Tinariwen (in Tuareg: "ⵜⵏⵔⵓⵏ"; from Tamasheq (Berber), Tenere, the desert) … Read Full Bio ↴Tinariwen (in Tuareg: "ⵜⵏⵔⵓⵏ"; from Tamasheq (Berber), Tenere, the desert) is a Tuareg music group, originating from Tessalit in the Adrar des Ifoghas, a region shared between southern Algeria and northern Mali. The band's fifth album Tassili, released in 2011, won the Award for Best World Music Album at the 54th Grammy Awards.
Formed in 1982, in strikingly unusual circumstances for a musical ensemble, Tinariwen blend ancient musical traditions with radical contemporary politics. Despite severe natural and man-made hardships, young Kel Tamashek exiles continued performing the traditional music of their Tuareg forebears in the southern Sahara while simultaneously fighting against the government of Mali.
Forced to seek an alternative to starvation and repression in drought-stricken Mali, many of these young nomads hoped to attain a better life by striking up what proved to be an uneasy alliance with Libya. The hoped-for aid in their struggle with the Mali government failed to materialize, but in the meantime some of the rebels had evolved a form of music that kept alive the music of their forefathers while simultaneously communicating radical political messages. This music is known as tishoumaren, music of the ishumar (the unemployed). Usually performed by groups of 30 and more instrumentalists and singers, tishoumaren acknowledges contemporary western music, especially rock, as well as other music forms prevalent in the Middle East, while never losing touch with the original ancient form. In some instances, players not only adapt traditional forms but also substitute modern instruments for the traditional lutes, flutes and one-string violins. The electric guitar in particular has become popular, even though circumstances demand the availability of portable generators.
The name chosen by this band, Tinariwen, means empty places, thus maintaining a further link to the vast desert regions of the southern Sahara. The musicians include Said Ag Ayad, Alhassane Ag Touhami, Eyadou Ag Leche, Ibrahim Ag Alhabib, Abdallah Ag Lamida, Abdallah Ag Alhousseyni and Bassa Walet Abdoumou.
The music itself is spare and haunting, an aural reflection of those same open spaces. The lyrics of their songs, perhaps more accurately termed sung poetry, carry outspoken political thought that draws attention not only to repression in Mali, but also to the enforced exile of many and the continuing struggle for self-determination of the Tuareg nomads. Song structures are many and varied and include elemental call-and-response patterns as well as (to western ears) discordant notes that call to mind the blue notes favoured by western blues and jazz players overlaid upon a solid four-beat rhythmic foundation that is itself uncommon to the region although compatible with much western popular music.
Tinariwen's first recordings were to cassette, sales and even possession of which carried harsh penalties in Mali and Algeria. In the early 00s, availability of albums encouraged more widespread awareness of the music and its underlying political messages.
Formed in 1982, in strikingly unusual circumstances for a musical ensemble, Tinariwen blend ancient musical traditions with radical contemporary politics. Despite severe natural and man-made hardships, young Kel Tamashek exiles continued performing the traditional music of their Tuareg forebears in the southern Sahara while simultaneously fighting against the government of Mali.
Forced to seek an alternative to starvation and repression in drought-stricken Mali, many of these young nomads hoped to attain a better life by striking up what proved to be an uneasy alliance with Libya. The hoped-for aid in their struggle with the Mali government failed to materialize, but in the meantime some of the rebels had evolved a form of music that kept alive the music of their forefathers while simultaneously communicating radical political messages. This music is known as tishoumaren, music of the ishumar (the unemployed). Usually performed by groups of 30 and more instrumentalists and singers, tishoumaren acknowledges contemporary western music, especially rock, as well as other music forms prevalent in the Middle East, while never losing touch with the original ancient form. In some instances, players not only adapt traditional forms but also substitute modern instruments for the traditional lutes, flutes and one-string violins. The electric guitar in particular has become popular, even though circumstances demand the availability of portable generators.
The name chosen by this band, Tinariwen, means empty places, thus maintaining a further link to the vast desert regions of the southern Sahara. The musicians include Said Ag Ayad, Alhassane Ag Touhami, Eyadou Ag Leche, Ibrahim Ag Alhabib, Abdallah Ag Lamida, Abdallah Ag Alhousseyni and Bassa Walet Abdoumou.
The music itself is spare and haunting, an aural reflection of those same open spaces. The lyrics of their songs, perhaps more accurately termed sung poetry, carry outspoken political thought that draws attention not only to repression in Mali, but also to the enforced exile of many and the continuing struggle for self-determination of the Tuareg nomads. Song structures are many and varied and include elemental call-and-response patterns as well as (to western ears) discordant notes that call to mind the blue notes favoured by western blues and jazz players overlaid upon a solid four-beat rhythmic foundation that is itself uncommon to the region although compatible with much western popular music.
