Java partout
Léo Ferré Lyrics

"Java partout" by Léo Ferré is a song that paints a vivid picture of the nightlife and atmosphere in various locations, primarily focusing on the dance style known as "Java." The lyrics start by describing the presence of cranes waiting idly on docks or quays. If someone doesn't have their ticket, they are left with no choice but to find a place to dance the Java des buffets, a lively and energetic dance. The song suggests that regardless of the location, whether it be London or Antwerp, language is not a barrier to enjoying oneself; the only important thing is having money, as indicated by the phrase "Il y a qu'un' manière d'causer ma chère, la monnaie!" This line highlights the importance of financial means in accessing certain pleasures.

Moving on to the next paragraph, the lyrics describe the bars of Java, Zanzibar, or even those found on the singer's street. The Java dance is said to be abundant in these places, causing people to sway in the streets. The singer mentions the presence of discreetly glancing naked women, emphasizing their allure and the allure of the environment itself. Again, the emphasis is placed on the significance of money, with the line "Il y a qu'un' manière d'passer ma chère, la monnaie!" suggesting that money is essential for indulging in these pleasures. The various groups mentioned, such as "Les Chin'toqu's, les Ricains, les frisés, les rouquins," represent a diverse crowd that come together to participate in the Java dance; it's the universal language of enjoyment.

The third paragraph portrays phonographs playing music in clubs, creating a lively and rhythmic environment. These machines, regardless of their authenticity, play a crucial role in the mechanical and rhythmic aspects of the Java dance. Again, the lyrics emphasize the role of money, stating that it is necessary for maintaining the mechanics of the dance. Referring to "vieill's rengain's fill's de paille," which can be understood as outdated refrains or repetitive songs, the lyrics convey the idea of embracing classic and familiar tunes for the dancers to intertwine and invert themselves in pairs. In this paragraph, the mention of Mimi, who has returned to singing, suggests that even elements of the past can find a place in the contemporary Java dance scene if they adapt and find a market value.

The song concludes with a repetitive chorus of "D'la Java," signifying the undying presence and popularity of this form of dance and entertainment. Ultimately, "Java partout" portrays a vibrant world where the Java dance is celebrated, where money plays a crucial role, and where people from different backgrounds come together to embrace the joyous and captivating rhythm of the song.