Andres Calamaro is one of the most popular Argentinian pop-rock songwriters… Read Full Bio ↴Andres Calamaro is one of the most popular Argentinian pop-rock songwriters. A songs craftsman, as he likes to consider himself.

Born Aug 22, 1961 in Buenos Aires, Argentina, he began his professional musical career at the age of 17 playing keyboards in Raíces.
In 1981 he incorporated to one of the main bands of the Argentinean '80s rock scene: Los Abuelos de la Nada. Although the band was led by the brilliant Miguel Abuelo, Calamaro composed most of the band's hits, like "Mil Horas," "Así es el calor," "Sin gamulán" and "Costumbres Argentinas."

In 1984 he made his solo debut with Hotel Calamaro. The album was a bizarre mix of styles and musicians, and didn't gain public or press support.

In 1985 he left Los Abuelos de la Nada and registered his second album Vida Cruel. Inspite of the important musicians and guests, such as Luis Alberto Spinetta and Charly García, the album was a disappointment: both commercially and artistically. But if as a songwriter the luck was out of reach, he had an intense and successful work as a producer of bands like Los Enanitos Verdes, Los Fabulosos Cadillacs and Don Cornelio y la zona. He also worked and collaborated with many artists of different styles and genres, a constant attitude through his whole career. The third album Por Mirarte showed Calamaro in a better shape with an established band. Released in 1988 it contains some outstanding songs such as "Con los dientes apretados" and "Me olvidé de los demás," while others like "Cartas sin Marcar" and "Loco por tí" helped the album to get popular.

When Calamaro released in 1989 Nadie Sale Vivo de Aquí, Argentina was living it's worst economical crisis: few albums were released. The album title suggest it all: Nobody comes out alive from here. The LP production was paralyzed, and the few that could make it were almost ignored. That was Calamaro's case. This situation lead the singer to settle in Spain, following a road taken by many Argentinean rockers. Out there in Spain he met Ariel Rot y Javier Infante, former members of Tequila. They formed Los Rodríguez in 1991, a pop-rock band that was very popular in Spain and Latin America: Calamaro's songs began to be popular like in the early '80s: the hit maker was on the road again. Curiously, from Spain, he was conquering Argentina. While being part of the band he didn't release any new solo material, just Grabaciones Encontradas 1 y 2, a couple of CDs that contained unreleased and rare material from the '80s.

After the split of Los Rodríguez, Calamaro returned to his solo career recording Alta Suciedad in 1997, an album produced by Joe Blaney. This album brought him the commercial success that seemed to fail in his previous solo efforts, and sold 300.000 copies just in Argentina. That is certainly a huge amount for the country's small market. No doubts, that album helped him to be placed between the star legends of the national rock scene. Before that album Calamaro was considered an important character, appreciated by other musicians, but not a main one. After he broke up with his spanish girlfriend he released in 1999 the double CD Honestidad Brutal. Recorded when he was 37, it contained 37 songs of despair, love loss, drugs and regret. It was not as successful at the previous album, but showed a new Calamaro: desperate, decadent and often elegant at the same time, with a new and raw lyrical approach. El Salmon followed in spring 2001.
Calamaro's next proyect, El Cantante, was released in 2005. A delicious mixture of tango, rock n'roll and flamenco guitars (mostly played by spanish prodigy El Niño Josele).
After a break, he returned to the stages with a tour full of classics that gave birth to a live album called El Regreso on 2005, recorded with members of Bersuit Vergarabat as a backing band. This album was very well received for the charts as well as for the critics, wich lead him to different awards. One year later, on 2006, Andres published a new album from the roots of tango with the collaboration of guitarrists Niño Josele and Juanjo Dominguez. On 2007 El palacio de las flores was published, although it was recorded on 2006. The album had the collaboration and musical influence of argentine composer Lito Nebbia and was also recorded on his studio. This was the return to a classic Calamaro album with new songs and hits.

You Wont See Me
Andrés Calamaro Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

When I call you up
your line's engaged
I have had enough
So act your age.

We have lost the time
that was so hard to find
And I will lose my mind

If you won't see me
you won't see me.

I don't know why you
should want to hide.
But I can't get through
my hands are tied
I won't want to stay
I don't have much to say
But I can't turn away
And you won't see me
you won't see me.

Time after time
You refuse to even listen
I wouldn't mind
If I knew what I was missing.

Though the days are few
They're filled with tears
And since I lost you
It feels like years
Yes, it seems so long.
Girl, since you've been gone
And I just can't go on
If you won't see me
you won't see me.

Time after time
You refuse to even listen
I wouldn't mind
If I knew what I was missing.

Though the days are few
They're filled with tears
And since I lost you
It feels like years.
Yes, it seems so long
Girl, since you've been gone

And I just can't go on
If you won't see me you won't see me.

Overall Meaning

The lyrics of Andrés Calamaro's song "You Won't See Me" express feelings of frustration, longing, and sadness in a relationship that has lost its connection. The song portrays a one-sided communication where the singer tries to reach out to someone who continuously ignores them. The first verse talks about the singer attempting to call the person, but their line is always engaged, indicating that they are purposely avoiding contact. The line "So act your age" suggests that the singer is disappointed in the person's immaturity and inability to handle the situation like an adult.

The second verse reflects the singer's confusion and helplessness in the relationship dynamics. The phrase "But I can't get through, my hands are tied" implies that they are powerless to change the situation or make the other person understand their perspective. Despite not having much to say and not wanting to stay, the singer cannot turn away, showing their desperation for the other person to acknowledge their presence and emotions.

The chorus highlights the familiar pattern of the person disregarding the singer's attempts to communicate. The repeated line "You won't see me" emphasizes the disappointment and pain caused by this lack of recognition. The lyrics convey a sense of time passing by, with the days feeling like years since the person has been gone, indicating the depth of the singer's longing. The repeated phrase "If you won't see me, you won't see me" at the end further emphasizes the heart-wrenching impact of being ignored.

Overall, "You Won't See Me" delves into the frustration and longing one experiences in a relationship where their attempts at communication are constantly ignored. The lyrics depict the singer's emotional struggle and the toll it takes on their mental state.

You Wont See MeAndrés Calamaro Lyrics

You Wont See Me
Andrés Calamaro Lyrics