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Trio in E-flat major K 498 "Kegelstatt": I. Andante
Wolfgang Amadeus Mozart Lyrics


We have lyrics for these tracks by Wolfgang Amadeus Mozart:

Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agn…
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte Erzeugt von heißer Phantasie, In einer schwärmerischen Stund…
Ave Maria Ave, ave verum corpus natum De Maria virgine Vere passum imm…
Ave Verum Ave ave verum corpus natum de Maria Virgine Vere passum, imm…
Ave verum corpus, K. 618 Ave verum corpus natum de Maria Virgine Vere passum, immolat…
Benedictus Benedictus qui venit in nomine Domine. Hosanna in excelsis!…
Confutatis Confutatis maledictis, flammis acribus addictis, voca me c…
Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen Tod und Verzweiflung…
Der Vogelfänger bin ich ja Der Vogelfänger bin ich ja Stets lustig heissa hopsasa! Ic…
Die Zauberflöte K. 620 Act 2: Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung…
Die Zauberflöte: Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen, Hells Revenge cooks …
Dies Irae Dies irae Dies illa Solvet saeclum en favilla Teste david…
Domine Jesu Domine, Jesu Christe, Rex gloriae, libera animas omnium fid…
Hostias Hostias et preces tibi, Domine laudis offerimus tu suscipe…
Introitus Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Kyrie Kyrie eleison. Christe eleison. Kyrie eleison.…
Lacrimosa Lacrymosa dies illa, qua resurget ex favilla judicandus ho…
O Fortuna O Fortuna, velut Luna statu variabilis, semper crescis a…
Porgi, amor (Le nozze di Figaro) Porgi, amor, qualche ristoro al mio duolo a'miei sospir! O …
Queen Of The Night Aria Der Hölle Rache kocht in meinem herzen Tot und verzweiflung …
Recordare Recordare Jesu pie, quod sum causa tuae viae, ne me perdas…
Requiem 1. Requiem Requiem aeternam dona eis, Domine, et lux…
Requiem, Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Lacrimosa Requiem aeternam dona eis, Domine, et lux perpetua luceat ei…
Rex Tremendae Rex tremandae maiestatis, qui salvandos salvas gratis, sal…
Sanctus Sanctus, sanctus, sanctus Dominus Deus Sabaoth! Pleni sunt…
Tuba Mirum Tuba mirum spargens sonum per sepulchra regionum, coget om…
VII. Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem Agnus…

The lyrics can frequently be found in the comments below, by filtering for lyric videos or browsing the comments in the different videos below.
Most interesting comment from YouTube:

someone random

-Exposition
00:01 Theme 1 (formed by Motif 1, the quaver+grupetto+descending arpeggio motif) - Tonic
00:42 Little coda (a), built from Motif 1 - Tonic
00:55 Bridge - Modulating (V/vi - vi - vimin7b5 - V/V), formed also by Motif 1
01:10 Theme 2 - Dominant (presenting Motif 1 at 01:26)
02:10 Coda a - Dominant
02:22 Bridge - Modulating, built upon Motif 1
02:36 Theme 2 - Subdominant
02:50 Modification of Theme 2 passing through several diminished seventh chords
03:00 Motif 1 on top of an ambiguous and tense harmony (i would say I - ivº7, in G Major, but in this case harmonic analysis is more confusing than useful)
03:12 Bridge similar to Coda a going through the III (03:12) and ii (03:17) degree of Eb Major
03:23 V section going to the tonic
-Reexposition
03:29 Theme 1 - Tonic, note the entrance in canon between the three instruments with Motif 1
03:58 Modulation to the IV degree with an ascending scale on the piano (diminishing the 7th degree so it becomes the V7 of the Subdominant)
04:02 Second half of Theme 1 - Subdominant
04:10 Coda a - Subdominant
04:22 Modulating bridge
04:38 Theme 2 - Tonic (since the ending of the first theme was this time on the tonality of the Subdominant, maintaining the same modulating bridge the tonality goes down a 4th, this means that when in the exposition the bridge conduced from I to V, in the reexposition does the same but from IV to I)
05:22 Coda a
05:35 Final coda, presenting in counterpoint the Motif 1 in different degrees



All comments from YouTube:

Sebastian King

League of legends support team told me to come here to cool off so i wouldnt get mad in-game.

nolu0000

Well? Did it work?

Bad Luck

hahaha same got permabanned

Another Number

LMAOOOO ME TOO TOXIC PIECE OF SHIT

someone random

-Exposition
00:01 Theme 1 (formed by Motif 1, the quaver+grupetto+descending arpeggio motif) - Tonic
00:42 Little coda (a), built from Motif 1 - Tonic
00:55 Bridge - Modulating (V/vi - vi - vimin7b5 - V/V), formed also by Motif 1
01:10 Theme 2 - Dominant (presenting Motif 1 at 01:26)
02:10 Coda a - Dominant
02:22 Bridge - Modulating, built upon Motif 1
02:36 Theme 2 - Subdominant
02:50 Modification of Theme 2 passing through several diminished seventh chords
03:00 Motif 1 on top of an ambiguous and tense harmony (i would say I - ivº7, in G Major, but in this case harmonic analysis is more confusing than useful)
03:12 Bridge similar to Coda a going through the III (03:12) and ii (03:17) degree of Eb Major
03:23 V section going to the tonic
-Reexposition
03:29 Theme 1 - Tonic, note the entrance in canon between the three instruments with Motif 1
03:58 Modulation to the IV degree with an ascending scale on the piano (diminishing the 7th degree so it becomes the V7 of the Subdominant)
04:02 Second half of Theme 1 - Subdominant
04:10 Coda a - Subdominant
04:22 Modulating bridge
04:38 Theme 2 - Tonic (since the ending of the first theme was this time on the tonality of the Subdominant, maintaining the same modulating bridge the tonality goes down a 4th, this means that when in the exposition the bridge conduced from I to V, in the reexposition does the same but from IV to I)
05:22 Coda a
05:35 Final coda, presenting in counterpoint the Motif 1 in different degrees

T. Alexander E.

The Rondo at 12:11 must have inspired Schubert for the Rondo of the A major Sonata D.959

Roger Lipman

Jack Brymer was such a beautiful clarinetist, who always played with the warmest tone, perfect articulation, and that naughty hint of vibrato, perhaps from the jazz gigs he enjoyed ! I miss him and am so pleased to have found this stunning piece

Lock T

absolutely beautiful.

Rhythm & Harmony

Sometimes the clarinet sound close to an oboe. Do you know what I mean? And why is that is so?

kalei marston

Excellent, Thank you

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