Born Aug 22, 1961 in Buenos Aires, Argentina, he began his professional musical career at the age of 17 playing keyboards in Raíces.
In 1981 he incorporated to one of the main bands of the Argentinean '80s rock scene: Los Abuelos de la Nada. Although the band was led by the brilliant Miguel Abuelo, Calamaro composed most of the band's hits, like "Mil Horas," "Así es el calor," "Sin gamulán" and "Costumbres Argentinas."
In 1984 he made his solo debut with Hotel Calamaro. The album was a bizarre mix of styles and musicians, and didn't gain public or press support.
In 1985 he left Los Abuelos de la Nada and registered his second album Vida Cruel. Inspite of the important musicians and guests, such as Luis Alberto Spinetta and Charly García, the album was a disappointment: both commercially and artistically. But if as a songwriter the luck was out of reach, he had an intense and successful work as a producer of bands like Los Enanitos Verdes, Los Fabulosos Cadillacs and Don Cornelio y la zona. He also worked and collaborated with many artists of different styles and genres, a constant attitude through his whole career. The third album Por Mirarte showed Calamaro in a better shape with an established band. Released in 1988 it contains some outstanding songs such as "Con los dientes apretados" and "Me olvidé de los demás," while others like "Cartas sin Marcar" and "Loco por tí" helped the album to get popular.
When Calamaro released in 1989 Nadie Sale Vivo de Aquí, Argentina was living it's worst economical crisis: few albums were released. The album title suggest it all: Nobody comes out alive from here. The LP production was paralyzed, and the few that could make it were almost ignored. That was Calamaro's case. This situation lead the singer to settle in Spain, following a road taken by many Argentinean rockers. Out there in Spain he met Ariel Rot y Javier Infante, former members of Tequila. They formed Los Rodríguez in 1991, a pop-rock band that was very popular in Spain and Latin America: Calamaro's songs began to be popular like in the early '80s: the hit maker was on the road again. Curiously, from Spain, he was conquering Argentina. While being part of the band he didn't release any new solo material, just Grabaciones Encontradas 1 y 2, a couple of CDs that contained unreleased and rare material from the '80s.
After the split of Los Rodríguez, Calamaro returned to his solo career recording Alta Suciedad in 1997, an album produced by Joe Blaney. This album brought him the commercial success that seemed to fail in his previous solo efforts, and sold 300.000 copies just in Argentina. That is certainly a huge amount for the country's small market. No doubts, that album helped him to be placed between the star legends of the national rock scene. Before that album Calamaro was considered an important character, appreciated by other musicians, but not a main one. After he broke up with his spanish girlfriend he released in 1999 the double CD Honestidad Brutal. Recorded when he was 37, it contained 37 songs of despair, love loss, drugs and regret. It was not as successful at the previous album, but showed a new Calamaro: desperate, decadent and often elegant at the same time, with a new and raw lyrical approach. El Salmon followed in spring 2001.
Calamaro's next proyect, El Cantante, was released in 2005. A delicious mixture of tango, rock n'roll and flamenco guitars (mostly played by spanish prodigy El Niño Josele).
After a break, he returned to the stages with a tour full of classics that gave birth to a live album called El Regreso on 2005, recorded with members of Bersuit Vergarabat as a backing band. This album was very well received for the charts as well as for the critics, wich lead him to different awards. One year later, on 2006, Andres published a new album from the roots of tango with the collaboration of guitarrists Niño Josele and Juanjo Dominguez. On 2007 El palacio de las flores was published, although it was recorded on 2006. The album had the collaboration and musical influence of argentine composer Lito Nebbia and was also recorded on his studio. This was the return to a classic Calamaro album with new songs and hits.
Cocaine
Andrés Calamaro Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
If you wanna be down, down on the ground...cocaine
She don't lie, she don't lie, she don't lie...cocaine
If you come back loose, you wanna get them blues...cocaine
When your day is done, and you wanna run on...cocaine
She don't lie, she don't lie, she don't lie...cocaine
If your evening's gone, and you wanna ride on..cocaine
Don't forget this fact, you can't get back... cocaine
The lyrics to Andrés Calamaro's song "Cocaine" provide a straightforward portrayal of the allure and dangers associated with drug addiction. The song repeatedly emphasizes the idea that if one wants to experience the highs and euphoria, they have to embrace cocaine. Conversely, if one wants to feel low and disconnected, they can also turn to cocaine. The repeated line "she don't lie, she don't lie, she don't lie" suggests that cocaine itself is consistent in its effects, never deceiving or altering its impact on the user.
The lyrics also touch upon the consequences of cocaine use. When someone is feeling loose and carefree, they may seek cocaine to amplify their experience, but it comes with the risk of falling into a state of blues or depression. The mention of wanting to run on cocaine when the day is done implies a desire to escape from the difficulties and stresses of life. However, the song cautions against relying on cocaine to find solace, as it states, "Don't forget this fact, you can't get back... cocaine." This line emphasizes that once entangled in the grip of addiction, it becomes nearly impossible to regain control.
Overall, "Cocaine" serves as a poignant reflection on the enticement and devastating consequences of drug addiction. It highlights the temporary highs, the potential for lows, and the irreversible damage that can occur when one becomes reliant on a substance that provides an illusory escape.
Line by Line Meaning
If you wanna be up, you got to take along...cocaine
If you want to feel energized and high, you must have cocaine with you.
If you wanna be down, down on the ground...cocaine
If you want to feel relaxed and low, you must have cocaine with you.
She don't lie, she don't lie, she don't lie...cocaine
Cocaine doesn't deceive or mislead; it has predictable effects.
If you come back loose, you wanna get them blues...cocaine
If you return feeling restless or disconnected, you seek the comfort of cocaine to alleviate sadness or blues.
When your day is done, and you wanna run on...cocaine
After a tiring day when you want to keep going, cocaine gives you the energy boost to continue.
If your evening's gone, and you wanna ride on...cocaine
When the enjoyment of your evening is fading, cocaine allows you to continue the high and excitement.
Don't forget this fact, you can't get back... cocaine
Remember that once you consume cocaine, you can't go back or undo its effects.
She don't lie, she don't lie, she don't lie... cocaine
Cocaine remains consistent in its effects, never deceiving or hiding its true nature.
Lyrics © BMG Rights Management
Written by: J. J. Cale
Lyrics Licensed & Provided by LyricFind
Leitoo Navarro
qué grande Andres
LA GRIETA ROCK
EL MAS GRANDE
Martina Correa
Sos capo andrelo!! Te queremos Clapton
Facundo Cuozzo
No es de Clapton el tema, lo canta siempre pero es de JJ Cale, muy recomendable!
Verde V
No me gustó, me quedo con Clapton