Tinariwen's first recordings were to cassette, sales and even possession of which carried harsh penalties in Mali and Algeria. In the early 00s, availability of albums encouraged more widespread awareness of the music and its underlying political messages.
The Game
Tinariwen Lyrics
We have lyrics for these tracks by Tinariwen:
Aden Osamnat Les filles sont jalouses Girls are jealous Sobkh n allah so…
Aghregh Medin I call upon the wisdom of the people of knowledge Opinions…
Aldachan Manin Tired I'm tired Of searching for that which is not I se…
Aldhechen Manin Tired I'm tired Of searching for that which is not I searc…
Amassakoul 'N' Ténéré Nak Amassakul N tenere Wer hi Ggrraw taKunt Sshmara i adutan…
Arawan Agadez, Kidal, Tamanghassat, Ingall Ikallan 'n muhagh …
Arhegh ad annagh Arhegh ad annàgh imidewan widtidawegh, djigh esdiwen Arhegh …
Arhegh Danagh Arhegh ad ànnàgh imidiwàn Wi dàr tidawàgh ad dàr djegh isdiw…
Assàwt Assàwt n- chàt-Tamashàq Itlab-nen àlhorriya D-inizdjam n-tim…
Assuf D Alwa Asuf d alwa megh tisseren S el waqqen hegh anukmamnen S el…
Asuf D Alwa Nostalgie et solitude Longing and loneliness Asuf d alwa…
Chaghaybou Khaya la n manin da Khaya la tassanin da tahi nay…
Chatma Send out the rallying cry, my sisters All over the village U…
Chet Boghassa War t'islenet chet Boghassa Is n'idja daraba iyet n'igla War…
Cler Achel Jklerh achel udwer ehadh Jklerh achel udwer ehadh Lerh azama…
Djegh Ishilan Djegh ichilan dagh mane arghe3 Zinizdjoumough diha dinsegh …
Fog Edaghàn Oulhin zhaydar ahak anagh Anagh tidit hound har anagh Fog ed…
Hayati حياتي غرامي حنوا عليا شوية شوية حنوا عليا شوية شوية حياتي غر…
Iket adjen J′me bats plus, j'suis calibré j′ai un Glock J'me vé-sau, j'…
Imazeghen N Adagh It's like a jungle sometimes, it makes me wonder How I…
Imdiwanin ahi Tifhamam Friends, companions, understand me Don′t think that I'm abou…
Imidiwan Ahi Sigdim Imidiwan ma tennam dagh awa dagh enha semmen Tenere den tas-…
Imidiwan Ma Tenam What have you got to say my friends? Mes amis que…
Imidiwan Ma Tennam What have you got to say my friends? Mes amis que…
Imidiwan Mahitinam Quiere que lo mueva así, sí, sí, sí Ah-ah, es ahí,…
Imidiwan Win Sahara Amis du Sahara My friends of Sahara Imidiwan n Sahara I…
Iswegh Attay J'ai bu un thé I drank some tea Taqqalahi tisnant alsh…
Kel Tamashek Kal tamashak isswadhat Kal tamashak ibdidat Inhalghalim tarm…
Lulla This is not a love song This is not a love…
Matadjem Yinmixan MATADJEM YINMIXAN (Why all this hate between you) MATADJE…
Nànnuflày Kàla t-illegh Ibda nànnuflày Nilmàd s-àddunya Harkuk tàmmutt…
Oualahila Ar Tesninam Oulahila ar tesninam Tekmi wendeghman terhinam Idjadikou ou …
Sastanàqqàm Ténéré sastanàqqàm Indek tifut n- imidiwàn Tiled tasnit, til…
Soixante Trois 63 has gone, but will return Those days have left their…
Tahalamot Last night, when I dreamt about Tahalmoyt Of her elegant app…
Tameyawt Tameyawt Tameyawt Tamadroyt tamayawt edey nes wan tallaq…
Tamiditin Tamiditin tan ufrawan mahas naghshad as hitaddlam Tamiditin …
Tamiditin Tan Ufrawan Mon amie la cachottière! My secretive girl friend! Tamid…
Tenalle Chegret Hey oh oh You can think that I'm just playin' games You…
Ténéré Tàqqàl Ténéré Tàqqàl egargar wan fassar Dag aknassan elwan azadan d…
Tenere Taqqim Tossam Le désert est jaloux Jealous Desert Tenere ti nin tener…
Tenhert On the floors of Tokyo Or down in London town to…
Tenhert (The Doe) The doe of Azuzawa is so radiant She was leaving Tin…
Tiliaden Osamnat Les filles sont jalouses Girls are jealous Sobkh n allah so…
Toumast Walking through it Walking in the winter The desert Then I s…
Toumast Tincha Walking through it Walking in the winter The desert Then …
Walla Illa Ulla illa Ulla illa Ulla illa mizimallat gatti lilla Adjoda…
Ya Messinagh Oh Seigneur! Oh Lord! Ya messinagh hikfan lassbarr Tad …
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@HichemMerouche
HELLO ! I saw the video by coincidence and couldn't stay silent on some things.
