T.Rex was a primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Mark Feld). Bolan created a deliberately trashy form of rock and roll that was proud of its own disposability, which stood in contrast to the low-key whimsical poetry of the earlier duo. T.Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads. While most of his peers concentrated on making cohesive albums, Bolan kept the idea of a three-minute pop single alive in the early 1970s. In Britain, he became a superstar, sparking a period of "T.Rextacy" among the pop audience with a series of Top Ten hits, including four number one singles. Over in America, the group only had one major hit -- the Top Ten "Bang a Gong (Get It On)" -- before disappearing from the charts in 1973. T.Rex's popularity in the U.K. didn't begin to waver until 1975, and they retained a devoted following until Marc Bolan's death in 1977. Over the next three decades, Bolan has emerged as a cult figure and the music of T.Rex has proved quite influential on hard rock, punk, new wave, and alternative rock.
Following a career as a teenage model, Marc Bolan began performing music professionally in 1965, releasing his first single, "The Wizard," on Decca Records. Bolan joined the psychedelic folk-rock combo John's Children in 1967, appearing on three unsuccessful singles before the group disbanded later that year. Following the breakup, he formed the folk duo Tyrannosaurus Rex with percussionist Steve Peregrine Took. The duo landed a record deal with a subsidiary of EMI in February 1968, recording their debut album with producer Tony Visconti. "Debora," the group's first single, peaked at number 34 in May of that year, and their debut album, "My People Were Fair and Had Sky in Their Hair...But Now They're Content to Wear Stars on Their Brow", reached number 15 shortly afterward. The duo released their second album, "Prophets, Seers & Sages, the Angels of the Ages", in November of 1968.
By this time, Tyrannosaurus Rex was building a sizable underground following, which helped Bolan's book of poetry, The Warlock of Love, enter the British best-seller charts. In the summer of 1969, the duo released their third album, "Unicorn", as well as the single "King of the Rumbling Spires," the first Tyrannosaurus Rex song to feature an electric guitar. Following an unsuccessful American tour that fall, Took left or as is often stated by people close to the band, was sacked. He was replaced by Mickey Finn, previously linked to the band Haphash and the coloured coat.(There are a few more artists using the name Mickey Finn, though that is where the connection ends)! The new duo's first single did not chart, yet their first album, 1970's "A Beard of Stars", reached number 21.
The turning point in Bolan's career came in October of 1970, when he shortened the group's name to T.Rex and released "Ride a White Swan," a fuzz-drenched single driven by a rolling backbeat. "Ride a White Swan" became a major hit in the U.K., climbing all the way to number two. The band's next album, T.Rex, peaked at number 13 and stayed on the charts for six months. Encouraged by the results, Bolan expanded T.Rex to a full band, adding bassist Steve Currie and drummer Bill Legend (born Bill Fifield). The new lineup recorded "Hot Love," which spent six weeks at number one in early 1971. That summer, T.Rex released "Get It On" (retitled "Bang a Gong (Get It On)" in the U.S.), which became their second straight U.K. number one; the single would go on to be their biggest international hit, reaching number ten in the U.S. in 1972. "Electric Warrior", the first album recorded by the full band, was released in the fall of 1971; it was number one for six weeks in Britain and cracked America's Top 40.
By now, "T.Rextacy" was in full swing in England, as the band had captured the imaginations of both teenagers and the media with its sequined, heavily made-up appearance; the image of Marc Bolan in a top hat, feather boa, and platform shoes, performing "Get It On" on the BBC became as famous as his music. At the beginning of 1972, T.Rex signed with EMI, setting up a distribution deal for Bolan's own T.Rex Wax Co. record label. "Telegram Sam," the group's first EMI single, became their third number one single.
"Metal Guru" also hit number one, spending four weeks at the top of the chart. The Slider, released in the summer of 1972, shot to number one upon its release, allegedly selling 100,000 copies in four days; the album was also T.Rex's most successful American release, reaching number 17. Appearing in the spring of 1973, Tanx was another Top Five hit for T.Rex; the singles "20th Century Boy" and "The Groover" soon followed it to the upper ranks of the charts. However, those singles would prove to be the band's last two Top Ten hits. In the summer of 1973, rhythm guitarist Jack Green joined the band, as did three backup vocalists, including the American soul singer Gloria Jones; Jones would soon become Bolan's girlfriend. At the beginning of 1974, drummer Bill Legend left the group and was replaced by Davy Lutton, as Jones became the group's keyboardist.
In early 1974, the single "Teenage Dream" was the first record to be released under the name Marc Bolan and T.Rex. The following album, Zinc Alloy and the Hidden Riders of Tomorrow, was the last Bolan recorded with Tony Visconti. Throughout the year, T.Rex's popularity rapidly declined -- by the time "Zip Gun Boogie" was released in November, it could only reach number 41. Finn and Green left the group at the end of the year, while keyboardist Dino Dines joined. The decline of T.Rex's popularity was confirmed when 1975's Bolan's "Zip Gun" failed to chart. Bolan took the rest of the year off, returning in the spring of 1976 with "Futuristic Dragon", which peaked at number 50. Released in the summer of 1976, "I Love to Boogie," a disco-flavored three-chord thumper, became Bolan's last Top 20 hit.
