Born Aug 22, 1961 in Buenos Aires, Argentina, he began his professional musical career at the age of 17 playing keyboards in Raíces.
In 1981 he incorporated to one of the main bands of the Argentinean '80s rock scene: Los Abuelos de la Nada. Although the band was led by the brilliant Miguel Abuelo, Calamaro composed most of the band's hits Read Full BioAndres Calamaro is one of the most popular Argentinian pop-rock songwriters. A songs craftsman, as he likes to consider himself.
Born Aug 22, 1961 in Buenos Aires, Argentina, he began his professional musical career at the age of 17 playing keyboards in Raíces.
In 1981 he incorporated to one of the main bands of the Argentinean '80s rock scene: Los Abuelos de la Nada. Although the band was led by the brilliant Miguel Abuelo, Calamaro composed most of the band's hits, like "Mil Horas," "Así es el calor," "Sin gamulán" and "Costumbres Argentinas."
In 1984 he made his solo debut with Hotel Calamaro. The album was a bizarre mix of styles and musicians, and didn't gain public or press support.
In 1985 he left Los Abuelos de la Nada and registered his second album Vida Cruel. Inspite of the important musicians and guests, such as Luis Alberto Spinetta and Charly García, the album was a disappointment: both commercially and artistically. But if as a songwriter the luck was out of reach, he had an intense and successful work as a producer of bands like Los Enanitos Verdes, Los Fabulosos Cadillacs and Don Cornelio y la zona. He also worked and collaborated with many artists of different styles and genres, a constant attitude through his whole career. The third album Por Mirarte showed Calamaro in a better shape with an established band. Released in 1988 it contains some outstanding songs such as "Con los dientes apretados" and "Me olvidé de los demás," while others like "Cartas sin Marcar" and "Loco por tí" helped the album to get popular.
When Calamaro released in 1989 Nadie Sale Vivo de Aquí, Argentina was living it's worst economical crisis: few albums were released. The album title suggest it all: Nobody comes out alive from here. The LP production was paralyzed, and the few that could make it were almost ignored. That was Calamaro's case. This situation lead the singer to settle in Spain, following a road taken by many Argentinean rockers. Out there in Spain he met Ariel Rot y Javier Infante, former members of Tequila. They formed Los Rodríguez in 1991, a pop-rock band that was very popular in Spain and Latin America: Calamaro's songs began to be popular like in the early '80s: the hit maker was on the road again. Curiously, from Spain, he was conquering Argentina. While being part of the band he didn't release any new solo material, just Grabaciones Encontradas 1 y 2, a couple of CDs that contained unreleased and rare material from the '80s.
After the split of Los Rodríguez, Calamaro returned to his solo career recording Alta Suciedad in 1997, an album produced by Joe Blaney. This album brought him the commercial success that seemed to fail in his previous solo efforts, and sold 300.000 copies just in Argentina. That is certainly a huge amount for the country's small market. No doubts, that album helped him to be placed between the star legends of the national rock scene. Before that album Calamaro was considered an important character, appreciated by other musicians, but not a main one. After he broke up with his spanish girlfriend he released in 1999 the double CD Honestidad Brutal. Recorded when he was 37, it contained 37 songs of despair, love loss, drugs and regret. It was not as successful at the previous album, but showed a new Calamaro: desperate, decadent and often elegant at the same time, with a new and raw lyrical approach. El Salmon followed in spring 2001.
Calamaro's next proyect, El Cantante, was released in 2005. A delicious mixture of tango, rock n'roll and flamenco guitars (mostly played by spanish prodigy El Niño Josele).
After a break, he returned to the stages with a tour full of classics that gave birth to a live album called El Regreso on 2005, recorded with members of Bersuit Vergarabat as a backing band. This album was very well received for the charts as well as for the critics, wich lead him to different awards. One year later, on 2006, Andres published a new album from the roots of tango with the collaboration of guitarrists Niño Josele and Juanjo Dominguez. On 2007 El palacio de las flores was published, although it was recorded on 2006. The album had the collaboration and musical influence of argentine composer Lito Nebbia and was also recorded on his studio. This was the return to a classic Calamaro album with new songs and hits.
