Vespers: Ave maria Stella
Claudio Monteverdi (Cremona, May 15, 1567 – Venice, November 29, 1643) was … Read Full Bio ↴Claudio Monteverdi (Cremona, May 15, 1567 – Venice, November 29, 1643) was an Italian composer, violinist and singer.
His work marks the transition from Renaissance to Baroque music. During his long life he produced work that can be classified in both categories, and he was one of the most significant revolutionaries that brought about the change in style. Monteverdi wrote the earliest dramatically viable opera, Orfeo, and was fortunate enough to enjoy fame during his lifetime.
Claudio Monteverdi was born in 1567 in Cremona, Lombardy. His father was Baldassare Monteverdi, a doctor, apothecary and amateur surgeon. He was the oldest of five children. During his childhood, he was taught by Marc'Antonio Ingegneri, the maestro di cappella at the Cathedral of Cremona. The Maestro’s job was to conduct important worship services in accordance with the liturgy of the Catholic Church. Monteverdi learned about music by being part of the cathedral choir. He also studied at the University of Cremona. His first music was written for publication, including some motets and sacred madrigals, in 1582 and 1583.
His first five publications were: 'Sacrae cantiunculae', 1582 (a collection of miniature motets); 'Madrigali Spirituali', 1583 (a volume of which only the bass partbook is extant); 'Canzonette a tre voci', 1584 (a collection of three-voice canzonettes); and the five-part madrigals 'Book I', 1587, and 'Book II', 1590. Monteverdi worked for the court of Mantua first as a singer and violist, then as music director. He worked at the court of Vincenzo I of Gonzaga in Mantua as a vocalist and viol player. In 1602, he was working as the court conductor.[
In 1599 Monteverdi married the court singer Claudia Cattaneo, who died in September 1607. They had two sons (Francesco and Massimilino) and a daughter (Leonora). Another daughter died shortly after birth.
By 1613, he had moved to San Marco in Venice where, as conductor, he quickly restored the musical standard of both the choir and the instrumentalists. The musical standard had declined due to the financial mismanagement of his predecessor, Giulio Cesare Martinengo.[ The managers of the basilica were relieved to have such a distinguished musician in charge, as the music had been declining since the death of Giovanni Croce in 1609.
In 1632, he became a priest. During the last years of his life, when he was often ill, he composed his two last masterpieces: 'Il ritorno d'Ulisse in patria' (The Return of Ulysses, 1641), and the historic opera 'L'incoronazione di Poppea' ('The Coronation of Poppea', 1642), based on the life of the Roman emperor Nero. 'L'incoronazione' especially is considered a culminating point of Monteverdi's work. It contains tragic, romantic, and comic scenes (a new development in opera), a more realistic portrayal of the characters, and warmer melodies than previously heard. It requires a smaller orchestra, and has a less prominent role for the choir. For a long period of time, Monteverdi's operas were merely regarded as a historical or musical interest. Since the 1960s, The Coronation of Poppea has re-entered the repertoire of major opera companies worldwide.
Monteverdi died in Venice on 29 November 1643 and was buried at the church of the Frari.
His work marks the transition from Renaissance to Baroque music. During his long life he produced work that can be classified in both categories, and he was one of the most significant revolutionaries that brought about the change in style. Monteverdi wrote the earliest dramatically viable opera, Orfeo, and was fortunate enough to enjoy fame during his lifetime.
Claudio Monteverdi was born in 1567 in Cremona, Lombardy. His father was Baldassare Monteverdi, a doctor, apothecary and amateur surgeon. He was the oldest of five children. During his childhood, he was taught by Marc'Antonio Ingegneri, the maestro di cappella at the Cathedral of Cremona. The Maestro’s job was to conduct important worship services in accordance with the liturgy of the Catholic Church. Monteverdi learned about music by being part of the cathedral choir. He also studied at the University of Cremona. His first music was written for publication, including some motets and sacred madrigals, in 1582 and 1583.
His first five publications were: 'Sacrae cantiunculae', 1582 (a collection of miniature motets); 'Madrigali Spirituali', 1583 (a volume of which only the bass partbook is extant); 'Canzonette a tre voci', 1584 (a collection of three-voice canzonettes); and the five-part madrigals 'Book I', 1587, and 'Book II', 1590. Monteverdi worked for the court of Mantua first as a singer and violist, then as music director. He worked at the court of Vincenzo I of Gonzaga in Mantua as a vocalist and viol player. In 1602, he was working as the court conductor.[
In 1599 Monteverdi married the court singer Claudia Cattaneo, who died in September 1607. They had two sons (Francesco and Massimilino) and a daughter (Leonora). Another daughter died shortly after birth.
By 1613, he had moved to San Marco in Venice where, as conductor, he quickly restored the musical standard of both the choir and the instrumentalists. The musical standard had declined due to the financial mismanagement of his predecessor, Giulio Cesare Martinengo.[ The managers of the basilica were relieved to have such a distinguished musician in charge, as the music had been declining since the death of Giovanni Croce in 1609.
In 1632, he became a priest. During the last years of his life, when he was often ill, he composed his two last masterpieces: 'Il ritorno d'Ulisse in patria' (The Return of Ulysses, 1641), and the historic opera 'L'incoronazione di Poppea' ('The Coronation of Poppea', 1642), based on the life of the Roman emperor Nero. 'L'incoronazione' especially is considered a culminating point of Monteverdi's work. It contains tragic, romantic, and comic scenes (a new development in opera), a more realistic portrayal of the characters, and warmer melodies than previously heard. It requires a smaller orchestra, and has a less prominent role for the choir. For a long period of time, Monteverdi's operas were merely regarded as a historical or musical interest. Since the 1960s, The Coronation of Poppea has re-entered the repertoire of major opera companies worldwide.