Bolan released "Dandy in the Underworld" in the spring of 1977; it was a modest hit, peaking at number 26. While "The Soul of My Suit" reached number 42 on the charts, T.Rex's next two singles failed to chart. Sensing it was time for a change of direction, Bolan began expanding his horizons in August. In addition to contributing a weekly column for Record Mirror, he hosted his own variety television show, Marc. Featuring guest appearances by artists like David Bowie and Generation X, Marc helped restore Bolan's hip image. Signing with RCA Records, the guitarist formed a new band with bassist Herbie Flowers and drummer Tony Newman, yet he never was able to record with the group. While driving home from a London club with Bolan, Gloria Jones lost control of her car, smashing into a tree. Marc Bolan, riding in the passenger's seat of the car, was killed instantly.
While T.Rex's music was intended to be disposable, it has proven surprisingly influential over the years. Hard rock and heavy metal bands borrowed the group's image, as well as the pounding insistence of their guitars. Punk bands may have discarded the high heels, feather boas, and top hats, yet they adhered to the simple three-chord structures and pop aesthetics that made the band popular, as they still are today 30 years after Marc's death.
Life’s an Elevator
T. Rex Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Alone at last
You cry with a sigh
Resurrecting all your past
Life's an elevator
It goes up and down
Life's an elevator
Swift is the kill
Shadows fill the empty walls
Wild is the word
That engulfs love sacred halls.
Life's an elevator
It goes up and down
Life's an elevator
Can't you dig the sound
Scenes from your past
Spread before the flaming dawn
Have faith in the hearts
Of the world they're rocking on
Life's an elevator
It goes up and down
Life's an elevator
Can't you dig the sound
T. Rex's "Life's An Elevator" is a philosophical reflection on the ups and downs of life. The first verse describes the singer sitting alone, with only a cat for company, and crying while recalling past memories that have been resurrected. This is a powerful image that suggests the loneliness and pain that can come from revisiting the past.
The chorus explains the song's primary metaphor: Life is an elevator that goes up and down, with all the accompanying sounds and sensations. This is an interesting perspective that plays on the idea that life is a journey, and the elevator represents the movement and change that life brings. The "sound" that Rex is asking listeners to "dig" is the sound of life itself, with all its noise and commotion.
The second verse further explores the idea that life is wild and unpredictable, with "shadows fill[ing] the empty walls" and "wild words" engulfing even the most sacred spaces, like love. This speaks to the idea that life is not always easy or comfortable, and that we must be prepared for unexpected challenges.
The final verse offers a glimmer of hope, suggesting that even though scenes from the past may be painful, we can have faith that the world is moving forward and progressing, like a literal elevator. This implies that even though life can be difficult, we can trust that things will get better over time.
Overall, "Life's An Elevator" is a song that captures the complexities of human experience, and encourages us to embrace the ups and downs of life with open hearts and minds.
Line by Line Meaning
Sat with a cat on your head
Being alone and feeling somewhat ridiculous.
Alone at last
Finally being free from constraints of the world.
You cry with a sigh
Reflecting on past experiences and heavy-hearted sentiments.
Resurrecting all your past
Going through memories of past events and emotions as if they happened yesterday.
Life's an elevator
A metaphor for the unceasing ups and downs people experience throughout their lives.
It goes up and down
A literal description of the elevator, but a symbolic description of life's cycles.
Can't you dig the sound
Asking the listener to understand and appreciate the metaphor.
Swift is the kill
Life is unpredictable and can change in an instant.
Shadows fill the empty walls
Life can be dark and depressing at times, and these feelings can be overwhelming.
Wild is the word
Life is unpredictable.
That engulfs love sacred halls.
Even the most cherished and intimate aspects of life can be unexpectedly affected by the unpredictable nature of life.
Scenes from your past
Memories and flashbacks from one's life that are especially poignant.
Spread before the flaming dawn
The knowledge and personal experience gained from life that is passed down through generations.
Have faith in the hearts
Believing that people will have the strength to rise above the hardships faced in life.
Of the world they're rocking on
The world continues to spin, and people will continue to live and survive despite challenges and changes.
Lyrics © Warner/Chappell Music, Inc., Spirit Music Group
Written by: MARC BOLAN
Lyrics Licensed & Provided by LyricFind
@JaquieDanielsMusic
This is my favourite T-Rex song - great and sorrowful but uplifting words.
@philipknaggs2168
I bought an album (CD) on a whim. Best 20 dollars I have ever spent. Hadn't really heard much Marc Bolam, though he was prevalent during my childhood. To cut a long story short, . a masterpiece. This song has now stayed with me for over 20 years.
@marianferenc3755
Thank you Marc from the bottom of my heart....Thank You! This song is beyond beautiful. I first heard it 22 years ago, I was 14 years old and it has instantly become part of who I am.
@keith-leecastle6700
One of the best tunes he wrote...
@jmedia1102
THAT newspaper headline broke my heart - in 1977.
@Peacechilde
This song and cosmic dancer are two of my favs. Marc was a prolithic writer. Brings a tear to my eye. RIP dear Marc xxxl
@captmac5627
Yep, that's it. Well said Mark.
@susankirkland3852
I can't believe I've never heard this before. Love it
@1966maryjane
Brilliant, beautiful, magical, mystical, incomparable: Marc.
@sandrajh1
love this song no one writes songs like this anymore he was definately one of a kind