Flaca
Andrés Calamaro Lyrics
Jump to: Overall Meaning | Line by Line Meaning
Tus puñales
Por la espalda
Tan profundo
No me duelen
No me hacen mal
Lejos
En el centro
De la tierra
Las raíces
Del amor
Donde estaban
Quedarán
Entre el no me olvides
Me dejes nuestros abriles olvidados
En el fondo del placard
Del cuarto de invitados
Eran tiempos dorados
De un pasado mejor
Aunque casi me equivoco
Y te digo poco a poco
No me mientas
No me digas la verdad
No te quedes callada
No levantes la voz
Ni me pidas perdón
Aunque casi te confieso
Que también he sido un perro compañero
Un perro ideal que aprendió a nadar
Y a volver al hogar
Para poder comer
Flaca no me claves
Tus puñales
Por la espalda
Tan profundo
No me duelen
No me hacen mal
Lejos
En el centro
De la tierra
Las raíces
Del amor
Donde estaban
Quedarán
The song "Flaca" by Andrés Calamaro is a poignant ballad that explores the complexity of a past relationship. The opening lines, "Flaca no me claves tus puñales por la espalda tan profundo, no me duelen, no me hacen mal" (Skinny, don't stab me in the back with your knives so deep, they don't hurt me, they don't do me harm), speak of a betrayal that the speaker has come to terms with. Though they acknowledge the hurt, it no longer impacts them in the present moment. The following lines describe the speaker's memories of their past love, saying that the roots of their love will remain even though they are now far apart. The chorus repeats this idea of the unbreakable roots of their love, no matter how far they are from each other.
The second verse delves deeper into their memories, with the lines "Entre el no me olvides, me dejes nuestros abriles olvidados en el fondo del placard del cuarto de invitados" (Among the "don't forget me's," you leave behind our forgotten Aprils in the back of the guest room closet). These lines suggest that while both parties have moved on, there are remnants of their past together that will not fade away. The final lines of the song reveal the possible guilt the speaker feels in their role in the relationship's demise. They ask their past love to be honest with them, though they acknowledge that they might not have always been the best partner either. By the end, the song seems to conclude that while the pain of the past still lingers, there is a sense of mutual respect for everything they shared.
Line by Line Meaning
Flaca no me claves
Do not hurt me, Flaca
Tus puñales
With your words and actions
Por la espalda
Behind my back
Tan profundo
In a deep way
No me duelen
They don't hurt me now
No me hacen mal
They don't harm me anymore
Lejos
Far away
En el centro
In the center
De la tierra
Of the earth
Las raíces
The roots
Del amor
Of love
Donde estaban
Where they used to be
Quedarán
They will remain
Entre el no me olvides
Among 'don't forget me'
Me dejes nuestros abriles olvidados
Leave behind our forgotten Aprils
En el fondo del placard
At the bottom of the closet
Del cuarto de invitados
In the guest room
Eran tiempos dorados
They were golden times
De un pasado mejor
From a better past
Aunque casi me equivoco
Although I almost made a mistake
Y te digo poco a poco
And I tell you little by little
No me mientas
Don't lie to me
No me digas la verdad
Don't tell me the truth
No te quedes callada
Don't stay silent
No levantes la voz
Don't raise your voice
Ni me pidas perdón
Nor ask for forgiveness
Aunque casi te confieso
Although I almost confess to you
Que también he sido un perro compañero
That I have also been a loyal dog
Un perro ideal que aprendió a nadar
An ideal dog that learned to swim
Y a volver al hogar
And return home
Para poder comer
To be able to eat
Lyrics © Sony/ATV Music Publishing LLC
Written by: Andres Calamaro
Lyrics Licensed & Provided by LyricFind
Comercial Tcorp Ingenieria
Acá les dejo la canción XD
Flaca no me claves
Tus puñales
Por la espalda
Tan profundo
No me duelen
No me hacen mal
Lejos
En el centro
De la tierra
Las raíces
Del amor
Donde estaban
Quedarán
Entre el no me olvides
Me dejes nuestros abriles olvidados
En el fondo del placard
Del cuarto de invitados
Eran tiempos dorados
De un pasado mejor
Aunque casi me equivoco
Y te digo poco a poco
No me mientas
No me digas la verdad
No te quedes callada
No levantes la voz
Ni me pidas perdón
Aunque casi te confieso
Que también he sido un perro compañero
Un perro ideal que aprendió a nadar
Y a volver al hogar
Para poder comer
Flaca no me claves
Tus puñales
Por la espalda
Tan profundo
No me duelen
No me hacen mal
Lejos
En el centro
De la tierra
Las raíces
Del amor
Donde estaban
Quedarán
Jhanfer Campos
Flaca no me claves
Tus puñales
Por la espalda
Tan profundo
No me duelen
No me hacen mal
Lejos
En el centro
De la tierra
Las raíces
Del amor
Donde estaban
Quedarán
Entre el no me olvides
Me dejes nuestros abriles olvidados
En el fondo del placard
Del cuarto de invitados
Eran tiempos dorados
De un pasado mejor
Aunque casi me equivoco
Y te digo poco a poco
No me mientas
No me digas la verdad
No te quedes callada
No levantes la voz
Ni me pidas perdón
Aunque casi te confieso
Que también he sido un perro compañero
Un perro ideal que aprendió a nadar
Y a volver al hogar
Para poder comer
Flaca no me claves
Tus puñales
Por la espalda
Tan profundo
No me duelen
No me hacen mal
Lejos
En el centro
De la tierra
Las raíces
Del amor
Donde estaban
Quedarán
malachy mcwilliams
Girl, don´t thrust
your daggers
in my back
so deep
they don´t hurt
they do me no harm.