Monteverdi died in Venice on 29 November 1643 and was buried at the church of the Frari.
Vespers: Ave maria Stella
Claudio Monteverdi Lyrics
We have lyrics for these tracks by Claudio Monteverdi:
Lamento della Ninfa Non havea Febo ancora Recato al mondo il dí, Ch'una donzella…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@Delmonaco1969
Ave, estrela do mar,
Santa mãe de Deus.
Sempre virgem maria.
Porta feliz do céu.
Ouvindo aquele "ave"
Dos lábios de gabriel,
Firmai-nos na paz,
Mudai o nome de "eva".
Quebrai dos réus a cadeia.
Trazei aos cegos a luz.
Daí fim aos nossos males,
Implorai-nos todo bem.
Mostrai que sois mãe.
Receba vossas preces
Quem por nós nascendo.
Quis sempre ser vosso.
Virgem singular,
Humilde entre todas,
Livrai-nos do pecado.
Fazei-nos mansos, puros.
Conceda-nos uma vida pura,
Um caminho certo.
Então convosco felizes
Veremos Jesus eternamente.
Louvor para sempre ao pai.
E eterna honra ao cristo
E ao espírito santo.
Aos três um mesmo louvor.
Amém.
@guilhermep8414
1. Ave Maris Stella, Dei Mater alma,
Atque semper virgo, felix coeli porta.
Salut, étoile des mers, Auguste Mère de Dieu, salut,
ô toujours Vierge, heureuse porte du Ciel.
2. Sumens illud Ave Gabrielis ore,
Funda nos in pace, mutans Evae nomen.
Vous qui avez agréé le salut de Gabriel,
daignez en changeant le nom d'Ève nous donner l'Ave de la paix.
3. Solve, vincla reis, profer lumen caecis,
Mala nostra pelle, bona cuncta posce.
Délivrez les captifs, éclairez les aveugles,
chassez loin tous nos maux, demandez pour nous tous les biens.
4. Monstra te esse matrem. Sumat per te preces.
Qui pro nobis natus tulit esse tuus.
Montrez que vous êtes notre Mère, et que par vous reçoive nos prières
Celui qui, né pour nous, a bien voulu être votre Fils.
5. Virgo singularis, inter omnes mitis,
Nos culpis solutos, mites fac et castos.
O Vierge incomparable, douce entre toutes, obtenez-nous,
avec le pardon de nos fautes, la douceur et la chasteté.
6. Vitam praesta puram iter para tutum,
Ut videntes Iesum, semper collaetemur.
Obtenez-nous une vie pure. Écartez le danger de notre chemin,
afin qu'admis à contempler Jésus, nous goûtions l'éternelle joie.
7. Sit laus Deo Patri, summo Christo decus.
Spiritui Sancto, tribus honor unus. Amen.
Louange à Dieu le Père ! Gloire au Christ souverain !
Louange au Saint-Esprit ! Aux trois, un seul et même hommage. Amen.
@Delmonaco1969
Ave Maris Stella
Arautos do Evangelho

Opções
Original Tradução
Ave, Maris Stella
Dei mater alma
Atque semper Virgo
Felix caeli porta
Sumens illud Ave
Gabrielis ore
Funda nos in pace
Mutans Evae nomen
Solve vincla reis
Profer lumen caecis
Mala nostra pelle
Bona cuncta posce
Monstra te esse Matrem
Sumat per te preces
Qui pro nobis natus
Tulit esse tuus
Virgo singularis
Inter omnes mitis
Nos, culpis solutos
Mites fac et castos
Vitam praesta puram
Iter para tutum:
Ut, videntes Jesum
Semper collaetemur
Sit laus Deo Patri
Summo Christo decus
Spiritui Sancto
Tribus honor unus
Amen
@TuomasKourulaGuitar
Mysterious music. This era in music history, the transition between renaissance and early baroque, is fascinating, and (to me) captivating perhaps above any other.
@alistairkewish651
The melody is much older than first supposed…..I cannot detect who composed it if that is the right word…
@ccbtrumpet
Divino, glorioso e perfeito.
@Delmonaco1969
Ave, estrela do mar,
Santa mãe de Deus.
Sempre virgem maria.
Porta feliz do céu.
Ouvindo aquele "ave"
Dos lábios de gabriel,
Firmai-nos na paz,
Mudai o nome de "eva".
Quebrai dos réus a cadeia.
Trazei aos cegos a luz.
Daí fim aos nossos males,
Implorai-nos todo bem.
Mostrai que sois mãe.
Receba vossas preces
Quem por nós nascendo.
Quis sempre ser vosso.
Virgem singular,
Humilde entre todas,
Livrai-nos do pecado.
Fazei-nos mansos, puros.
Conceda-nos uma vida pura,
Um caminho certo.
Então convosco felizes
Veremos Jesus eternamente.
Louvor para sempre ao pai.
E eterna honra ao cristo
E ao espírito santo.
Aos três um mesmo louvor.
Amém.
@marinapegrisch1305
E GLORIOSO 😇
@mariorocci9624
Auguriamoci che un simile capolavoro non venga MAI rimosso da YouTube
@utam.3210
È da morire …❤
@masterchain3335
This piece is simply amazing. Measures 22 and 23 are almost painfully beautiful. I had to track this down after seeing the movie "Baby of Macon" (a really interesting movie but not for the faint of heart) and this piece is featured throughout to amazing effect.
@horsthinze9648
Eine wunderschöne Interpretation!
@maximbosch4236
Monteverdi...