Born Aug 22, 1961 in Buenos Aires, Argentina, he began his professional musical career at the age of 17 playing keyboards in Raíces.
In 1981 he incorporated to one of the main bands of the Argentinean '80s rock scene: Los Abuelos de la Nada. Although the band was led by the brilliant Miguel Abuelo, Calamaro composed most of the band's hits, like "Mil Horas," "Así es el calor," "Sin gamulán" and "Costumbres Argentinas."
In 1984 he made his solo debut with Hotel Calamaro. The album was a bizarre mix of styles and musicians, and didn't gain public or press support.
In 1985 he left Los Abuelos de la Nada and registered his second album Vida Cruel. Inspite of the important musicians and guests, such as Luis Alberto Spinetta and Charly García, the album was a disappointment: both commercially and artistically. But if as a songwriter the luck was out of reach, he had an intense and successful work as a producer of bands like Los Enanitos Verdes, Los Fabulosos Cadillacs and Don Cornelio y la zona. He also worked and collaborated with many artists of different styles and genres, a constant attitude through his whole career. The third album Por Mirarte showed Calamaro in a better shape with an established band. Released in 1988 it contains some outstanding songs such as "Con los dientes apretados" and "Me olvidé de los demás," while others like "Cartas sin Marcar" and "Loco por tí" helped the album to get popular.
When Calamaro released in 1989 Nadie Sale Vivo de Aquí, Argentina was living it's worst economical crisis: few albums were released. The album title suggest it all: Nobody comes out alive from here. The LP production was paralyzed, and the few that could make it were almost ignored. That was Calamaro's case. This situation lead the singer to settle in Spain, following a road taken by many Argentinean rockers. Out there in Spain he met Ariel Rot y Javier Infante, former members of Tequila. They formed Los Rodríguez in 1991, a pop-rock band that was very popular in Spain and Latin America: Calamaro's songs began to be popular like in the early '80s: the hit maker was on the road again. Curiously, from Spain, he was conquering Argentina. While being part of the band he didn't release any new solo material, just Grabaciones Encontradas 1 y 2, a couple of CDs that contained unreleased and rare material from the '80s.
After the split of Los Rodríguez, Calamaro returned to his solo career recording Alta Suciedad in 1997, an album produced by Joe Blaney. This album brought him the commercial success that seemed to fail in his previous solo efforts, and sold 300.000 copies just in Argentina. That is certainly a huge amount for the country's small market. No doubts, that album helped him to be placed between the star legends of the national rock scene. Before that album Calamaro was considered an important character, appreciated by other musicians, but not a main one. After he broke up with his spanish girlfriend he released in 1999 the double CD Honestidad Brutal. Recorded when he was 37, it contained 37 songs of despair, love loss, drugs and regret. It was not as successful at the previous album, but showed a new Calamaro: desperate, decadent and often elegant at the same time, with a new and raw lyrical approach. El Salmon followed in spring 2001.
Calamaro's next proyect, El Cantante, was released in 2005. A delicious mixture of tango, rock n'roll and flamenco guitars (mostly played by spanish prodigy El Niño Josele).
After a break, he returned to the stages with a tour full of classics that gave birth to a live album called El Regreso on 2005, recorded with members of Bersuit Vergarabat as a backing band. This album was very well received for the charts as well as for the critics, wich lead him to different awards. One year later, on 2006, Andres published a new album from the roots of tango with the collaboration of guitarrists Niño Josele and Juanjo Dominguez. On 2007 El palacio de las flores was published, although it was recorded on 2006. The album had the collaboration and musical influence of argentine composer Lito Nebbia and was also recorded on his studio. This was the return to a classic Calamaro album with new songs and hits.
Papa Say
Andrés Calamaro Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Me das todo lo que puedo
me das todo lo que te puedo pedir
Tus ojos son querer
No se qué funeral quiero
pero lo quiero ya
The lyrics to Andrés Calamaro's song Papa Say are filled with vivid imagery and emotional depth. The first line references Sammy Davis Jr., a famous American entertainer known for his singing, dancing, and acting abilities. The next two lines express gratitude towards someone who is giving everything they can and more, fulfilling all desires and needs. The following line speaks of the intense attraction felt towards this person, describing their eyes as "querer," which translates to "want" or "desire" in Spanish. The final line, "No se qué funeral quiero pero lo quiero ya," is a complex play on words, as the word "funeral" means both "funeral" and "final," suggesting a longing for something that is both eternal and unattainable.
Overall, the lyrics evoke a sense of longing and desire, with a sense of urgency and desperation to attain something that may not even be fully understood. The reference to Sammy Davis Jr. adds another layer of depth, as he was known for struggling with issues of race, identity, and acceptance throughout his career.
Line by Line Meaning
Sammy Davis Jr.
The singer references the famous entertainer, likely to set a tone of artistry and performance throughout the song.
Me das todo lo que puedo
The singer acknowledges that they have been given all that can be provided, but still needs something more.
me das todo lo que te puedo pedir
The singer is aware that they have already received everything asked of the other party, but still requires something more.
Tus ojos son querer
The artist describes the eyes of the other party as wanting, perhaps indicating a desire for something unattainable.
No se qué funeral quiero
The artist is uncertain about what kind of ceremony or farewell they want.
pero lo quiero ya
Despite the singer's uncertainty about what they want, they know that they want it immediately.
Contributed by Zoe J. Suggest a correction in the comments below.
LA GRIETA
GENIO SALMOOON!!!!
Marcelo Javier Osorio Espinoza
Fire in the farm yeah!
Lonesome Blue
Papa Say Ikorok-Calamaro portastudio