Far away
on the centre
of the Earth
the roots
of Love
where they were
they shall remain.
Between forget-me-nots **
I left our Aprils forgotten
on the bottom of the placard
from the guest room.
Those were the golden times
of a better past.
Even though I almost erred
and told you little by little
don´t lie to me,
don´t tell me the truth,
don´t stay silent,
don´t raise your voice
nor ask me for forgiveness.
Even though I almost confessed
that I have been a dog of a partner *
an ideal dog that learned to bark
and to come back home
so it could eat.
Girl, don´t thrust
your daggers
in my back
so deep
they don´t hurt
they do me no harm.
Far away
on the centre
of the Earth
the roots
of Love
where they were
they shall remain.
Aldo Espinoza Flores
Aqui la letra amigos
Flaca no me claves
Tus puñales
Por la espalda
Tan profundo
No me duelen
No me hacen mal
Lejos
En el centro
De la tierra
Las raíces
Del amor
Donde estaban
Quedarán
Entre el no me olvides
Me dejes nuestros abriles olvidados
En el fondo del placard
Del cuarto de invitados
Eran tiempos dorados
De un pasado mejor
Aunque casi me equivoco
Y te digo poco a poco
No me mientas
No me digas la verdad
No te quedes callada
No levantes la voz
Ni me pidas perdón
Aunque casi te confieso
Que también he sido un perro compañero
Un perro ideal que aprendió a nadar
Y a volver al hogar
Para poder comer
Flaca no me claves
Tus puñales
Por la espalda
Tan profundo
No me duelen
No me hacen mal
Lejos
En el centro
De la tierra
Las raíces
Del amor
Donde estaban
Quedarán
Jeferson Jesus Bereche Sernaque
Flaca no me claves
Tus puñales
Por la espalda
Tan profundo
No me duelen
No me hacen mal
Lejos
En el centro
De la tierra
Las raíces
Del amor
Donde estaban
Quedarán
Entre el no me olvides
Me dejes nuestros abriles olvidados
En el fondo del placard
Del cuarto de invitados
Eran tiempos dorados
De un pasado mejor
Aunque casi me equivoco
Y te digo poco a poco
No me mientas
No me digas la verdad
No te quedes callada
No levantes la voz
Ni me pidas perdón
Aunque casi te confieso
Que también he sido un perro compañero
Un perro ideal que aprendió a nadar
Y a volver al hogar
Para poder comer
Flaca no me claves
Tus puñales
Por la espalda
Tan profundo
No me duelen
No me hacen mal
Lejos
En el centro
De la tierra
Las raíces
Del amor
Donde estaban
Quedarán
yelipza diaz morales
Flaca no me claves
tus puñales
por la espalda
tan profundo
no me duelen
no me hacen mal
Lejos
en el centro
de la tierra
las raíces
del amor
donde estaban
quedarán
Entre el no me olvides
me dejes nuestros abriles olvidados
en el fondo del placard
del cuarto de invitados
eran tiempos dorados
de un pasado mejor
Aunque casi me equivoco
y te digo poco a poco
no me mientas
no me digas la verdad
no te quedes callada
no levantes la voz
no me pidas perdón
Aunque casi te confieso
que también he sido un perro compañero
un perro ideal que aprendió a nadar
y a volver al hogar
para poder comer
Flaca no me claves
tus puñales
por la espalda
tan profundo
no me duelen
no me hacen mal
Lejos
en el centro
de la tierra
las raíces
del amor
donde estaban
quedarán
Gonzalo Ríos
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