 and previous Nobel Laureates for Literature include Harold Pinter and Samuel Beckett. Here is the speech written by Dylan, although unable to attend:
http://www.nytimes.com/2016/12/10/arts/bob-dylan-nobel-prize-acceptance-speech.html?_r=0
Lo And Behold!
Bob Dylan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I never felt so good
My woman said she'd meet me there
And of course, I knew she would
The coachman, he hit me for my hook
And he asked me my name
I give it to him right away
Then I hung my head in shame
Lookin' for my lo and behold
Get me outta here, my dear man
I come into Pittsburgh
At six-thirty flat
I found myself a vacant seat
An' I put down my hat
What's the matter, Molly, dear
What's the matter with your mound?
"What's it to ya, Moby Dick?
This is chicken town"
Lo and behold Lo and behold
Lookin' for my lo and behold
Get me outta here, my dear man
I bought myself a herd of moose
One day she could call her own
She came out the very next day
To see where they had flown
I'm goin' down to Tennessee
Get me a truck 'are somethin'
Gonna save my money and rip it up
Lo and behold Lo and behold
Lookin' for my lo and behold
Get me outta here, my dear man
Now, I come in on a Ferris wheel
An' boys, I sure was slick
I come in like a ton of bricks
Laid a few tricks on 'em
Goin' back to Pittsburgh
Count up to thirty
Round that horn and ride that herd
Gonna thread up
Lo and behold Lo and behold
Lookin' for my lo and behold
Get me outta here, my dear man
The lyrics of "Lo and Behold!" tell the tale of a journey. The singer begins in San Antonio, where he feels incredible: his woman is meeting him there, and he's happy to see her. Unfortunately, the coachman is less than pleased when he hears the singer's name. The singer feels a sense of shame and embarrassment, but he doesn't let that stop him from looking for his "lo and behold."
The journey continues to Pittsburgh, where things take a turn for the worse. The singer encounters a woman named Molly who seems to be agitated about something. When the singer asks her what's wrong, she tells him that it's "chicken town"—whatever that means. Again, the singer is left searching for his "lo and behold," longing for escape.
Finally, the singer buys a herd of moose, which he plans to take to Tennessee. It's not clear if he accomplishes this goal, but the journey seems to end with him riding a Ferris wheel, feeling "slick." It's a strange and winding journey, but the refrain "Lo and behold" ties it all together, suggesting that there's something meaningful at the end of the road.
Line by Line Meaning
I pulled out for San Anton',
I left for San Antonio
I never felt so good
I felt really good
My woman said she'd meet me there
My girlfriend said she would meet me there
And of course, I knew she would
I was not surprised that she would keep her word
The coachman, he hit me for my hook
The carriage driver asked me for a bribe
And he asked me my name
He asked me to identify myself
I give it to him right away
I told him my name immediately
Then I hung my head in shame
I was embarrassed by the experience
Lo and behold Lo and behold
To my surprise
Lookin' for my lo and behold
Searching for something, not sure what
Get me outta here, my dear man
I want to leave this place
I come into Pittsburgh
I arrived in Pittsburgh
At six-thirty flat
At exactly 6:30
I found myself a vacant seat
I found an empty seat
An' I put down my hat
I placed my hat down
What's the matter, Molly, dear
What is wrong, Molly?
What's the matter with your mound?
What is wrong with your situation?
"What's it to ya, Moby Dick?
"Why do you care, Moby Dick?
This is chicken town"
This place is boring/undesirable
Lo and behold Lo and behold
To my surprise
Lookin' for my lo and behold,
Searching for something, not sure what
Get me outta here, my dear man
I want to leave this place
I bought myself a herd of moose
I purchased a group of moose
One day she could call her own
She could take ownership of them
She came out the very next day
The next day, she came to see the moose
To see where they had flown
She wanted to see where the moose had gone
I'm goin' down to Tennessee
I am traveling to Tennessee
Get me a truck 'are somethin'
I will buy a truck or something similar
Gonna save my money and rip it up
I will save my money and spend it freely in the near future
Lo and behold Lo and behold
To my surprise
Lookin' for my lo and behold
Searching for something, not sure what
Get me outta here, my dear man
I want to leave this place
Now, I come in on a Ferris wheel
I arrived on a Ferris wheel
An' boys, I sure was slick
I looked smooth/cool
I come in like a ton of bricks
I came in very strong/intense
Laid a few tricks on 'em
I played some tricks on them
Goin' back to Pittsburgh
I am returning to Pittsburgh
Count up to thirty
I will count up to 30
Round that horn and ride that herd
I will make a lot of noise and make a scene
Gonna thread up
I will be ready for action
Lo and behold Lo and behold
To my surprise
Lookin' for my lo and behold
Searching for something, not sure what
Get me outta here, my dear man
I want to leave this place
Lyrics © Sony/ATV Music Publishing LLC
Written by: Bob Dylan
Lyrics Licensed & Provided by LyricFind
Richard Hebb
Love this album!!!!!!
Maggie Bryan
Me too
Monica Tolipan
This album is absolutely fantastic!
JorgeLMarquez
Mítico sonido
JJQue
Oh man the harmony!
Geoff Baxter
Just joyous! Fun!
lyle anderson
Just a funny jam session
Jake Jones
“Lone B-hole”
Jeb Huzyak
(Play Mr Jones!!!!)
KhaliBalMutzo
My bholedude