I hope you guys OVELA & M-ANGEL take a little time to read this.
First, calling TINARIWEN an "Algerian band" is somehow like calling a native american band "a USA band" or calling a Chechen band a "Russian band". It is like going exactly against who they are. Actually, TINARIWEN Lyrics & music is all about claiming that they are neither Algerian nor Malian. They gave all their life to trying to get their autonomous state-nation Azawad, the confederation of the Touareg tribes. Actually most of TINARIWEN members were part of the Touareg rebellion in the 80/90s, they were military trained in Libya to fight against the Malian army. They first started playing in military camps to later moving into a dedicated professional music band.
Second, M-ANGEL was right when asking "Why is that surprising that they play electric guitar", and OVELA was wrong when saying that "Electric guitar is not part of the Algerian culture". The guitar as an instrument even before the invention of the electric, has always been a fundamental instrument in all Algerian music styles. Starting from the classical music groups, to Chaabi music (popular music), to Kabyile music, to Malouf music...etc. An here I am speaking about the period from the 1880 to 1960. Later when the electric guitar came, it didn't take a lot of time to be also adopted in different music styles practiced by Algerians, the most famous and international style was the Rai music that started flourishing in the 80s, famous names are Cheb Khaled, Raina Rai, Cheba Zahouania, Cheb Mami...etc. Now going back to TINARIWEN, the band was actually playing since the 70s without international acclaim usinf the same guitars you see today. What i want to say is that they were playing their original style while Zepplin or Zappa or Santana were playing. It's just that in the middle of the sands there were no means of communication or media by that time.
The last thing i wanted to say is that Touareg is not "the people of the desert" as OVELA said, they are "part" of the people of the desert. The North african sahara, that is geographically the biggest in the world, has been since thousands of years the land of different Amazigh ethnic groups, among them the Touareg (which also differ in tribes).
Basically, what TINARIWEN sings (and what they were military fighting for) is that colonialism has left states that put borders in the desert, and separated the Touareg, and imposed their constitution on them, and they don't want this.
Peace.
@thidetculture3147
The electric guitar is very present in Algerian culture I mean this genre of Tuareg music is literally called desert Blues.
@musiclover-jz8cf
Its calles tichoumaren in local.language
@wassimwassim-kn9bo
😘😘🇩🇿🇩🇿💪thank you
@atlasmansouri
They originally from Mali they formed the group in Tamenrasset south of Algeria due to civil war in Mali.
@hamzafahmi8177
The band members are from azawad mali formed in tamnrasset southern algeria and this video clip was filmed in mhamid lghzlane moroccan sahara
@salimsaad9725
The band members are from MALI not algeria.
@zargoBenzE-yo7oq
الجزااااااااااااااااااااااااااااااااااااااااااااااااااااااااااااااااائر ... تحيا الجزااائر
الفن الأصل التارقي الأمازيغي .. الطوارق الجنوب الجزائر ... walcom algeria ...
@makchoftv9772
Tinariwen (Tamasheq: ⵜⵏⵔⵓⵏ, with vowels ⵜⵉⵏⴰⵔⵉⵓⴻⵏ, pronounced tinariwen "deserts", plural of ténéré "desert"[1]) is a Grammy Award-winning group of Tuareg musicians from the Sahara Desert region of northern Mali. The band was formed in 1979[2] in Tamanrasset, Algeria, but returned to Mali after a cease-fire in the 1990s.[3] The group first started to gain a following outside the Sahara region in 2001 with the release of The Radio Tisdas Sessions, and with performances at Festival au Désert in Mali[4] and the Roskilde Festival in Denmark.[5] Their popularity rose internationally with the release of the critically acclaimed Aman Iman in 2007. NPR calls the group "music's true rebels,"[6] AllMusic deems the group's music "a grassroots voice of rebellion,"[7] and Slate calls the group "rock 'n' roll rebels whose rebellion, for once, wasn't just metaphorical."[8]
@zakshippudan
mann they are algero malien belong to region which is placed in part on mali and the other part on algeria they speak twaregh targuist are the most of them on algeria sahara go read the story
@salimsaad9725
STOP the cultural appropriation. They have nothing to do with algeria! They are From Mali!@@zakshippudan